[{"data":1,"prerenderedAt":6219},["ShallowReactive",2],{"exhibitions":3,"programmePage":1558,"locations":1609,"outdoorLocations":3567},[4,119,201,262,339,415,487,565,726,813,892,960,1098,1175,1251,1328,1426,1493],{"id":5,"date":6,"date_gmt":6,"guid":7,"modified":9,"modified_gmt":9,"slug":10,"status":11,"type":12,"link":13,"title":14,"template":16,"class_list":17,"acf":22,"_links":93},1120,"2026-03-02T12:44:32",{"rendered":8},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1120","2026-03-19T16:43:56","acrobati","publish","programme","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Facrobati\u002F",{"rendered":15},"Acrobati 2020-2025","",[18,12,19,20,21],"post-1120","type-programme","status-publish","hentry",{"title_en":23,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":28,"detailed_schedule_and_date":67,"detailed_schedule_and_date_en":68,"curated_by":69,"other_label":16,"other_label_en":16,"artist":70,"location_type":81,"location":82,"outdoor_location":83,"text_it":91,"text_en":92,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"Acrobats 2020-2025",false,"0","2026-04-09","2026-06-02",[29],{"acf_fc_layout":30,"image":31,"text_en":16,"text_it":16,"meta_data":24,"size":66},"image",{"ID":32,"id":32,"title":33,"filename":34,"filesize":35,"url":36,"link":37,"alt":16,"author":38,"description":16,"caption":39,"name":40,"status":41,"uploaded_to":5,"date":42,"modified":43,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":48,"height":49,"sizes":50,"didascalia_en":39},1163,"acrobati#04","acrobati04.jpg",1759177,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002Facrobati04.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Facrobati\u002Facrobati04\u002F","9","Paolo Ventura, Acrobati 2020-2025. ©Paolo Ventura","acrobati04","inherit","2026-03-02 11:52:36","2026-03-10 15:56:50",0,"image\u002Fjpeg","jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-includes\u002Fimages\u002Fmedia\u002Fdefault.png",5863,4220,{"thumbnail":51,"thumbnail-width":52,"thumbnail-height":53,"medium":54,"medium-width":55,"medium-height":56,"medium_large":36,"medium_large-width":57,"medium_large-height":58,"large":59,"large-width":60,"large-height":61,"1536x1536":36,"1536x1536-width":62,"1536x1536-height":63,"2048x2048":36,"2048x2048-width":64,"2048x2048-height":65},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002Facrobati04-150x108.jpg",150,108,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002Facrobati04-600x432.jpg",600,432,768,553,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002Facrobati04-2000x1440.jpg",1920,1382,1536,1106,2048,1474,"1","Sempre aperto","Always open","Paolo Ventura, Walter Guadagnini",[71],{"ID":72,"post_author":73,"post_date":74,"post_date_gmt":74,"post_content":16,"post_title":75,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":77,"to_ping":16,"pinged":16,"post_modified":74,"post_modified_gmt":74,"post_content_filtered":16,"post_parent":44,"guid":78,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1166,"11","2026-03-02 12:43:59","Paolo Ventura","closed","paolo-ventura","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1166","artist","raw","outdoor",null,[84],{"ID":85,"post_author":38,"post_date":86,"post_date_gmt":86,"post_content":16,"post_title":87,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":88,"to_ping":16,"pinged":16,"post_modified":86,"post_modified_gmt":86,"post_content_filtered":16,"post_parent":44,"guid":89,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1212,"2026-03-09 10:25:12","Portici di Piazza San Carlo","portici-di-piazza-san-carlo","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1212","outdoor-location","\u003Cp>Il progetto trae ispirazione dall’archivio fotografico di una coppia di acrobati italiani attivi negli anni Trenta, le cui immagini raccontano non solo numeri di equilibrismo, ma anche il delicato equilibrio della relazione tra i due protagonisti.\u003C\u002Fp>\n\u003Cp>A partire da questo materiale, Paolo Ventura realizza una serie di immagini sospese tra pittura e fotografia, in cui gli acrobati appaiono isolati in una città metafisica e irreale, cifra ricorrente della sua ricerca visiva. I numeri circensi si trasformano così in una metafora del corpo, della memoria e della fragilità dei legami.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Testo di Paolo Ventura:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Qualche anno fa, in un mercatino, mi sono imbattuto in uno straordinario archivio di un’anonima coppia di acrobati italiani, che si esibiva nei teatri in giro per l’Europa negli anni ’30. Mi ha colpito perché l’album rappresentava i numeri di equilibrismo che realizzavano durante i loro spettacoli. Spesso è lei, che tiene sospeso in aria il proprio compagno. Mi è sembrata una metafora perfetta della rappresentazione dell’amore: un equilibrio saldo e fragile.\u003C\u002Fp>\n\u003Cp>Le ultime immagini di loro due mentre si tengono in equilibrio uno con l’altro sono degli anni ’60, loro ormai anziani. L’ultima foto dell’album, dei primi anni 70, ritrae lei da sola, ormai vecchia, che a testa in giù si tiene in equilibrio su un braccio solo.\u003C\u002Fp>\n\u003Cp>Per questo progetto, da loro ispirato, ho isolato le figure e ri-ambientato i loro numeri in una città metafisica ed irreale da me costruita.\u003C\u002Fp>\n\u003Cp>Una lunga storia d’amore.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Biografia dell’artista:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Paolo Ventura è uno dei fotografi italiani più originali. Ha esposto in gallerie e musei in tutto il mondo e da qualche anno predilige la pittura. Tra i suoi libri, \u003Cem>War \u003C\u002Fem>\u003Cem>Souvenir \u003C\u002Fem>(2006), \u003Cem>Winter Stories\u003C\u002Fem> (2009), \u003Cem>L’Automa\u003C\u002Fem> ( 2011), \u003Cem>Short Stories\u003C\u002Fem> (2016), \u003Cem>Quarantine Diary\u003C\u002Fem> (2020), la monografia \u003Cem>Paolo Ventura. Photographs and Drawings\u003C\u002Fem> (2020), \u003Cem>Autobiografia di un Impostore\u003C\u002Fem> (2021) e \u003Cem>Milano Proiezioni Astratte\u003C\u002Fem> (2024) oltre a diversi libri per bambini. Il suo lavoro è presente nelle collezioni del Boston Museum of Fine Arts, della Phillips Collection di Washington, della Maison Européenne de la Photographie di Parigi e del MART – Museo di arte moderna e contemporanea di Trento e Rovereto.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>In collaborazione con: Città di Torino – Dipartimento Gabinetto del Sindaco, Ufficio Look of The City.\u003C\u002Fp>\n","\u003Cp>The project draws inspiration from the photographic archive of a pair of Italian acrobats active in the 1930s, whose images depict not only balancing acts, but also the delicate equilibrium of the relationship between the two protagonists.\u003C\u002Fp>\n\u003Cp>Starting from this material, Paolo Ventura creates a series of images suspended between painting and photography, in which the acrobats appear isolated in a metaphysical and unreal city, a recurring theme in his visual research. The circus acts are thus transformed into a metaphor for the body, memory, and the fragility of bonds.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Text by Paolo Ventura:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">A few years ago, at a flea market, I found an outstanding archive of an anonymous Italian acrobatic couple who performed in European theatres in the 1930s. The photo album struck me with the images of their balancing acts: it is often she who holds her partner aloft. To me, it was the perfect metaphor for love: a steady, yet delicate, equilibrium.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">As the album progresses, the latter images, taken in the 1960s, depict the elderly couple still performing their balancing acts. In contrast, the album’s final photograph from the early Seventies captures only the woman, now alone, suspended head down and balanced on one arm.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">For this project, inspired by the couple, I have isolated their figures and set them in a metaphysical, imaginary, self-constructed city.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">This is a long-lasting love story.\u003C\u002Fspan>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-ccp-props=\"{"335551550":6,"335551620":6}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Artist’s biography:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">Paolo Ventura\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\"> is one of the most innovative photographers in the Italian scene. His works are \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">exhibited\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\"> in art galleries and museums worldwide, and, more recently, his interest has shifted toward painting. He is also an accomplished author, with publications such as \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">\u003Cem>War Souvenir\u003C\u002Fem> \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(2006), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">Winter Stories \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(2009), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cem>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">L’Automa\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\"> (\u003Cem>The Automaton\u003C\u002Fem>, \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">2011), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">\u003Cem>Short Stories\u003C\u002Fem> \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(2016), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">Quarantine Diary \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(2020), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">\u003Cem>Paolo Ventura (the monograph), Photographs and Drawings\u003C\u002Fem> \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(2020), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Autobiografia\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\"> di un \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Impostore\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(\u003Cem>An Imposter’s Autobiography,\u003C\u002Fem> 2021), \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">Milano \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Proiezioni\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Astratte\u003C\u002Fspan> \u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW252299037 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">(\u003Cem>Milano abstract projections\u003C\u002Fem>, 2024), as well as several children’s books. Ventura’s works are part of distinguished collections, including the Boston Museum of Fine Arts, the Phillips Collection in Washington, the Maison \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Européenne\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\"> de la \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Photographie\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\"> in Paris, and the MART – Museum of Modern and Contemporary Art of Trento and \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW252299037 BCX4\">Rovereto\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW252299037 BCX4\">. \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW252299037 BCX4\" data-ccp-props=\"{"335551550":6,"335551620":6}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>In collaboration with: Città di Torino – Dipartimento Gabinetto del Sindaco, Ufficio Look of The City.\u003C\u002Fp>\n",{"self":94,"collection":100,"about":103,"acf:post":106,"wp:attachment":112,"curies":115},[95],{"href":96,"targetHints":97},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1120",{"allow":98},[99],"GET",[101],{"href":102},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[104],{"href":105},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[107,110],{"embeddable":108,"href":109},true,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1212",{"embeddable":108,"href":111},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1166",[113],{"href":114},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1120",[116],{"name":117,"href":118,"templated":108},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",{"id":120,"date":121,"date_gmt":121,"guid":122,"modified":124,"modified_gmt":124,"slug":125,"status":11,"type":12,"link":126,"title":127,"template":16,"class_list":129,"acf":131,"_links":181},1144,"2026-03-03T10:01:30",{"rendered":123},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1144","2026-03-31T08:29:18","donne-in-vista","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdonne-in-vista\u002F",{"rendered":128},"Donne in vista",[130,12,19,20,21],"post-1144",{"title_en":132,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":133,"detailed_schedule_and_date":159,"detailed_schedule_and_date_en":160,"curated_by":161,"other_label":16,"other_label_en":16,"artist":162,"location_type":169,"location":170,"outdoor_location":82,"text_it":179,"text_en":180,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"Women in View ",[134],{"acf_fc_layout":30,"image":135,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":136,"id":136,"title":137,"filename":138,"filesize":139,"url":140,"link":141,"alt":16,"author":38,"description":16,"caption":142,"name":143,"status":41,"uploaded_to":120,"date":144,"modified":145,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":146,"height":147,"sizes":148,"didascalia_en":16},1339,"Imacon Color Scanner","Toni-Thorimbert-Fernanda-Mocavini-Milano-1985.jpg",3710288,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FToni-Thorimbert-Fernanda-Mocavini-Milano-1985.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdonne-in-vista\u002Fimacon-color-scanner\u002F","Toni Thorimbert, Fernanda Mocavini. Milano, 1985","imacon-color-scanner","2026-03-17 18:28:05","2026-03-17 18:28:48",3274,4127,{"thumbnail":149,"thumbnail-width":150,"thumbnail-height":52,"medium":151,"medium-width":152,"medium-height":55,"medium_large":140,"medium_large-width":57,"medium_large-height":153,"large":154,"large-width":155,"large-height":156,"1536x1536":140,"1536x1536-width":157,"1536x1536-height":62,"2048x2048":140,"2048x2048-width":158,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FToni-Thorimbert-Fernanda-Mocavini-Milano-1985-119x150.jpg",119,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FToni-Thorimbert-Fernanda-Mocavini-Milano-1985-476x600.jpg",476,968,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FToni-Thorimbert-Fernanda-Mocavini-Milano-1985-1587x2000.jpg",1587,2000,1219,1625,"09 aprile: 11.00-21.00 \u003Cbr \u002F>\r\n10-11-12 aprile: 11.00-20.00 \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 aprile - 2 giugno\u003Cbr \u002F>\r\nvenerdì - mercoledì: 11.00-19.00\u003Cbr \u002F>\r\ngiovedì: 11.00-21.00 ","April 9: 11 am - 9:00 pm\u003Cbr \u002F>\r\nApril 10-11-12: 11 am - 8 pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nApril 13 to June 2\u003Cbr \u002F>\r\nFriday - Wednesday: 11 am - 7 pm\u003Cbr \u002F>\r\nThursday: 11 am - 9 pm","Walter Guadagnini",[163],{"ID":164,"post_author":73,"post_date":165,"post_date_gmt":165,"post_content":16,"post_title":166,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":167,"to_ping":16,"pinged":16,"post_modified":165,"post_modified_gmt":165,"post_content_filtered":16,"post_parent":44,"guid":168,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1194,"2026-03-03 10:00:54","Toni Thorimbert","toni-thorimbert","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1194","indoor",[171],{"ID":172,"post_author":66,"post_date":173,"post_date_gmt":173,"post_content":16,"post_title":174,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":175,"to_ping":16,"pinged":16,"post_modified":176,"post_modified_gmt":176,"post_content_filtered":16,"post_parent":44,"guid":177,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},128,"2024-03-02 12:58:47","CAMERA - Centro Italiano per la Fotografia","camera-centro-italiano-per-la-fotografia","2026-03-02 17:40:33","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=128","location","\u003Cp>Nella Project Room di CAMERA viene presentata la mostra di Toni Thorimbert, \u003Cem>Donne in vista\u003C\u002Fem>, a cura Walter Guadagnini. Il progetto, nato da un’idea di Luca Beatrice, si presenta come un omaggio di Thorimbert e Guadagnini all’amico prematuramente scomparso.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Una selezione di circa sessanta fotografie, dedicate alla figura femminile e realizzate dal fotografo italo-svizzero in oltre trent’anni di carriera, ritraggono sia figure note sia donne comuni, spaziando tra ritratti ufficiali, scatti privati e fotografie di moda. Come suggerisce il titolo, la mostra mette al centro il volto e il corpo femminile, esaltandone la presenza e l’identità. Due le immagini simboliche – quella della madre e quella della figlia del fotografo – sintetizzano il senso del progetto: raccontare la propria vita attraverso la ricerca della bellezza.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>La mostra continua con un suo \u003Cem>spin-off\u003C\u002Fem> nelle sale dell’\u003Ca href=\"https:\u002F\u002Fwww.nh-collection.com\u002Fit\u002Fhotel\u002Fnh-collection-torino-piazza-carlina\">NH Collection Piazza Carlina\u003C\u002Fa>.\u003C\u002Fp>\n","\u003Cp>CAMERA’s Project Room presents Toni Thorimbert’s exhibition \u003Cem>Donne in vista\u003C\u002Fem> (Women in View), curated by Walter Guadagnini. The project, based on an idea by Luca Beatrice, is a tribute by Thorimbert and Guadagnini to their friend who died prematurely.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>A selection of around sixty photographs dedicated to the female figure and taken by the Italian-Swiss photographer over a career spanning more than thirty years, portraying both famous figures and ordinary women, ranging from official portraits to private shots and fashion photographs. As the title suggests, the exhibition focuses on the female face and body, highlighting their presence and identity. Two symbolic images—that of the photographer’s mother and daughter—summarize the meaning of the project: to recount one’s life through the search for beauty.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>The exhibition continues with a\u003Cem> spin-off\u003C\u002Fem> exhibition in the halls of \u003Ca href=\"https:\u002F\u002Fwww.nh-collection.com\u002Fit\u002Fhotel\u002Fnh-collection-torino-piazza-carlina\">\u003Cspan style=\"text-decoration: underline;\">NH Collection Piazza Carlina\u003C\u002Fspan>\u003C\u002Fa>.\u003C\u002Fp>\n",{"self":182,"collection":187,"about":189,"acf:post":191,"wp:attachment":196,"curies":199},[183],{"href":184,"targetHints":185},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1144",{"allow":186},[99],[188],{"href":102},[190],{"href":105},[192,194],{"embeddable":108,"href":193},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F128",{"embeddable":108,"href":195},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1194",[197],{"href":198},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1144",[200],{"name":117,"href":118,"templated":108},{"id":202,"date":203,"date_gmt":203,"guid":204,"modified":206,"modified_gmt":206,"slug":207,"status":11,"type":12,"link":208,"title":209,"template":16,"class_list":211,"acf":213,"_links":244},1123,"2026-03-05T08:56:21",{"rendered":205},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1123","2026-03-19T16:44:38","5-000-lire-per-un-sorriso","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002F5-000-lire-per-un-sorriso\u002F",{"rendered":210},"5.000 lire per un sorriso",[212,12,19,20,21],"post-1123",{"title_en":214,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":215,"detailed_schedule_and_date":67,"detailed_schedule_and_date_en":68,"curated_by":234,"other_label":16,"other_label_en":16,"artist":16,"location_type":81,"location":82,"outdoor_location":235,"text_it":242,"text_en":243,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"5,000 lire for a smile",[216],{"acf_fc_layout":30,"image":217,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":218,"id":218,"title":219,"filename":220,"filesize":221,"url":222,"link":223,"alt":16,"author":38,"description":16,"caption":224,"name":225,"status":41,"uploaded_to":202,"date":226,"modified":227,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":228,"height":229,"sizes":230,"didascalia_en":233},1164,"2. 5.000 lire per un sorriso. Fotografie dal concorso dell'azienda cosmetica Gi.Vi.Emme, 1939-1941 Courtesy FVS - Fondo Villani Scarpellini","2.-5.000-lire-per-un-sorriso.-Fotografie-dal-concorso-dellazienda-cosmetica-Gi.Vi_.Emme-1939-1941-Courtesy-FVS-Fondo-Villani-Scarpellini.jpg",79743,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F2.-5.000-lire-per-un-sorriso.-Fotografie-dal-concorso-dellazienda-cosmetica-Gi.Vi_.Emme-1939-1941-Courtesy-FVS-Fondo-Villani-Scarpellini.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002F5-000-lire-per-un-sorriso\u002F2-5-000-lire-per-un-sorriso-fotografie-dal-concorso-dellazienda-cosmetica-gi-vi-emme-1939-1941-courtesy-fvs-fondo-villani-scarpellini\u002F","5.000 lire per un sorriso. Fotografie dal concorso dell'azienda cosmetica Gi.Vi.Emme, 1939-1941 Courtesy FVS - Fondo Villani Scarpellini","2-5-000-lire-per-un-sorriso-fotografie-dal-concorso-dellazienda-cosmetica-gi-vi-emme-1939-1941-courtesy-fvs-fondo-villani-scarpellini","2026-03-02 11:53:27","2026-03-10 15:58:50",595,446,{"thumbnail":231,"thumbnail-width":52,"thumbnail-height":232,"medium":222,"medium-width":228,"medium-height":229,"medium_large":222,"medium_large-width":228,"medium_large-height":229,"large":222,"large-width":228,"large-height":229,"1536x1536":222,"1536x1536-width":228,"1536x1536-height":229,"2048x2048":222,"2048x2048-width":228,"2048x2048-height":229},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F2.-5.000-lire-per-un-sorriso.-Fotografie-dal-concorso-dellazienda-cosmetica-Gi.Vi_.Emme-1939-1941-Courtesy-FVS-Fondo-Villani-Scarpellini-150x112.jpg",112,"Photographs of Gi.Vi.Emme beauty company's contest, 1939-1941 Courtesy FVS - Fondo Villani Scarpellini","Barbara Bergaglio",[236],{"ID":237,"post_author":38,"post_date":238,"post_date_gmt":238,"post_content":16,"post_title":239,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":240,"to_ping":16,"pinged":16,"post_modified":238,"post_modified_gmt":238,"post_content_filtered":16,"post_parent":44,"guid":241,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1211,"2026-03-09 10:25:03","Portici di via Po","portici-di-via-po","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1211","\u003Cp>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">Il primo concorso di bellezza italiano nasce \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">nel 1939, grazie all’intuizione di due giganti della creatività italiana: il pubblicitario Dino Villani e lo scrittore Cesare Zavattini. L’idea era semplice ma rivoluzionaria: lanciare un concorso fotografico per sponsorizzare il dentifricio \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SpellingErrorHighlight SCXW222740361 BCX4\">Gi.Vi.Emme\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">. Inizialmente, il premio consisteva in 5.000 lire in titoli di Stato, ma con l’aggiunta di premi “in natura” il concorso divenne un fenomeno di costume, cambiando il nome in \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">5.000 lire e un corredo per un sorriso\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">. Vincere significava portarsi a casa un vero t\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">esoro per l’epoca: un corredo completo, una pelliccia, una moderna cucina a gas, un prezioso lampadario di Murano, un impermeabile, sei paia di calze di seta, un soggiorno di due settimane per due persone presso il Grande Albergo di Cattolica. Per partecipare bastava spedire una fotografia che ritraesse un bel sorriso. Fu un successo travolgente: spinti dalla voglia di vincere, ma anche dal sogno di conquistare un briciolo di celebrità, tantissimi italiani inviarono i ritratti più curiosi. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">Nonostante l’entrata in guerra, la popolazione colse \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">quell’invito alla leggerezza. Fu così che un intero Paese decise di mettersi a nudo e di regalare un sorriso davanti all’obiettivo della macchina fotografica. Dopo la pausa forzata del periodo bellico, la competizione tornò a far sognare gli italiani nel 1946 con il titolo \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">La bella d’Italia\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">. Poco tempo dopo prese definitivamente il nome di \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">Miss Italia\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW222740361 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW222740361 BCX4\">.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW222740361 BCX4\" data-ccp-props=\"{"335551550":6,"335551620":6}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>In collaborazione con: Città di Torino – Dipartimento Gabinetto del Sindaco, Ufficio Look of The City.\u003C\u002Fp>\n","\u003Cp>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">The first Italian beauty contest was in 1939, thanks to the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">intuition\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">of two \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">masters \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">of the Italian creativity\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">: publicist Dino Villani and writer Cesare Zavattini. The idea was simple, but revolutionary: launch\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">ing\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> a photo contest to promote a toothpaste produced by \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW66786524 BCX4\">Gi.Vi.Emme\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> beauty company\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">. At first,\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">the prize \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">consisted of\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">an award \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">of 5,000 \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">l\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">ire\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> – \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">the current\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> in Italy\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> at that time\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">– in\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">government bonds, but when\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">additional\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">in-kind\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> prizes were \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">included\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">, the contest became a cultural phenomenon, its name\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> turning\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> into \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">5.000 lire e un \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW66786524 BCX4\">corredo\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> per un \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW66786524 BCX4\">sorriso\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> (\u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">5,000 \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">l\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">ire and a trousseau for a smile\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">). Winning meant tak\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">ing\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">home\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> a real treasure for th\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">at\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> period: \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">a whole trousseau, a fur\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> coat\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">, a modern gas stove, a precious\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">chandelier \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">made in\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> Murano\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> – a little\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> Venice’s\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> island famous for its glass \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">handicrafts –\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">, a raincoat, six pairs of silk \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">tight\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">s\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">, a \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">two-weeks\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> stay for two people at the Grande Albergo in Cattolica, on the Adriatic \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">Sea\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">. To \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">participate\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> a picture that portrayed a nice smile was enough. The success was overwhelming\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">: the idea of winning and having a moment of fame spurred the people on, and \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">a \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">l\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">ot of Italians sent their most curious portrays. Despite the war, the population caught that call to being light-hearted. Just like that, a whole country decided to \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">bare their soul and give a smile to\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">camera lens\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">In 1946, a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">fter\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> the\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">forced\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> break\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> during the war\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">, the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">beauty contest\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> went back \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">in\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">to Italians’ dreams\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> under the name \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">La \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW66786524 BCX4\">b\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW66786524 BCX4\">ella\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> d’Italia\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> (\u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">T\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">he beauty of Italy\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">). Short after its name\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> turned for good\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\"> into \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">Miss Italia\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW66786524 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW66786524 BCX4\">. \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW66786524 BCX4\" data-ccp-props=\"{"335551550":6,"335551620":6,"335559739":0}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>In collaboration with: Città di Torino – Dipartimento Gabinetto del Sindaco, Ufficio Look of The City.