[{"data":1,"prerenderedAt":182},["ShallowReactive",2],{"programme-untitled-1991":3},{"id":4,"date":5,"date_gmt":5,"guid":6,"modified":8,"modified_gmt":8,"slug":9,"status":10,"type":11,"link":12,"title":13,"template":15,"class_list":16,"acf":21,"_links":157},313,"2024-03-02T21:57:03",{"rendered":7},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=313","2024-04-23T16:42:19","untitled-1991","publish","programme","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F",{"rendered":14},"“Untitled” (1991)","",[17,11,18,19,20],"post-313","type-programme","status-publish","hentry",{"title_en":15,"description":15,"description_en":15,"public_program":22,"typology":23,"public_program_typology":22,"from":24,"to":25,"start_time":15,"end_time":15,"media":26,"detailed_schedule_and_date":15,"detailed_schedule_and_date_en":15,"curated_by":130,"other_label":15,"other_label_en":15,"artist":131,"location_type":141,"location":142,"outdoor_location":151,"text_it":152,"text_en":153,"read_more_it":154,"read_more_en":154,"text_read_more_it":155,"text_read_more_en":156,"size":89,"exposed_off":22},false,"0","2024-05-02","2024-10-15",[27,64,90,113],{"acf_fc_layout":28,"image":29,"text_en":62,"text_it":62,"meta_data":22,"size":63},"image",{"ID":30,"id":30,"title":31,"filename":32,"filesize":33,"url":34,"link":35,"alt":15,"author":36,"description":15,"caption":15,"name":37,"status":38,"uploaded_to":4,"date":39,"modified":39,"menu_order":40,"mime_type":41,"type":28,"subtype":42,"icon":43,"width":44,"height":45,"sizes":46,"didascalia_en":15},318,"2012momanyEX1-616b.di","2012momanyEX1-616b.di_.jpg",1908812,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2012momanyex1-616b-di\u002F","4","2012momanyex1-616b-di","inherit","2024-03-02 21:50:28",0,"image\u002Fjpeg","jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-includes\u002Fimages\u002Fmedia\u002Fdefault.png",3643,2443,{"thumbnail":47,"thumbnail-width":48,"thumbnail-height":49,"medium":50,"medium-width":51,"medium-height":52,"medium_large":34,"medium_large-width":53,"medium_large-height":54,"large":55,"large-width":56,"large-height":57,"1536x1536":34,"1536x1536-width":58,"1536x1536-height":59,"2048x2048":34,"2048x2048-width":60,"2048x2048-height":61},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_-150x101.jpg",150,101,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_-600x402.jpg",600,402,768,515,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_-2000x1341.jpg",1920,1287,1536,1030,2048,1373,"\u003Cp>Photo: David Allison, Installed on Pennsylvania Avenue near Fulton Street, Brooklyn. 1 of 6 outdoor billboard locations throughout the New York City area, with 1 indoor location, as part of the exhibition \u003Cem>Print\u002FOut. \u003C\u002Fem>The Museum of Modern Art (MoMA), New York, NY. 19 Feb. – 14 May 2012. 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Christopher Cherix. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n","2",{"acf_fc_layout":28,"image":65,"text_en":86,"text_it":86,"meta_data":87,"size":89},{"ID":66,"id":66,"title":67,"filename":68,"filesize":69,"url":70,"link":71,"alt":15,"author":36,"description":15,"caption":15,"name":72,"status":38,"uploaded_to":4,"date":73,"modified":73,"menu_order":40,"mime_type":41,"type":28,"subtype":42,"icon":43,"width":74,"height":75,"sizes":76,"didascalia_en":15},320,"2013puamnjEX1-600b.hr","2013puamnjEX1-600b.hr_.jpg",1346577,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2013puamnjex1-600b-hr\u002F","2013puamnjex1-600b-hr","2024-03-02 21:50:29",3512,2341,{"thumbnail":77,"thumbnail-width":48,"thumbnail-height":78,"medium":79,"medium-width":51,"medium-height":80,"medium_large":70,"medium_large-width":53,"medium_large-height":81,"large":82,"large-width":56,"large-height":83,"1536x1536":70,"1536x1536-width":58,"1536x1536-height":84,"2048x2048":70,"2048x2048-width":60,"2048x2048-height":85},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_-150x100.jpg",100,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_-600x400.jpg",400,512,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_-2000x1333.jpg",1280,1024,1365,"\u003Cp>Photo: James Ewing, Installed on Route 129, south of Cass Street, Princeton, NJ. 1 of 12 outdoor billboard locations around the greater Princeton area, as part of a special installation by Princeton University Art Museum, Princeton, NJ. 21 Oct. – 16 Dec. 2013. