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Ispirato agli oggetti casalinghi incantati de \u003Cem>La Bella e la Bestia\u003C\u002Fem>, il film è ambientato in una casa di periferia, invece che un castello, e la bestia è stata sostituita dal suono continuo delle notifiche dei dispositivi smart. Nel film, Bertil naviga in una casa virtuale – una ricostruzione della casa modello creata dall’azienda di robotica Boston Dynamics nel 2016 per presentare il proprio cane robot SpotMini.\u003C\u002Fp>\n","\u003Cp>Exploring the consequences of cohabiting with computer vision, Simone Niquille’s \u003Cem>Beauty and The Beep\u003C\u002Fem> follows Bertil, a chair that is trying to find a place to sit. Inspired by the enchanted household objects from the fairy tale \u003Cem>Beauty and The Beast\u003C\u002Fem>, the film is set in a suburban home instead of a castle, and the beast has been replaced by the continuous notification sounds of smart devices. In the film, Bertil navigates through a virtual house — a recreation of the model home built by the robotics company Boston Dynamics in 2016 to showcase their robot dog SpotMini.\u003C\u002Fp>\n",true,"\u003Cp>Chiedendosi chi comprerebbe un animale domestico meccanico automatizzato da tenere in casa, il film esplora la definizione “datificata” (cioè sotto forma di dati) di casa della Boston Dynamics, o cosa serve per standardizzare uno spazio così personale e intimo affinché la visione artificiale vi funzioni. Bertil – una sedia sintetica ispirata alla prima immagine 3D renderizzata usata da Ikea nel suo catalogo stampato, che ha segnato il passaggio dell’azienda all’uso del rendering – vaga in questa apparentemente semplice casa virtuale, interagendo con i suoi oggetti, alla ricerca di risposte. Navigare nella casa non è compito facile per Bertil, che si imbatte nel rumore della vita quotidiana disseminato per la casa. Inciampa in una banana, non riesce a sedersi, si incastra su un tapis roulant, e cosa ci fa un pony giocattolo sul pavimento? Rivelandoci che l’impossibilità di raccogliere dataset di training nelle case ha portato ad un ampio uso di dati sintetici, Bertil ci ricorda che la casa è un luogo privato e non da registrare.\u003C\u002Fp>\n","\u003Cp>Wondering who would buy an automated mechanical pet to assist and live in their home, the film explores Boston Dynamics’ datafied definition of a home or what it takes for such a personal and intimate space to be standardised for computer vision to function. Bertil — a synthetic chair inspired by IKEA’s first 3D rendered image for their print catalogue, which marked their shift to rendered imagery — wanders through this seemingly simple virtual home, interacting with its objects, in search of some answers. Navigating the home for Bertil is no easy task, as they encounter the daily life noise that is littered throughout the home. 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