\u003C\u002Fp>\n",{"self":245,"collection":250,"about":252,"acf:post":254,"wp:attachment":257,"curies":260},[246],{"href":247,"targetHints":248},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1123",{"allow":249},[99],[251],{"href":102},[253],{"href":105},[255],{"embeddable":108,"href":256},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1211",[258],{"href":259},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1123",[261],{"name":117,"href":118,"templated":108},{"id":263,"date":264,"date_gmt":264,"guid":265,"modified":267,"modified_gmt":267,"slug":268,"status":11,"type":12,"link":269,"title":270,"template":16,"class_list":272,"acf":274,"_links":319},1115,"2026-03-04T23:39:45",{"rendered":266},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1115","2026-04-13T08:02:11","photographs","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fphotographs\u002F",{"rendered":271},"Photographs",[273,12,19,20,21],"post-1115",{"title_en":271,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":275,"detailed_schedule_and_date":300,"detailed_schedule_and_date_en":301,"curated_by":302,"other_label":16,"other_label_en":16,"artist":303,"location_type":169,"location":310,"outdoor_location":82,"text_it":317,"text_en":318,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},[276],{"acf_fc_layout":30,"image":277,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":278,"id":278,"title":279,"filename":280,"filesize":281,"url":282,"link":283,"alt":16,"author":38,"description":16,"caption":284,"name":285,"status":41,"uploaded_to":263,"date":286,"modified":287,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":288,"height":289,"sizes":290,"didascalia_en":284},1162,"PT_01_100_1","PT_01_100_1.jpg",2426067,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FPT_01_100_1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fphotographs\u002Fpt_01_100_1\u002F","Yorgos Lanthimos ","pt_01_100_1","2026-03-02 11:51:08","2026-03-10 15:56:48",8015,6481,{"thumbnail":291,"thumbnail-width":52,"thumbnail-height":292,"medium":293,"medium-width":55,"medium-height":294,"medium_large":282,"medium_large-width":57,"medium_large-height":295,"large":296,"large-width":60,"large-height":297,"1536x1536":282,"1536x1536-width":62,"1536x1536-height":298,"2048x2048":282,"2048x2048-width":64,"2048x2048-height":299},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FPT_01_100_1-150x121.jpg",121,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FPT_01_100_1-600x485.jpg",485,621,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FPT_01_100_1-2000x1617.jpg",1552,1242,1656,"09-10-11-12 aprile: 11.00-20.00 \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 aprile - 2 giugno\u003Cbr \u002F>\r\ngiovedì e venerdì: 14.00-19.00\u003Cbr \u002F>\r\nsabato e domenica: 11.00-19.00","09-10-11-12 April: 11 am - 8 pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 April - 2 June\u003Cbr \u002F>\r\ngiovedì e venerdì: 2 pm - 7 pm\u003Cbr \u002F>\r\nSaturday and Sunday: 11 am - 7 pm","Giangavino Pazzola",[304],{"ID":305,"post_author":38,"post_date":306,"post_date_gmt":306,"post_content":16,"post_title":307,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":308,"to_ping":16,"pinged":16,"post_modified":306,"post_modified_gmt":306,"post_content_filtered":16,"post_parent":44,"guid":309,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1200,"2026-03-12 08:48:43","Yorgos Lanthimos","yorgos-lanthimos","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1200",[311],{"ID":312,"post_author":38,"post_date":313,"post_date_gmt":313,"post_content":16,"post_title":314,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":315,"to_ping":16,"pinged":16,"post_modified":313,"post_modified_gmt":313,"post_content_filtered":16,"post_parent":44,"guid":316,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},1171,"2026-03-09 13:52:43","Cripta di San Michele Arcangelo","cripta-di-san-michele-arcangelo","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1171","\u003Cp data-start=\"0\" data-end=\"251\">La mostra dedicata al regista, sceneggiatore e produttore greco \u003Ca href=\"https:\u002F\u002Fwww.lanthimos.com\u002F\">\u003Cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\">\u003Cspan class=\"whitespace-normal\">Yorgos Lanthimos\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fa> (Atene, 1973) mette in luce un aspetto meno conosciuto ma centrale della sua ricerca: la fotografia, segnata da uno sguardo inquieto e concettuale.\u003C\u002Fp>\n\u003Cp data-start=\"0\" data-end=\"251\">\n\u003Cp data-start=\"253\" data-end=\"821\">Le opere, nate nel contesto creativo dei film \u003Cem>\u003Cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\">\u003Cspan class=\"whitespace-normal\">Poor Things\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem> (2023) e\u003Cem> \u003Cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\">\u003Cspan class=\"whitespace-normal\">Kinds of Kindness\u003C\u002Fspan>\u003C\u002Fspan> \u003C\u002Fem>(2024), alternano rimandi alle scene cinematografiche a immagini autonome che esplorano isolamento, corpo e spazio come luoghi psicologici. Figure come \u003Cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\">\u003Cspan class=\"whitespace-normal\">Emma Stone\u003C\u002Fspan>\u003C\u002Fspan> e \u003Cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\">\u003Cspan class=\"whitespace-normal\">Willem Dafoe\u003C\u002Fspan>\u003C\u002Fspan> appaiono sospese in ambienti essenziali, mentre dettagli e geometrie accentuano un senso di straniamento. La luce, netta e quasi clinica, definisce i soggetti e rafforza l’ambiguità narrativa degli scatti.Ne emerge un percorso immersivo che evidenzia la continuità tra cinema e fotografia nel suo immaginario.\u003C\u002Fp>\n\u003Cp data-start=\"253\" data-end=\"821\">\n\u003Cp data-start=\"823\" data-end=\"1110\" data-is-last-node=\"\" data-is-only-node=\"\">In collaborazione con la \u003Cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\">\u003Cspan class=\"whitespace-normal\">Città di Torino\u003C\u002Fspan>\u003C\u002Fspan> – Dipartimento Cultura, Sport, Grandi Eventi e Promozione Turistica – Settore Arte e Design – Ufficio Contemporary Art.\u003C\u002Fp>\n","\u003Cp>The exhibition dedicated to Greek director, screenwriter, and producer \u003Ca href=\"https:\u002F\u002Fwww.lanthimos.com\u002F\">Yorgos Lanthimos\u003C\u002Fa> (Athens, 1973) highlights a lesser-known but central aspect of his work: photography, marked by a restless and conceptual gaze.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>The works, created in the creative context of the films \u003Cem>Poor Things\u003C\u002Fem> (2023) and\u003Cem> Kinds of Kindness\u003C\u002Fem> (2024), alternate between references to cinematic scenes and autonomous images that explore isolation, the body, and space as psychological places. Figures such as Emma Stone and Willem Dafoe appear suspended in minimalist environments, while details and geometries accentuate a sense of alienation. The light, sharp and almost clinical, defines the subjects and reinforces the narrative ambiguity of the shots, resulting in an immersive journey that highlights the continuity between cinema and photography in his imagery.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>In collaboration with the City of Turin – Department of Culture, Sport, Major Events and Tourism Promotion – Art and Design Sector – Contemporary Art Office.\u003C\u002Fp>\n",{"self":320,"collection":325,"about":327,"acf:post":329,"wp:attachment":334,"curies":337},[321],{"href":322,"targetHints":323},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1115",{"allow":324},[99],[326],{"href":102},[328],{"href":105},[330,332],{"embeddable":108,"href":331},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F1171",{"embeddable":108,"href":333},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1200",[335],{"href":336},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1115",[338],{"name":117,"href":118,"templated":108},{"id":340,"date":341,"date_gmt":341,"guid":342,"modified":344,"modified_gmt":344,"slug":345,"status":11,"type":12,"link":346,"title":347,"template":16,"class_list":349,"acf":351,"_links":395},1121,"2026-03-05T08:56:08",{"rendered":343},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1121","2026-03-19T16:42:34","you-can-have-it-all-2019-e-2024","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fyou-can-have-it-all-2019-e-2024\u002F",{"rendered":348},"You Can Have it All 2019, 2024",[350,12,19,20,21],"post-1121",{"title_en":348,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":352,"detailed_schedule_and_date":67,"detailed_schedule_and_date_en":68,"curated_by":377,"other_label":16,"other_label_en":16,"artist":378,"location_type":81,"location":82,"outdoor_location":385,"text_it":393,"text_en":394,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},[353],{"acf_fc_layout":30,"image":354,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":355,"id":355,"title":356,"filename":357,"filesize":358,"url":359,"link":360,"alt":16,"author":38,"description":16,"caption":361,"name":362,"status":41,"uploaded_to":340,"date":363,"modified":364,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":365,"height":366,"sizes":367,"didascalia_en":376},1160,"06. Karla Hiraldo Voleau, Crash, dalla serie You Can Have it All (2019, 2024). © Karla Hiraldo Voleau_ridotta","06.-Karla-Hiraldo-Voleau-Crash-dalla-serie-You-Can-Have-it-All-2019-2024.-©-Karla-Hiraldo-Voleau_ridotta.jpg",2725873,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F06.-Karla-Hiraldo-Voleau-Crash-dalla-serie-You-Can-Have-it-All-2019-2024.-©-Karla-Hiraldo-Voleau_ridotta.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fyou-can-have-it-all-2019-e-2024\u002F06-karla-hiraldo-voleau-crash-dalla-serie-you-can-have-it-all-2019-2024-karla-hiraldo-voleau_ridotta\u002F","Karla Hiraldo Voleau, Crash, dalla serie You Can Have it All (2019, 2024). © Karla Hiraldo Voleau","06-karla-hiraldo-voleau-crash-dalla-serie-you-can-have-it-all-2019-2024-karla-hiraldo-voleau_ridotta","2026-03-02 11:12:44","2026-03-16 14:31:16",2658,3543,{"thumbnail":368,"thumbnail-width":369,"thumbnail-height":52,"medium":370,"medium-width":371,"medium-height":55,"medium_large":359,"medium_large-width":57,"medium_large-height":372,"large":373,"large-width":374,"large-height":156,"1536x1536":359,"1536x1536-width":375,"1536x1536-height":62,"2048x2048":359,"2048x2048-width":62,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F06.-Karla-Hiraldo-Voleau-Crash-dalla-serie-You-Can-Have-it-All-2019-2024.-©-Karla-Hiraldo-Voleau_ridotta-113x150.jpg",113,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F06.-Karla-Hiraldo-Voleau-Crash-dalla-serie-You-Can-Have-it-All-2019-2024.-©-Karla-Hiraldo-Voleau_ridotta-450x600.jpg",450,1024,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F06.-Karla-Hiraldo-Voleau-Crash-dalla-serie-You-Can-Have-it-All-2019-2024.-©-Karla-Hiraldo-Voleau_ridotta-1500x2000.jpg",1500,1152,"Karla Hiraldo Voleau, Crash, from the series You Can Have it All (2019, 2024). © Karla Hiraldo Voleau","Karla Hiraldo Voleau, Walter Guadagnini",[379],{"ID":380,"post_author":38,"post_date":381,"post_date_gmt":381,"post_content":16,"post_title":382,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":383,"to_ping":16,"pinged":16,"post_modified":381,"post_modified_gmt":381,"post_content_filtered":16,"post_parent":44,"guid":384,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1213,"2026-03-12 08:47:52","Karla Hiraldo Voleau","karla-hiraldo-voleau","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1213",[386],{"ID":387,"post_author":38,"post_date":388,"post_date_gmt":388,"post_content":16,"post_title":389,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":390,"to_ping":16,"pinged":16,"post_modified":391,"post_modified_gmt":391,"post_content_filtered":16,"post_parent":44,"guid":392,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1210,"2026-03-09 10:24:51","Portici di Palazzo Carignano","portici-di-palazzo-carignano","2026-03-10 16:31:43","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1210","\u003Cp>Testo di Camilla Marrese:\u003C\u002Fp>\n\u003Cp>Nel 2019, Karla Hiraldo Voleau scrive una lettera a se stessa, nel futuro. È in Grecia, da sola, fa un lavoro che la fa svegliare presto e che le tiene le mani nella terra. Si fotografa ogni giorno. È un periodo in cui percepisce il proprio corpo in maniera distorta, si ossessiona su certi dettagli.\u003Cbr \u002F>\nCostruire immagini di sé è un modo per rovesciare quella sensazione, una terapia d’urto per \u003Cem>stare\u003C\u002Fem>.\u003C\u002Fp>\n\u003Cp>Nel 2024, in Italia, Hiraldo Voleau rilegge quella lettera e risponde. Scrive che no, non passa abbastanza tempo lontana dal telefono, al sole. No, non è diventata madre e sì, si preoccupa ancora di come appare il suo corpo. Un corpo di cui non si cura quanto dovrebbe – o quanto crede di dover fare – ma che le permette di scalare 2500 metri, di correre anche quando non lo vuole.\u003C\u002Fp>\n\u003Cp>\u003Cem>You Can Have it All\u003C\u002Fem> emerge da due momenti distanti cinque anni. Da due passaggi complessi e densi; dalla rottura, dal dismorfismo, dalla rabbia e dall’insonnia. La fotografia li trasforma entrambi. Pensando al lavoro di fotografe femministe come Jo Spence e Ana Mendieta, Hiraldo Voleau progetta rituali, gesti e sfide dove il corpo resiste e cambia. Raccogliere arance senza usare le mani. Scrivere un numero magico così tante volte da neutralizzarlo. Scalare una montagna, bruciare lettere d’amore.\u003C\u002Fp>\n\u003Cp>Se una fotografia è una superficie piatta e statica su cui possano muoversi gli occhi degli altri, il processo di Hiraldo Voleau è l’esatto contrario. È la scrittura di una tecnica per ri-programmare il corpo, per spingerlo a sentire e vedere ciò che lo porterà a guarire. È un modo per consentirgli di essere, prima che di essere guardato – nella sua semplicità, forse una delle liberazioni più grandi.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Biografia dell’artista:\u003C\u002Fp>\n\u003Cp>Karla Hiraldo Voleau (1992) è un’artista franco-dominicana che vive in Svizzera. Dopo aver conseguito un master presso l’ECAL nel 2018, ha pubblicato il suo libro fotografico \u003Cem>Hola Mi Amol\u003C\u002Fem> (2019), ha vinto la borsa di studio Olympus Recommended Fellowship, è stata selezionata per il FoAm Talent (2020) e ha tenuto mostre personali in sedi internazionali come la Deichtorhallen di Amburgo, il MEP di Parigi o il Photoforum Pasquart di Bienne.\u003Cbr \u002F>\nIl suo secondo libro fotografico e progetto \u003Cem>Another Love Story\u003C\u002Fem> è stato presentato in una tournée internazionale nel 2023. È stata vincitrice del PICTO Talent Prize 2024, del premio della giuria di Lenzburg 2026 e recentemente ha tenuto una mostra personale al Paris Photo 2024.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Si ringraziano le \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002F\">Residenze reali sabaude\u003C\u002Fa> e il \u003Ca href=\"https:\u002F\u002Fwww.museorisorgimentotorino.it\u002F\">Museo Nazionale del Risorgimento Italiano\u003C\u002Fa>.\u003C\u002Fp>\n","\u003Cp>Text by Camilla Marrese:\u003C\u002Fp>\n\u003Cp class=\"p1\">In 2019, Karla Hiraldo Voleau writes a letter to her future self. She was in Greece, alone, doing a job that made her wake up early and work with her hands in the soil. She took self-portraits every day. It was a time in which she perceived her body in a distorted way, obsessing over certain details. Constructing images of herself is a way to overturn that feeling, a shock therapy to learn how to \u003Ci>stay\u003C\u002Fi>.\u003C\u002Fp>\n\u003Cp class=\"p1\">In 2024, in Italy, Hiraldo Voleau rereads that letter and replies. She writes that no, she does not spend enough time away from her phone, in the sun. No, she is not a mother. And yes, she still worries about how her body looks – a body she does not take care of as much as she should, or as much as she thinks she should, but which allows her to climb 2,500 metres, to run even when she hates it.\u003C\u002Fp>\n\u003Cp class=\"p1\">\u003Ci>You Can Have it All\u003C\u002Fi> emerges from two moments five years apart. From two complex and intense passages; from break-ups, body dysmorphia, anger and insomnia. Photography transforms both. Thinking of the work of feminist photographers such as Jo Spence and Ana Mendieta, Hiraldo Voleau designs rituals, gestures and challenges where the body resists and changes. Snatching oranges without hands. Writing a magic number over and over until it means nothing. Climbing a mountain, setting love letters on fire.\u003C\u002Fp>\n\u003Cp class=\"p1\">If a photograph is a flat, static surface on which the eyes of others can move, Hiraldo Voleau’s process is the exact opposite. It is the writing of a technique to reprogram the body, pushing it to feel and see what will lead it to healing. It is a way to allow it to be, before being looked at – in its simplicity, perhaps one of the greatest liberations.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Artist’s biography:\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW35533104 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\">Karla Hiraldo \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW35533104 BCX4\">Voleau\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> (1992) is a \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW35533104 BCX4\">French-Dominican\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> artist based in Switzerland. After graduating from ECAL with an MA in 2018, she published her photobook \u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW35533104 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\">Hola Mi Amol\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW35533104 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> (2019), won the Olympus Recommended Fellowship, was a \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW35533104 BCX4\">FoAm\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> Talent  (2020), and held solo shows at international venues like the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW35533104 BCX4\">Deichtorhallen\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> Hamburg, the MEP in Paris, or the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW35533104 BCX4\">Photoforum\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW35533104 BCX4\">Pasquart\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> in Biel.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"LineBreakBlob BlobObject DragDrop SCXW35533104 BCX4\">\u003Cspan class=\"SCXW35533104 BCX4\"> \u003C\u002Fspan>\u003Cbr class=\"SCXW35533104 BCX4\" \u002F>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW35533104 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\">Her second photobook and project\u003C\u002Fspan>\u003C\u002Fspan>\u003Cem>\u003Cspan class=\"TextRun SCXW35533104 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> Another Love Story\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fem>\u003Cspan class=\"TextRun SCXW35533104 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW35533104 BCX4\"> toured internationally in 2023. She was a laureate of the PICTO Talent Prize 2024, the Lenzburg Jury’s prize 2026, and recently held a solo show at Paris Photo 2024.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW35533104 BCX4\" data-ccp-props=\"{}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>We would like to thank \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002F\">Residenze reali sabaude\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Fwww.museorisorgimentotorino.it\u002F\">Museo Nazionale del Risorgimento Italiano\u003C\u002Fa>.\u003C\u002Fp>\n",{"self":396,"collection":401,"about":403,"acf:post":405,"wp:attachment":410,"curies":413},[397],{"href":398,"targetHints":399},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1121",{"allow":400},[99],[402],{"href":102},[404],{"href":105},[406,408],{"embeddable":108,"href":407},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1210",{"embeddable":108,"href":409},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1213",[411],{"href":412},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1121",[414],{"name":117,"href":118,"templated":108},{"id":416,"date":417,"date_gmt":417,"guid":418,"modified":420,"modified_gmt":420,"slug":421,"status":11,"type":12,"link":422,"title":423,"template":16,"class_list":425,"acf":427,"_links":468},1119,"2026-03-05T08:56:01",{"rendered":419},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1119","2026-03-19T16:42:14","linvenzione-di-se","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Flinvenzione-di-se\u002F",{"rendered":424},"L’invenzione di sé",[426,12,19,20,21],"post-1119",{"title_en":428,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":429,"detailed_schedule_and_date":67,"detailed_schedule_and_date_en":68,"curated_by":455,"other_label":16,"other_label_en":16,"artist":456,"location_type":81,"location":82,"outdoor_location":464,"text_it":466,"text_en":467,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"The creation of the self. The Countess da Castiglione ",[430],{"acf_fc_layout":30,"image":431,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":432,"id":432,"title":433,"filename":434,"filesize":435,"url":436,"link":437,"alt":16,"author":38,"description":16,"caption":438,"name":439,"status":41,"uploaded_to":416,"date":440,"modified":441,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":442,"height":443,"sizes":444,"didascalia_en":454},1159,"Contessa di Castiglione 11","Contessa-di-Castiglione-11.jpg",3303448,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FContessa-di-Castiglione-11.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Flinvenzione-di-se\u002Fcontessa-di-castiglione-11\u002F","La Contessa di Castiglione, Mayer & Pierson, 1856-1857, collodio albuminato, Album Nigra © Museo Nazionale del Risorgimento Italiano","contessa-di-castiglione-11","2026-03-02 11:11:25","2026-03-16 14:35:13",4134,5392,{"thumbnail":445,"thumbnail-width":446,"thumbnail-height":52,"medium":447,"medium-width":448,"medium-height":55,"medium_large":436,"medium_large-width":57,"medium_large-height":449,"large":450,"large-width":451,"large-height":156,"1536x1536":436,"1536x1536-width":452,"1536x1536-height":62,"2048x2048":436,"2048x2048-width":453,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FContessa-di-Castiglione-11-115x150.jpg",115,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FContessa-di-Castiglione-11-460x600.jpg",460,1002,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FContessa-di-Castiglione-11-1533x2000.jpg",1533,1178,1570,"La Contessa di Castiglione, Mayer & Pierson, 1856-1857, albumen print from collodion negative, Album Nigra © Museo Nazionale del Risorgimento Italiano","Alessandro Bollo, Walter Guadagnini ",[457],{"ID":458,"post_author":38,"post_date":459,"post_date_gmt":459,"post_content":16,"post_title":460,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":461,"to_ping":16,"pinged":16,"post_modified":462,"post_modified_gmt":462,"post_content_filtered":16,"post_parent":44,"guid":463,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1209,"2026-03-12 08:47:57","La Contessa di Castiglione","contessa-di-castiglione","2026-03-16 14:47:00","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1209",[465],{"ID":387,"post_author":38,"post_date":388,"post_date_gmt":388,"post_content":16,"post_title":389,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":390,"to_ping":16,"pinged":16,"post_modified":391,"post_modified_gmt":391,"post_content_filtered":16,"post_parent":44,"guid":392,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},"\u003Cp>\u003Cspan class=\"TextRun SCXW241663823 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW241663823 BCX4\">Testo di Alessandro Bollo:\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW241663823 BCX4\" data-ccp-props=\"{}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW46484274 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW46484274 BCX4\">La mostra presenta una selezione di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW46484274 BCX4\">nove \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW46484274 BCX4\">ritratti della Contessa di Castiglione provenienti dalle collezioni del Museo Nazionale del Risorgimento, restituendo al pubblico la straordinaria modernità di una figura che seppe fare della fotografia uno spazio privilegiato di sperimentazione identitaria. Attraverso pose studiate, travestimenti, variazioni scenografiche e un attento controllo della propria immagine, Virginia Oldoini anticipò pratiche oggi riconducibili all’autonarrazione visiva e alla costruzione performativa del sé. I ritratti esposti testimoniano un progetto consapevole e continuativo di autorappresentazione, sviluppato in dialogo con il fotografo Pierre-Louis \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW46484274 BCX4\">Pierson\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW46484274 BCX4\"> (le foto sono eseguite a Parigi dall’atelier Mayer e \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW46484274 BCX4\">Pierson\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW46484274 BCX4\">, in gran voga tra l’élite del secondo impero), ma guidato da una forte regia personale, che trasformò l’atto fotografico in dispositivo creativo e comunicativo. La Contessa non si limitò a farsi ritrarre, ma mise in scena molteplici versioni di sé – aristocratica, attrice, icona mondana, figura enigmatica – contribuendo a ridefinire il rapporto tra individuo, immagine e pubblico nella cultura visiva dell’Ottocento. La sequenza delle fotografie consente così di cogliere la fotografia non solo come documento, ma come spazio di invenzione simbolica e di costruzione della notorietà, in cui la Castiglione elaborò una delle prime forme di identità mediatica della modernità.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW46484274 BCX4\" data-ccp-props=\"{}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Si ringraziano le \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002F\">Residenze reali sabaude\u003C\u002Fa> e il \u003Ca href=\"https:\u002F\u002Fwww.museorisorgimentotorino.it\u002F\">Museo Nazionale del Risorgimento Italiano\u003C\u002Fa>.\u003C\u002Fp>\n","\u003Cp>\u003Cspan class=\"TextRun SCXW179720397 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">\u003Cspan class=\"TextRun SCXW125059070 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW125059070 BCX4\">Text by Alessandro Bollo:\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW179720397 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> The exhibition \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">discloses\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> nine portraits of the Countess da Castiglione\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> selected \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">from the National Museum of the Italian Risorgimento\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> art collection\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">: it gives\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">back\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> to the public \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> figure\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> of exceptional innovation,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">who could\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">use\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> th\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">e\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> photography \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">as\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> a privileged space \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">to\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> experiment identit\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">y\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">Using\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> well-chosen poses, disguise\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">s\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> changes of scenography and \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">n accurate\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> control of her own image,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> Virginia \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW179720397 BCX4\">Oldoini\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> has been a forerunner to practises that are attributed to visual self-narrative and performative self-construction these days\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">. The portrays \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">witness\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> a conscious and continuous project \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">on\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> self-representation, developed \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">in dialogue\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> with photographer Pierre\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">–\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">L\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">ouis Pierson (the pictures are taken in Paris\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> at Mayer \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">&\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> Pierson, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">one of the most sought-after portrait studios of the Second Empire\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">)\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">. The project\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> is\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">however\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">,\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">led\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> by \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed GrammarErrorHighlight SCXW179720397 BCX4\">Countess’\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">strong\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> personal direction\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">transform\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">ing\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">photographic act into \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">a\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">creativity and communication\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> device\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">N\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">ot only was the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW179720397 BCX4\">Countess\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> portrayed, but \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">multiple\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> versions of \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW179720397 BCX4\">her\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW179720397 BCX4\">self\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> were enacted – \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">as \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">aristocra\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">t\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">actress\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">socialite\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> icon,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> as well as\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> enigmatic figure\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">.