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n",[88],{"label":15,"data":15},"1",{"acf_fc_layout":28,"image":91,"text_en":112,"text_it":112,"meta_data":22,"size":89},{"ID":92,"id":92,"title":93,"filename":94,"filesize":95,"url":96,"link":97,"alt":15,"author":36,"description":15,"caption":15,"name":98,"status":38,"uploaded_to":4,"date":99,"modified":99,"menu_order":40,"mime_type":41,"type":28,"subtype":42,"icon":43,"width":100,"height":101,"sizes":102,"didascalia_en":15},317,"2000cstrivEX1-003c.pm","2000cstrivEX1-003c.pm_.jpg",1791875,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2000cstrivex1-003c-pm\u002F","2000cstrivex1-003c-pm","2024-03-02 21:50:26",3499,2731,{"thumbnail":103,"thumbnail-width":48,"thumbnail-height":104,"medium":105,"medium-width":51,"medium-height":106,"medium_large":96,"medium_large-width":53,"medium_large-height":107,"large":108,"large-width":56,"large-height":109,"1536x1536":96,"1536x1536-width":58,"1536x1536-height":110,"2048x2048":96,"2048x2048-width":60,"2048x2048-height":111},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_-150x117.jpg",117,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_-600x468.jpg",468,599,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_-2000x1561.jpg",1499,1199,1598,"\u003Cp>Photo: Paulo Pellion, Installed in Turin, Italy. 1 of 6 outdoor billboard locations throughout Turin, as part of the exhibition \u003Cem>Quotidiana: The Continuity of the Everyday in 20th Century Art\u003C\u002Fem>. Castello di Rivoli, Museo d’Arte Contemporanea, Turin, Italy. 5 Feb. – 21 May 2000. Cur. Ida Gianelli, David Ross, Nicholas Serota, Jonathan Watkins, and Giorgio Verzotti. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n",{"acf_fc_layout":28,"image":114,"text_en":129,"text_it":129,"meta_data":22,"size":63},{"ID":115,"id":115,"title":116,"filename":117,"filesize":118,"url":119,"link":120,"alt":15,"author":36,"description":15,"caption":15,"name":121,"status":38,"uploaded_to":4,"date":122,"modified":122,"menu_order":40,"mime_type":41,"type":28,"subtype":42,"icon":43,"width":123,"height":124,"sizes":125,"didascalia_en":15},321,"2013puamnjEX1-602b.hr","2013puamnjEX1-602b.hr_.jpg",2002723,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2013puamnjex1-602b-hr\u002F","2013puamnjex1-602b-hr","2024-03-02 21:50:31",3474,2316,{"thumbnail":126,"thumbnail-width":48,"thumbnail-height":78,"medium":127,"medium-width":51,"medium-height":80,"medium_large":119,"medium_large-width":53,"medium_large-height":81,"large":128,"large-width":56,"large-height":83,"1536x1536":119,"1536x1536-width":58,"1536x1536-height":84,"2048x2048":119,"2048x2048-width":60,"2048x2048-height":85},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_-2000x1333.jpg","\u003Cp>Photo: James Ewing, Installed on Bridge Street, west of Ferry Street, Princeton, NJ. 1 of 12 outdoor billboard locations around the greater Princeton area, as part of a special installation by Princeton University Art Museum, Princeton, NJ. 21 Oct. – 16 Dec. 2013. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n","Sarah Cosulich, Lucrezia Calabrò Visconti",[132],{"ID":133,"post_author":36,"post_date":134,"post_date_gmt":134,"post_content":15,"post_title":135,"post_excerpt":15,"post_status":10,"comment_status":136,"ping_status":136,"post_password":15,"post_name":137,"to_ping":15,"pinged":15,"post_modified":134,"post_modified_gmt":134,"post_content_filtered":15,"post_parent":40,"guid":138,"menu_order":40,"post_type":139,"post_mime_type":15,"comment_count":23,"filter":140},165,"2024-03-02 14:16:19","Felix Gonzalez-Torres","closed","felix-gonzalez-torres","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=165","artist","raw","Indoor",[143],{"ID":144,"post_author":36,"post_date":145,"post_date_gmt":145,"post_content":15,"post_title":146,"post_excerpt":15,"post_status":10,"comment_status":136,"ping_status":136,"post_password":15,"post_name":147,"to_ping":15,"pinged":15,"post_modified":148,"post_modified_gmt":148,"post_content_filtered":15,"post_parent":40,"guid":149,"menu_order":40,"post_type":150,"post_mime_type":15,"comment_count":23,"filter":140},166,"2024-03-02 14:19:31","Pinacoteca Agnelli. La Pista 500","pinacoteca-agnelli-la-pista-500","2024-05-01 13:30:35","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=166","location",null,"\u003Cp>Pinacoteca Agnelli presenta una nuova installazione sulla Pista 500, sul tetto del Lingotto, con un’opera che si estende nella città di Torino. \u003Cem>Untitled\u003C\u002Fem> (1991) di Felix Gonzalez-Torres consiste in un’immagine affissa sul billboard della Pista 500 e su diversi cartelloni pubblicitari distribuiti in città.