[{"data":1,"prerenderedAt":179},["ShallowReactive",2],{"programme-catabasis":3,"location-outdoor-location-parcheggio-gtt-valdo-fusi-piano-2":106},{"id":4,"date":5,"date_gmt":5,"guid":6,"modified":8,"modified_gmt":8,"slug":9,"status":10,"type":11,"link":12,"title":13,"template":15,"class_list":16,"acf":21,"_links":80},1246,"2026-03-05T09:03:27",{"rendered":7},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1246","2026-03-24T13:53:08","catabasis","publish","programme","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcatabasis\u002F",{"rendered":14},"Catabasis","",[17,11,18,19,20],"post-1246","type-programme","status-publish","hentry",{"title_en":14,"description":15,"description_en":15,"public_program":22,"typology":23,"public_program_typology":22,"from":24,"to":25,"start_time":15,"end_time":15,"media":26,"detailed_schedule_and_date":15,"detailed_schedule_and_date_en":15,"curated_by":58,"other_label":15,"other_label_en":15,"artist":59,"location_type":69,"location":15,"outdoor_location":70,"text_it":78,"text_en":79,"read_more_it":22,"read_more_en":22,"text_read_more_it":15,"text_read_more_en":15,"size":23,"exposed_off":22},false,"0","2026-04-09","2026-06-02",[27],{"acf_fc_layout":28,"image":29,"text_en":15,"text_it":15,"meta_data":22,"size":57},"image",{"ID":30,"id":30,"title":31,"filename":32,"filesize":33,"url":34,"link":35,"alt":15,"author":36,"description":15,"caption":37,"name":38,"status":39,"uploaded_to":4,"date":40,"modified":41,"menu_order":42,"mime_type":43,"type":28,"subtype":44,"icon":45,"width":46,"height":46,"sizes":47,"didascalia_en":37},1247,"Mark Leckey, In This Lingering Twilight Sparkle, 2019","Mark-Leckey-In-This-Lingering-Twilight-Sparkle-2019.jpg",5980871,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcatabasis\u002Fmark-leckey-in-this-lingering-twilight-sparkle-2019\u002F","9","Mark Leckey, In This Lingering Twilight Sparkle (film still), 2019. Courtesy Mark Leckey","mark-leckey-in-this-lingering-twilight-sparkle-2019","inherit","2026-03-04 22:37:38","2026-03-10 15:57:34",0,"image\u002Fjpeg","jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-includes\u002Fimages\u002Fmedia\u002Fdefault.png",2362,{"thumbnail":48,"thumbnail-width":49,"thumbnail-height":49,"medium":50,"medium-width":51,"medium-height":51,"medium_large":34,"medium_large-width":52,"medium_large-height":52,"large":53,"large-width":54,"large-height":54,"1536x1536":34,"1536x1536-width":55,"1536x1536-height":55,"2048x2048":34,"2048x2048-width":56,"2048x2048-height":56},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019-150x150.jpg",150,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019-600x600.jpg",600,768,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019-2000x2000.jpg",1920,1536,2048,"1","Cripta747, Caterina Avataneo",[60],{"ID":61,"post_author":36,"post_date":62,"post_date_gmt":62,"post_content":15,"post_title":63,"post_excerpt":15,"post_status":10,"comment_status":64,"ping_status":64,"post_password":15,"post_name":65,"to_ping":15,"pinged":15,"post_modified":62,"post_modified_gmt":62,"post_content_filtered":15,"post_parent":42,"guid":66,"menu_order":42,"post_type":67,"post_mime_type":15,"comment_count":23,"filter":68},1245,"2026-03-12 08:46:52","Mark Leckey","closed","mark-leckey","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1245","artist","raw","outdoor",[71],{"ID":72,"post_author":36,"post_date":73,"post_date_gmt":73,"post_content":15,"post_title":74,"post_excerpt":15,"post_status":10,"comment_status":64,"ping_status":64,"post_password":15,"post_name":75,"to_ping":15,"pinged":15,"post_modified":73,"post_modified_gmt":73,"post_content_filtered":15,"post_parent":42,"guid":76,"menu_order":42,"post_type":77,"post_mime_type":15,"comment_count":23,"filter":68},1242,"2026-03-09 10:23:04","Parcheggio GTT Valdo Fusi, piano -2","parcheggio-gtt-valdo-fusi-piano-2","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1242","outdoor-location","\u003Cp>Testo di Cripta747 e Caterina Avataneo:\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Catabasis è una nuova commissione site-specific dell’artista britannico Mark Leckey. L’opera riprende nel titolo l’antico mito della discesa agli inferi e si sviluppa come una sequenza non lineare di frammenti, tratti da fotografie di backstage e still dal video O Magic Power of Bleakness (2019), affiancati da immagini AI ispirate all’iconica incisione Nebuchadnezzar (1795) di William Blake. Questi materiali visivi confluiscono in un rito di passaggio onirico, che conduce dall’apparente ordinarietà dell’ambiente urbano verso strati temporali più profondi dove affiorano immaginari arcaici e visioni profetiche. Mentre un gruppo di cinque ragazzi viaggia in regioni spettrali, cultura giovanile, memoria e fantasia si intrecciano e si sovrappongono. Il parcheggio stesso assume un ruolo centrale, riecheggiando le infrastrutture urbane periferiche che ricorrono nella pratica di Leckey e che appartengono tanto alla sua esperienza personale quanto all’aggregazione giovanile in generale. I graffiti presenti nello spazio diventano parte integrante dell’opera, segni di un luogo di transito dove prendono forma l’identità e l’esperienza collettiva. Leckey rintraccia dimensioni di trascendenza osservando il manifestarsi di eventi extraordinari nella contemporaneità mediata dalla tecnologia. È nella trasmissione delle immagini così come nel movimento, una discesa in questo caso, che l’immaginazione collettiva riemerge come apparizione tremolante di futuri possibili.