\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">H\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">er work helped\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> to \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">redefine\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> the \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">correlation\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> between \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">individual\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">, image and audience in the visual culture of the 19\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW179720397 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun Superscript SCXW179720397 BCX4\" data-fontsize=\"12\">th\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW179720397 BCX4\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> century. \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">T\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">herefore, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">t\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">he \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">sequence of \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">images\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> allows\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> the visitor\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> to \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">grasp\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> the photograph not\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> only\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> as a document, but as a space\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">of\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> s\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">ymbolic invention and \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">constructio\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">n\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> of \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">celebrity\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">, where Castiglione developed one of \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">the first \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">form\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">s\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> of media identity \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\">in\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW179720397 BCX4\"> modern times. \u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW179720397 BCX4\" data-ccp-props=\"{}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>We would like to thank \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002F\">Residenze reali sabaude\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Fwww.museorisorgimentotorino.it\u002F\">Museo Nazionale del Risorgimento Italiano\u003C\u002Fa>.\u003C\u002Fp>\n",{"self":469,"collection":474,"about":476,"acf:post":478,"wp:attachment":482,"curies":485},[470],{"href":471,"targetHints":472},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1119",{"allow":473},[99],[475],{"href":102},[477],{"href":105},[479,480],{"embeddable":108,"href":407},{"embeddable":108,"href":481},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1209",[483],{"href":484},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1119",[486],{"name":117,"href":118,"templated":108},{"id":488,"date":489,"date_gmt":489,"guid":490,"modified":492,"modified_gmt":492,"slug":493,"status":11,"type":12,"link":494,"title":495,"template":16,"class_list":497,"acf":499,"_links":545},1114,"2026-03-05T08:55:53",{"rendered":491},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1114","2026-03-19T16:45:30","self-exposed","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fself-exposed\u002F",{"rendered":496},"Self Exposed",[498,12,19,20,21],"post-1114",{"title_en":496,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":500,"detailed_schedule_and_date":525,"detailed_schedule_and_date_en":526,"curated_by":302,"other_label":16,"other_label_en":16,"artist":527,"location_type":169,"location":534,"outdoor_location":82,"text_it":543,"text_en":544,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},[501],{"acf_fc_layout":30,"image":502,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":503,"id":503,"title":504,"filename":505,"filesize":506,"url":507,"link":508,"alt":16,"author":38,"description":16,"caption":509,"name":510,"status":41,"uploaded_to":488,"date":511,"modified":512,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":513,"height":514,"sizes":515,"didascalia_en":509},1233,"Ralph Gibson, Wailter shorts, Capri, 1974","Ralph-Gibson-Wailter-shorts-Capri-1974.jpg",2515140,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FRalph-Gibson-Wailter-shorts-Capri-1974.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fself-exposed\u002Fralph-gibson-wailter-shorts-capri-1974\u002F","Ralph Gibson, Waiter shots, Capri, 1974. Stampa ai sali d’argento. Courtesy Paci Contemporary, Brescia","ralph-gibson-wailter-shorts-capri-1974","2026-03-04 21:51:05","2026-03-10 15:58:24",3190,4851,{"thumbnail":516,"thumbnail-width":517,"thumbnail-height":52,"medium":518,"medium-width":519,"medium-height":55,"medium_large":507,"medium_large-width":57,"medium_large-height":520,"large":521,"large-width":522,"large-height":156,"1536x1536":507,"1536x1536-width":523,"1536x1536-height":62,"2048x2048":507,"2048x2048-width":524,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FRalph-Gibson-Wailter-shorts-Capri-1974-99x150.jpg",99,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FRalph-Gibson-Wailter-shorts-Capri-1974-395x600.jpg",395,1168,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FRalph-Gibson-Wailter-shorts-Capri-1974-1315x2000.jpg",1315,1010,1347,"09-10-11-12 aprile\u003Cbr \u002F>\r\n11.00-20.00 \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 aprile-2 giugno\u003Cbr \u002F>\r\nGiovedì e venerdì: 14.00-18.00\u003Cbr \u002F>\r\nSabato e domenica: 11.00-19.00 ","April 9-10-11-12\u003Cbr \u002F>\r\n11 am - 8 pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nApril 13-June 2\u003Cbr \u002F>\r\nThursday - Friday: 2 pm - 6 pm\u003Cbr \u002F>\r\nSaturday - Sunday: 11 - 7 pm",[528],{"ID":529,"post_author":38,"post_date":530,"post_date_gmt":530,"post_content":16,"post_title":531,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":532,"to_ping":16,"pinged":16,"post_modified":530,"post_modified_gmt":530,"post_content_filtered":16,"post_parent":44,"guid":533,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1208,"2026-03-12 08:48:04","Ralph Gibson","ralph-gibson","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1208",[535],{"ID":536,"post_author":537,"post_date":538,"post_date_gmt":538,"post_content":16,"post_title":539,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":540,"to_ping":16,"pinged":16,"post_modified":541,"post_modified_gmt":541,"post_content_filtered":16,"post_parent":44,"guid":542,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},896,"3","2025-01-30 14:31:51","Archivio di Stato di Torino","archivio-di-stato-di-torino","2026-03-10 12:44:24","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=896","\u003Cp>Attraverso una selezione di 70 opere che attraversano oltre cinquant’anni di carriera, la mostra\u003Cem> \u003C\u002Fem>rende omaggio a uno dei maestri più influenti della fotografia contemporanea: l’americano Ralph Gibson (Los Angeles, 1939).\u003C\u002Fp>\n\u003Cp>L’esposizione mette in luce l’evoluzione estetica di un linguaggio visivo caratterizzato da contrasti decisi, inquadrature audaci e una tensione costante tra astrazione e realtà. Dagli esordi a San Francisco e New York negli anni Sessanta, passando per la stagione della grande “trilogia nera” di libri fotografici come \u003Cem>The Somnambulist\u003C\u002Fem> (1970), \u003Cem>Déjà-Vu\u003C\u002Fem> (1973), e \u003Cem>Days at Sea\u003C\u002Fem> (1974), per arrivare fino ai lavori più recenti realizzati anche a Torino e in Piemonte (2005) o \u003Cem>Vertical Horizon\u003C\u002Fem> (2016), Gibson ha trasformato il dettaglio minimalista in racconto sensuale e misterioso, dove le ombre assumono una forza poetica.\u003C\u002Fp>\n\u003Cp>I suoi frammenti di corpi, oggetti e architetture si caricano di un’intensità simbolica che invita lo spettatore a completare il racconto giocando con la propria immaginazione.\u003C\u002Fp>\n","\u003Cp>Through a selection of 70 works spanning over fifty years of his career, the exhibition pays tribute to one of the most influential masters of contemporary photography: the American Ralph Gibson (Los Angeles, 1939).\u003C\u002Fp>\n\u003Cp>The exhibition highlights the aesthetic evolution of a visual language characterized by stark contrasts, bold framing, and a constant tension between abstraction and reality. From his beginnings in San Francisco and New York in the 1960s, through the season of the great “black trilogy” of photography books such as \u003Cem>The Somnambulist\u003C\u002Fem> (1970), \u003Cem>Déjà-Vu\u003C\u002Fem> (1973), and \u003Cem>Days at Sea\u003C\u002Fem> (1974), to his most recent works created in Turin and Piedmont (2005) and \u003Cem>Vertical Horizon\u003C\u002Fem> (2016), Gibson has transformed minimalist detail into a sensual and mysterious narrative, where shadows take on a poetic force.\u003C\u002Fp>\n\u003Cp>His fragments of bodies, objects, and architecture are charged with a symbolic intensity that invites the viewer to complete the story by playing with their imagination.\u003C\u002Fp>\n",{"self":546,"collection":551,"about":553,"acf:post":555,"wp:attachment":560,"curies":563},[547],{"href":548,"targetHints":549},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1114",{"allow":550},[99],[552],{"href":102},[554],{"href":105},[556,558],{"embeddable":108,"href":557},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F896",{"embeddable":108,"href":559},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1208",[561],{"href":562},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1114",[564],{"name":117,"href":118,"templated":108},{"id":566,"date":567,"date_gmt":567,"guid":568,"modified":570,"modified_gmt":570,"slug":571,"status":11,"type":12,"link":572,"title":573,"template":16,"class_list":575,"acf":577,"_links":686},1118,"2026-03-05T08:55:47",{"rendered":569},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1118","2026-04-10T13:39:26","metamorphosis","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fmetamorphosis\u002F",{"rendered":574},"Metamorphosis",[576,12,19,20,21],"post-1118",{"title_en":574,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":578,"detailed_schedule_and_date":602,"detailed_schedule_and_date_en":603,"curated_by":604,"other_label":16,"other_label_en":16,"artist":605,"location_type":169,"location":641,"outdoor_location":82,"text_it":684,"text_en":685,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},[579],{"acf_fc_layout":30,"image":580,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":581,"id":581,"title":582,"filename":583,"filesize":584,"url":585,"link":586,"alt":16,"author":38,"description":16,"caption":587,"name":588,"status":41,"uploaded_to":566,"date":589,"modified":590,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":591,"height":366,"sizes":592,"didascalia_en":587},1441,"01_Claudia Amatruda, Hypersea, 2024","01_Claudia-Amatruda-Hypersea-2024.jpg",1567984,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Claudia-Amatruda-Hypersea-2024.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fmetamorphosis\u002F01_claudia-amatruda-hypersea-2024\u002F","Claudia Amatruda, Hypersea, 2024","01_claudia-amatruda-hypersea-2024","2026-04-07 17:25:27","2026-04-07 17:25:47",2598,{"thumbnail":593,"thumbnail-width":594,"thumbnail-height":52,"medium":595,"medium-width":596,"medium-height":55,"medium_large":585,"medium_large-width":57,"medium_large-height":597,"large":598,"large-width":599,"large-height":156,"1536x1536":585,"1536x1536-width":600,"1536x1536-height":62,"2048x2048":585,"2048x2048-width":601,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Claudia-Amatruda-Hypersea-2024-110x150.jpg",110,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Claudia-Amatruda-Hypersea-2024-440x600.jpg",440,1047,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Claudia-Amatruda-Hypersea-2024-1467x2000.jpg",1467,1126,1502,"9 aprile: 15:00 - 21:00\u003Cbr \u002F>\r\n10-11-12 aprile: 15:00 - 20:00\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nPer gli altri giorni si consiglia di contattare lo spazio.","9 April: 3pm – 9pm\u003Cbr \u002F>\r\n10-11-12 April: 3pm – 8pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nFor other days, please contact the venue."," Giangavino Pazzola + Muchomas!, Witty Books, Almanac, Quartz Studio, Cripta747 e Jest",[606,612,618,624,630,635],{"ID":607,"post_author":38,"post_date":608,"post_date_gmt":608,"post_content":16,"post_title":609,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":610,"to_ping":16,"pinged":16,"post_modified":608,"post_modified_gmt":608,"post_content_filtered":16,"post_parent":44,"guid":611,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1221,"2026-03-12 08:47:07","Benedetta Casagrande","benedetta-casagrande","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1221",{"ID":613,"post_author":38,"post_date":614,"post_date_gmt":614,"post_content":16,"post_title":615,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":616,"to_ping":16,"pinged":16,"post_modified":614,"post_modified_gmt":614,"post_content_filtered":16,"post_parent":44,"guid":617,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1223,"2026-03-12 08:46:57","Claudia Amatruda","claudia-amatruda","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1223",{"ID":619,"post_author":38,"post_date":620,"post_date_gmt":620,"post_content":16,"post_title":621,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":622,"to_ping":16,"pinged":16,"post_modified":620,"post_modified_gmt":620,"post_content_filtered":16,"post_parent":44,"guid":623,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1222,"2026-03-12 08:47:02","Máté Bartha","mate-bartha","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1222",{"ID":625,"post_author":38,"post_date":626,"post_date_gmt":626,"post_content":16,"post_title":627,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":628,"to_ping":16,"pinged":16,"post_modified":626,"post_modified_gmt":626,"post_content_filtered":16,"post_parent":44,"guid":629,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1220,"2026-03-12 08:47:12","Anna Orlowska","anna-orlowska","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1220",{"ID":157,"post_author":38,"post_date":631,"post_date_gmt":631,"post_content":16,"post_title":632,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":633,"to_ping":16,"pinged":16,"post_modified":631,"post_modified_gmt":631,"post_content_filtered":16,"post_parent":44,"guid":634,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},"2026-03-12 08:47:17","Ada Zielinska","ada-zielinska","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1219",{"ID":636,"post_author":38,"post_date":637,"post_date_gmt":637,"post_content":16,"post_title":638,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":639,"to_ping":16,"pinged":16,"post_modified":637,"post_modified_gmt":637,"post_content_filtered":16,"post_parent":44,"guid":640,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1218,"2026-03-12 08:47:22","Yana Wernicke","yana-wernicke","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1218",[642,650,657,664,670,677],{"ID":643,"post_author":644,"post_date":645,"post_date_gmt":645,"post_content":16,"post_title":646,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":647,"to_ping":16,"pinged":16,"post_modified":648,"post_modified_gmt":648,"post_content_filtered":16,"post_parent":44,"guid":649,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},156,"4","2024-03-02 14:05:28","MuchoMas!","mucho-mas","2026-03-09 15:51:17","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=156",{"ID":651,"post_author":644,"post_date":652,"post_date_gmt":652,"post_content":16,"post_title":653,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":654,"to_ping":16,"pinged":16,"post_modified":655,"post_modified_gmt":655,"post_content_filtered":16,"post_parent":44,"guid":656,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},154,"2024-03-02 14:01:09","Witty Books","witty-books","2026-03-11 13:51:20","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=154",{"ID":658,"post_author":38,"post_date":659,"post_date_gmt":659,"post_content":16,"post_title":660,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":661,"to_ping":16,"pinged":16,"post_modified":662,"post_modified_gmt":662,"post_content_filtered":16,"post_parent":44,"guid":663,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},1174,"2026-03-05 13:16:03","Quartz Studio","quartz-studio","2026-03-10 11:59:07","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1174",{"ID":665,"post_author":38,"post_date":666,"post_date_gmt":666,"post_content":16,"post_title":667,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":668,"to_ping":16,"pinged":16,"post_modified":666,"post_modified_gmt":666,"post_content_filtered":16,"post_parent":44,"guid":669,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},1173,"2026-03-09 13:52:34","ALMANAC","almanac","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1173",{"ID":671,"post_author":644,"post_date":672,"post_date_gmt":672,"post_content":16,"post_title":673,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":674,"to_ping":16,"pinged":16,"post_modified":675,"post_modified_gmt":675,"post_content_filtered":16,"post_parent":44,"guid":676,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},175,"2024-03-02 14:51:36","Cripta747","cripta747","2026-03-02 17:54:10","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=175",{"ID":678,"post_author":38,"post_date":679,"post_date_gmt":679,"post_content":16,"post_title":680,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":681,"to_ping":16,"pinged":16,"post_modified":682,"post_modified_gmt":682,"post_content_filtered":16,"post_parent":44,"guid":683,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},1175,"2026-03-09 13:52:29","Jest","jest","2026-03-10 11:48:13","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1175","\u003Cp>\u003Cem>Metamorphosis\u003C\u002Fem> è una mostra collettiva che riunisce i lavori di sei artisti internazionali selezionati dalla piattaforma europea per la fotografia emergente \u003Ca href=\"https:\u002F\u002Fwww.futures-photography.com\u002F\">FUTURES Photography\u003C\u002Fa>, partner culturale per questo progetto.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>La mostra collettiva e diffusa indaga il tema della metamorfosi come processo di trasformazione individuale, sociale e ambientale, offrendo uno sguardo plurale sulle tensioni che attraversano il nostro tempo. Dopo essere stata presentata a\u003Cem> Fotograf Zone\u003C\u002Fem> a Praga e al \u003Cem>Centre photographique Rouen Normandie\u003C\u002Fem>, infatti, l’esposizione approda a Torino per EXPOSED in una versione diffusa e inedita, che coinvolge diversi spazi indipendenti della città. Successivamente sarà esposta al Robert Capa Contemporary Photography Center di Budapest.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Le opere di Claudia Amatruda (Foggia, 1995), Máté Bartha (Budapest, 1987), Benedetta Casagrande (Milano, 1993), Anna Orlowska (Opole, 1986), Ada Zielinska (Varsavia, 1989) e Yana Wernicke (Berlino, 1990) saranno esposte negli spazi no profit Muchomas!, Witty Books, Almanac, Quartz Studio, Cripta747 e Jest, rafforzando una rete di collaborazione tra realtà indipendenti e nuove generazioni di autori nella fotografia contemporanea.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>La mostra è stata realizzata con il sostegno della piattaforma fotografica europea FUTURES, cofinanziata dal programma «Europa creativa» dell’Unione Europea. Il tema è stato sviluppato da un team curatoriale dedicato composto da tre organizzazioni membri della piattaforma: Světlana Malina (Fotograf Zone, Praga, Repubblica Ceca), Emese Mucsi (Robert Capa Contemporary Photography Centre, Budapest, Ungheria) e Raphaëlle Stopin (Centre photographique Rouen Normandie, Francia).\u003C\u002Fp>\n\u003Cp>Il progetto è sostenuto da CAMERA Torino.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Metamorphosis\u003C\u002Fem> is a group exhibition that brings together the work of six international artists selected by \u003Ca href=\"https:\u002F\u002Fwww.futures-photography.com\u002F\">FUTURES Photography\u003C\u002Fa>, a European platform for emerging photography and the cultural partner for this project.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>This group exhibition, held across multiple venues, explores the theme of metamorphosis as a process of individual, social, and environmental transformation, offering a pluralistic view of the tensions that characterize our times. Following presentations at Fotograf Zone in Prague and the Centre photographique Rouen Normandie, the exhibition arrives in Turin for EXPOSED in a new, expanded version involving several independent spaces across the city. It will subsequently be presented at the Robert Capa Contemporary Photography Center in Budapest.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>The works of Claudia Amatruda (Foggia, 1995), Máté Bartha (Budapest, 1987), Benedetta Casagrande (Milan, 1993), Anna Orlowska (Opole, 1986), Ada Zielinska (Warsaw, 1989), and Yana Wernicke (Berlin, 1990) will be exhibited in the non-profit spaces Muchomas!, Witty Books, Almanac, Quartz Studio, Cripta747, and Jest, strengthening a network of collaboration between independent entities and new generations of authors in contemporary photography.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>The exhibition was produced with the support of the European photography platform FUTURES, co-financed by the European Union’s Creative Europe programme. The theme was developed by a dedicated curatorial team from three member organisations of the platform: Světlana Malina (Fotograf Zone, Prague, Czech Republic), Emese Mucsi (Robert Capa Contemporary Photography Centre, Budapest, Hungary) and Raphaëlle Stopin (Centre photographique Rouen Normandie, France).\u003C\u002Fp>\n\u003Cp>The project is supported by CAMERA Torino.\u003C\u002Fp>\n",{"self":687,"collection":692,"about":694,"acf:post":696,"wp:attachment":721,"curies":724},[688],{"href":689,"targetHints":690},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1118",{"allow":691},[99],[693],{"href":102},[695],{"href":105},[697,699,701,703,705,707,709,711,713,715,717,719],{"embeddable":108,"href":698},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F1175",{"embeddable":108,"href":700},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F175",{"embeddable":108,"href":702},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F1173",{"embeddable":108,"href":704},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F1174",{"embeddable":108,"href":706},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F154",{"embeddable":108,"href":708},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F156",{"embeddable":108,"href":710},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1218",{"embeddable":108,"href":712},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1219",{"embeddable":108,"href":714},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1220",{"embeddable":108,"href":716},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1222",{"embeddable":108,"href":718},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1223",{"embeddable":108,"href":720},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1221",[722],{"href":723},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1118",[725],{"name":117,"href":118,"templated":108},{"id":727,"date":728,"date_gmt":728,"guid":729,"modified":731,"modified_gmt":731,"slug":732,"status":11,"type":12,"link":733,"title":734,"template":16,"class_list":736,"acf":738,"_links":790},1113,"2026-03-05T08:55:40",{"rendered":730},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1113","2026-03-19T16:38:37","messi-a-nudo","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fmessi-a-nudo\u002F",{"rendered":735},"Messi a nudo",[737,12,19,20,21],"post-1113",{"title_en":739,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":740,"detailed_schedule_and_date":765,"detailed_schedule_and_date_en":766,"curated_by":234,"other_label":16,"other_label_en":16,"artist":767,"location_type":169,"location":786,"outdoor_location":82,"text_it":788,"text_en":789,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"Laid bare",[741],{"acf_fc_layout":30,"image":742,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":743,"id":743,"title":744,"filename":745,"filesize":746,"url":747,"link":748,"alt":16,"author":38,"description":16,"caption":749,"name":750,"status":41,"uploaded_to":727,"date":751,"modified":752,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":753,"height":754,"sizes":755,"didascalia_en":749},1142,"Fauno - 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L’allestimento permette un’esperienza immersiva mediante l’impiego di visori d’epoca che restituiscono la tridimensionalità originaria alle riproduzioni delle stampe vintage. Belloc, figura centrale della \u003Cem>Société française de photographie\u003C\u002Fem> e autore di influenti trattati tecnici, declinò la propria perizia ritrattistica anche nella produzione di nudi inizialmente destinati a fini accademici. Tuttavia, l’adozione del formato stereoscopico spostò la fruizione di tali opere verso una dimensione ludica e privata, trascendendo la cerchia degli addetti ai lavori; tale attività subì un brusco arresto con il sequestro di migliaia di lastre da parte delle autorità francesi per oltraggio al pudore.\u003C\u002Fp>\n\u003Cp>Parallelamente, l’opera di \u003Cem>Wilhelm von Gloeden\u003C\u002Fem>, documentata attraverso otto stampe vintage e quindici exhibition prints da negativi originali della Fondazione Alinari, testimonia la costruzione di un immaginario mediterraneo idealizzato. Von Gloeden divenne celebre per i suoi nudi maschili inseriti in mise-en-scène di ispirazione classica, capaci di intercettare il gusto dei viaggiatori del Grand Tour e di alimentare, nella cultura nordeuropea dell’Ottocento, il mito dell’Italia come luogo di innocenza perduta e libertà dei sensi. A differenza della cifra stilistica di Belloc, l’opera di von Gloeden non approdò mai a un erotismo esplicito; cionondimeno, essa entrò in collisione con il rigorismo morale del regime fascista, la cui censura determinò la sistematica distruzione di gran parte del suo corpus archivistico.\u003C\u002Fp>\n\u003Cp>In ultima istanza, la rassegna approda al Novecento con trenta Polaroid di \u003Cem>Carlo Mollino\u003C\u002Fem>, conservate presso il Politecnico di Torino e parte di un ampio fondo fotografico composto da quasi 15.000 fototipi. Questa sezione costituisce l’unica offerta a colori della mostra e rivela la complessa poetica dell’architetto torinese attraverso ritratti femminili caratterizzati da un sofisticato gioco di abiti di scena e trasparenze. Nelle composizioni di Mollino, l’interesse per la nudità sfacciata si fonde inestricabilmente con un richiamo costante all’arte classica, rintracciabile nella plasticità delle pose e nella meticolosa cura dell’arredo scenico. L’integrazione di otto stampe da negativi originali completa l’esposizione, confermando come la fotografia sia stata per Mollino uno strumento d’indagine totalizzante sulle forme e sull’estetica del desiderio.\u003C\u002Fp>\n","\u003Cp>The exhibition explores the work of three emblematic figures in the history of photography—Auguste Belloc, Wilhelm von Gloeden, and Carlo Mollino—analyzing how the treatment of the nude has evolved from an academic exercise to an introspective investigation, often bordering on the obsessive and disturbing.\u003C\u002Fp>\n\u003Cp>The exhibition highlights how the strong erotic content of these photographic collections, although historically contextualized to their respective periods of production, continues to stimulate contemporary sensibilities through the authors’ blatant voyeuristic pleasure.\u003C\u002Fp>\n",{"self":791,"collection":796,"about":798,"acf:post":800,"wp:attachment":808,"curies":811},[792],{"href":793,"targetHints":794},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1113",{"allow":795},[99],[797],{"href":102},[799],{"href":105},[801,802,804,806],{"embeddable":108,"href":557},{"embeddable":108,"href":803},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1205",{"embeddable":108,"href":805},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1207",{"embeddable":108,"href":807},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1206",[809],{"href":810},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1113",[812],{"name":117,"href":118,"templated":108},{"id":814,"date":815,"date_gmt":815,"guid":816,"modified":818,"modified_gmt":818,"slug":819,"status":11,"type":12,"link":820,"title":821,"template":16,"class_list":823,"acf":825,"_links":872},1116,"2026-03-05T08:55:32",{"rendered":817},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1116","2026-04-20T09:46:00","replaced","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Freplaced\u002F",{"rendered":822},"Replaced",[824,12,19,20,21],"post-1116",{"title_en":822,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":826,"to":827,"start_time":16,"end_time":16,"media":828,"detailed_schedule_and_date":852,"detailed_schedule_and_date_en":853,"curated_by":854,"other_label":16,"other_label_en":16,"artist":855,"location_type":169,"location":862,"outdoor_location":82,"text_it":870,"text_en":871,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"2026-04-10","2026-09-06",[829],{"acf_fc_layout":30,"image":830,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":831,"id":831,"title":832,"filename":833,"filesize":834,"url":835,"link":836,"alt":16,"author":38,"description":16,"caption":837,"name":838,"status":41,"uploaded_to":814,"date":839,"modified":840,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":841,"height":842,"sizes":843,"didascalia_en":837},1231,"Diana Markosian, Replaced, 2026","Diana-Markosian-Replaced-2026.jpg",1891926,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FDiana-Markosian-Replaced-2026.