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di Georges Senga narra una storia di estrattivismo minerario neocoloniale e le vicende umane che ha generato nel Katanga, la ricca provincia mineraria della Repubblica Democratica del Congo.","Georges Senga’s Décalquer narrates a story of neocolonial mining extractivism and the human vicissitudes it has generated in Katanga, the rich mineral province of the Democratic Republic of 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Senga","closed","georges-senga","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=978","artist","raw","indoor",[81],{"ID":82,"post_author":33,"post_date":83,"post_date_gmt":83,"post_content":15,"post_title":84,"post_excerpt":15,"post_status":10,"comment_status":74,"ping_status":74,"post_password":15,"post_name":85,"to_ping":15,"pinged":15,"post_modified":86,"post_modified_gmt":86,"post_content_filtered":15,"post_parent":42,"guid":87,"menu_order":42,"post_type":88,"post_mime_type":15,"comment_count":25,"filter":78},812,"2024-05-01 13:54:54","Accademia Albertina di Belle Arti","accademia-albertina","2026-02-26 13:03:31","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=812","location",null,"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Décalquer \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">di Georges Senga narra una storia di estrattivismo minerario neocoloniale e le vicende umane che ha generato nel Katanga, la ricca provincia mineraria della Repubblica Democratica del Congo. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Tra il 1968 e il 1982 i lavoratori giapponesi della Nippon Mining Company in Giappone furono ingaggiati dal governo dello Zaire (l’attuale Congo) e trasferiti a vivere e lavorare nella regione di Lamba, nel Katanga, presso la compagnia mineraria SOMIDICO. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Nel 1983 i lavoratori giapponesi se ne andarono bruscamente quando il presidente congolese Mobutu interruppe il contratto con la NMC. Dopo oltre un decennio di permanenza in Congo, gli operai abbandonarono i loro figli. Questi bambini sono i protagonisti delle bellissime fotografie di Georges Senga. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Attingendo all’estetica del classico ritratto africano in studio (che ricorda i fotografi di Bamako e Dakar Malik Sidibé o Seydou Keita), l’artista dà forma a dieci anni di ricerca sul campo, rende visibile una comunità dimenticata di cittadini congolesi e le complessità delle identità globali moderne, svelando l’esistenza stessa di questa comunità giapponese-Lamba.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Georges Senga’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Décalquer\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> narrates a story of neocolonial mining extractivism and the human vicissitudes it has generated in Katanga, the rich mineral province of the Democratic Republic of Congo. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Between 1968 and 1982, the Japanese workers from the Nippon Mining Company in Japan were contracted by Zaire’s (actual Congo DRC) government and moved to live and work in the Lamba region of Katanga, at the SOMIDICO mining company.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In 1983, the Japanese workers left abruptly when Congolese president Mobutu interrupted the contract with the NMC. After more than a decade in Congo, workers left their children behind: these kids are the protagonists of Georges Senga astonishingly beautiful photographs. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In drawing from the aesthetics of the classic African studio portrait (reminiscent of the Bamako and Dakar photographers Malik Sidibé or Seydou Keita), the artist gives shape to ten years of field-research, makes visible a forgotten community of Congolese citizens and the complexities of Modern global identities, by uncovering the very existence of this Japanese-Lamba community.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",true,{"self":94,"collection":100,"about":103,"acf:post":106,"wp:attachment":111,"curies":114},[95],{"href":96,"targetHints":97},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F979",{"allow":98},[99],"GET",[101],{"href":102},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[104],{"href":105},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[107,109],{"embeddable":92,"href":108},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F812",{"embeddable":92,"href":110},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F978",[112],{"href":113},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=979",[115],{"name":116,"href":117,"templated":92},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",1776778933943]