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Insieme al marito Franz Thorbecke, tra il 1911 e il 1913, Marie Pauline intraprende una spedizione in Camerun su incarico della Società Coloniale Tedesca. Nei quindici mesi trascorsi in Camerun, Marie Pauline Thorbecke scrive un diario epistolare in cui narra il suo viaggio. Le lettere, spedite in Germania, vengono successivamente pubblicate nel libro \u003Cem>On the Savannah: Marie Pauline Thorbecke\u003C\u002Fem> (1990, Geary, Christraud M.). Circa 110 dopo, Kganye ripercorre i passi di Thorbecke nel Paese africano e intreccia ricordi, impressioni e narrazioni da una prospettiva femminile.\u003C\u002Fp>\n","\u003Cp>The starting point of the exhibition project is a bundle of photographs and drawings by German painter and photographer Marie Pauline Thorbecke. Thorbecke undertook an expedition to Cameroon on assignment from the German Colonial Society between 1911 and 1913, together with her husband Franz Thorbecke. For fifteen months, Marie Pauline Thorbecke wrote diary letters detailing their Cameroon trek and sent them back home in Germany. The diary letters were later published as a book: \u003Cem>On the Savannah: Marie Pauline Thorbecke\u003C\u002Fem> (1990, Geary, Christraud M.). 110 years later, Kganye follows her footsteps through the country and weaves together memories, impressions and narratives, all from a female perspective.\u003C\u002Fp>\n",true,"\u003Cp>\u003Cem>A Burden Consumed in Sips\u003C\u002Fem> (2023) è un film ibrido di animazione in live-action composto da 22 pannelli, che ricordano il formato panoramico delle illustrazioni di paesaggi. Il film documenta il viaggio fatto da Kganye in Camerun per ricostruire quanto descritto nel libro di Thorbecke. Per tutto il percorso, l’artista tiene un diario in una mano e un pesante sacco di tela nell’altra. Il tessuto color indaco contiene oggetti da riportare nei loro luoghi d’origine, in Camerun: il riferimento è ai reperti presenti nel Rautenstrauch-Joest-Museum e raccolti dai Thorbecke. L’atto di riconsegnare oggetti, terra e vegetazione al loro Paese d’origine è uno stimolo a riflettere, riparare e rielaborare il passato, vedendo la restituzione come un atto di possibilità.\u003C\u002Fp>\n","\u003Cp>\u003Cem>A Burden Consumed in Sips\u003C\u002Fem> (2023) is a hybrid animation live-action film of 22 screen panels, resembling the panoramic format of the landscape illustrations. The film documents Kganye’s travel to Cameroon to piece together the trek detailed in Thorbecke’s book. Throughout the journey, she carries a diary in one hand and a heavy cloth bag in the other. The bag, made of indigo fabric, contained objects to be returned to where they originally belonged in Cameroon – this is a reference to the objects listed in the Rautenstrauch-Joest-Museum and collected by the Thorbecke’s. The act of returning the objects, the soil and the vegetation to their country of origin prompts one to think, repair and recast the past by considering restitution as an act of possibility.\u003C\u002Fp>\n",{"self":164,"collection":170,"about":173,"acf:post":176,"wp:attachment":181,"curies":184},[165],{"href":166,"targetHints":167},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F207",{"allow":168},[169],"GET",[171],{"href":172},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[174],{"href":175},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[177,179],{"embeddable":160,"href":178},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F141",{"embeddable":160,"href":180},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F140",[182],{"href":183},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=207",[185],{"name":186,"href":187,"templated":160},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",1776778937045]