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Freplaced\u002Fdiana-markosian-replaced-2026\u002F","Diana Markosian, dalla serie Replaced, 2026","diana-markosian-replaced-2026","2026-03-04 21:35:54","2026-03-10 15:58:30",3818,2546,{"thumbnail":844,"thumbnail-width":52,"thumbnail-height":845,"medium":846,"medium-width":55,"medium-height":847,"medium_large":835,"medium_large-width":57,"medium_large-height":848,"large":849,"large-width":60,"large-height":850,"1536x1536":835,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":835,"2048x2048-width":64,"2048x2048-height":851},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FDiana-Markosian-Replaced-2026-150x100.jpg",100,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FDiana-Markosian-Replaced-2026-600x400.jpg",400,512,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FDiana-Markosian-Replaced-2026-2000x1334.jpg",1281,1366,"Da martedì a domenica: 09.30 - 19.00\u003Cbr \u002F>\r\nLunedì: chiuso\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nOrari giorni festivi\u003Cbr \u002F>\r\n25 aprile: 09.30 - 19.00; ingresso gratuito\u003Cbr \u002F>\r\n01 maggio: 09.30 - 19.00\u003Cbr \u002F>\r\n23 maggio: 20.00 - 24.00 apertura straordinaria per la Notte dei Musei con ingresso a 1,00€\u003Cbr \u002F>\r\n01 giugno: chiuso\u003Cbr \u002F>\r\n02 giugno: 09.30 - 19.00; ingresso gratuito","Tuesday to Sunday: 9:30 am - 7:00 pm\u003Cbr \u002F>\r\nMonday: closed\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nHoliday Hours\u003Cbr \u002F>\r\nApril 25: 9:30 am – 7:00 pm; free admission\u003Cbr \u002F>\r\nMay 1: 9:30 am – 7:00 pm\u003Cbr \u002F>\r\nMay 23: 8:00 pm – 12:00 am (special opening for Museum Night; admission €1.00)\u003Cbr \u002F>\r\nJune 1: Closed\u003Cbr \u002F>\r\nJune 2: 9:30 am – 7:00 pm; free admission","Brandei Estes",[856],{"ID":857,"post_author":38,"post_date":858,"post_date_gmt":858,"post_content":16,"post_title":859,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":860,"to_ping":16,"pinged":16,"post_modified":858,"post_modified_gmt":858,"post_content_filtered":16,"post_parent":44,"guid":861,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1204,"2026-03-12 08:48:26","Diana Markosian","diana-markosian","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1204",[863],{"ID":864,"post_author":537,"post_date":865,"post_date_gmt":865,"post_content":16,"post_title":866,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":867,"to_ping":16,"pinged":16,"post_modified":868,"post_modified_gmt":868,"post_content_filtered":16,"post_parent":44,"guid":869,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},565,"2024-03-07 09:39:53","Gallerie d'Italia – Torino","gallerie-ditalia-torino","2026-03-12 09:15:43","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=565","\u003Cp>Il \u003Ca href=\"https:\u002F\u002Fgallerieditalia.com\u002Fit\u002Ftorino\u002Fmostre-e-iniziative\u002Fmostre\u002F2026\u002F04\u002F10\u002Fdiana-markosian-replaced-in-mostra-a-torino\u002F\">\u003Cspan style=\"text-decoration: underline;\">progetto \u003C\u002Fspan>\u003C\u002Fa>\u003Ci>\u003Cspan style=\"text-decoration: underline;\">Replaced\u003C\u002Fspan>,\u003C\u002Fi> presentato\u003Cb> \u003C\u002Fb>in anteprima mondiale\u003Cb> \u003C\u002Fb>proprio in occasione di\u003Cb> \u003C\u002Fb>EXPOSED, è dedicato alla memoria di un amore e al sentimento della “sostituzione”.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Attraverso un film, adattato per la sala immersiva del museo, e una serie di fotografie che combinano rievocazione sceneggiata e autofinzione, l’artista – una delle giovani protagoniste della scena fotografica contemporanea internazionale – ricostruisce una lunga relazione, esplorando la fragilità del mito romantico e il disorientamento che segue alla sua fine.\u003C\u002Fp>\n","\u003Cp>The \u003Cspan style=\"text-decoration: underline;\">\u003Ca href=\"https:\u002F\u002Fgallerieditalia.com\u002Fen\u002Fturin\u002Fexhibitions-and-initiatives\u002Fexhibitions\u002F2026\u002F04\u002F10\u002Fdiana-markosian-replaced-exhibition-in-turin\u002F\">project\u003C\u002Fa> \u003Cem>Replaced\u003C\u002Fem>\u003C\u002Fspan>, which received its world premiere at EXPOSED, is dedicated to the memory of a love and the feeling of ‘replacement’.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Through a film, adapted for the museum’s immersive theatre, and a series of photographs combining staged re-enactment and autofiction, the artist – one of the leading young figures on the international contemporary photography scene – reconstructs a long-standing relationship, exploring the fragility of the romantic myth and the disorientation that follows its end.\u003C\u002Fp>\n",{"self":873,"collection":878,"about":880,"acf:post":882,"wp:attachment":887,"curies":890},[874],{"href":875,"targetHints":876},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1116",{"allow":877},[99],[879],{"href":102},[881],{"href":105},[883,885],{"embeddable":108,"href":884},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F565",{"embeddable":108,"href":886},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1204",[888],{"href":889},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1116",[891],{"name":117,"href":118,"templated":108},{"id":893,"date":894,"date_gmt":894,"guid":895,"modified":897,"modified_gmt":897,"slug":898,"status":11,"type":12,"link":899,"title":900,"template":16,"class_list":902,"acf":904,"_links":942},1243,"2026-03-05T08:56:40",{"rendered":896},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1243","2026-04-07T17:36:41","la-citta-in-fotografia-la-fotografia-in-citta","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fla-citta-in-fotografia-la-fotografia-in-citta\u002F",{"rendered":901},"La città in fotografia \u002F La fotografia in città",[903,12,19,20,21],"post-1243",{"title_en":905,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":906,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":234,"other_label":16,"other_label_en":16,"artist":16,"location_type":81,"location":16,"outdoor_location":932,"text_it":940,"text_en":941,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"The city in photography​ \u002F The photography in the city​",[907],{"acf_fc_layout":30,"image":908,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":909,"id":909,"title":910,"filename":911,"filesize":912,"url":913,"link":914,"alt":16,"author":38,"description":16,"caption":915,"name":916,"status":41,"uploaded_to":893,"date":917,"modified":918,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":919,"height":920,"sizes":921,"didascalia_en":931},1444,"01_Enrico Federico Jest, Veduta della Gran Madre di Dio, 1839","01_Enrico-Federico-Jest-Veduta-della-Gran-Madre-di-Dio-1839.jpg",1359442,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Enrico-Federico-Jest-Veduta-della-Gran-Madre-di-Dio-1839.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fla-citta-in-fotografia-la-fotografia-in-citta\u002F01_enrico-federico-jest-veduta-della-gran-madre-di-dio-1839\u002F","Enrico Federico Jest, Chiesa della Gran Madre di Dio, 1839, Torino. GAM – Galleria Civica d’Arte Moderna e Contemporanea, Gabinetto Disegni e Stampe. Su concessione della Fondazione Torino Musei (Foto: Studio Fotografico Gonella 2005)","01_enrico-federico-jest-veduta-della-gran-madre-di-dio-1839","2026-04-07 17:34:44","2026-04-07 17:36:17",2378,1488,{"thumbnail":922,"thumbnail-width":52,"thumbnail-height":923,"medium":924,"medium-width":55,"medium-height":925,"medium_large":913,"medium_large-width":57,"medium_large-height":926,"large":927,"large-width":60,"large-height":928,"1536x1536":913,"1536x1536-width":62,"1536x1536-height":929,"2048x2048":913,"2048x2048-width":64,"2048x2048-height":930},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Enrico-Federico-Jest-Veduta-della-Gran-Madre-di-Dio-1839-150x94.jpg",94,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Enrico-Federico-Jest-Veduta-della-Gran-Madre-di-Dio-1839-600x375.jpg",375,481,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F01_Enrico-Federico-Jest-Veduta-della-Gran-Madre-di-Dio-1839-2000x1251.jpg",1201,961,1282,"Enrico Federico Jest, Church of the Great Mother of God, 1839, Turin. GAM – Civic Gallery of Modern and Contemporary Art, Department of Drawings and Prints. Courtesy of the Fondazione Torino Musei (Photo: Studio Fotografico Gonella 2005)",[933],{"ID":934,"post_author":38,"post_date":935,"post_date_gmt":935,"post_content":16,"post_title":936,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":937,"to_ping":16,"pinged":16,"post_modified":938,"post_modified_gmt":938,"post_content_filtered":16,"post_parent":44,"guid":939,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1241,"2026-03-09 10:23:24","Cancellata del giardino di Palazzo dal Pozzo della Cisterna","cancellata-del-giardino-di-palazzo-dal-pozzo-della-cisterna","2026-03-09 15:53:33","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1241","\u003Cp>La mostra presenta immagini di grande formato tratte da diverse collezioni pubbliche cittadine, a partire dalla storica \u003Cem>Veduta della Gran Madre di Dio\u003C\u002Fem> realizzata l’8 ottobre 1839 da Enrico Jest, uno degli incunaboli della fotografia nel nostro paese, per giungere sino ai giorni nostri, intrecciando storia della fotografia, della città e delle sue collezioni.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>La mostra è in collaborazione con la Città Metropolitana di Torino.\u003C\u002Fp>\n","\u003Cp>The exhibition presents large-format images from various public collections in the city, starting with the historic \u003Cem>View of the Great Mother of God\u003C\u002Fem> taken on October 8, 1839, by Enrico Jest, one of the pioneers of photography in Italy, and continuing up to the present day, intertwining the history of photography, the city, and its collections.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>The exhibition is in collaboration with the Metropolitan City of Turin.\u003C\u002Fp>\n",{"self":943,"collection":948,"about":950,"acf:post":952,"wp:attachment":955,"curies":958},[944],{"href":945,"targetHints":946},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1243",{"allow":947},[99],[949],{"href":102},[951],{"href":105},[953],{"embeddable":108,"href":954},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1241",[956],{"href":957},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1243",[959],{"name":117,"href":118,"templated":108},{"id":961,"date":962,"date_gmt":962,"guid":963,"modified":965,"modified_gmt":965,"slug":966,"status":11,"type":12,"link":967,"title":968,"template":16,"class_list":970,"acf":972,"_links":1062},1248,"2026-03-05T08:56:33",{"rendered":964},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1248","2026-03-23T10:41:51","i-tuffatori-6x3","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fi-tuffatori-6x3\u002F",{"rendered":969},"I Tuffatori (6×3)",[971,12,19,20,21],"post-1248",{"title_en":973,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":974,"detailed_schedule_and_date":67,"detailed_schedule_and_date_en":68,"curated_by":161,"other_label":16,"other_label_en":16,"artist":16,"location_type":81,"location":82,"outdoor_location":998,"text_it":1060,"text_en":1061,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"The Divers (6x3)",[975],{"acf_fc_layout":30,"image":976,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":977,"id":977,"title":978,"filename":979,"filesize":980,"url":981,"link":982,"alt":16,"author":38,"description":16,"caption":983,"name":984,"status":41,"uploaded_to":961,"date":985,"modified":986,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":987,"height":988,"sizes":989,"didascalia_en":983},1249,"Walter Pfeiffer Untitled, 2012","Walter-Pfeiffer-Untitled-2012.jpg",2069437,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FWalter-Pfeiffer-Untitled-2012.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fi-tuffatori-6x3\u002Fwalter-pfeiffer-untitled-2012\u002F","Walter Pfeiffer, Untitled, 2012 © Walter Pfeiffer \u002F New Art Corps. Courtesy the artist and Galerie Gregor Staiger, Zurich \u002F Milan","walter-pfeiffer-untitled-2012","2026-03-04 22:43:10","2026-03-23 10:41:48",2756,1834,{"thumbnail":990,"thumbnail-width":52,"thumbnail-height":845,"medium":991,"medium-width":55,"medium-height":992,"medium_large":981,"medium_large-width":57,"medium_large-height":993,"large":994,"large-width":60,"large-height":995,"1536x1536":981,"1536x1536-width":62,"1536x1536-height":996,"2048x2048":981,"2048x2048-width":64,"2048x2048-height":997},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FWalter-Pfeiffer-Untitled-2012-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FWalter-Pfeiffer-Untitled-2012-600x399.jpg",399,511,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FWalter-Pfeiffer-Untitled-2012-2000x1331.jpg",1278,1022,1363,[999,1006,1012,1018,1024,1030,1036,1042,1048,1054],{"ID":1000,"post_author":1001,"post_date":1002,"post_date_gmt":1002,"post_content":16,"post_title":1003,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1004,"to_ping":16,"pinged":16,"post_modified":1002,"post_modified_gmt":1002,"post_content_filtered":16,"post_parent":44,"guid":1005,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1295,"10","2026-03-11 13:19:11","I Tuffatori (6x3) n.1","i-tuffatori-6x3-n-1","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1295",{"ID":1007,"post_author":1001,"post_date":1008,"post_date_gmt":1008,"post_content":16,"post_title":1009,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1010,"to_ping":16,"pinged":16,"post_modified":1008,"post_modified_gmt":1008,"post_content_filtered":16,"post_parent":44,"guid":1011,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1305,"2026-03-11 13:41:48","I Tuffatori (6x3) n.10","i-tuffatori-6x3-n-10","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1305",{"ID":1013,"post_author":1001,"post_date":1014,"post_date_gmt":1014,"post_content":16,"post_title":1015,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1016,"to_ping":16,"pinged":16,"post_modified":1014,"post_modified_gmt":1014,"post_content_filtered":16,"post_parent":44,"guid":1017,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1296,"2026-03-11 13:23:46","I Tuffatori (6x3) n.2","i-tuffatori-6x3-n-2","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1296",{"ID":1019,"post_author":1001,"post_date":1020,"post_date_gmt":1020,"post_content":16,"post_title":1021,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1022,"to_ping":16,"pinged":16,"post_modified":1020,"post_modified_gmt":1020,"post_content_filtered":16,"post_parent":44,"guid":1023,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1297,"2026-03-11 13:24:54","I Tuffatori (6x3) n.3","i-tuffatori-6x3-n-3","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1297",{"ID":1025,"post_author":1001,"post_date":1026,"post_date_gmt":1026,"post_content":16,"post_title":1027,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1028,"to_ping":16,"pinged":16,"post_modified":1026,"post_modified_gmt":1026,"post_content_filtered":16,"post_parent":44,"guid":1029,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1298,"2026-03-11 13:27:22","I Tuffatori (6x3) n.4","i-tuffatori-6x3-n-4","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1298",{"ID":1031,"post_author":1001,"post_date":1032,"post_date_gmt":1032,"post_content":16,"post_title":1033,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1034,"to_ping":16,"pinged":16,"post_modified":1032,"post_modified_gmt":1032,"post_content_filtered":16,"post_parent":44,"guid":1035,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1299,"2026-03-11 13:33:43","I Tuffatori (6x3) n.5","i-tuffatori-6x3-n-5","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1299",{"ID":1037,"post_author":1001,"post_date":1038,"post_date_gmt":1038,"post_content":16,"post_title":1039,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1040,"to_ping":16,"pinged":16,"post_modified":1038,"post_modified_gmt":1038,"post_content_filtered":16,"post_parent":44,"guid":1041,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1300,"2026-03-11 13:36:27","I Tuffatori (6x3) n.6","i-tuffatori-6x3-n-6","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1300",{"ID":1043,"post_author":1001,"post_date":1044,"post_date_gmt":1044,"post_content":16,"post_title":1045,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1046,"to_ping":16,"pinged":16,"post_modified":1044,"post_modified_gmt":1044,"post_content_filtered":16,"post_parent":44,"guid":1047,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1301,"2026-03-11 13:36:53","I Tuffatori (6x3) n.7","i-tuffatori-6x3-n-7","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1301",{"ID":1049,"post_author":1001,"post_date":1050,"post_date_gmt":1050,"post_content":16,"post_title":1051,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1052,"to_ping":16,"pinged":16,"post_modified":1050,"post_modified_gmt":1050,"post_content_filtered":16,"post_parent":44,"guid":1053,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1303,"2026-03-11 13:37:59","I Tuffatori (6x3) n.8","i-tuffatori-6x3-n-8","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1303",{"ID":1055,"post_author":1001,"post_date":1056,"post_date_gmt":1056,"post_content":16,"post_title":1057,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1058,"to_ping":16,"pinged":16,"post_modified":1056,"post_modified_gmt":1056,"post_content_filtered":16,"post_parent":44,"guid":1059,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1304,"2026-03-11 13:39:41","I Tuffatori (6x3) n.9","i-tuffatori-6x3-n-9","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1304","\u003Cp>\u003Cspan class=\"TextRun SCXW84738079 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">Si tratta di una novità assoluta nella costruzione del programma di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">EXPOSED,\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\"> una vera e propria mostra collettiva a cielo aperto, che si sviluppa su 26 grandi \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW84738079 BCX4\">billboard\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\"> lungo le strade della città. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW84738079 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">La mostra è dedicata quasi esclusivamente a giovani autrici e autori italiani: i due fotografi stranieri sono\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">W\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">alter Pfeiffer, un rimando alla mostra\u003C\u002Fspan> \u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW84738079 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">In Good Company\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"TextRun SCXW84738079 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\"> \u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">che si tiene \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">dal 30 aprile\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\"> alla Pinacoteca Agnelli, e la giovane Leila \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW84738079 BCX4\">Erdman\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW84738079 BCX4\">Tabukashvili\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">; insieme a loro i due più maturi Fabio Paleari e Silvia Camporesi e i giovani Zoe \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">Natale \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">Man\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">n\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">ella\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">, Sara Lorusso, Federica Belli, Claudio Majorana, Camillo Pasquarelli. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW84738079 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">Il titolo della mostra è insieme un omaggio e una descrizione del soggetto principale: si tratta infatti di un omaggio a “Il tuffatore”, una delle più note immagini di Nino Migliori, grande maestro della fotografia entrato quest’anno nel suo centesimo anno di età. Al tempo stesso, i tuffatori, le tuffatrici, i bagnanti e l’acqua sono il \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW84738079 BCX4\">leit\u003C\u002Fspan> \u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW84738079 BCX4\">motiv\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\"> della mostra, che punta a trasformare le grandi arterie della viabilità torinese in luoghi incantati, dove appaiono le immagini di quell’acqua che, nella realtà, è comunque una parte fondamentale della vita e del paesaggio torinese, segnato dal Po. \u003C\u002Fspan>\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW84738079 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"auto\">\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">Scattate in diverse parti d’Italia e del mondo, le immagini vogliono mostrare non solo i luoghi e le persone, ma soprattutto quel desiderio di libertà e di comunione con il corpo proprio e con quello dell’altro che è indissolubilmente legato all’esperienza dell’acqua. Realtà dell’essere nudi e metafora del mettersi a nudo, la mostra racchiude il senso più profondo di questa edizione di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW84738079 BCX4\">EXPOSED.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP Selected SCXW84738079 BCX4\" data-ccp-props=\"{"134245417":false,"201341983":0,"335559739":0,"335559740":240}\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan data-contrast=\"auto\">This marks a complete departure from the usual format of the EXPOSED programme, taking the form of a genuine open-air group exhibition spread across twenty-six large billboards along the city streets. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">The exhibition is dedicated almost exclusively to young Italian artists, together with two foreign photographers: Walter Pfeiffer – with a reference to his exhibition \u003C\u002Fspan>\u003Ci>\u003Cspan data-contrast=\"auto\">In Good Company, \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan data-contrast=\"auto\">which takes place from April 30 at the Pinacoteca Agnelli \u003C\u002Fspan>\u003Cspan data-contrast=\"auto\">– and the young Leila Erdman Tabukashvili. With them are the more established Fabio Paleari and Silvia Camporesi, as well as the younger Zoe Natale Mannella, Sara Lorusso, Federica Belli, Claudio Majorana and Camillo Pasquarelli. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">The exhibition’s title is both a tribute to and a description of its main subject: it is, in fact, a tribute to \u003C\u002Fspan>\u003Ci>\u003Cspan data-contrast=\"auto\">Il tuffatore \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan data-contrast=\"auto\">[The Diver], one of the best-known images by Nino Migliori, the great master of Italian photography who turns a hundred this year. At the same time, the divers, bathers and the water provide the leitmotif running through the exhibition, which aims to transform Turin’s major thoroughfares into placesof enchantment, where images of that water appear – water which is also a fundamental element of life in the Turin landscape, shaped as it is by the River Po. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan data-contrast=\"auto\">Taken in various parts of Italy and around the world, the images seek to show not only places and people, but above all that desire for freedom and communion with one’s own body and that of others, inextricably bound up with the experience of water. 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data-ccp-props=\"{"134245417":false,"201341983":0,"335559739":0,"335559740":240}\"> \u003C\u002Fspan>\u003C\u002Fp>\n",{"self":1063,"collection":1068,"about":1070,"acf:post":1072,"wp:attachment":1093,"curies":1096},[1064],{"href":1065,"targetHints":1066},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1248",{"allow":1067},[99],[1069],{"href":102},[1071],{"href":105},[1073,1075,1077,1079,1081,1083,1085,1087,1089,1091],{"embeddable":108,"href":1074},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1304",{"embeddable":108,"href":1076},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1303",{"embeddable":108,"href":1078},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1301",{"embeddable":108,"href":1080},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1300",{"embeddable":108,"href":1082},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1299",{"embeddable":108,"href":1084},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1298",{"embeddable":108,"href":1086},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1297",{"embeddable":108,"href":1088},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1296",{"embeddable":108,"href":1090},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1305",{"embeddable":108,"href":1092},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1295",[1094],{"href":1095},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1248",[1097],{"name":117,"href":118,"templated":108},{"id":1099,"date":1100,"date_gmt":1100,"guid":1101,"modified":1103,"modified_gmt":1103,"slug":1104,"status":11,"type":12,"link":1105,"title":1106,"template":16,"class_list":1108,"acf":1110,"_links":1155},1148,"2026-03-05T08:54:56",{"rendered":1102},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1148","2026-03-19T16:39:38","back-in-ibiza-e-altre-storie","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fback-in-ibiza-e-altre-storie\u002F",{"rendered":1107},"Back in Ibiza e altre storie",[1109,12,19,20,21],"post-1148",{"title_en":1111,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":1112,"start_time":16,"end_time":16,"media":1113,"detailed_schedule_and_date":1137,"detailed_schedule_and_date_en":1138,"curated_by":161,"other_label":16,"other_label_en":16,"artist":1139,"location_type":169,"location":1146,"outdoor_location":82,"text_it":1153,"text_en":1154,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"Back in Ibiza and other stories  ","2026-05-10",[1114],{"acf_fc_layout":30,"image":1115,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":1116,"id":1116,"title":1117,"filename":1118,"filesize":1119,"url":1120,"link":1121,"alt":16,"author":38,"description":16,"caption":1122,"name":1123,"status":41,"uploaded_to":1099,"date":1124,"modified":1125,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":1126,"height":1127,"sizes":1128,"didascalia_en":1122},1155,"The-White-Stripes-by-Dean-Chalkley_ridotta","The-White-Stripes-by-Dean-Chalkley_ridotta.jpg",1658925,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FThe-White-Stripes-by-Dean-Chalkley_ridotta.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fback-in-ibiza-e-altre-storie\u002Fthe-white-stripes-by-dean-chalkley_ridotta\u002F","The White Stripes by Dean Chalkley","the-white-stripes-by-dean-chalkley_ridotta","2026-03-02 10:13:31","2026-03-10 15:56:00",4800,3650,{"thumbnail":1129,"thumbnail-width":52,"thumbnail-height":1130,"medium":1131,"medium-width":55,"medium-height":1132,"medium_large":1120,"medium_large-width":57,"medium_large-height":1133,"large":1134,"large-width":60,"large-height":1135,"1536x1536":1120,"1536x1536-width":62,"1536x1536-height":520,"2048x2048":1120,"2048x2048-width":64,"2048x2048-height":1136},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FThe-White-Stripes-by-Dean-Chalkley_ridotta-150x114.jpg",114,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FThe-White-Stripes-by-Dean-Chalkley_ridotta-600x456.jpg",456,584,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FThe-White-Stripes-by-Dean-Chalkley_ridotta-2000x1521.jpg",1460,1557,"09-10-11-12 aprile: 11.00-20.00 \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 aprile - 10 maggio\u003Cbr \u002F>\r\nLunedì - venerdì: 14.00-19.00\u003Cbr \u002F>\r\nSabato - domenica: 11.00-19.00 ","April 9-10-11-12: 11 am - 8 pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nApril 13 to May 10\u003Cbr \u002F>\r\nMonday to Friday: 2 pm - 7 pm\u003Cbr \u002F>\r\nSaturday and Sunday: 11 am - 7 pm ",[1140],{"ID":1141,"post_author":38,"post_date":1142,"post_date_gmt":1142,"post_content":16,"post_title":1143,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1144,"to_ping":16,"pinged":16,"post_modified":1142,"post_modified_gmt":1142,"post_content_filtered":16,"post_parent":44,"guid":1145,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1202,"2026-03-12 08:48:37","Dean Chalkley","dean-chalkley","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1202",[1147],{"ID":1148,"post_author":38,"post_date":1149,"post_date_gmt":1149,"post_content":16,"post_title":1150,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1151,"to_ping":16,"pinged":16,"post_modified":1149,"post_modified_gmt":1149,"post_content_filtered":16,"post_parent":44,"guid":1152,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},1170,"2026-03-09 13:52:48","Circolo del Design","circolo-del-design","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1170","\u003Cp>La mostra riunisce tre serie del fotografo inglese, attivo dagli anni Novanta soprattutto in ambito musicale.\u003C\u002Fp>\n\u003Cp>La prima è dedicata alla scena britannica dagli anni Novanta a oggi, con ritratti di icone come Amy Winehouse, Oasis e The White Stripes. \u003Cem>Never Turn Back\u003C\u002Fem> è invece un reportage intimo sul viaggio di un gruppo di ragazzi lungo le coste di Norfolk. A completare il percorso, \u003Cem>Back in Ibiza\u003C\u002Fem>, realizzato tra la fine del Novecento e l’inizio del Duemila, racconta dall’interno l’euforia e l’eccesso dell’isola, offrendo una testimonianza diretta e non nostalgica di quell’epoca.\u003C\u002Fp>\n","\u003Cp>The exhibition brings together three series by the British photographer, who has been active since the 1990s, mainly in the music industry.\u003C\u002Fp>\n\u003Cp>The first is dedicated to the British scene between the 1990s to the present day, with portraits of icons such as Amy Winehouse, Oasis, and The White Stripes. \u003Cem>Never Turn Back\u003C\u002Fem> is an intimate reportage on a group of young people’s journey along the coast of Norfolk. Completing the exhibition, \u003Cem>Back in Ibiza\u003C\u002Fem>, created between the end of the 20th century and the beginning of the 21st, recounts the euphoria and excess of the island from the inside, offering a direct and non-nostalgic testimony of that era.