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Nel 2021 il Sole è sceso al punto più basso di attività dalla nascita della scienza. Le sue onde magnetiche, che un tempo facevano da scudo alla Terra, si sono drammaticamente indebolite. Durante questa pausa solare, potenti raggi cosmici intergalattici sono penetrati nella nostra atmosfera. Originate dai resti esplosivi di stelle morte, queste particelle silenziose, invisibili e altamente cariche sono state notate solo per i loro effetti, per quello che hanno fatto ai nostri corpi e alle tecnologie su cui pensavamo di poter contare”.\u003C\u002Fp>\n","\u003Cp>“Welcome to the age of cosmic radiation! In 2021 the Sun fell to its lowest point of activity since the birth of science. Its magnetic waves that once shielded the Earth dramatically weakened. During this solar lull powerful intergalactic cosmic rays penetrated our atmosphere. Originating from the explosive remnants of dead stars, these silent, invisible and highly charged particles were only noticed in their effect – in what they did to our bodies and to the technologies we thought we could rely upon”.\u003C\u002Fp>\n",true,"\u003Cp>L’installazione dell’artista inglese si presenta come un approfondimento del lavoro di ricerca che ha portato Arnfield a produrre \u003Cem>The Phantom Menace\u003C\u002Fem> (2019)\u003Cem>,\u003C\u002Fem> un film tecno-stroboscopico che ipotizza futuri climatici possibili. Il film, scritto in conversazione con alcuni lavoratori delle Warehouse Amazon inglesi, si ispira a vecchie proposte del governo statunitense di installare nelle profondità del sottosuolo supercomputer predittivi per proteggerli da ipotetiche minacce aliene. Arnfield utilizza le visualizzazioni scientifiche prodotte da questi supercomputer, considerate a bassa risoluzione per gli standard odierni, per speculare sul ruolo e sul lavoro dell’immagine in un futuro completamente sotterraneo.\u003C\u002Fp>\n\u003Cp>\u003Cem>Cosmic Radiation\u003C\u002Fem> inaugura la stagione di screening presentati da Cripta747 e curati da Vincenzo Estremo, un ciclo di medi e cortometraggi per riflettere sul futuro del lavoro in contesti ad alta tecnologia.\u003C\u002Fp>\n","\u003Cp>The installation of British artist Arnfield is a continuation of the research work that led to the production of \u003Cem>The Phantom Menace\u003C\u002Fem> (2019), a techno-driven stroboscopic climate fiction film. Written in conversation with various British Amazon warehouse workers, it was inspired by the proposed plans for the US government to install their fragile predictive supercomputers deep underground in order to protect them from hypothetical alien threats. Arnfield uses the scientific visualizations produced on these supercomputers – which are low-resolution for today’s standards – to speculate on the role of image labour in a subterranean future.\u003C\u002Fp>\n\u003Cp>\u003Cem>Cosmic Radiation\u003C\u002Fem> inaugurates the season of screenings presented by Cripta747 and curated by Vincenzo Estremo: a cycle of short and medium length films to think about the future of work in highly technological contexts.\u003C\u002Fp>\n",{"self":84,"collection":90,"about":93,"acf:post":96,"wp:attachment":101,"curies":104},[85],{"href":86,"targetHints":87},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F353",{"allow":88},[89],"GET",[91],{"href":92},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[94],{"href":95},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[97,99],{"embeddable":80,"href":98},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F175",{"embeddable":80,"href":100},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F174",[102],{"href":103},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=353",[105],{"name":106,"href":107,"templated":80},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",1776778938886]