\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: 67706d09-3be7-45e6-918a-51073af15658 -->\u003C\u002Fp>\n","\u003Cp>Pinacoteca Agnelli enriches the project on the Pista 500 by exhibiting an artwork that extends to the entire city of Turin. Felix Gonzalez-Torres’ work “\u003Cem>Untitled”\u003C\u002Fem> (1991) consists of an image installed on the Pista 500 billboard and on multiple billboards throughout the city.\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: 529b99a2-3e36-4241-b607-2a4a54eca765 -->\u003C\u002Fp>\n",true,"\u003Cp>\u003Cem>“Untitled”\u003C\u002Fem> (1991) raffigura un letto matrimoniale sfatto ed è installato senza informazioni aggiuntive, lasciando agli spettatori l’incontro non mediato con l’opera nel paesaggio urbano. L’opera, esposta per la prima volta nel 1991, esplorava il confine tra spazio pubblico e vita privata in un’epoca segnata dalla pandemia di HIV. Una prima importante mostra ha presentato il lavoro su cartelloni pubblicitari in vari quartieri di New York City e successivamente in diversi altri luoghi in tutto il mondo, aprendosi a nuove interpretazioni e associazioni. L’immagine – intima, domestica e quotidiana – crea un forte contrasto con le pubblicità adiacenti, sfidando le norme sociali e portando nello spazio pubblico argomenti tabù come la morte, il dolore e la perdita.\u003C\u002Fp>\n\u003Cp>La città di Torino ha un significato importante nella storia del lavoro di Gonzalez-Torres, che fu invitato al Castello di Rivara nel 1991, dove presentò una serie di opere iconiche. “\u003Cem>Untitled”\u003C\u002Fem> (1991) è stato presentato per la prima volta a Torino nel 2000, in occasione di una mostra collettiva al Castello di Rivoli.\u003C\u002Fp>\n\u003Cp>Riportare “\u003Cem>Untitled”\u003C\u002Fem> (1991) a Torino dopo oltre vent’anni è un invito a riflettere su come sia cambiata la nostra percezione della città e su come i suoi spazi possano aprirsi alla condivisione di molteplici prospettive ed esperienze. L’opera solleva domande ancora attuali sull’elaborazione collettiva della perdita e sulle regolamentazioni dello spazio privato che limitano l’autonomia individuale, in un momento storico che ha stravolto le nostre abitudini riguardo al lutto e all’assenza.\u003C\u002Fp>\n","\u003Cp>\u003Cem>“Untitled”\u003C\u002Fem> (1991), depicting an unmade double bed, is installed with no identifying information, allowing viewers to encounter the work in the urban landscape without an immediate explanation. While the work was first exhibited in 1991, prompting an exploration of the boundary between public space and private life in an era marked by the HIV pandemic, the work allows for new interpretations and associations in each context of its display. A significant early exhibition presented the work on billboards across the boroughs of New York City, and the work has subsequently been presented in various places worldwide. The intimate, domestic, and commonplace image creates a strong contrast with adjacent advertisements, challenging social norms and bringing taboo topics such as death, pain, and loss into public space.\u003C\u002Fp>\n\u003Cp>The city of Turin holds significant meaning in the history of Gonzalez-Torres’s work, as the artist was invited to Castello di Rivara in 1991, where he presented a series of legendary works. The billboard \u003Cem>“Untitled”\u003C\u002Fem> (1991) was first presented in Turin in 2000 during a group exhibition at Castello di Rivoli.\u003C\u002Fp>\n\u003Cp>Bringing \u003Cem>“Untitled”\u003C\u002Fem> (1991) back to Turin more than twenty years later prompts reflection on how our perception of the city has changed and how its spaces can open up to the sharing of multiple perspectives and experiences. The work raises still-relevant questions about the collective processing of loss, and regulations of private space that constrain individual autonomy, in a historical moment that has disrupted our habits regarding mourning and absence.\u003C\u002Fp>\n",{"self":158,"collection":164,"about":167,"acf:post":170,"wp:attachment":175,"curies":178},[159],{"href":160,"targetHints":161},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F313",{"allow":162},[163],"GET",[165],{"href":166},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[168],{"href":169},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[171,173],{"embeddable":154,"href":172},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F166",{"embeddable":154,"href":174},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F165",[176],{"href":177},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=313",[179],{"name":180,"href":181,"templated":154},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",1776778937656]