\u003C\u002Fp>\n",{"self":1156,"collection":1161,"about":1163,"acf:post":1165,"wp:attachment":1170,"curies":1173},[1157],{"href":1158,"targetHints":1159},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1148",{"allow":1160},[99],[1162],{"href":102},[1164],{"href":105},[1166,1168],{"embeddable":108,"href":1167},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F1170",{"embeddable":108,"href":1169},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1202",[1171],{"href":1172},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1148",[1174],{"name":117,"href":118,"templated":108},{"id":1176,"date":1177,"date_gmt":1177,"guid":1178,"modified":1180,"modified_gmt":1180,"slug":1181,"status":11,"type":12,"link":1182,"title":1183,"template":16,"class_list":1185,"acf":1187,"_links":1231},1135,"2026-03-04T23:40:33",{"rendered":1179},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1135","2026-03-19T16:41:22","dopo-lestate","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdopo-lestate\u002F",{"rendered":1184},"Dopo l’estate",[1186,12,19,20,21],"post-1135",{"title_en":1188,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":1189,"detailed_schedule_and_date":1213,"detailed_schedule_and_date_en":1214,"curated_by":161,"other_label":16,"other_label_en":16,"artist":1215,"location_type":169,"location":1221,"outdoor_location":82,"text_it":1229,"text_en":1230,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"After the Summer ",[1190],{"acf_fc_layout":30,"image":1191,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":1192,"id":1192,"title":1193,"filename":1194,"filesize":1195,"url":1196,"link":1197,"alt":16,"author":38,"description":16,"caption":1198,"name":1199,"status":41,"uploaded_to":1176,"date":1200,"modified":1201,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":1202,"height":1203,"sizes":1204,"didascalia_en":1198},1141,"Ile de Levanzo 1988","Ile-de-Levanzo-1988.jpg",1608975,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FIle-de-Levanzo-1988.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdopo-lestate\u002File-de-levanzo-1988\u002F","Bernard Plossu, Ile de Levanzo, 1988 ","ile-de-levanzo-1988","2026-03-02 09:49:05","2026-03-10 15:55:00",3056,2043,{"thumbnail":1205,"thumbnail-width":52,"thumbnail-height":845,"medium":1206,"medium-width":55,"medium-height":1207,"medium_large":1196,"medium_large-width":57,"medium_large-height":1208,"large":1209,"large-width":60,"large-height":1210,"1536x1536":1196,"1536x1536-width":62,"1536x1536-height":1211,"2048x2048":1196,"2048x2048-width":64,"2048x2048-height":1212},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FIle-de-Levanzo-1988-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FIle-de-Levanzo-1988-600x401.jpg",401,513,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FIle-de-Levanzo-1988-2000x1337.jpg",1284,1027,1369,"09-10-11-12 aprile: 10.00-20.00 \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 aprile-2 giugno\u003Cbr \u002F>\r\nMercoledì-lunedì: 10.00-18.00\u003Cbr \u002F>\r\nMartedì chiuso ","April 9-10-11-12: 10 am - 8 pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nApril 13 - June 2\u003Cbr \u002F>\r\nWednesday-Monday: 10 am - 6 pm\u003Cbr \u002F>\r\nClosed on Tuesdays ",[1216],{"ID":928,"post_author":38,"post_date":1217,"post_date_gmt":1217,"post_content":16,"post_title":1218,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1219,"to_ping":16,"pinged":16,"post_modified":1217,"post_modified_gmt":1217,"post_content_filtered":16,"post_parent":44,"guid":1220,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},"2026-03-12 08:48:50","Bernard Plossu","bernard-plossu","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1201",[1222],{"ID":1223,"post_author":644,"post_date":1224,"post_date_gmt":1224,"post_content":16,"post_title":1225,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1226,"to_ping":16,"pinged":16,"post_modified":1227,"post_modified_gmt":1227,"post_content_filtered":16,"post_parent":44,"guid":1228,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},152,"2024-03-02 13:58:07","Museo Regionale di Scienze Naturali","museo-regionale-di-scienze-naturali","2026-03-02 17:41:07","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=152","\u003Cp>Le opere presenti in mostra sono state realizzate da \u003Cem>Bernard Plossu\u003C\u002Fem> tra gli anni Ottanta e gli anni Dieci del Duemila, nelle piccole isole italiane.\u003C\u002Fp>\n\u003Cp>In oltre trent’anni di viaggi, l’autore trasforma scene ordinarie in visioni intense e sospese nel tempo. Muovendosi tra luoghi come Stromboli e l’Isola d’Elba, Plossu ricerca un dialogo profondo tra uomo e natura. Il suo sguardo, colto e innamorato dell’Italia, unisce letteratura e sensibilità pittorica: ne deriva una fotografia essenziale e poetica, intesa come esperienza di libertà e conoscenza interiore.\u003C\u002Fp>\n","\u003Cp>The photographs on display were taken by \u003Cem>Bernard Plossu\u003C\u002Fem> between the 1980s and the 2010s on small Italian islands.\u003C\u002Fp>\n\u003Cp>In over thirty years of travel, the author transforms ordinary scenes into intense visions suspended in time. Moving between places such as Stromboli and Elba, Plossu seeks a profound dialogue between man and nature. His gaze, cultured and enamored with Italy, combines literature and pictorial sensitivity, resulting in essential and poetic photography, understood as an experience of freedom and inner knowledge.\u003C\u002Fp>\n",{"self":1232,"collection":1237,"about":1239,"acf:post":1241,"wp:attachment":1246,"curies":1249},[1233],{"href":1234,"targetHints":1235},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1135",{"allow":1236},[99],[1238],{"href":102},[1240],{"href":105},[1242,1244],{"embeddable":108,"href":1243},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F152",{"embeddable":108,"href":1245},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1201",[1247],{"href":1248},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1135",[1250],{"name":117,"href":118,"templated":108},{"id":1252,"date":1253,"date_gmt":1253,"guid":1254,"modified":1256,"modified_gmt":1256,"slug":1257,"status":11,"type":12,"link":1258,"title":1259,"template":16,"class_list":1261,"acf":1263,"_links":1308},1117,"2026-03-04T23:39:14",{"rendered":1255},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1117","2026-03-19T16:40:46","viva-le-donne-il-femminismo-nelle-fotografie-di-paola-agosti","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fviva-le-donne-il-femminismo-nelle-fotografie-di-paola-agosti\u002F",{"rendered":1260},"Viva le donne! Il femminismo nelle fotografie di Paola Agosti",[1262,12,19,20,21],"post-1117",{"title_en":1264,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":1265,"detailed_schedule_and_date":1290,"detailed_schedule_and_date_en":1291,"curated_by":302,"other_label":16,"other_label_en":16,"artist":1292,"location_type":169,"location":1299,"outdoor_location":82,"text_it":1306,"text_en":1307,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"Long live women! Feminism in the photographs of Paola Agosti  ",[1266],{"acf_fc_layout":30,"image":1267,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":1268,"id":1268,"title":1269,"filename":1270,"filesize":1271,"url":1272,"link":1273,"alt":16,"author":38,"description":16,"caption":1274,"name":1275,"status":41,"uploaded_to":1252,"date":1276,"modified":1277,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":1278,"height":1279,"sizes":1280,"didascalia_en":1274},1156,"Roma, aprile 1977.","6b_295.10.29.jpg",3143559,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F6b_295.10.29.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fviva-le-donne-il-femminismo-nelle-fotografie-di-paola-agosti\u002Froma-aprile-1977\u002F","Paola Agosti, Manifestazione davanti al Tribunale per il processo ai violentatori di Claudia Caputi. Roma, aprile 1977","roma-aprile-1977","2026-03-02 10:18:41","2026-03-10 15:56:03",5616,3661,{"thumbnail":1281,"thumbnail-width":52,"thumbnail-height":1282,"medium":1283,"medium-width":55,"medium-height":1284,"medium_large":1272,"medium_large-width":57,"medium_large-height":1285,"large":1286,"large-width":60,"large-height":1287,"1536x1536":1272,"1536x1536-width":62,"1536x1536-height":1288,"2048x2048":1272,"2048x2048-width":64,"2048x2048-height":1289},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F6b_295.10.29-150x98.jpg",98,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F6b_295.10.29-600x391.jpg",391,501,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F6b_295.10.29-2000x1304.jpg",1252,1001,1335,"09-10-11-12 aprile\u003Cbr \u002F>\r\n10.00-20.00 \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n13 aprile-2 giugno\u003Cbr \u002F>\r\nmartedì-domenica: 10.00-18.00\u003Cbr \u002F>\r\nlunedì chiuso \u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n ","April 9-10-11-12\u003Cbr \u002F>\r\n10 am - 8 pm\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\nApril 13-June 2\u003Cbr \u002F>\r\nTuesday-Sunday: 10 am - 6 pm\u003Cbr \u002F>\r\nClosed on Mondays ",[1293],{"ID":1294,"post_author":38,"post_date":1295,"post_date_gmt":1295,"post_content":16,"post_title":1296,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1297,"to_ping":16,"pinged":16,"post_modified":1295,"post_modified_gmt":1295,"post_content_filtered":16,"post_parent":44,"guid":1298,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1203,"2026-03-12 08:48:31","Paola Agosti","paola-agosti","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1203",[1300],{"ID":1301,"post_author":38,"post_date":1302,"post_date_gmt":1302,"post_content":16,"post_title":1303,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1304,"to_ping":16,"pinged":16,"post_modified":1302,"post_modified_gmt":1302,"post_content_filtered":16,"post_parent":44,"guid":1305,"menu_order":44,"post_type":178,"post_mime_type":16,"comment_count":25,"filter":80},1172,"2026-03-09 13:52:39","Museo Nazionale del Risorgimento Italiano","museo-nazionale-del-risorgimento-italiano","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1172","\u003Cp>La mostra celebra uno degli sguardi più incisivi sulla nascita del movimento femminista italiano, con un focus sul contesto romano degli anni Settanta.\u003C\u002Fp>\n\u003Cp>Attraverso una selezione di ottanta fotografie vintage in bianco e nero e materiali d’archivio, l’esposizione restituisce la forza di una stagione che ha trasformato radicalmente la società italiana. Le immagini, realizzate nel vivo di cortei e assemblee, raccontano non solo la dimensione pubblica della lotta, ma anche quella intima e relazionale. I ritratti restituiscono gesti, energia e creatività, dando forma alle rivendicazioni di diritti fondamentali: dal lavoro all’autodeterminazione, dalla libertà sessuale al diritto all’aborto.\u003C\u002Fp>\n\u003Cp>Un racconto che continua a interrogare il presente, sollecitando una riflessione sulle conquiste raggiunte e sulle battaglie ancora aperte.\u003C\u002Fp>\n","\u003Cp>The exhibition celebrates one of the most incisive perspectives on the birth of the Italian feminist movement, focusing on the Roman context of the 1970s.\u003C\u002Fp>\n\u003Cp>Through a selection of eighty vintage black-and-white photographs and archival materials, the exhibition conveys the power of a period that radically transformed Italian society. The images, taken in the midst of demonstrations and assemblies, recount not only the public dimension of the struggle, but also its intimate and relational aspects. The portraits convey gestures, energy, and creativity, giving shape to the demands for fundamental rights: from work to self-determination, from sexual freedom to the right to abortion.\u003C\u002Fp>\n\u003Cp>It is a story that continues to question the present, prompting reflection on the achievements made and the battles still to be fought.\u003C\u002Fp>\n",{"self":1309,"collection":1314,"about":1316,"acf:post":1318,"wp:attachment":1323,"curies":1326},[1310],{"href":1311,"targetHints":1312},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1117",{"allow":1313},[99],[1315],{"href":102},[1317],{"href":105},[1319,1321],{"embeddable":108,"href":1320},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F1172",{"embeddable":108,"href":1322},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1203",[1324],{"href":1325},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1117",[1327],{"name":117,"href":118,"templated":108},{"id":1329,"date":1330,"date_gmt":1330,"guid":1331,"modified":1333,"modified_gmt":1333,"slug":1334,"status":11,"type":12,"link":1335,"title":1336,"template":16,"class_list":1338,"acf":1340,"_links":1400},1122,"2026-03-05T08:56:14",{"rendered":1332},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1122","2026-03-30T08:32:35","torino-4x4-fotografie-di-una-nuova-era","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Ftorino-4x4-fotografie-di-una-nuova-era\u002F",{"rendered":1337},"Torino 4×4. Fotografie di una nuova era",[1339,12,19,20,21],"post-1122",{"title_en":1341,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":1342,"to":27,"start_time":16,"end_time":16,"media":1343,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":1364,"other_label":16,"other_label_en":16,"artist":1365,"location_type":81,"location":82,"outdoor_location":1390,"text_it":1398,"text_en":1399,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"Torino 4×4. Photographs of a new era","2026-04-02",[1344],{"acf_fc_layout":30,"image":1345,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":1346,"id":1346,"title":1347,"filename":1348,"filesize":1349,"url":1350,"link":1351,"alt":16,"author":38,"description":16,"caption":1352,"name":1353,"status":41,"uploaded_to":1329,"date":1354,"modified":1355,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":1356,"height":1357,"sizes":1358,"didascalia_en":1352},1161,"03_Marco Rubiola, Nove Tre Quarti, 2026 (2)_ridotta","03_Marco-Rubiola-Nove-Tre-Quarti-2026-2_ridotta-rotated.jpg",2545791,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F03_Marco-Rubiola-Nove-Tre-Quarti-2026-2_ridotta-rotated.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Ftorino-4x4-fotografie-di-una-nuova-era\u002F03_marco-rubiola-nove-tre-quarti-2026-2_ridotta\u002F","Marco Rubiola, Nove Tre Quarti, 2026","03_marco-rubiola-nove-tre-quarti-2026-2_ridotta","2026-03-02 11:22:30","2026-03-10 15:56:45",3840,5760,{"thumbnail":1359,"thumbnail-width":845,"thumbnail-height":52,"medium":1360,"medium-width":847,"medium-height":55,"medium_large":1350,"medium_large-width":57,"medium_large-height":375,"large":1361,"large-width":1362,"large-height":156,"1536x1536":1350,"1536x1536-width":372,"1536x1536-height":62,"2048x2048":1350,"2048x2048-width":1363,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F03_Marco-Rubiola-Nove-Tre-Quarti-2026-2_ridotta-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F03_Marco-Rubiola-Nove-Tre-Quarti-2026-2_ridotta-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002F03_Marco-Rubiola-Nove-Tre-Quarti-2026-2_ridotta-1333x2000.jpg",1333,1365,"Marco Rubiola, François Hébel",[1366,1372,1378,1384],{"ID":1367,"post_author":38,"post_date":1368,"post_date_gmt":1368,"post_content":16,"post_title":1369,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1370,"to_ping":16,"pinged":16,"post_modified":1368,"post_modified_gmt":1368,"post_content_filtered":16,"post_parent":44,"guid":1371,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1214,"2026-03-12 08:47:46","Deka Mohamed Osman","deka-mohamed-osman","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1214",{"ID":1373,"post_author":38,"post_date":1374,"post_date_gmt":1374,"post_content":16,"post_title":1375,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1376,"to_ping":16,"pinged":16,"post_modified":1374,"post_modified_gmt":1374,"post_content_filtered":16,"post_parent":44,"guid":1377,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1217,"2026-03-12 08:47:29","Enrico Gili","enrico-gili","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1217",{"ID":1379,"post_author":38,"post_date":1380,"post_date_gmt":1380,"post_content":16,"post_title":1381,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1382,"to_ping":16,"pinged":16,"post_modified":1380,"post_modified_gmt":1380,"post_content_filtered":16,"post_parent":44,"guid":1383,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1215,"2026-03-12 08:47:40","Fabio Bucciarelli","fabio-bucciarelli","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1215",{"ID":1385,"post_author":38,"post_date":1386,"post_date_gmt":1386,"post_content":16,"post_title":1387,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1388,"to_ping":16,"pinged":16,"post_modified":1386,"post_modified_gmt":1386,"post_content_filtered":16,"post_parent":44,"guid":1389,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1216,"2026-03-12 08:47:34","Marco Rubiola","marco-rubiola","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1216",[1391],{"ID":1392,"post_author":38,"post_date":1393,"post_date_gmt":1393,"post_content":16,"post_title":1394,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1395,"to_ping":16,"pinged":16,"post_modified":1396,"post_modified_gmt":1396,"post_content_filtered":16,"post_parent":44,"guid":1397,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1224,"2026-03-09 13:52:05","Corte di Palazzo Carignano","corte-del-museo-nazionale-del-risorgimento-italiano","2026-03-10 16:32:51","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1224","\u003Cp>\u003Cem>Torino 4×4 \u003C\u002Fem>è un progetto fotografico che unisce arte e impegno sociale per raccontare la città attraverso le sue realtà virtuose: sistemi capaci di generare trazione e inclusione anche su “terreni difficili” e situazioni di fragilità sociale. Curata da Marco Rubiola e François Hébel, l’iniziativa nasce dalla sinergia tra CAMERA Torino e Fondazione Boscolo, in collaborazione con \u003Ca href=\"https:\u002F\u002Fpiazzasanmarco.com\u002F\">PiazzaSanMarco\u003C\u002Fa>. La mostra è allestita nella corte di \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002Findex.php\u002Fmusei-e-luoghi-della-cultura\u002Fpalazzo-carignano\u002F\">Palazzo Carignano\u003C\u002Fa>. Questo esordio avvia una mappatura del territorio che proseguirà nel 2027, intrecciando il lavoro di quattro fotografi con quattro realtà del sociale:\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fhackability.it\u002Fhome\">\u003Cem>Hackability\u003C\u002Fem>\u003C\u002Fa>: organizzazione non-profit che co-progetta soluzioni tecnologiche e ausili per l’autonomia di persone con disabilità e anziani. Fotografata da Deka Mohamed Osman.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Finsuperabili.eu\u002F\">\u003Cem>Insuperabili\u003C\u002Fem>\u003C\u002Fa>: una rete di scuole di calcio inclusive per atleti con disabilità, che promuove lo sport come strumento di crescita multidisciplinare. Fotografata da Fabio Bucciarelli.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.gruppoabele.org\u002F\">\u003Cem>Nove ¾ (Fondazione Gruppo Abele)\u003C\u002Fem>\u003C\u002Fa>: centro dedicato al supporto di giovani (16-25 anni) in condizione di ritiro sociale (Hikikomori). Fotografato da Marco Rubiola.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.progettotenda.net\u002F\">\u003Cem>Progetto Tenda\u003C\u002Fem>\u003C\u002Fa>: cooperativa attiva nell’accoglienza di rifugiati, vittime di tratta e persone senza dimora tramite l’approccio \u003Cem>Housing First\u003C\u002Fem>. Fotografata da Enrico Gili.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Si ringraziano le \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002F\">Residenze Reali Sabaude – Direzione Regionale Musei Nazionali Piemonte\u003C\u002Fa> e il \u003Ca href=\"https:\u002F\u002Fwww.museorisorgimentotorino.it\u002F\">Museo Nazionale del Risorgimento Italiano\u003C\u002Fa>\u003C\u002Fp>\n","\u003Cp>\u003Cem>Torino 4×4\u003C\u002Fem> is a photography project that combines art and social commitment to portray the city through its virtuous realities: systems capable of generating traction and inclusion even on “difficult terrain” and in situations of social fragility. Curated by Marco Rubiola and François Hébel, the initiative stems from the synergy between CAMERA Torino and Fondazione Boscolo, in collaboration with \u003Ca href=\"https:\u002F\u002Fpiazzasanmarco.com\u002F\">PiazzaSanMarco\u003C\u002Fa>. The exhibition is set up in the courtyard of \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002Findex.php\u002Fmusei-e-luoghi-della-cultura\u002Fpalazzo-carignano\u002F\">Palazzo Carignano\u003C\u002Fa>. This debut marks the start of a mapping of the territory that will continue in 2027, intertwining the work of four photographers with four social realities:\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fhackability.it\u002Fhome\">\u003Cem>Hackability\u003C\u002Fem>\u003C\u002Fa>: a non-profit organization that co-designs technological solutions and aids for the autonomy of people with disabilities and the elderly. Photographed by Deka Mohamed Osman.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Finsuperabili.eu\u002F\">\u003Cem>Insuperabili\u003C\u002Fem>\u003C\u002Fa>: a network of inclusive soccer schools for athletes with disabilities, which promotes sport as a tool for multidisciplinary growth. Photographed by Fabio Bucciarelli.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.gruppoabele.org\u002F\">\u003Cem>Nove ¾ (Fondazione Gruppo Abele)\u003C\u002Fem>\u003C\u002Fa>: a center dedicated to supporting young people (aged 16-25) in conditions of social withdrawal (Hikikomori). Photographed by Marco Rubiola.\u003C\u002Fp>\n\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.progettotenda.net\u002F\">\u003Cem>Progetto Tenda\u003C\u002Fem>\u003C\u002Fa>: a cooperative active in welcoming refugees, victims of trafficking, and homeless people through the Housing First approach. Photographed by Enrico Gili.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>We would like to thank \u003Ca href=\"https:\u002F\u002Fmuseipiemonte.cultura.gov.it\u002F\">Residenze Reali Sabaude – Direzione Regionale Musei Nazionali Piemonte\u003C\u002Fa> and \u003Ca href=\"https:\u002F\u002Fwww.museorisorgimentotorino.it\u002F\">Museo Nazionale del Risorgimento Italiano\u003C\u002Fa>.\u003C\u002Fp>\n",{"self":1401,"collection":1406,"about":1408,"acf:post":1410,"wp:attachment":1421,"curies":1424},[1402],{"href":1403,"targetHints":1404},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1122",{"allow":1405},[99],[1407],{"href":102},[1409],{"href":105},[1411,1413,1415,1417,1419],{"embeddable":108,"href":1412},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1224",{"embeddable":108,"href":1414},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1216",{"embeddable":108,"href":1416},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1215",{"embeddable":108,"href":1418},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1217",{"embeddable":108,"href":1420},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1214",[1422],{"href":1423},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1122",[1425],{"name":117,"href":118,"templated":108},{"id":1427,"date":1428,"date_gmt":1428,"guid":1429,"modified":1431,"modified_gmt":1431,"slug":1432,"status":11,"type":12,"link":1433,"title":1434,"template":16,"class_list":1436,"acf":1438,"_links":1473},1246,"2026-03-05T09:03:27",{"rendered":1430},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1246","2026-03-24T13:53:08","catabasis","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcatabasis\u002F",{"rendered":1435},"Catabasis",[1437,12,19,20,21],"post-1246",{"title_en":1435,"description":16,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":1439,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":1457,"other_label":16,"other_label_en":16,"artist":1458,"location_type":81,"location":16,"outdoor_location":1465,"text_it":1471,"text_en":1472,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},[1440],{"acf_fc_layout":30,"image":1441,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":1442,"id":1442,"title":1443,"filename":1444,"filesize":1445,"url":1446,"link":1447,"alt":16,"author":38,"description":16,"caption":1448,"name":1449,"status":41,"uploaded_to":1427,"date":1450,"modified":1451,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":1452,"height":1452,"sizes":1453,"didascalia_en":1448},1247,"Mark Leckey, In This Lingering Twilight Sparkle, 2019","Mark-Leckey-In-This-Lingering-Twilight-Sparkle-2019.jpg",5980871,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcatabasis\u002Fmark-leckey-in-this-lingering-twilight-sparkle-2019\u002F","Mark Leckey, In This Lingering Twilight Sparkle (film still), 2019. Courtesy Mark Leckey","mark-leckey-in-this-lingering-twilight-sparkle-2019","2026-03-04 22:37:38","2026-03-10 15:57:34",2362,{"thumbnail":1454,"thumbnail-width":52,"thumbnail-height":52,"medium":1455,"medium-width":55,"medium-height":55,"medium_large":1446,"medium_large-width":57,"medium_large-height":57,"large":1456,"large-width":60,"large-height":60,"1536x1536":1446,"1536x1536-width":62,"1536x1536-height":62,"2048x2048":1446,"2048x2048-width":64,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019-150x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019-600x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FMark-Leckey-In-This-Lingering-Twilight-Sparkle-2019-2000x2000.jpg","Cripta747, Caterina Avataneo",[1459],{"ID":1460,"post_author":38,"post_date":1461,"post_date_gmt":1461,"post_content":16,"post_title":1462,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1463,"to_ping":16,"pinged":16,"post_modified":1461,"post_modified_gmt":1461,"post_content_filtered":16,"post_parent":44,"guid":1464,"menu_order":44,"post_type":79,"post_mime_type":16,"comment_count":25,"filter":80},1245,"2026-03-12 08:46:52","Mark Leckey","mark-leckey","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=1245",[1466],{"ID":298,"post_author":38,"post_date":1467,"post_date_gmt":1467,"post_content":16,"post_title":1468,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1469,"to_ping":16,"pinged":16,"post_modified":1467,"post_modified_gmt":1467,"post_content_filtered":16,"post_parent":44,"guid":1470,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},"2026-03-09 10:23:04","Parcheggio GTT Valdo Fusi, piano -2","parcheggio-gtt-valdo-fusi-piano-2","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1242","\u003Cp>Testo di Cripta747 e Caterina Avataneo:\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Catabasis è una nuova commissione site-specific dell’artista britannico Mark Leckey. L’opera riprende nel titolo l’antico mito della discesa agli inferi e si sviluppa come una sequenza non lineare di frammenti, tratti da fotografie di backstage e still dal video O Magic Power of Bleakness (2019), affiancati da immagini AI ispirate all’iconica incisione Nebuchadnezzar (1795) di William Blake. Questi materiali visivi confluiscono in un rito di passaggio onirico, che conduce dall’apparente ordinarietà dell’ambiente urbano verso strati temporali più profondi dove affiorano immaginari arcaici e visioni profetiche. Mentre un gruppo di cinque ragazzi viaggia in regioni spettrali, cultura giovanile, memoria e fantasia si intrecciano e si sovrappongono. Il parcheggio stesso assume un ruolo centrale, riecheggiando le infrastrutture urbane periferiche che ricorrono nella pratica di Leckey e che appartengono tanto alla sua esperienza personale quanto all’aggregazione giovanile in generale. I graffiti presenti nello spazio diventano parte integrante dell’opera, segni di un luogo di transito dove prendono forma l’identità e l’esperienza collettiva. Leckey rintraccia dimensioni di trascendenza osservando il manifestarsi di eventi extraordinari nella contemporaneità mediata dalla tecnologia. È nella trasmissione delle immagini così come nel movimento, una discesa in questo caso, che l’immaginazione collettiva riemerge come apparizione tremolante di futuri possibili.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Biografia dell’artista:\u003C\u002Fp>\n\u003Cp>\u003Cspan class=\"TextRun SCXW113656855 BCX4\" lang=\"IT-IT\" xml:lang=\"IT-IT\" data-contrast=\"none\">\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">Negli ultimi venticinque anni, Mark \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Leckey\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> (nato nel 1964 a \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Birkenhead\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">, Regno Unito) ha esplorato la cultura visiva contemporanea, incanalando le radicali trasformazioni indotte dal passaggio dalle tecnologie analogiche a quelle digitali. Il lavoro di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Leckey\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> è stato oggetto di numerose mostre personali internazionali nel corso degli anni, tra cui all’Espace Louis Vuitton, Tokyo (2024); alla Julia \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Stoschek\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> Collection, Berlino (2022, 2020); alla Tate Britain, Londra (2019); al MoMA PS1, New York (2016-2017); al Museo Madre, Napoli, Italia (2015). Ha partecipato alla Biennale di Belgrado (2021), al Carnegie International (2013), alla \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW113656855 BCX4\">55a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">Biennale di Venezia (2013) e all’\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed GrammarErrorHighlight SCXW113656855 BCX4\">8a\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> Biennale di \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Gwangju\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> (2010). Nel 2008, \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Leckey\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\"> ha ricevuto il Turner \u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW113656855 BCX4\">Prize\u003C\u002Fspan>\u003Cspan class=\"NormalTextRun SCXW113656855 BCX4\">.\u003C\u002Fspan>\u003C\u002Fspan>\u003Cspan class=\"EOP SCXW113656855 BCX4\" data-ccp-props=\"{"134233117":false,"134233118":false,"335559685":708,"335559738":225,"335559739":225}\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Un progetto di Cripta747 e EXPOSED, realizzato con il sostegno di Regione Piemonte e Fondazione CRT. In collaborazione con GTT, promosso da Città di Torino, con il patrocinio di  Circoscrizione 1.\u003C\u002Fp>\n","\u003Cp>Text by Cripta747 e Caterina Avataneo:\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Catabasis is a newly commissioned site-specific intervention by British artist Mark Leckey. Taking its title from the ancient myth of the descent into the underworld, the work unfolds as a non-linear sequence of fragments drawn from footage and behind-the-scenes photographs of Leckey’s video O Magic Power of Bleakness (2019), alongside AI-generated images inspired by the iconic William Blake engraving Nebuchadnezzar (1795). These visual materials coalesce into an oneiric rite of passage leading from the apparent ordinariness of the urban environment, toward deeper temporal layers, where archaic imaginaries and prophetic visions begin to appear. As a group of five boys travels into spectral regions, youth culture, memory and fantasy overlap. The carpark itself plays a significant role, echoing the peripheral urban infrastructures that frequently recur throughout Leckey’s practice and that belong to both his personal experience and the coming of age at large. Its graffiti become integral to the commission, signs of a site of transit where identity and collective experience take shape. Through sampling, recombination and digital manipulation, Leckey traces transcendence, finding the extraordinary in the technologically mediated everyday. It is within movement, a descent in this case, as well as within image-transmission, that the collective imagination resurfaces as a flickering vision of possible futures.