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Biografia dell’artista:\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW113656855 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">Negli ultimi venticinque anni, Mark \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Leckey\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> (nato nel 1964 a \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Birkenhead\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">, Regno Unito) ha esplorato la cultura visiva contemporanea, incanalando le radicali trasformazioni indotte dal passaggio dalle tecnologie analogiche a quelle digitali. Il lavoro di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Leckey\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> è stato oggetto di numerose mostre personali internazionali nel corso degli anni, tra cui all’Espace Louis Vuitton, Tokyo (2024); alla Julia \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Stoschek\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> Collection, Berlino (2022, 2020); alla Tate Britain, Londra (2019); al MoMA PS1, New York (2016-2017); al Museo Madre, Napoli, Italia (2015). Ha partecipato alla Biennale di Belgrado (2021), al Carnegie International (2013), alla \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW113656855 BCX4\">55a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">Biennale di Venezia (2013) e all’\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed GrammarErrorHighlight SCXW113656855 BCX4\">8a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> Biennale di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Gwangju\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> (2010). Nel 2008, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Leckey\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> ha ricevuto il Turner \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Prize\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW113656855 BCX4\" data-ccp-props=\"{"134233117":false,"134233118":false,"335559685":708,"335559738":225,"335559739":225}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Un progetto di Cripta747 e EXPOSED, realizzato con il sostegno di Regione Piemonte e Fondazione CRT. In collaborazione con GTT, promosso da Città di Torino, con il patrocinio di  Circoscrizione 1.\u003C\u002Fp>\n","\u003Cp>Text by Cripta747 e Caterina Avataneo:\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Catabasis is a newly commissioned site-specific intervention by British artist Mark Leckey. Taking its title from the ancient myth of the descent into the underworld, the work unfolds as a non-linear sequence of fragments drawn from footage and behind-the-scenes photographs of Leckey’s video O Magic Power of Bleakness (2019), alongside AI-generated images inspired by the iconic William Blake engraving Nebuchadnezzar (1795). These visual materials coalesce into an oneiric rite of passage leading from the apparent ordinariness of the urban environment, toward deeper temporal layers, where archaic imaginaries and prophetic visions begin to appear. As a group of five boys travels into spectral regions, youth culture, memory and fantasy overlap. The carpark itself plays a significant role, echoing the peripheral urban infrastructures that frequently recur throughout Leckey’s practice and that belong to both his personal experience and the coming of age at large. Its graffiti become integral to the commission, signs of a site of transit where identity and collective experience take shape. Through sampling, recombination and digital manipulation, Leckey traces transcendence, finding the extraordinary in the technologically mediated everyday. It is within movement, a descent in this case, as well as within image-transmission, that the collective imagination resurfaces as a flickering vision of possible futures.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Artist’s biography:\u003C\u002Fp>\n\u003Cp>Over the past twenty-five years, Mark Leckey (born in 1964 in Birkenhead, United Kingdom) has explored contemporary visual culture, channelling the radical transformations brought about by the shift from analogue to digital technologies. Leckey’s work has been the subject of numerous international solo exhibitions over the years, including at Espace Louis Vuitton, Tokyo (2024); Julia Stoschek Collection, Berlin (2022, 2020); Tate Britain, London (2019); MoMA PS1, New York (2016-2017); and the Madre Museum, Naples, Italy (2015). She has participated in the Belgrade Biennial (2021), the Carnegie International (2013), the 55th Venice Biennale (2013) and the 8th Gwangju Biennale (2010). In 2008, Leckey was awarded the Turner Prize.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>A project by Cripta747 and EXPOSED, created with the support of Regione Piemonte and Fondazione CRT. 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