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From Trace to Simulation \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">esplora la relazione tra fotografia e simulazione nell’era dei generatori di immagini AI. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">L’immagine fotografica del nuovo millennio si converte da traccia del reale a mera simulazione operata dai nuovi strumenti tecnologici, le cui immagini sembrano “farsi da sé”. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La mostra intende problematizzare proprio questo passaggio attraverso le opere di \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">tre artist* dalle pratiche estremamente eterogenee.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Alan Butler con la serie \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Virtual Botany Cyanotypes\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> crea un catalogo di una vegetazione immaginaria proveniente dal mondo dei videogiochi che fonde informazioni digitali con materiale fisico attraverso il mezzo della fotografia con cianotipia.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">I “tecno-reperti” di Nora Al-Badri, realizzati a partire da manufatti mesopotamici, neo-sumerici e assiri provenienti dagli archivi fotografici di alcune istituzioni museali, offrono prospettive critiche e storiche sul rapporto tra patrimonio culturale e pensiero coloniale, per ricostruire una nuova memoria collettiva e contestare le narrazioni museologiche esistenti. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">L’opera \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Empty Rider\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2024) di Lawrence Lek presenta un’auto a guida autonoma sotto processo per il tentato omicidio del suo stesso creatore. Questo racconto fantascientifico creato in computer grafica esplora l’identità, l’agency e le emozioni nell’era dell’intelligenza artificiale, offrendo un’importante occasione di riflessione sui limiti e sul potenziale di un’etica costruita da sistemi non umani.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Almost Real. From Trace to Simulation \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">explores the relationship between photography and simulation in the era of AI image generators. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The photographic image of the new millennium is converted from a trace of the real into mere simulation operated by new technological tools, whose images seem to “make themselves”.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The exhibition aims to problematize precisely this transition through the works of \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">three artists with extremely heterogeneous practices.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Alan Butler’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Virtual Botany Cyanotypes\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> series creates a catalog of imaginary vegetation from the world of video games that fuses digital information with physical material through the medium of cyanotype photography.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Nora Al-Badri’s “techno-reperts” made from Mesopotamian, Neo-Sumerian and Assyrian artifacts from the photographic archives of museum institutions, offer critical and historical perspectives on the relationship between cultural heritage and colonial thinking, so to shape a new collective memory and challenge existing museological narratives. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Lawrence Lek’s work \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Empty Rider\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2024) features a self-driving car on trial for the attempted murder of their own creator. 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