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Artist’s biography:\u003C\u002Fp>\n\u003Cp>Over the past twenty-five years, Mark Leckey (born in 1964 in Birkenhead, United Kingdom) has explored contemporary visual culture, channelling the radical transformations brought about by the shift from analogue to digital technologies. Leckey’s work has been the subject of numerous international solo exhibitions over the years, including at Espace Louis Vuitton, Tokyo (2024); Julia Stoschek Collection, Berlin (2022, 2020); Tate Britain, London (2019); MoMA PS1, New York (2016-2017); and the Madre Museum, Naples, Italy (2015). She has participated in the Belgrade Biennial (2021), the Carnegie International (2013), the 55th Venice Biennale (2013) and the 8th Gwangju Biennale (2010). In 2008, Leckey was awarded the Turner Prize.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>A project by Cripta747 and EXPOSED, created with the support of Regione Piemonte and Fondazione CRT. In collaboration with GTT, promoted by Città di Torino, with the patronage of Circoscrizione 1.\u003C\u002Fp>\n",{"self":1474,"collection":1479,"about":1481,"acf:post":1483,"wp:attachment":1488,"curies":1491},[1475],{"href":1476,"targetHints":1477},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1246",{"allow":1478},[99],[1480],{"href":102},[1482],{"href":105},[1484,1486],{"embeddable":108,"href":1485},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1242",{"embeddable":108,"href":1487},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F1245",[1489],{"href":1490},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1246",[1492],{"name":117,"href":118,"templated":108},{"id":1494,"date":1495,"date_gmt":1495,"guid":1496,"modified":1498,"modified_gmt":1498,"slug":1499,"status":11,"type":12,"link":1500,"title":1501,"template":16,"class_list":1503,"acf":1505,"_links":1540},1124,"2026-03-02T12:41:37",{"rendered":1497},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1124","2026-03-30T07:52:24","fuoricampo-il-cinema-svelato","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Ffuoricampo-il-cinema-svelato\u002F",{"rendered":1502},"FUORICAMPO. Il cinema svelato",[1504,12,19,20,21],"post-1124",{"title_en":1506,"description":1507,"description_en":16,"public_program":24,"typology":25,"public_program_typology":24,"from":26,"to":27,"start_time":16,"end_time":16,"media":1508,"detailed_schedule_and_date":67,"detailed_schedule_and_date_en":68,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":81,"location":82,"outdoor_location":1530,"text_it":1538,"text_en":1539,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"size":25,"exposed_off":24},"FUORICAMPO. The cinema revealed ",".",[1509],{"acf_fc_layout":30,"image":1510,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":1511,"id":1511,"title":1512,"filename":1513,"filesize":1514,"url":1515,"link":1516,"alt":1517,"author":38,"description":16,"caption":1518,"name":1519,"status":41,"uploaded_to":1494,"date":1520,"modified":1521,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":1212,"height":1522,"sizes":1523,"didascalia_en":1529},1234,"L'armata Brancaleone, 1966. Collezioni del Museo Nazionale del Cinema","Larmata-Brancaleone-1966.-Collezioni-del-Museo-Nazionale-del-Cinema.jpg",930134,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FLarmata-Brancaleone-1966.-Collezioni-del-Museo-Nazionale-del-Cinema.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Ffuoricampo-il-cinema-svelato\u002Flarmata-brancaleone-1966-collezioni-del-museo-nazionale-del-cinema\u002F","For Love and Gold, Mario Monicelli, 1966 Vittorio Gassman (Brancaleone). Collections of Museo Nazionale del Cinema","L'armata Brancaleone, Mario Monicelli, 1966. Vittorio Gassman (Brancaleone). Collezioni del Museo Nazionale del Cinema","larmata-brancaleone-1966-collezioni-del-museo-nazionale-del-cinema","2026-03-04 22:18:08","2026-03-10 15:58:20",1384,{"thumbnail":1524,"thumbnail-width":1525,"thumbnail-height":52,"medium":1526,"medium-width":1527,"medium-height":55,"medium_large":1515,"medium_large-width":57,"medium_large-height":1528,"large":1515,"large-width":1212,"large-height":1522,"1536x1536":1515,"1536x1536-width":1212,"1536x1536-height":1522,"2048x2048":1515,"2048x2048-width":1212,"2048x2048-height":1522},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FLarmata-Brancaleone-1966.-Collezioni-del-Museo-Nazionale-del-Cinema-148x150.jpg",148,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2026\u002F03\u002FLarmata-Brancaleone-1966.-Collezioni-del-Museo-Nazionale-del-Cinema-593x600.jpg",593,776,"For Love and Gold, Mario Monicelli, 1966. Vittorio Gassman (Brancaleone). Collections of Museo Nazionale del Cinema",[1531],{"ID":1532,"post_author":38,"post_date":1533,"post_date_gmt":1533,"post_content":16,"post_title":1534,"post_excerpt":16,"post_status":11,"comment_status":76,"ping_status":76,"post_password":16,"post_name":1535,"to_ping":16,"pinged":16,"post_modified":1536,"post_modified_gmt":1536,"post_content_filtered":16,"post_parent":44,"guid":1537,"menu_order":44,"post_type":90,"post_mime_type":16,"comment_count":25,"filter":80},1240,"2026-03-09 10:23:34","Museo Nazionale del Cinema, Cancellata della Mole Antonelliana","cancellata-della-mole-antonelliana","2026-03-18 14:10:02","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=outdoor-location&p=1240","\u003Cp>Il Museo Nazionale del Cinema di Torino presenta sulla cancellata storica della Mole Antonelliana la mostra \u003Cem>FUORICAMPO. Il cinema svelato\u003C\u002Fem>, un percorso composto da quattordici pannelli di grande formato con oltre venti immagini tratte dalle Collezioni del Museo.\u003C\u002Fp>\n\u003Cp>Le fotografie di lavorazione rivelano il dietro le quinte della produzione cinematografica: macchine da presa, luci, scenografie e strutture tecniche entrano nell’inquadratura, svelando il dispositivo che rende possibile la costruzione della finzione. Nei film storici questo svelamento produce anche un effetto di straniamento, dove tempi diversi si sovrappongono all’interno della stessa immagine.\u003Cbr \u002F>\nDal cinema muto di \u003Cem>Cabiria\u003C\u002Fem> ai grandi kolossal come \u003Cem>Ben-Hur\u003C\u002Fem> e \u003Cem>Cleopatra\u003C\u002Fem>, fino al cinema italiano degli anni Sessanta e Settanta con \u003Cem>Brancaleone\u003C\u002Fem> e \u003Cem>Giordano Bruno\u003C\u002Fem>, le immagini testimoniano l’evoluzione delle tecnologie e dei linguaggi cinematografici. Ciò che rimane costante è l’energia dei set: un luogo di lavoro e di invenzione, dove la grande storia del cinema si intreccia con la quotidianità della sua realizzazione.\u003C\u002Fp>\n","\u003Cp>The National Cinema Museum in Turin presents the exhibition \u003Cem>FUORICAMPO. Il cinema svelato\u003C\u002Fem> (Off-Screen. Cinema revealed) on the historic gate of the Mole Antonelliana, a display consisting of fourteen large-format panels with over twenty images from the Museum’s collections.\u003C\u002Fp>\n\u003Cp>The photographs reveal the behind-the-scenes world of film production: cameras, lights, sets, and technical equipment enter the frame, revealing the apparatus that makes the construction of fiction possible. In historical films, this revelation also produces an effect of estrangement, where different times overlap within the same image.\u003Cbr \u002F>\nFrom the silent film \u003Cem>Cabiria\u003C\u002Fem> to blockbusters such as \u003Cem>Ben-Hur\u003C\u002Fem> and \u003Cem>Cleopatra\u003C\u002Fem>, to Italian cinema of the 1960s and 1970s with \u003Cem>Brancaleone\u003C\u002Fem> and \u003Cem>Giordano Bruno\u003C\u002Fem>, the images bear witness to the evolution of film technologies and languages. What remains constant is the energy of the sets: a place of work and invention, where the great history of cinema intertwines with the everyday reality of its creation.\u003C\u002Fp>\n",{"self":1541,"collection":1546,"about":1548,"acf:post":1550,"wp:attachment":1553,"curies":1556},[1542],{"href":1543,"targetHints":1544},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1124",{"allow":1545},[99],[1547],{"href":102},[1549],{"href":105},[1551],{"embeddable":108,"href":1552},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Foutdoor-location\u002F1240",[1554],{"href":1555},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1124",[1557],{"name":117,"href":118,"templated":108},{"id":1559,"date":1560,"date_gmt":1560,"guid":1561,"modified":1563,"modified_gmt":1563,"slug":12,"status":11,"type":1564,"link":1565,"title":1566,"content":1568,"excerpt":1569,"author":1570,"featured_media":44,"parent":44,"menu_order":44,"comment_status":76,"ping_status":76,"template":16,"meta":1571,"class_list":1572,"acf":1575,"_links":1578},1130,"2026-03-01T22:56:34",{"rendered":1562},"https:\u002F\u002Fadmin.exposed.photography\u002F?page_id=1130","2026-03-05T16:14:10","page","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002F",{"rendered":1567},"Programme",{"rendered":16,"protected":24},{"rendered":16,"protected":24},11,{"_acf_changed":24,"footnotes":16},[1573,1564,1574,20,21],"post-1130","type-page",{"main_text_component_text_it":1576,"main_text_component_text_en":1577,"main_text_component_read_more_it":24,"main_text_component_read_more_en":24,"main_text_component_text_read_more_it":16,"main_text_component_text_read_more_en":16},"\u003Cp>Il programma è composto da mostre indoor e outdoor. Il percorso costruisce una trama espositiva capace di mettere in relazione autori affermati e pratiche contemporanee, sguardi storicizzati e ricerche emergenti. Un insieme eterogeneo ma coerente, in cui ogni progetto contribuisce a declinare il tema \u003Cem>Mettersi a nudo\u003C\u002Fem> attraverso linguaggi, contesti e prospettive differenti, muovendosi tra dimensione intima e rappresentazione pubblica, tra memoria e costruzione dell’identità.\u003C\u002Fp>\n","\u003Cp>The programme consists of indoor and outdoor exhibitions. The itinerary constructs an exhibition narrative that connects established artists and contemporary practices, historicised perspectives and emerging research. It is a heterogeneous but coherent whole, in which each project contributes to exploring the theme of \u003Cem>Baring Oneself\u003C\u002Fem> through different languages, contexts and perspectives, moving between the intimate and the public, between memory and the construction of identity.\u003C\u002Fp>\n",{"self":1579,"collection":1584,"about":1587,"author":1590,"replies":1593,"version-history":1596,"predecessor-version":1600,"wp:attachment":1604,"curies":1607},[1580],{"href":1581,"targetHints":1582},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fpages\u002F1130",{"allow":1583},[99],[1585],{"href":1586},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fpages",[1588],{"href":1589},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fpage",[1591],{"embeddable":108,"href":1592},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fusers\u002F11",[1594],{"embeddable":108,"href":1595},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fcomments?post=1130",[1597],{"count":1598,"href":1599},4,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fpages\u002F1130\u002Frevisions",[1601],{"id":1602,"href":1603},1279,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fpages\u002F1130\u002Frevisions\u002F1279",[1605],{"href":1606},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1130",[1608],{"name":117,"href":118,"templated":108},[1610,1687,1744,1796,1852,1907,1963,2023,2080,2142,2233,2293,2328,2361,2434,2493,2547,2627,2680,2761,2836,2907,2981,3038,3092,3148,3226,3311,3360,3417,3492],{"id":851,"date":1611,"date_gmt":1611,"guid":1612,"modified":1611,"modified_gmt":1611,"slug":1614,"status":11,"type":178,"link":1615,"title":1616,"template":16,"class_list":1618,"acf":1621,"_links":1670},"2026-03-20T14:46:35",{"rendered":1613},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=1366","le-roi-music-hall","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fle-roi-music-hall\u002F",{"rendered":1617},"Le 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Torino",[2241,178,1620,20,21],"post-565",{"text_it":2243,"text_en":2244,"read_more_it":108,"read_more_en":108,"text_read_more_it":2245,"text_read_more_en":2246,"media":24,"pin_number":644,"address":2247,"coordinates":2248},"\u003Cp>Difendere e diffondere il valore, l’identità e la bellezza del Paese ha portato Intesa Sanpaolo alla creazione di Gallerie d’Italia, un polo museale che condivide con la collettività le 35000 opere d’arte del suo patrimonio. Il progetto architettonico firmato da Michele De Lucchi – AMDL Circle trasforma gli spazi di Palazzo Turinetti, realizzando la più recente delle 4 sedi museali, un luogo unico dove fotografia e video arte documentano e conservano immagini, avvenimenti, riflessioni per promuovere i temi legati all’evoluzione della sostenibilità.\u003C\u002Fp>\n","\u003Cp>The desire to protect and share Italy’s value, identity and beauty inspired Intesa Sanpaolo to create Gallerie d’Italia museums, sharing the 35,000 works of art in the Group’s heritage with the wider community. The architectural project by Michele De Lucchi – AMDL Circle transformed the spaces of Palazzo Turinetti to create the most recent of the four museum sites, a unique place where photography and video art document and preserve images, events and reflections to highlight issues related to the evolution of sustainability.\u003C\u002Fp>\n","\u003Cp>Il museo, inaugurato a maggio 2022, è sede di alcune importanti collezioni della Banca: l’Archivio Publifoto Intesa Sanpaolo che raccoglie oltre 7 milioni di immagini; un prezioso nucleo di opere del Barocco piemontese con dipinti, sculture, arazzi e arredi dal XIV al XVIII secolo e le 9 grandi tele realizzate nella seconda metà del Seicento per l’antico Oratorio della Compagnia di San Paolo.\u003C\u002Fp>\n","\u003Cp>The museum, which opened in May 2022, is home to some of the Bank’s most important collections: the Intesa Sanpaolo Publifoto Archive, which comprises over 7 million images; a valuable body of Piedmont Baroque artworks, including paintings, sculptures, tapestries and furnishings from the XIV to the XVIII century and 9 large canvases produced in the second half of the 17th century for the old Oratory of Compagnia di San Paolo.\u003C\u002Fp>\n","Piazza San Carlo, 156",{"lat":2249,"lng":2250,"zoom":1807,"markers":2251,"address":2253,"layers":2278,"version":1669,"center_lat":2249,"center_lng":2250},45.0684004,7.6823737,[2252],{"label":2253,"default_label":2253,"lat":2254,"lng":2255,"geocode":2256,"uuid":2277},"Piazza San Carlo, 10121 Torino, Piemonte Italia",45.0684011,7.6823742,[2257],{"name":2258,"html":2253,"bbox":2259,"center":2266,"properties":2267},"Gallerie d'Italia, Piazza San Carlo, Borgo Nuovo, Centro, Circoscrizione 1, Torino, Piemonte, 10121, 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Gaudenzio Ferrari 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TOPIC",[2339,178,1620,20,21],"post-363",{"text_it":16,"text_en":16,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":24,"pin_number":2341,"address":2342,"coordinates":2343},"14","Via Pallavicino 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è un’organizzazione non profit fondata a Torino nel 2008 che si dedica alla ricerca, alla produzione e alla diffusione dell’arte contemporanea. Attraverso mostre, residenze, eventi e programmi educativi, l’organizzazione offre ad artisti, curatori e ricercatori uno spazio per esplorare e sviluppare nuove forme e linguaggi, fornendo al pubblico una visione originale e innovativa. Utilizzando un approccio inclusivo e stimolante, incoraggiamo il coinvolgimento della comunità in tutte le fasi del nostro lavoro, favorendo il pensiero critico e la condivisione di conoscenze e competenze. Adottando una prospettiva ecologica, Cripta747 crea connessioni e partnership con istituzioni nazionali e internazionali, condividendo strumenti, risorse, pratiche e competenze per migliorare l’impatto delle nostre attività e i benefici per la comunità.\u003C\u002Fp>\n","\u003Cp>The Cripta747 is a no-profit organization founded in Turin in 2008, dedicated to the research, production, and dissemination of contemporary art. Through exhibitions, residencies, events, and educational programs, the organization offers artists, curators, and researchers a space to explore and develop new forms and languages, providing the public with an original and fresh vision. With an inclusive and stimulating approach, we encourage community involvement in all stages of our work, fostering critical thinking and the sharing of knowledge and expertise. Adopting an ecological perspective, Cripta747 establishes connections and partnerships with national and international institutions, sharing tools, resources, practices, and skills to enhance our activities’ impact and the community’s benefits.\u003C\u002Fp>\n",[2373],{"acf_fc_layout":30,"image":2374,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2375,"id":2375,"title":2376,"filename":2377,"filesize":2378,"url":2379,"link":2380,"alt":16,"author":644,"description":16,"caption":16,"name":2381,"status":41,"uploaded_to":671,"date":2382,"modified":2382,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2383,"height":2384,"sizes":2385,"didascalia_en":16},176,"04_Pedro-Oliveira-Cripta747","04_Pedro-Oliveira-Cripta747.jpg",1298204,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F04_Pedro-Oliveira-Cripta747.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fcripta747\u002F04_pedro-oliveira-cripta747\u002F","04_pedro-oliveira-cripta747","2024-03-02 14:52:45",3560,2373,{"thumbnail":2386,"thumbnail-width":52,"thumbnail-height":845,"medium":2387,"medium-width":55,"medium-height":847,"medium_large":2379,"medium_large-width":57,"medium_large-height":848,"large":2388,"large-width":60,"large-height":2389,"1536x1536":2379,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":2379,"2048x2048-width":64,"2048x2048-height":1363},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F04_Pedro-Oliveira-Cripta747-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F04_Pedro-Oliveira-Cripta747-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F04_Pedro-Oliveira-Cripta747-2000x1333.jpg",1280,{"lat":2391,"lng":2392,"zoom":1625,"markers":2393,"address":2395,"layers":2419,"version":1669,"center_lat":2391,"center_lng":2392},45.0650341,7.6875114,[2394],{"label":2395,"default_label":2395,"lat":2396,"lng":2397,"geocode":2398,"uuid":2418},"Via Giovanni Giolitti 32c, 10123 Torino, Piemonte Italia",45.0649948,7.6877296,[2399],{"name":2400,"html":2395,"bbox":2401,"center":2408,"properties":2409},"32c, Via Giovanni Giolitti, Borgo Nuovo, Centro, Circoscrizione 1, Torino, Piemonte, 10123, Italia",{"_southWest":2402,"_northEast":2405},{"lat":2403,"lng":2404},45.0649448,7.6876796,{"lat":2406,"lng":2407},45.0650448,7.6877796,{"lat":2396,"lng":2397},{"place_id":2410,"licence":1644,"osm_type":1645,"osm_id":2411,"lat":2412,"lon":2413,"class":1649,"type":1650,"place_rank":1651,"importance":1652,"addresstype":1649,"name":16,"display_name":2400,"address":2414,"boundingbox":2417},80304705,4736056266,"45.0649948","7.6877296",{"house_number":2415,"road":2416,"neighbourhood":1724,"suburb":1725,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":1726,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"32c","Via Giovanni Giolitti",[2403,2406,2404,2407],"marker_69a5cebc4d5fa",[1668],{"self":2421,"collection":2425,"about":2427,"wp:attachment":2429,"curies":2432},[2422],{"href":700,"targetHints":2423},{"allow":2424},[99],[2426],{"href":1678},[2428],{"href":1681},[2430],{"href":2431},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=175",[2433],{"name":117,"href":118,"templated":108},{"id":2435,"date":2436,"date_gmt":2436,"guid":2437,"modified":2439,"modified_gmt":2439,"slug":2440,"status":11,"type":178,"link":2441,"title":2442,"template":16,"class_list":2444,"acf":2446,"_links":2478},169,"2024-03-02T14:24:56",{"rendered":2438},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=169","2024-05-01T13:24:25","castello-di-rivoli-museo-darte-contemporanea","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fcastello-di-rivoli-museo-darte-contemporanea\u002F",{"rendered":2443},"Castello di Rivoli Museo d’Arte Contemporanea",[2445,178,1620,20,21],"post-169",{"text_it":2447,"text_en":2448,"read_more_it":108,"read_more_en":108,"text_read_more_it":2449,"text_read_more_en":2450,"media":2451,"pin_number":537,"address":2474,"coordinates":2475},"\u003Cp>Il Castello di Rivoli Museo d’Arte Contemporanea è stato il primo museo d’arte contemporanea a essere inaugurato in Italia ed è ospitato nei due edifici Patrimonio Mondiale dell’Umanità dell’UNESCO, parte del circuito delle Residenze Sabaude. Il Museo accoglie una collezione d’arte che privilegia i grandi capolavori del nostro tempo tra cui un importante nucleo di opere di Arte Povera per il quale il Castello è internazionalmente noto. La Collezione consta di circa 800 opere di oltre 260 artisti. Inclusiva di pittura, scultura, fotografia, installazione, performance, opere digitali e disegni, oltre a una videoteca con opere video, audio, e documentari. Dal 2019 il Castello di Rivoli gestisce la Collezione Cerruti, che raccoglie oltre 1000 capolavori che spaziano dal medioevo al contemporaneo, incluse opere scultoree e pittoriche, mobili, arredi e libri antichi.\u003C\u002Fp>\n","\u003Cp>The Castello di Rivoli Museo d’Arte Contemporanea was the first contemporary art museum to be inaugurated in Italy and is housed in the 2 UNESCO World Heritage buildings, part of the Savoy Residences circuit. The Museum houses an art collection that privileges the great masterpieces of our time including an important nucleus of Arte Povera works for which the Castello is internationally renowned. The Collection consists of about 800 works by more than 260 artists. Including painting, sculpture, photography, installation, performance, digital works and drawings, and also includes a video library with video, audio, and documentary works. Since 2019, Castello di Rivoli has been managing the Cerruti Collection, which brings together more than 1,000 major works ranging from the Middle Ages to the contemporary, including sculptural and pictorial works, furniture, furnishings, and ancient books.\u003C\u002Fp>\n","\u003Cp>Il Castello è noto a livello internazionale per le rassegne d’arte contemporanea organizzate sia come proprie produzioni, sia in collaborazione con istituzioni culturali internazionali. La sua mission è promuovere la comprensione della nostra epoca attraverso l’arte e la cultura, coinvolgendo il pubblico per favorire la crescita sociale e civile del territorio nel quale opera.\u003C\u002Fp>\n","\u003Cp>The Castello is internationally known for contemporary art exhibitions organized both as its own productions and in collaboration with international cultural institutions. Its mission is to promote the understanding of our era through art and culture, engaging the public to foster the social and civil growth of the territory in which it operates.\u003C\u002Fp>\n",[2452],{"acf_fc_layout":30,"image":2453,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2454,"id":2454,"title":2455,"filename":2456,"filesize":2457,"url":2458,"link":2459,"alt":16,"author":644,"description":16,"caption":16,"name":2460,"status":41,"uploaded_to":2435,"date":2461,"modified":2461,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2462,"height":2463,"sizes":2464,"didascalia_en":16},170,"Manica-Lunga-vista-dall_alto_Foto-Andrea-Guermani","Manica-Lunga-vista-dall_alto_Foto-Andrea-Guermani.jpg",1619679,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FManica-Lunga-vista-dall_alto_Foto-Andrea-Guermani.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fcastello-di-rivoli-museo-darte-contemporanea\u002Fmanica-lunga-vista-dall_alto_foto-andrea-guermani\u002F","manica-lunga-vista-dall_alto_foto-andrea-guermani","2024-03-02 14:26:40",2286,3200,{"thumbnail":2465,"thumbnail-width":2466,"thumbnail-height":52,"medium":2467,"medium-width":2468,"medium-height":55,"medium_large":2458,"medium_large-width":57,"medium_large-height":2469,"large":2470,"large-width":2471,"large-height":156,"1536x1536":2458,"1536x1536-width":2472,"1536x1536-height":62,"2048x2048":2458,"2048x2048-width":2473,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FManica-Lunga-vista-dall_alto_Foto-Andrea-Guermani-107x150.jpg",107,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FManica-Lunga-vista-dall_alto_Foto-Andrea-Guermani-429x600.jpg",429,1075,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FManica-Lunga-vista-dall_alto_Foto-Andrea-Guermani-1429x2000.jpg",1429,1097,1463,"Piazzale Mafalda di Savoia 2, Rivoli",{"lat":2309,"lng":2310,"zoom":1625,"markers":2476,"address":16,"layers":2477,"center_lat":2309,"center_lng":2310},[],[1668],{"self":2479,"collection":2484,"about":2486,"wp:attachment":2488,"curies":2491},[2480],{"href":2481,"targetHints":2482},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F169",{"allow":2483},[99],[2485],{"href":1678},[2487],{"href":1681},[2489],{"href":2490},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=169",[2492],{"name":117,"href":118,"templated":108},{"id":2494,"date":2495,"date_gmt":2495,"guid":2496,"modified":2498,"modified_gmt":2498,"slug":2499,"status":11,"type":178,"link":2500,"title":2501,"template":16,"class_list":2503,"acf":2505,"_links":2532},166,"2024-03-02T14:19:31",{"rendered":2497},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=166","2024-05-01T13:30:35","pinacoteca-agnelli-la-pista-500","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpinacoteca-agnelli-la-pista-500\u002F",{"rendered":2502},"Pinacoteca Agnelli. La Pista 500",[2504,178,1620,20,21],"post-166",{"text_it":2506,"text_en":2507,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":2508,"pin_number":2527,"address":2528,"coordinates":2529},"\u003Cp>La Pinacoteca Agnelli è un centro dinamico aperto ai linguaggi multidisciplinari del presente in dialogo con la storica collezione dell’istituzione. Dal 2022 sotto la guida della direttrice Sarah Cosulich, la Pinacoteca è diventata uno spazio dedicato alla produzione di mostre inedite e di progetti site-specific commissionati ad artiste e artisti italiani e internazionali. Attraverso progetti espositivi di ricerca e collaborazioni con altre istituzioni, la Pinacoteca è oggi un luogo aperto alla riflessione sulle tematiche della contemporaneità, che guarda all’inclusione e alla partecipazione di una molteplicità di pubblici diversi anche grazie all’estensione della programmazione negli spettacolari spazi della Pista 500 sul tetto del Lingotto, ex pista di collaudo già trasformata da Fiat in giardino pensile.\u003C\u002Fp>\n","\u003Cp>Pinacoteca Agnelli is a dynamic centre open to the multidisciplinary languages of the present in dialogue with the institution’s historic collection. Since 2022, under the leadership of director Sarah Cosulich, the Pinacoteca has become a space dedicated to the production of exhibitions and site-specific projects commissioned from Italian and international artists. Through research, exhibition projects and partnerships with Italian and international institutions, the Pinacoteca becomes a place open to reflection on cobntemporary discourse, promoting the inclusion and participation of a range of different audiences – also thanks to the extension of its programming to the breath-taking spaces of the Pista 500 on the Lingotto rooftop, former race track transformed by Fiat into a hanging garden.\u003C\u002Fp>\n",[2509,2510],{"acf_fc_layout":30,"image":24,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"acf_fc_layout":30,"image":2511,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2512,"id":2512,"title":2513,"filename":2514,"filesize":2515,"url":2516,"link":2517,"alt":16,"author":644,"description":16,"caption":2518,"name":2519,"status":41,"uploaded_to":2494,"date":2520,"modified":2521,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2522,"height":156,"sizes":2523,"didascalia_en":16},167,"PINACOTECA-AGNELLI-PISTA-","PINACOTECA-AGNELLI-PISTA-.jpg",1048642,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPINACOTECA-AGNELLI-PISTA-.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpinacoteca-agnelli-la-pista-500\u002Fpinacoteca-agnelli-pista\u002F","Pinacoteca Agnelli, Foto Sebastiano Pellion di Persano","pinacoteca-agnelli-pista","2024-03-02 14:19:01","2024-03-02 14:19:28",3000,{"thumbnail":2524,"thumbnail-width":52,"thumbnail-height":845,"medium":2525,"medium-width":55,"medium-height":847,"medium_large":2516,"medium_large-width":57,"medium_large-height":848,"large":2526,"large-width":60,"large-height":2389,"1536x1536":2516,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":2516,"2048x2048-width":64,"2048x2048-height":1363},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPINACOTECA-AGNELLI-PISTA--150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPINACOTECA-AGNELLI-PISTA--600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPINACOTECA-AGNELLI-PISTA--2000x1333.jpg","19","Via Ermanno Fenoglietti 230\u002F103",{"lat":2309,"lng":2310,"zoom":1625,"markers":2530,"address":16,"layers":2531,"center_lat":2309,"center_lng":2310},[],[1668],{"self":2533,"collection":2538,"about":2540,"wp:attachment":2542,"curies":2545},[2534],{"href":2535,"targetHints":2536},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F166",{"allow":2537},[99],[2539],{"href":1678},[2541],{"href":1681},[2543],{"href":2544},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=166",[2546],{"name":117,"href":118,"templated":108},{"id":2548,"date":2549,"date_gmt":2549,"guid":2550,"modified":2552,"modified_gmt":2552,"slug":2553,"status":11,"type":178,"link":2554,"title":2555,"template":16,"class_list":2557,"acf":2559,"_links":2612},164,"2024-03-02T14:15:12",{"rendered":2551},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=164","2026-02-28T12:48:34","gam-galleria-civica-darte-moderna-e-contemporanea","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fgam-galleria-civica-darte-moderna-e-contemporanea\u002F",{"rendered":2556},"GAM — Galleria Civica d’Arte Moderna e Contemporanea",[2558,178,1620,20,21],"post-164",{"text_it":2560,"text_en":2561,"read_more_it":108,"read_more_en":108,"text_read_more_it":2562,"text_read_more_en":2563,"media":2564,"pin_number":2580,"address":2581,"coordinates":2582},"\u003Cp>Torino fu la prima città italiana che promosse una raccolta pubblica di arte moderna come parte costitutiva del proprio Museo Civico, aperto nel 1863. La GAM – Galleria Civica d’Arte Moderna e Contemporanea oggi conserva circa 45.000 opere tra dipinti, sculture, installazioni, fotografie, una rilevante collezione di grafica, un’importante raccolta di film, video d’artista e documentari. Nell’edificio si trovano anche la Biblioteca d’Arte e l’Archivio Fotografico della Fondazione Torino Musei.\u003C\u002Fp>\n","\u003Cp>Turin was the first Italian city to promote a public collection of modern art as a constituent part of its Civic Museum, opened in 1863. The GAM – Civic Gallery of Modern and Contemporary Art today preserves approximately 45,000 works including paintings, sculptures, installations, photographs, a significant collection of graphics, and  an important collection of films, artist videos and documentaries. The building also houses the Art Library and the Photographic Archive of the Fondazione Torino Musei.