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Dennis","nolan-oswald-dennis","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=894","Indoor",[90],{"ID":91,"post_author":36,"post_date":92,"post_date_gmt":92,"post_content":15,"post_title":93,"post_excerpt":15,"post_status":10,"comment_status":71,"ping_status":71,"post_password":15,"post_name":94,"to_ping":15,"pinged":15,"post_modified":95,"post_modified_gmt":95,"post_content_filtered":15,"post_parent":40,"guid":96,"menu_order":40,"post_type":97,"post_mime_type":15,"comment_count":23,"filter":75},896,"2025-01-30 14:31:51","Archivio di Stato di Torino","archivio-di-stato-di-torino","2026-03-10 12:44:24","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=896","location",null,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Rifiutando le binarizzazioni oppositive di “casa” e “lontano”, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">To Be In and Out of the World\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> illustra una politica visiva della spoliazione “post”-coloniale attraverso una triangolazione tra Hong Kong\u002FCina, Palestina\u002FIsraele e Sudafrica, attraverso le opere di Tiffany Sia, Ahlam Shibli e Nolan Oswald Dennis, rispettivamente.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La mostra è concettualmente articolata attraverso la “coscienza nera dello spazio” diagrammatica di Dennis: una spazializzazione immaginativa della politica statale, della memoria e della metafisica del territorio. Il contrasto di Shibli tra l’instabilità dell’esistenza dentro e fuori il riconoscimento statale pone il lavoratore ospite condizionatamente e burocraticamente leggibile in Germania contro il palestinese socialmente deceduto nella Cisgiordania occupata. La sfida di Sia alle insistenze visive della leggibilità coinvolge la precarietà dell’affidabilità della propria narrazione e\u002Fcontro l’onnipotenza della storicità statale — la sua geopoetica del “non luogo” si realizza attraverso lo sguardo di un bambino.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Rejecting oppositional binarizations of home and away, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">To Be In and Out of the World\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> illustrates a visual politic of ‘post’-colonial dispossession through a triangulation of Hong Kong\u002FChina, Palestine\u002FIsrael, and South Africa through the works of Tiffany Sia, Ahlam Shibli, and Nolan Oswald Dennis, respectively.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The exhibition is conceptually figured through Dennis’ diagrammatic ‘black consciousness of space’: an imaginative spatialization of statecraft, memory, and the metaphysics of land. Shibli’s contrast of the instability of existence inside and outside of state recognition holds the conditionally bureaucratically legible guest worker in Germany against the socially dead Palestinian in the occupied West Bank. Sia’s challenge of the visual insistences of legibility engages the tenuousness of one’s narrative reliability and\u002Fagainst the omnipotence of state historicity — her geopoetic of ‘no place’ is realized through the gaze of a child.\u003C\u002Fspan>\u003C\u002Fp>\n",{"self":102,"collection":108,"about":111,"acf:post":114,"wp:attachment":124,"curies":127},[103],{"href":104,"targetHints":105},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F897",{"allow":106},[107],"GET",[109],{"href":110},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[112],{"href":113},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[115,118,120,122],{"embeddable":116,"href":117},true,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F896",{"embeddable":116,"href":119},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F894",{"embeddable":116,"href":121},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F895",{"embeddable":116,"href":123},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F893",[125],{"href":126},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=897",[128],{"name":129,"href":130,"templated":116},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",1776778934536]