\u003C\u002Fp>\n","\u003Cp>La GAM offre al pubblico un’ampia programmazione di mostre con artisti italiani e internazionali e progetti espositivi che si rivolgono anche alle ricerche contemporanee più attuali. È un museo vivace, capace di curare e proporre dibattiti, conferenze, incontri così come di collaborare con i musei e altre istituzioni nazionali e internazionali, in un continuo dialogo tra passato e contemporaneità.\u003C\u002Fp>\n\u003Cp>Il patrimonio è in costante crescita grazie a donazioni, con il contributo determinante della Fondazione Guido ed Ettore De Fornaris e della Fondazione CRT per l’Arte Moderna e Contemporanea.\u003C\u002Fp>\n","\u003Cp>The GAM offers the public a broad program of exhibitions with Italian and international artists that also address the most current contemporary research. It is a lively museum, capable of curating and proposing debates, conferences, meetings as well as collaborating with museums and other national and international institutions, in a continuous dialogue between the past and the present.\u003C\u002Fp>\n\u003Cp>The collection is constantly growing thanks to donations, with the contribution of the Fondazione Guido ed Ettore De Fornaris and the Fondazione CRT per l’Arte Moderna e Contemporanea.\u003C\u002Fp>\n",[2565],{"acf_fc_layout":30,"image":2566,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2567,"id":2567,"title":2568,"filename":2569,"filesize":2570,"url":2571,"link":2572,"alt":16,"author":537,"description":16,"caption":16,"name":2573,"status":41,"uploaded_to":2548,"date":2574,"modified":2574,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2522,"height":2575,"sizes":2576,"didascalia_en":16},614,"FTM-GAM-Interni-011","FTM-GAM-Interni-011.jpg",6516942,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-GAM-Interni-011.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fgam-galleria-civica-darte-moderna-e-contemporanea\u002Fftm-gam-interni-011\u002F","ftm-gam-interni-011","2024-03-13 08:29:29",4500,{"thumbnail":2577,"thumbnail-width":845,"thumbnail-height":52,"medium":2578,"medium-width":847,"medium-height":55,"medium_large":2571,"medium_large-width":57,"medium_large-height":375,"large":2579,"large-width":1362,"large-height":156,"1536x1536":2571,"1536x1536-width":372,"1536x1536-height":62,"2048x2048":2571,"2048x2048-width":1363,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-GAM-Interni-011-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-GAM-Interni-011-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-GAM-Interni-011-1333x2000.jpg","5","Via Magenta 31",{"lat":2391,"lng":2583,"zoom":1625,"markers":2584,"address":2586,"layers":2611,"version":1669,"center_lat":2391,"center_lng":2583},7.668972,[2585],{"label":2586,"default_label":2586,"lat":2587,"lng":2588,"geocode":2589,"uuid":2610},"Via Magenta 31, 10100 Torino, Piemonte Italia",45.06515,7.6691933,[2590],{"name":2591,"html":2586,"bbox":2592,"center":2599,"properties":2600},"31, Via Magenta, Crocetta, Circoscrizione 1, Torino, Piemonte, 10100, Italia",{"_southWest":2593,"_northEast":2596},{"lat":2594,"lng":2595},45.0651,7.6691433,{"lat":2597,"lng":2598},45.0652,7.6692433,{"lat":2587,"lng":2588},{"place_id":2601,"licence":1644,"osm_type":1645,"osm_id":2602,"lat":2603,"lon":2604,"class":1649,"type":1650,"place_rank":1651,"importance":1652,"addresstype":1649,"name":16,"display_name":2591,"address":2605,"boundingbox":2609},79743792,2572059351,"45.0651500","7.6691933",{"house_number":2606,"road":2607,"suburb":2608,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":2005,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"31","Via Magenta","Crocetta",[2594,2597,2595,2598],"marker_69a2e41e0552b",[1668],{"self":2613,"collection":2618,"about":2620,"wp:attachment":2622,"curies":2625},[2614],{"href":2615,"targetHints":2616},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F164",{"allow":2617},[99],[2619],{"href":1678},[2621],{"href":1681},[2623],{"href":2624},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=164",[2626],{"name":117,"href":118,"templated":108},{"id":2628,"date":2629,"date_gmt":2629,"guid":2630,"modified":2632,"modified_gmt":2632,"slug":2633,"status":11,"type":178,"link":2634,"title":2635,"template":16,"class_list":2637,"acf":2639,"_links":2665},162,"2024-03-02T14:12:53",{"rendered":2631},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=162","2024-05-01T13:26:07","fondazione-sandretto-re-rebaudengo","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Ffondazione-sandretto-re-rebaudengo\u002F",{"rendered":2636},"Fondazione Sandretto Re Rebaudengo",[2638,178,1620,20,21],"post-162",{"text_it":2640,"text_en":2641,"read_more_it":108,"read_more_en":108,"text_read_more_it":2642,"text_read_more_en":2643,"media":2644,"pin_number":1654,"address":2661,"coordinates":2662},"\u003Cp>Da oltre 30 anni, la Fondazione Sandretto Re Rebaudengo è un osservatorio sulle tendenze artistiche e i linguaggi culturali del presente. Nata a Torino nel 1995, per volontà di Patrizia Sandretto Re Rebaudengo, sua Presidente, la Fondazione è un’istituzione no-profit che rispecchia gli indirizzi di un nuovo mecenatismo, basato sulla responsabilità assunta in prima persona e sulla condivisione di passioni, saperi e risorse individuali.\u003C\u002Fp>\n","\u003Cp>For more than 30 years, the Fondazione Sandretto Re Rebaudengo is an observatory on the artistic trends and cultural languages of our time. Launched in Turin in 1995, on the initiative of its President Patrizia Sandretto Re Rebaudengo, the Foundation is a no-profit institution that reflects a new conception of patronage, based on principles of individual responsibility and the sharing of personal passion, knowledge and resources.\u003C\u002Fp>\n","\u003Cp>La Fondazione, è uno spazio riflessivo che, grazie alle opere, dà visibilità all’arte attuale, alle sue prospettive sui temi del presente; le mostre valorizzano la voce e l’interpretazione dei visitatori e delle visitatrici grazie all’approccio discorsivo della mediazione culturale, un servizio continuo e gratuito; è uno spazio di ispirazione e creatività, rese concrete e vitali nei laboratori concepiti dal Dipartimento educativo per tutti i diversi pubblici in visita. La Fondazione ha due sedi: il centro espositivo di Torino (dal 2002) e Palazzo Re Rebaudengo a Guarene (dal 1997). Nel 2019 è stato inaugurato il Parco d’arte sulla Collina di San Licerio a Guarene.\u003C\u002Fp>\n","\u003Cp>The Foundation is a space for reflection which, through the works, increases the visibility of current art, and of the reading it gives of the issues of our time; exhibitions amplify the voice of visitors, thanks to the conversational approach of our cultural mediation service, which is provided regularly and free of charge; the exhibition is a space for inspiration and creativity, which find a practical, living expression in workshops especially designed by the Educational Department for each different sector of our visiting public. The Foundation has two venues: the exhibition centre in Turin (since 2002) and Palazzo Re Rebaudengo in Guarene (since 1997). In 2019, the Art Park on the Hill of San Licerio in Guarene was inaugurated.\u003C\u002Fp>\n",[2645],{"acf_fc_layout":30,"image":2646,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2647,"id":2647,"title":2648,"filename":2649,"filesize":2650,"url":2651,"link":2652,"alt":16,"author":644,"description":16,"caption":16,"name":2653,"status":41,"uploaded_to":2628,"date":2654,"modified":2654,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2655,"height":2656,"sizes":2657,"didascalia_en":16},163,"0G7A9659","0G7A9659.jpg",2301532,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0G7A9659.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Ffondazione-sandretto-re-rebaudengo\u002F0g7a9659\u002F","0g7a9659","2024-03-02 14:13:42",4344,2896,{"thumbnail":2658,"thumbnail-width":52,"thumbnail-height":845,"medium":2659,"medium-width":55,"medium-height":847,"medium_large":2651,"medium_large-width":57,"medium_large-height":848,"large":2660,"large-width":60,"large-height":2389,"1536x1536":2651,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":2651,"2048x2048-width":64,"2048x2048-height":1363},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0G7A9659-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0G7A9659-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0G7A9659-2000x1333.jpg","Via Modane 16",{"lat":2309,"lng":2310,"zoom":1625,"markers":2663,"address":16,"layers":2664,"center_lat":2309,"center_lng":2310},[],[1668],{"self":2666,"collection":2671,"about":2673,"wp:attachment":2675,"curies":2678},[2667],{"href":2668,"targetHints":2669},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F162",{"allow":2670},[99],[2672],{"href":1678},[2674],{"href":1681},[2676],{"href":2677},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=162",[2679],{"name":117,"href":118,"templated":108},{"id":2681,"date":2682,"date_gmt":2682,"guid":2683,"modified":2685,"modified_gmt":2685,"slug":2686,"status":11,"type":178,"link":2687,"title":2688,"template":16,"class_list":2690,"acf":2692,"_links":2746},159,"2024-03-02T14:09:31",{"rendered":2684},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=159","2026-02-27T15:21:03","mao-museo-darte-orientale","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fmao-museo-darte-orientale\u002F",{"rendered":2689},"MAO Museo d’Arte Orientale",[2691,178,1620,20,21],"post-159",{"text_it":2693,"text_en":2694,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":2695,"pin_number":73,"address":2712,"coordinates":2713},"\u003Cp>Inaugurato nel 2008 nella sede storica di Palazzo Mazzonis, il MAO Museo d’Arte Orientale di Torino custodisce una delle più importanti collezioni di arte asiatica in Italia e in Europa: circa 2500 opere dal Neolitico agli inizi del ‘900 suddivise in 5 gallerie corrispondenti ad altrettante aree culturali, oltre a più di 1400 reperti di scavo di periodo pre-islamico dai siti iracheni di Seleucia e Coche. Il Museo si propone come spazio di incontro, luogo vivo, ambiente sperimentale per l’attivazione delle collezioni stesse attraverso progetti espositivi temporanei e performance, in un lavoro di conservazione, produzione ed evoluzione delle attività, svolte in un quadro di rispetto ambientale e di ecologia di sistema.\u003C\u002Fp>\n","\u003Cp>Opened in 2008 in the historic location of Palazzo Mazzonis, the MAO Museum of Asian Art in Turin houses one of the most important collections of Asian art in Italy and Europe: approximately 2500 works from the Neolithic period to the early XXth century, divided into 5 galleries corresponding to different cultural areas, as well as over 1400 excavation artifacts from the pre-Islamic period from the Iraqi sites of Seleucia and Coche. The museum presents itself as a meeting space, a vibrant place, and an experimental environment for the activation of its collections through temporary exhibitions and performances. This is part of a commitment to conservation, production, and evolution of activities within a framework of environmental conscience and systems ecology.\u003C\u002Fp>\n",[2696],{"acf_fc_layout":30,"image":2697,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2698,"id":2698,"title":2699,"filename":2700,"filesize":2701,"url":2702,"link":2703,"alt":16,"author":644,"description":16,"caption":16,"name":2704,"status":41,"uploaded_to":2681,"date":2705,"modified":2705,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2706,"height":2707,"sizes":2708,"didascalia_en":16},160,"DSC_000.4b.JPG","DSC_000.4b.JPG.jpg",3730095,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FDSC_000.4b.JPG.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fmao-museo-darte-orientale\u002Fdsc_000-4b-jpg\u002F","dsc_000-4b-jpg","2024-03-02 14:09:26",2700,1800,{"thumbnail":2709,"thumbnail-width":52,"thumbnail-height":845,"medium":2710,"medium-width":55,"medium-height":847,"medium_large":2702,"medium_large-width":57,"medium_large-height":848,"large":2711,"large-width":60,"large-height":2389,"1536x1536":2702,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":2702,"2048x2048-width":64,"2048x2048-height":1363},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FDSC_000.4b.JPG-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FDSC_000.4b.JPG-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FDSC_000.4b.JPG-2000x1333.jpg","Via San Domenico 11",{"lat":2714,"lng":2715,"zoom":1625,"markers":2716,"address":2718,"layers":2745,"version":1669,"center_lat":2714,"center_lng":2715},45.0747329,7.6799583,[2717],{"label":2718,"default_label":2718,"lat":2719,"lng":2720,"geocode":2721,"uuid":2744},"Via San Domenico 11, 10122 Torino, Piemonte Italia",45.0746443,7.680254,[2722],{"name":2723,"html":2718,"bbox":2724,"center":2731,"properties":2732},"MAO Museo di Arte Orientale, 11, Via San Domenico, Quadrilatero Romano, Centro, Circoscrizione 1, Torino, Piemonte, 10122, Italia",{"_southWest":2725,"_northEast":2728},{"lat":2726,"lng":2727},45.0745943,7.680204,{"lat":2729,"lng":2730},45.0746943,7.680304,{"lat":2719,"lng":2720},{"place_id":2733,"licence":1644,"osm_type":1645,"osm_id":2734,"lat":2735,"lon":2736,"class":1829,"type":1830,"place_rank":1651,"importance":2737,"addresstype":1829,"name":2738,"display_name":2723,"address":2739,"boundingbox":2743},80109292,1628071063,"45.0746443","7.6802540",0.3151525238377993,"MAO Museo di Arte Orientale",{"tourism":2738,"house_number":73,"road":2740,"neighbourhood":2741,"suburb":1725,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":2742,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"Via San Domenico","Quadrilatero Romano","10122",[2726,2729,2727,2730],"marker_69a1b65b64e18",[1668],{"self":2747,"collection":2752,"about":2754,"wp:attachment":2756,"curies":2759},[2748],{"href":2749,"targetHints":2750},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F159",{"allow":2751},[99],[2753],{"href":1678},[2755],{"href":1681},[2757],{"href":2758},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=159",[2760],{"name":117,"href":118,"templated":108},{"id":643,"date":2762,"date_gmt":2762,"guid":2763,"modified":2764,"modified_gmt":2764,"slug":647,"status":11,"type":178,"link":2765,"title":2766,"template":16,"class_list":2767,"acf":2769,"_links":2822},"2024-03-02T14:05:28",{"rendered":649},"2026-03-09T15:51:17","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fmucho-mas\u002F",{"rendered":646},[2768,178,1620,20,21],"post-156",{"text_it":2770,"text_en":2771,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":2772,"pin_number":1777,"address":2788,"coordinates":2789},"\u003Cp>MUCHO MAS! è uno spazio per artisti a Torino, fondato da Luca Vianello e Silvia Mangosio ed espone artisti emergenti italiani e internazionali, che intraprendono una ricerca sul ruolo dell’immagine contemporanea. L’obiettivo della galleria, insieme agli artisti e ai fondatori della galleria, è quello di esporre uno sguardo ampio, trasversale e critico su come la fotografia e il suo significato profondo stiano cambiando oggi e su come abbia perso alcune delle sue connotazioni originarie, ma contestualmente ne abbia acquisite altre molto più pervasive.\u003C\u002Fp>\n","\u003Cp>MUCHO MAS! is an artist-run space in Turin, founded by Luca Vianello and Silvia Mangosio and it exhibits emerging Italian and international artists, who undertake research into the role of the contemporary image. The aim of the gallery, together with artists and gallery founders, is to exhibit a broad, transversal and critical view on how photography and its profound significance is changing today and how it has lost some of its original connotations, yet contextually it has acquired others that are much more pervasive.\u003C\u002Fp>\n",[2773],{"acf_fc_layout":30,"image":2774,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2775,"id":2775,"title":2776,"filename":2777,"filesize":2778,"url":2779,"link":2780,"alt":16,"author":537,"description":16,"caption":16,"name":2781,"status":41,"uploaded_to":643,"date":2782,"modified":2782,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2783,"height":2784,"sizes":2785,"didascalia_en":16},615,"1-MuchoMas!_EsternoGalleria","120-20Mucho20Mas_Esterno20Galleria.jpg",1174148,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F120-20Mucho20Mas_Esterno20Galleria.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fmucho-mas\u002F1-muchomas_esternogalleria\u002F","1-muchomas_esternogalleria","2024-03-13 08:32:19",1772,1181,{"thumbnail":2786,"thumbnail-width":52,"thumbnail-height":845,"medium":2787,"medium-width":55,"medium-height":847,"medium_large":2779,"medium_large-width":57,"medium_large-height":848,"large":2779,"large-width":2783,"large-height":2784,"1536x1536":2779,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":2779,"2048x2048-width":2783,"2048x2048-height":2784},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F120-20Mucho20Mas_Esterno20Galleria-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F120-20Mucho20Mas_Esterno20Galleria-600x400.jpg","Corso Brescia 89",{"lat":2790,"lng":2791,"zoom":1625,"markers":2792,"address":2794,"layers":2821,"version":1669,"center_lat":2790,"center_lng":2791},45.0800665,7.6964378,[2793],{"label":2794,"default_label":2794,"lat":2795,"lng":2796,"geocode":2797,"uuid":2820},"Corso Brescia 89, 10152 Torino, Piemonte Italia",45.0800946,7.696737,[2798],{"name":2799,"html":2794,"bbox":2800,"center":2807,"properties":2808},"89, Corso Brescia, Rossini, Aurora, Circoscrizione 7, Torino, Piemonte, 10152, Italia",{"_southWest":2801,"_northEast":2804},{"lat":2802,"lng":2803},45.0800446,7.696687,{"lat":2805,"lng":2806},45.0801446,7.696787,{"lat":2795,"lng":2796},{"place_id":2809,"licence":1644,"osm_type":1645,"osm_id":2810,"lat":2811,"lon":2812,"class":1649,"type":1650,"place_rank":1651,"importance":1652,"addresstype":1649,"name":16,"display_name":2799,"address":2813,"boundingbox":2819},79899058,4733631135,"45.0800946","7.6967370",{"house_number":2814,"road":2815,"neighbourhood":2816,"suburb":2817,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":2818,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"89","Corso Brescia","Rossini","Aurora","10152",[2802,2805,2803,2806],"marker_69aeec696c3de",[1668],{"self":2823,"collection":2827,"about":2829,"wp:attachment":2831,"curies":2834},[2824],{"href":708,"targetHints":2825},{"allow":2826},[99],[2828],{"href":1678},[2830],{"href":1681},[2832],{"href":2833},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=156",[2835],{"name":117,"href":118,"templated":108},{"id":651,"date":2837,"date_gmt":2837,"guid":2838,"modified":2839,"modified_gmt":2839,"slug":654,"status":11,"type":178,"link":2840,"title":2841,"template":16,"class_list":2842,"acf":2844,"_links":2893},"2024-03-02T14:01:09",{"rendered":656},"2026-03-11T13:51:20","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fwitty-books\u002F",{"rendered":653},[2843,178,1620,20,21],"post-154",{"text_it":2845,"text_en":2846,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":2847,"pin_number":2863,"address":2864,"coordinates":2865},"\u003Cp>Witty Books è una casa editrice indipendente che mira a promuovere la fotografia contemporanea e le arti visive. Fondata nel 2012 da Tommaso Parrillo, con il nome di Witty Kiwi, Witty Books si concentra sulla pubblicazione di libri come oggetto e come spazio di ricerca, lavorando a stretto contatto con artisti e designer.\u003C\u002Fp>\n\u003Cp>Crede fortemente nel dialogo tra le diverse arti, attraverso il progetto Ear\u002FEye, sviluppa la connessione tra artisti visivi e artisti sonori,attraverso la pubblicazione di un libro ed una audio cassetta. Inoltre, il progetto Witty Books non si ferma alla pubblicazione di libri, dedicando molta attenzione alla formazione.\u003C\u002Fp>\n","\u003Cp>Witty Books is an independent publishing house that aims to promote contemporary photography and visual arts. It was established in 2012 by Tommaso Parrillo under the name of Witty Kiwi, Witty Books focuses on books both as objects and as a research space, closely working with artists and designers.\u003C\u002Fp>\n\u003Cp>They strongly believe in the exchange between and among all arts, which is what led to the Ear\u002FEye project, establishing a connection between visual and sound artists, publishing books with an audiocassette. In addition, the Witty Books project is not limited to book publishing, but also focuses on education and training.\u003C\u002Fp>\n",[2848],{"acf_fc_layout":30,"image":2849,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2850,"id":2850,"title":2851,"filename":2852,"filesize":2853,"url":2854,"link":2855,"alt":16,"author":537,"description":16,"caption":16,"name":2856,"status":41,"uploaded_to":651,"date":2857,"modified":2857,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2522,"height":2858,"sizes":2859,"didascalia_en":16},616,"WittyBooks2","Witty20Books202.jpg",5848397,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FWitty20Books202.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fwitty-books\u002Fwittybooks2\u002F","wittybooks2","2024-03-13 08:34:31",4000,{"thumbnail":2860,"thumbnail-width":369,"thumbnail-height":52,"medium":2861,"medium-width":371,"medium-height":55,"medium_large":2854,"medium_large-width":57,"medium_large-height":372,"large":2862,"large-width":374,"large-height":156,"1536x1536":2854,"1536x1536-width":375,"1536x1536-height":62,"2048x2048":2854,"2048x2048-width":62,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FWitty20Books202-113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FWitty20Books202-450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FWitty20Books202-1500x2000.jpg","23","Via Bernardino Galliari 16A",{"lat":1917,"lng":2866,"zoom":1625,"markers":2867,"address":2869,"layers":2892,"version":1669,"center_lat":1917,"center_lng":2866},7.6821899,[2868],{"label":2869,"default_label":2869,"lat":2870,"lng":2871,"geocode":2872,"uuid":2891},"Via Bernardino Galliari 16a, 10125 Torino, Piemonte Italia",45.0596164,7.6824008,[2873],{"name":2874,"html":2869,"bbox":2875,"center":2882,"properties":2883},"16a, Via Bernardino Galliari, San Salvario, Circoscrizione 8, Torino, Piemonte, 10125, Italia",{"_southWest":2876,"_northEast":2879},{"lat":2877,"lng":2878},45.0595664,7.6823508,{"lat":2880,"lng":2881},45.0596664,7.6824508,{"lat":2870,"lng":2871},{"place_id":2884,"licence":1644,"osm_type":1645,"osm_id":2885,"lat":2886,"lon":2887,"class":1649,"type":1650,"place_rank":1651,"importance":1652,"addresstype":1649,"name":16,"display_name":2874,"address":2888,"boundingbox":2890},80308089,4735830459,"45.0596164","7.6824008",{"house_number":2889,"road":1943,"suburb":1944,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":1945,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"16a",[2877,2880,2878,2881],"marker_69aeec4c27f46",[1668],{"self":2894,"collection":2898,"about":2900,"wp:attachment":2902,"curies":2905},[2895],{"href":706,"targetHints":2896},{"allow":2897},[99],[2899],{"href":1678},[2901],{"href":1681},[2903],{"href":2904},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=154",[2906],{"name":117,"href":118,"templated":108},{"id":1223,"date":2908,"date_gmt":2908,"guid":2909,"modified":2910,"modified_gmt":2910,"slug":1226,"status":11,"type":178,"link":2911,"title":2912,"template":16,"class_list":2913,"acf":2915,"_links":2967},"2024-03-02T13:58:07",{"rendered":1228},"2026-03-02T17:41:07","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fmuseo-regionale-di-scienze-naturali\u002F",{"rendered":1225},[2914,178,1620,20,21],"post-152",{"text_it":2916,"text_en":2917,"read_more_it":108,"read_more_en":108,"text_read_more_it":2918,"text_read_more_en":2919,"media":2920,"pin_number":2937,"address":2938,"coordinates":2939},"\u003Cp>Il Museo Regionale di Scienze Naturali di Torino (MRSN), istituito nel 1978 dalla Regione Piemonte, è ubicato nel seicentesco Palazzo dell’Ospedale di San Giovanni, opera di Amedeo di Castellamonte. È la stessa legge istitutiva del MRSN che ne espone le finalità: “promuovere l’incremento della cultura scientifica incentivando l’interesse della popolazione, soprattutto giovanile, per le scienze naturali […], mettere a disposizione degli studiosi e della popolazione piemontese una struttura idonea a conservare, utilizzare e valorizzare le collezioni di proprietà dell’Università di Torino […], provvedere all’aggiornamento ed all’accrescimento delle raccolte”.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>In 1978, the Region Piedmont established Turin’s Regional Natural Science Museum in the 17th century San Giovanni Hospital Building, designed by Amedeo di Castellamonte. Since 1980, the Museum has managed the University of Turin’s historical collections from Zoology & Comparative Anatomy, Mineralogy & Petrography, as well as Geology & Palaeontology, thanks to an ad hoc agreement between the University of Turin and the Region Piedmont. The Regional law establishing the Museum clearly states its aims: ‘to promote the development of scientific knowledge by stimulating the community’s interest in natural science, especially among young people, […], to make available a centre able to preserve, use and appreciate the collections owned by the University of Turin to experts, scholars and the people of Piedmont […], and to provide for the updating and development of the collections’.\u003C\u002Fp>\n","\u003Cp>Il MRSN è stato impegnato negli anni in numerosi progetti di ricerca, anche internazionali, finalizzati alla conoscenza e salvaguardia del patrimonio naturale e ha all’attivo lo svolgimento di una capillare attività didattico-divulgativa. Nel gennaio 2024, in occasione della riapertura al pubblico, 3 nuovi percorsi espositivi sono stati presentati: il Museo storico di Zoologia, l’Arca delle esplorazioni e la Sala delle meraviglie.\u003C\u002Fp>\n","\u003Cp>Over time, the museum has been involved in several research projects including international ones, aimed at promoting knowledge and safeguard of the natural heritage, as well as carrying out extensive teaching, dissemination and popularization. It reopened to the public in January 2024, with 3 new exhibition routes: the Historical Zoology Museum, the Ark of Explorations and the Hall of Wonders.\u003C\u002Fp>\n",[2921],{"acf_fc_layout":30,"image":2922,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":2923,"id":2923,"title":2924,"filename":2925,"filesize":2926,"url":2927,"link":2928,"alt":16,"author":537,"description":16,"caption":16,"name":2929,"status":41,"uploaded_to":1223,"date":2930,"modified":2930,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":2931,"height":2932,"sizes":2933,"didascalia_en":16},617,"_B8P4686.JPG","B8P4686.JPG.jpg",9023301,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FB8P4686.JPG.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fmuseo-regionale-di-scienze-naturali\u002F_b8p4686-jpg\u002F","_b8p4686-jpg","2024-03-13 08:37:39",5184,3456,{"thumbnail":2934,"thumbnail-width":52,"thumbnail-height":845,"medium":2935,"medium-width":55,"medium-height":847,"medium_large":2927,"medium_large-width":57,"medium_large-height":848,"large":2936,"large-width":60,"large-height":2389,"1536x1536":2927,"1536x1536-width":62,"1536x1536-height":372,"2048x2048":2927,"2048x2048-width":64,"2048x2048-height":1363},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FB8P4686.JPG-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FB8P4686.JPG-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FB8P4686.JPG-2000x1333.jpg","13","Via Accademia Albertina 15",{"lat":2940,"lng":2392,"zoom":1625,"markers":2941,"address":2943,"layers":2966,"version":1669,"center_lat":2940,"center_lng":2392},45.0643066,[2942],{"label":2943,"default_label":2943,"lat":2944,"lng":2945,"geocode":2946,"uuid":2965},"Via Accademia Albertina 15, 10123 Torino, Piemonte Italia",45.0642493,7.6875635,[2947],{"name":2948,"html":2943,"bbox":2949,"center":2956,"properties":2957},"15, Via Accademia Albertina, Borgo Nuovo, Centro, Circoscrizione 1, Torino, Piemonte, 10123, Italia",{"_southWest":2950,"_northEast":2953},{"lat":2951,"lng":2952},45.0641993,7.6875135,{"lat":2954,"lng":2955},45.0642993,7.6876135,{"lat":2944,"lng":2945},{"place_id":2958,"licence":1644,"osm_type":1645,"osm_id":2959,"lat":2960,"lon":2961,"class":1649,"type":1650,"place_rank":1651,"importance":1652,"addresstype":1649,"name":16,"display_name":2948,"address":2962,"boundingbox":2964},79824576,4736058557,"45.0642493","7.6875635",{"house_number":2963,"road":2123,"neighbourhood":1724,"suburb":1725,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":1726,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"15",[2951,2954,2952,2955],"marker_69a5cbaeb4885",[1668],{"self":2968,"collection":2972,"about":2974,"wp:attachment":2976,"curies":2979},[2969],{"href":1243,"targetHints":2970},{"allow":2971},[99],[2973],{"href":1678},[2975],{"href":1681},[2977],{"href":2978},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=152",[2980],{"name":117,"href":118,"templated":108},{"id":1525,"date":2982,"date_gmt":2982,"guid":2983,"modified":2985,"modified_gmt":2985,"slug":2986,"status":11,"type":178,"link":2987,"title":2988,"template":16,"class_list":2990,"acf":2992,"_links":3023},"2024-03-02T13:48:45",{"rendered":2984},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=148","2024-05-01T13:30:55","polo-del-900","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpolo-del-900\u002F",{"rendered":2989},"Polo del ‘900",[2991,178,1620,20,21],"post-148",{"text_it":2993,"text_en":2994,"read_more_it":108,"read_more_en":108,"text_read_more_it":2995,"text_read_more_en":2996,"media":2997,"pin_number":3018,"address":3019,"coordinates":3020},"\u003Cp>Progettato e sostenuto da Fondazione Compagnia di San Paolo, Città di Torino e Regione Piemonte, il Polo del ‘900 è frutto di un progetto di rigenerazione urbana che nel 2016 ha riconsegnato ai cittadini i Palazzi di San Celso e San Daniele realizzati da Filippo Juvarra nel 1700.\u003C\u002Fp>\n","\u003Cp>Designed and supported by the Fondazione Compagnia di San Paolo, the City of Turin and the Piedmont Region, the Polo del ‘900 is the result of an urban regeneration project that in 2016 gave back to citizens Palazzo San Celso and Palazzo San Daniele built by Filippo Juvarra in the XVIII century.\u003C\u002Fp>\n","\u003Cp>Accoglie 23 enti partecipanti che rappresentano un punto di riferimento nella ricerca storica, sociale, economica e culturale del ‘900 e nella salvaguardia dei valori della resistenza, della democrazia e delle libertà, mettendo a disposizione del pubblico spazi per eventi, mostre e spettacoli, sale lettura, biblioteche e archivi, una caffetteria, un cortile. Il Polo è un luogo con tante anime diverse e una visione condivisa che mette al centro la storia e il pensiero critico per ragionare offrendo occasioni di conoscenza e intrattenimento che mirano al benessere collettivo e alla formazione della coscienza critica per affrontare grandi temi legati all’oggi.\u003C\u002Fp>\n","\u003Cp>It houses 23 participating institutions that represent a point of reference in historical, social, economic and cultural research of the XX century and in the preservation of the values of resistance, democracy and freedom, providing the public with spaces for events, exhibitions and performances, reading rooms, libraries and archives, a cafeteria, and a courtyard. The Polo is a place with many different souls and a shared vision that focuses on history and critical thinking to reason by offering opportunities for knowledge and entertainment that aim at collective well-being and the formation of critical consciousness to address major issues related to today.\u003C\u002Fp>\n",[2998],{"acf_fc_layout":30,"image":2999,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":3000,"id":3000,"title":3001,"filename":3002,"filesize":3003,"url":3004,"link":3005,"alt":16,"author":537,"description":16,"caption":16,"name":3006,"status":41,"uploaded_to":1525,"date":3007,"modified":3007,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":3008,"height":3009,"sizes":3010,"didascalia_en":16},618,"IMG_7554","IMG_7554.jpg",2348126,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIMG_7554.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpolo-del-900\u002Fimg_7554\u002F","img_7554","2024-03-13 08:42:59",4032,2268,{"thumbnail":3011,"thumbnail-width":52,"thumbnail-height":3012,"medium":3013,"medium-width":55,"medium-height":3014,"medium_large":3004,"medium_large-width":57,"medium_large-height":56,"large":3015,"large-width":60,"large-height":3016,"1536x1536":3004,"1536x1536-width":62,"1536x1536-height":3017,"2048x2048":3004,"2048x2048-width":64,"2048x2048-height":375},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIMG_7554-150x84.jpg",84,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIMG_7554-600x338.jpg",338,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIMG_7554-2000x1125.jpg",1080,864,"20","Via del Carmine 14",{"lat":2309,"lng":2310,"zoom":1625,"markers":3021,"address":16,"layers":3022,"center_lat":2309,"center_lng":2310},[],[1668],{"self":3024,"collection":3029,"about":3031,"wp:attachment":3033,"curies":3036},[3025],{"href":3026,"targetHints":3027},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F148",{"allow":3028},[99],[3030],{"href":1678},[3032],{"href":1681},[3034],{"href":3035},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=148",[3037],{"name":117,"href":118,"templated":108},{"id":3039,"date":3040,"date_gmt":3040,"guid":3041,"modified":3043,"modified_gmt":3043,"slug":3044,"status":11,"type":178,"link":3045,"title":3046,"template":16,"class_list":3048,"acf":3050,"_links":3077},145,"2024-03-02T13:45:08",{"rendered":3042},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=145","2024-05-01T13:30:11","palazzo-madama-museo-civico-darte-antica","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpalazzo-madama-museo-civico-darte-antica\u002F",{"rendered":3047},"Palazzo Madama — Museo Civico d’Arte Antica",[3049,178,1620,20,21],"post-145",{"text_it":3051,"text_en":3052,"read_more_it":108,"read_more_en":108,"text_read_more_it":3053,"text_read_more_en":3054,"media":3055,"pin_number":3072,"address":3073,"coordinates":3074},"\u003Cp>Palazzo Madama è uno degli edifici monumentali più rappresentativi d’Europa e riassume in sé tutta la storia della città di Torino: da Porta romana si trasforma nel Medioevo in fortezza e poi nel castello dei principi d’Acaia, fino alla realizzazione nel XVIII secolo dell’imponente facciata di Filippo Juvarra. Il palazzo prende il nome dalle due Madame reali, che lo abitarono: Cristina di Francia (1606 – 1663) e Maria Giovanna Battista di Savoia Nemours (1644 – 1724).\u003C\u002Fp>\n","\u003Cp>Palazzo Madama is one of the most representative and significant buildings in Europe and enshrines the history of the city: originally a Roman gate, it was converted into a medieval fortress and then was used as by the Princes of Acaja as their castle. Filippo Juvarra’s imposing façade was added in the XVIII century. The palace is named after the two Princesses Royal, or ‘Madames’ as they were known, who lived there: Christine of France (1606 – 1663) and Marie Jeanne Baptiste of Savoy Nemours (1644 – 1724).\u003C\u002Fp>\n","\u003Cp>Dal 1934 ospita il Museo Civico d’Arte Antica, dotato di una collezione permanente di oltre 70.000 opere databili dall’Alto Medioevo al Barocco: dipinti, sculture, codici miniati, maioliche e porcellane, ori e argenti, arredi e tessuti. Il percorso di visita si sviluppa su quattro piani: al livello del fossato le arti del Medioevo, con sculture in pietra, mosaici, oreficerie e l’accesso al giardino medievale. Al piano terra le arti dal 1300 al Rinascimento. Al primo piano, nelle stanze barocche, le arti del 1600 e 1700.  Al secondo piano una raccolta di arti decorative di tutte le epoche.\u003C\u002Fp>\n\u003Cp>Il Palazzo è stato sede del primo Senato del Regno d’Italia ed è inserito nella lista dei beni del Patrimonio Mondiale UNESCO.\u003C\u002Fp>\n","\u003Cp>Since 1934 it has housed the City’s Museum of Ancient Art, with a permanent collection of more than 70,000 pieces dating from the early Middle Ages to the Baroque period: paintings, sculptures, illuminated manuscripts, majolica and porcelain, gold and silver, furniture, and textiles. The tour will take visitors over four floors. At the level of the moat is the Medieval art, with stone sculptures, mosaics, jewellery, and access to the Medieval gardens. On the ground floor is art from the 14th century to the Renaissance, while on the first floor, in the Baroque rooms, is XVII-XVIII century art.  On the second floor is a collection of decorative arts from all periods of history.\u003C\u002Fp>\n\u003Cp>The Palace was the first Senate building of the Kingdom of Italy, and it is listed as a UNESCO World Heritage Site.\u003C\u002Fp>\n",[3056],{"acf_fc_layout":30,"image":3057,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":3058,"id":3058,"title":3059,"filename":3060,"filesize":3061,"url":3062,"link":3063,"alt":16,"author":644,"description":16,"caption":16,"name":3064,"status":41,"uploaded_to":3039,"date":3065,"modified":3065,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":3066,"height":3067,"sizes":3068,"didascalia_en":16},146,"FTM-PalazzoMadama-Scalone","FTM-PalazzoMadama-Scalone.jpg",1619503,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-PalazzoMadama-Scalone.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpalazzo-madama-museo-civico-darte-antica\u002Fftm-palazzomadama-scalone\u002F","ftm-palazzomadama-scalone","2024-03-02 13:46:39",2333,3500,{"thumbnail":3069,"thumbnail-width":845,"thumbnail-height":52,"medium":3070,"medium-width":847,"medium-height":55,"medium_large":3062,"medium_large-width":57,"medium_large-height":375,"large":3071,"large-width":1362,"large-height":156,"1536x1536":3062,"1536x1536-width":372,"1536x1536-height":62,"2048x2048":3062,"2048x2048-width":1363,"2048x2048-height":64},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-PalazzoMadama-Scalone-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-PalazzoMadama-Scalone-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFTM-PalazzoMadama-Scalone-1333x2000.jpg","18","Piazza Castello",{"lat":2309,"lng":2310,"zoom":1625,"markers":3075,"address":16,"layers":3076,"center_lat":2309,"center_lng":2310},[],[1668],{"self":3078,"collection":3083,"about":3085,"wp:attachment":3087,"curies":3090},[3079],{"href":3080,"targetHints":3081},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F145",{"allow":3082},[99],[3084],{"href":1678},[3086],{"href":1681},[3088],{"href":3089},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=145",[3091],{"name":117,"href":118,"templated":108},{"id":3093,"date":3094,"date_gmt":3094,"guid":3095,"modified":3097,"modified_gmt":3097,"slug":3098,"status":11,"type":178,"link":3099,"title":3100,"template":16,"class_list":3102,"acf":3104,"_links":3133},143,"2024-03-02T13:42:59",{"rendered":3096},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=143","2024-05-01T13:31:51","villa-della-regina","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fvilla-della-regina\u002F",{"rendered":3101},"Villa della Regina",[3103,178,1620,20,21],"post-143",{"text_it":3105,"text_en":3106,"read_more_it":108,"read_more_en":108,"text_read_more_it":3107,"text_read_more_en":3108,"media":3109,"pin_number":3128,"address":3129,"coordinates":3130},"\u003Cp>Villa della Regina è un complesso di vigna e giardini voluto a inizio 1600, sul modello delle ville romane, dal Duca Carlo Emanuele I per il figlio il principe Maurizio di Savoia. Nel 1657, alla sua morte, la moglie Ludovica fece ampliare fabbricati e giardini e aggiornare decorazioni e arredi. Nel 1692 il complesso passò ad Anna d’Orléans, moglie di Vittorio Amedeo II, che dispose importanti interventi in quella che ormai veniva chiamata “Villa della Regina”. Sotto la guida di Filippo Juvarra, e poi di Giovanni Pietro Baroni di Tavigliano, furono ridefiniti spazi e rapporti con il giardino.\u003C\u002Fp>\n","\u003Cp>Villa della Regina is a vineyard and garden complex built in the early XVII century, modelled on the Roman villas, by Duke Carlo Emanuele I for his son Prince Maurizio of Savoy. When he died in 1657, his wife Ludovica had the buildings and gardens enlarged and decorations and furnishings updated. In 1692, the complex passed to Anne of Orléans, wife of Vittorio Amedeo II, who ordered major alterations to what was now known as ‘Villa della Regina’. Under the guidance of Filippo Juvarra, and later Giovanni Pietro Baroni of Tavigliano, spaces and relationships with the garden were redefined.\u003C\u002Fp>\n","\u003Cp>L’arredo e le decorazioni furono modificati da artisti in quegli anni al servizio della corte sabauda, come Giovan Battista Crosato e Giuseppe Dallamano. Nel 1865, dopo il trasferimento della capitale, il complesso fu donato all’Istituto per le Figlie dei Militari e divenne scuola per orfane di guerra e figlie di invalidi e decorati al valore. Durante la seconda guerra mondiale la Villa fu gravemente danneggiata dai bombardamenti e la mancata manutenzione, seguita da abbandono, dai parziali smembramenti e da interventi impropri, finì per compromettere lo straordinario complesso. Nel 1994 iniziarono i restauri che hanno permesso il recupero dell’intero complesso.\u003C\u002Fp>\n","\u003Cp>The furnishings and decorations were modified by artists in the service of the Savoy court at the time, such as Giovan Battista Crosato and Giuseppe Dallamano. In 1865, after the transfer of the capital, the complex was donated to the Istituto per le Figlie dei Militari and became a school for war orphans and daughters of invalids and those decorated for valour. During World War II, the Villa was severely damaged by bombing, and the lack of maintenance, followed by neglect, partial dismantling and improper interventions, ended up compromising the extraordinary complex. In 1994 began the restoration work that allowed the recovery of the entire complex.\u003C\u002Fp>\n",[3110],{"acf_fc_layout":30,"image":3111,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":3112,"id":3112,"title":3113,"filename":3114,"filesize":3115,"url":3116,"link":3117,"alt":16,"author":537,"description":16,"caption":16,"name":3118,"status":41,"uploaded_to":3093,"date":3119,"modified":3119,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":3120,"height":3121,"sizes":3122,"didascalia_en":16},619,"Fotoesedra","Foto20esedra.jpg",3498351,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFoto20esedra.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fvilla-della-regina\u002Ffotoesedra\u002F","fotoesedra","2024-03-13 08:47:01",3096,2322,{"thumbnail":3123,"thumbnail-width":52,"thumbnail-height":369,"medium":3124,"medium-width":55,"medium-height":371,"medium_large":3116,"medium_large-width":57,"medium_large-height":3125,"large":3126,"large-width":60,"large-height":3127,"1536x1536":3116,"1536x1536-width":62,"1536x1536-height":375,"2048x2048":3116,"2048x2048-width":64,"2048x2048-height":62},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFoto20esedra-150x113.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFoto20esedra-600x450.jpg",576,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFoto20esedra-2000x1500.jpg",1440,"22","Strada Comunale Santa Margherita 79",{"lat":2309,"lng":2310,"zoom":1625,"markers":3131,"address":16,"layers":3132,"center_lat":2309,"center_lng":2310},[],[1668],{"self":3134,"collection":3139,"about":3141,"wp:attachment":3143,"curies":3146},[3135],{"href":3136,"targetHints":3137},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F143",{"allow":3138},[99],[3140],{"href":1678},[3142],{"href":1681},[3144],{"href":3145},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=143",[3147],{"name":117,"href":118,"templated":108},{"id":3149,"date":3150,"date_gmt":3150,"guid":3151,"modified":3153,"modified_gmt":3153,"slug":3154,"status":11,"type":178,"link":3155,"title":3156,"template":16,"class_list":3158,"acf":3160,"_links":3211},141,"2024-03-02T13:39:53",{"rendered":3152},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=141","2026-02-27T17:00:06","palazzo-carignano","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpalazzo-carignano\u002F",{"rendered":3157},"Palazzo Carignano",[3159,178,1620,20,21],"post-141",{"text_it":3161,"text_en":3162,"read_more_it":108,"read_more_en":108,"text_read_more_it":3163,"text_read_more_en":3164,"media":3165,"pin_number":2182,"address":3181,"coordinates":3182},"\u003Cp>Palazzo Carignano è sorto per volontà di Emanuele Filiberto di Savoia-Carignano, su progetto del padre teatino Guarino Guarini che ne ha iniziato la costruzione nel 1679. È uno dei più suggestivi ed imponenti palazzi del Seicento italiano. L’edificio era sorto nell’area adibita a scuderie dal principe Tommaso, capostipite del ramo cadetto Savoia-Carignano, ed aveva in origine una pianta a C aperta sui giardini; l’attuale struttura quadrangolare è dovuta all’aggiunta del corpo di fabbrica ottocentesco costruito per ospitare il Parlamento italiano. Il salone centrale ellittico situato nella parte seicentesca, già destinato alle feste, era stato trasformato in aula del primo Parlamento Subalpino.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>Palazzo Carignano was built at the behest of Emmanuel Philibert, Prince of Carignano, and was commissioned to the Theatine priest Guarino Guarini, who began building it in 1679. It is one of the most fascinating and imposing palaces of the Italian XVII century. Palazzo Carignano is where once Prince Thomas Francis’s stables stood. He was the founder of the cadet Savoy-Carignano house. The original plan was a C-shaped building opening up onto gardens, while the current square plan owes its shape to the XIX century addition section built to host the Italian Parliament. The elliptical hall at the centre of the XVII century section of the building, once used as a ball and party hall, became the Chamber of the first Subalpine Parliament.\u003C\u002Fp>\n","\u003Cp>Oggi il Palazzo ospita 2 diversi musei, oltre alla sede della Direzione Regionale Musei. Al piano terreno gli Appartamenti dei Principi di Carignano. L’Appartamento di Mezzogiorno con le meravigliose boiseries dorate è aperto stabilmente, mentre saltuariamente è proposta al pubblico la visita dell’Appartamento di Mezzanotte e dei suoi saloni, affrescati da Stefano Maria Legnani detto il Legnanino, il valente pittore che lavorò nel Palazzo fra fine 1600 e 1700. Al piano nobile è ospitato il Museo Nazionale del Risorgimento Italiano.\u003C\u002Fp>\n","\u003Cp>Currently, Palazzo Carignano houses 2 museums as well as the Regional Museum Directorate. The apartments of the Carignano Princes are on the ground floor. The Midday Apartment with its outstanding golden wood panelling or \u003Cem>boiseries\u003C\u002Fem> is always open to visitors, unlike the special openings of the Midnight Apartment and its halls frescoed by Stefano Maria Legnani known as ‘il Legnanino’, the skilful painter who worked at the Palace from the late XVII to the early XVIII century. The Italian National Museum of the Risorgimento is on the ‘Piano nobile’.\u003C\u002Fp>\n",[3166],{"acf_fc_layout":30,"image":3167,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":3168,"id":3168,"title":3169,"filename":3170,"filesize":3171,"url":3172,"link":3173,"alt":16,"author":537,"description":16,"caption":16,"name":3174,"status":41,"uploaded_to":3149,"date":3175,"modified":3175,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":3176,"height":3177,"sizes":3178,"didascalia_en":16},620,"1_Palazzo-Carignano-facciata-su-Piazza-Carignano","1_Palazzo-Carignano-facciata-su-Piazza-Carignano.jpg",88053,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1_Palazzo-Carignano-facciata-su-Piazza-Carignano.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpalazzo-carignano\u002F1_palazzo-carignano-facciata-su-piazza-carignano\u002F","1_palazzo-carignano-facciata-su-piazza-carignano","2024-03-13 08:48:58",1000,667,{"thumbnail":3179,"thumbnail-width":52,"thumbnail-height":845,"medium":3180,"medium-width":55,"medium-height":847,"medium_large":3172,"medium_large-width":57,"medium_large-height":848,"large":3172,"large-width":3176,"large-height":3177,"1536x1536":3172,"1536x1536-width":3176,"1536x1536-height":3177,"2048x2048":3172,"2048x2048-width":3176,"2048x2048-height":3177},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1_Palazzo-Carignano-facciata-su-Piazza-Carignano-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1_Palazzo-Carignano-facciata-su-Piazza-Carignano-600x400.jpg","Via Accademia delle Scienze 5",{"lat":3183,"lng":3184,"zoom":1625,"markers":3185,"address":3187,"layers":3210,"version":1669,"center_lat":3183,"center_lng":3184},45.0691563,7.6851082,[3186],{"label":3187,"default_label":3187,"lat":3188,"lng":3189,"geocode":3190,"uuid":3209},"Via Accademia delle Scienze 5, 10123 Torino, Piemonte Italia",45.0692057,7.6854483,[3191],{"name":3192,"html":3187,"bbox":3193,"center":3200,"properties":3201},"Palazzo Carignano, 5, Via Accademia delle Scienze, Centro, Circoscrizione 1, Torino, Piemonte, 10123, Italia",{"_southWest":3194,"_northEast":3197},{"lat":3195,"lng":3196},45.0691557,7.6853983,{"lat":3198,"lng":3199},45.0692557,7.6854983,{"lat":3188,"lng":3189},{"place_id":3202,"licence":1644,"osm_type":1645,"osm_id":3203,"lat":3204,"lon":3205,"class":1829,"type":1830,"place_rank":1651,"importance":1652,"addresstype":1829,"name":3157,"display_name":3192,"address":3206,"boundingbox":3208},80357803,6432836094,"45.0692057","7.6854483",{"tourism":3157,"house_number":2580,"road":3207,"suburb":1725,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":1726,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"Via Accademia delle Scienze",[3195,3198,3196,3199],"marker_69a1cd94474cc",[1668],{"self":3212,"collection":3217,"about":3219,"wp:attachment":3221,"curies":3224},[3213],{"href":3214,"targetHints":3215},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F141",{"allow":3216},[99],[3218],{"href":1678},[3220],{"href":1681},[3222],{"href":3223},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=141",[3225],{"name":117,"href":118,"templated":108},{"id":3227,"date":3228,"date_gmt":3228,"guid":3229,"modified":3231,"modified_gmt":3231,"slug":3232,"status":11,"type":178,"link":3233,"title":3234,"template":16,"class_list":3236,"acf":3238,"_links":3296},138,"2024-03-02T13:32:16",{"rendered":3230},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=138","2026-02-28T12:49:41","ogr-torino","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fogr-torino\u002F",{"rendered":3235},"OGR Torino",[3237,178,1620,20,21],"post-138",{"text_it":3239,"text_en":3240,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":3241,"pin_number":2122,"address":3262,"coordinates":3263},"\u003Cp>Le OGR Torino sono un centro di cultura e innovazione unico in Europa, dedicato alla sperimentazione: artistica, musicale – OGR Cult – scientifica, tecnologica e imprenditoriale – OGR Tech.\u003C\u002Fp>\n\u003Cp>Ex officine per la riparazione dei treni nell’Ottocento, sorgono nel cuore di Torino su un’area di 35.000 mq interamente riqualificata da Fondazione CRT e restituita alla città, per aprire a tutti nuovi orizzonti di collaborazione, creazione e convivialità. Dal 2017 le OGR Cult accolgono i visitatori con mostre d’arte site-specific, grandi concerti e sperimentazione musicale, insieme a momenti di approfondimento per esplorare la cultura contemporanea in ogni sua sfaccettatura.\u003C\u002Fp>\n","\u003Cp>OGR Torino are a unique center of culture and innovation in Europe, dedicated to wide-ranging experimentation in the arts and music – OGR Cult – as well as in science, technology and entrepreneurship – OGR Tech.\u003C\u002Fp>\n\u003Cp>Born in the XIX century as a train repair workshop, they rise at the heart of Turin on a 35,000-sqm area that Fondazione CRT redeveloped and returned to the city to open up new horizons of collaboration, creativity and conviviality for all. Since 2017, OGR Cult have welcomed visitors with site-specific art exhibitions, concerts and musical experiments, as well as events that offer in-depth explorations of every facet of contemporary culture.\u003C\u002Fp>\n",[3242],{"acf_fc_layout":30,"image":3243,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":3244,"id":3244,"title":3245,"filename":3246,"filesize":3247,"url":3248,"link":3249,"alt":16,"author":644,"description":16,"caption":3250,"name":3251,"status":41,"uploaded_to":3227,"date":3252,"modified":3253,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":3254,"height":3255,"sizes":3256,"didascalia_en":16},139,"OGR_Simone-Spada","OGR_Simone-Spada.jpg",1267448,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FOGR_Simone-Spada.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fogr-torino\u002Fogr_simone-spada\u002F","Simone Spada for OGR Torino","ogr_simone-spada","2024-03-02 13:31:47","2024-03-02 13:32:11",3024,2160,{"thumbnail":3257,"thumbnail-width":52,"thumbnail-height":2466,"medium":3258,"medium-width":55,"medium-height":2468,"medium_large":3248,"medium_large-width":57,"medium_large-height":3259,"large":3260,"large-width":60,"large-height":3261,"1536x1536":3248,"1536x1536-width":62,"1536x1536-height":2472,"2048x2048":3248,"2048x2048-width":64,"2048x2048-height":2473},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FOGR_Simone-Spada-150x107.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FOGR_Simone-Spada-600x429.jpg",549,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FOGR_Simone-Spada-2000x1429.jpg",1372,"Corso Castelfidardo 22",{"lat":3264,"lng":3265,"zoom":1625,"markers":3266,"address":3268,"layers":3295,"version":1669,"center_lat":3264,"center_lng":3265},45.0667315,7.6597023,[3267],{"label":3268,"default_label":3268,"lat":3269,"lng":3270,"geocode":3271,"uuid":3294},"Corso Castelfidardo 22, 10138 Torino, Piemonte Italia",45.0666858,7.659651,[3272],{"name":3273,"html":3268,"bbox":3274,"center":3281,"properties":3282},"OGR Snodo, 22, Corso Castelfidardo, Cit Turin, Circoscrizione 3, Torino, Piemonte, 10138, Italia",{"_southWest":3275,"_northEast":3278},{"lat":3276,"lng":3277},45.0666358,7.659601,{"lat":3279,"lng":3280},45.0667358,7.659701,{"lat":3269,"lng":3270},{"place_id":3283,"licence":1644,"osm_type":1645,"osm_id":3284,"lat":3285,"lon":3286,"class":1719,"type":3287,"place_rank":1651,"importance":1652,"addresstype":1719,"name":3288,"display_name":3273,"address":3289,"boundingbox":3293},80297783,5557815521,"45.0666858","7.6596510","restaurant","OGR Snodo",{"amenity":3288,"house_number":3128,"road":3290,"suburb":3291,"city":1658,"county":1658,"ISO3166-2-lvl6":1659,"state":1660,"ISO3166-2-lvl4":1661,"postcode":3292,"country":1663,"country_code":1664,"building":16,"town":16,"village":16,"hamlet":16},"Corso Castelfidardo","Cit Turin","10138",[3276,3279,3277,3280],"marker_69a2e45fa9efc",[1668],{"self":3297,"collection":3302,"about":3304,"wp:attachment":3306,"curies":3309},[3298],{"href":3299,"targetHints":3300},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F138",{"allow":3301},[99],[3303],{"href":1678},[3305],{"href":1681},[3307],{"href":3308},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=138",[3310],{"name":117,"href":118,"templated":108},{"id":3312,"date":3313,"date_gmt":3313,"guid":3314,"modified":3316,"modified_gmt":3316,"slug":3317,"status":11,"type":178,"link":3318,"title":3319,"template":16,"class_list":3321,"acf":3323,"_links":3345},137,"2024-03-02T13:26:37",{"rendered":3315},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=137","2024-05-01T13:24:51","ex-galoppatoio-della-cavallerizza-reale","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fex-galoppatoio-della-cavallerizza-reale\u002F",{"rendered":3320},"Ex Galoppatoio della Cavallerizza Reale — Paratissima",[3322,178,1620,20,21],"post-137",{"text_it":3324,"text_en":3325,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":3326,"pin_number":644,"address":3341,"coordinates":3342},"\u003Cp>Il complesso della Cavallerizza Reale si trova nel centro storico della città di Torino, in un’area densa di storia e significati, sito alle spalle del Teatro Regio e l’attuale Via Verdi.\u003C\u002Fp>\n\u003Cp>Al suo interno si trova il celebre Galoppatoio, progettato all’interno della “zona di comando” nel 1740 da Benedetto Alfieri, Primo Architetto Regio alla Corte dei Savoia, e realizzato dall’ingegnere Amedeo di Castellamonte, con la finalità di svolgervi all’interno esercizi e spettacoli equestri. Il Galoppatoio, anche chiamato “Rotonda Castellamontiana”, è considerato uno spazio di grande prestigio proprio per la sua funzione di snodo del Complesso della Cavallerizza, con accesso diretto alle ex-scuderie: 415 mq in pianta ottagonale che culminano in una lanterna con lucernario a circa 12 metri d’altezza. Oggi possiamo ancora ammirarne l’affascinante struttura e la suggestiva bellezza architettonica.\u003C\u002Fp>\n","\u003Cp>The Cavallerizza Reale complex is in Turin’s historic centre, a noteworthy area rich in history, located behind the Opera House (‘Teatro Regio’) and the present-day Via Verdi.\u003C\u002Fp>\n\u003Cp>Inside the building is the famous ‘Galoppatoio’ [‘Gallop’], designed in 1740 as part of the ‘command district’ by Benedetto Alfieri, First Royal Architect at the Savoy Court, and built by engineer Amedeo di Castellamonte for the purpose of holding riding exercises and events. The ‘Galoppatoio’ is also known as the ‘Rotonda Castellamontiana’ [‘Castellamonte’s Rotunda’] and was seen as a very prestigious space because it was at the crossroads of the Cavallerizza Complex, with direct access to the former stables. It is an octagonally shaped 415 square metre surface culminating with a lantern skylight at about 12 meters off the ground. Visitors can still admire its mesmerizing structure and striking architectural beauty.\u003C\u002Fp>\n",[3327],{"acf_fc_layout":30,"image":3328,"text_en":16,"text_it":16,"meta_data":24,"size":66},{"ID":295,"id":295,"title":3329,"filename":3330,"filesize":3331,"url":3332,"link":3333,"alt":16,"author":537,"description":16,"caption":16,"name":3334,"status":41,"uploaded_to":3312,"date":3335,"modified":3335,"menu_order":44,"mime_type":45,"type":30,"subtype":46,"icon":47,"width":64,"height":851,"sizes":3336,"didascalia_en":16},"Paratissima2023","Paratissima202023.jpeg",666884,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FParatissima202023.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fex-galoppatoio-della-cavallerizza-reale\u002Fparatissima2023\u002F","paratissima2023","2024-03-13 08:56:37",{"thumbnail":3337,"thumbnail-width":52,"thumbnail-height":845,"medium":3338,"medium-width":55,"medium-height":847,"medium_large":3332,"medium_large-width":57,"medium_large-height":848,"large":3339,"large-width":60,"large-height":850,"1536x1536":3332,"1536x1536-width":62,"1536x1536-height":3340,"2048x2048":3332,"2048x2048-width":64,"2048x2048-height":851},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FParatissima202023-150x100.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FParatissima202023-600x400.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FParatissima202023-2000x1334.jpeg",1025,"Via Verdi 9",{"lat":2309,"lng":2310,"zoom":1625,"markers":3343,"address":16,"layers":3344,"center_lat":2309,"center_lng":2310},[],[1668],{"self":3346,"collection":3351,"about":3353,"wp:attachment":3355,"curies":3358},[3347],{"href":3348,"targetHints":3349},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F137",{"allow":3350},[99],[3352],{"href":1678},[3354],{"href":1681},[3356],{"href":3357},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=137",[3359],{"name":117,"href":118,"templated":108},{"id":3361,"date":3362,"date_gmt":3362,"guid":3363,"modified":3365,"modified_gmt":3365,"slug":3366,"status":11,"type":178,"link":3367,"title":3368,"template":16,"class_list":3370,"acf":3372,"_links":3402},134,"2024-03-02T13:22:07",{"rendered":3364},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=134","2024-05-01T13:29:12","palazzo-birago","https:\u002F\u002Fadmin.exposed.photography\u002Flocation\u002Fpalazzo-birago\u002F",{"rendered":3369},"Palazzo Birago",[3371,178,1620,20,21],"post-134",{"text_it":3373,"text_en":3374,"read_more_it":24,"read_more_en":24,"text_read_more_it":16,"text_read_more_en":16,"media":3375,"pin_number":3397,"address":3398,"coordinates":3399},"\u003Cp>Dal 2000 Palazzo Birago è la sede istituzionale della Camera di commercio di Torino e ne ospita la Presidenza, la Direzione, gli uffici amministrativi e i locali di rappresentanza. Una scelta che ha dato all’ente tutto il prestigio di una sede storica di grande interesse artistico e al Palazzo l’opportunità di rinascere, con una serie di importanti interventi di restauro e di conservazione in corso anche oggi.\u003C\u002Fp>\n\u003Cp>Palazzo Birago, impreziosito negli interni anche con arredi provenienti dalle residenze sabaude e con opere di cui alcune contemporanee, accoglie sempre più spesso cittadini e turisti in occasione di esposizioni ed eventi ed è scelto come location per set cinematografici e installazioni d’arte.\u003C\u002Fp>\n","\u003Cp>Since 2000 Palazzo Birago has been the institutional headquarters of the Torino Chamber of commerce, where the President, the General Management, the administrative and representative offices are. 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Attraverso mostre, incontri, iniziative didattiche, percorsi di visita inclusivi, corsi e approfondimenti su archivi e raccolte fotografiche, CAMERA si propone di migliorare la comprensione, favorire il dialogo, stimolare la curiosità e fornire un’interpretazione più profonda della realtà attraverso le immagini.\u003C\u002Fp>\n\u003Cp>Oltre alle mostre e alle molteplici attività proposte in sede, CAMERA fa circuitare sul territorio nazionale numerose mostre e ne produce di nuove per altri spazi espositivi. 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Collocato a pochi metri dalla Mole Antonelliana, rappresenta il punto di riferimento principale per gli appassionati di cinema e per gli studenti delle facoltà umanistiche dell’Università. Dispone di tre sale equipaggiate con un’ampia dotazione tecnologica, e può soddisfare la missione di mostrare sul grande schermo film di tutti i tempi e di tutti i paesi, costruendo un dialogo costante tra passato, presente e futuro. Volendo fare dei numeri, si può facilmente affermare che il cinema Massimo proietti oltre 1000 film diversi all’anno, tra programmazione di prima visione, attività cinetecaria, attività per le scuole e festival cinematografici, tre dei quali (Torino Film Festival, Lovers Film Festival e CinemAmbiente) organizzati direttamente dal Museo del Cinema. ed è sede prescelta anche della maggior parte dei festival cittadini, come Seeyousound, ToHorror Fantastic Film Festival, Sottodiciotto Film Festival & Campus.\u003Cbr \u002F>\n\u003C!-- notionvc: 8f91cc20-dc1d-4bd2-8754-19fdb49fcaab -->\u003C\u002Fp>\n","\u003Cp>The Cinema Massimo is the cinema programmed by the National Cinema Museum of Turin. Located in the city center, closed to the building of Mole Antonelliana, it represents the main point of reference for cinema lovers and for students of the University, which is just a few steps away. 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