[{"data":1,"prerenderedAt":6529},["ShallowReactive",2],{"exhibitions-archive":3,"echoes-archive":5684},[4,101,154,216,280,328,392,442,513,574,638,711,772,845,912,978,1056,1121,1197,1255,1478,1651,1724,2016,2137,2217,2445,2529,2669,2778,2895,2985,3102,3152,3295,3371,3442,3621,3811,3968,4018,4126,4337,4497,4629,4742,4865,4927,5072,5145,5205,5264,5311,5358,5406,5459,5516,5583,5634],{"id":5,"date":6,"date_gmt":6,"guid":7,"modified":9,"modified_gmt":9,"slug":10,"status":11,"type":12,"link":13,"title":14,"template":16,"class_list":17,"acf":22,"_links":78},1060,"2025-05-05T09:49:23",{"rendered":8},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1060","2025-05-12T13:18:32","corporate-photography-collection","publish","programme","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcorporate-photography-collection\u002F",{"rendered":15},"Corporate Photography Collections","",[18,12,19,20,21],"post-1060","type-programme","status-publish","hentry",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":24,"public_program_typology":25,"from":26,"to":26,"start_time":16,"end_time":16,"media":27,"detailed_schedule_and_date":58,"detailed_schedule_and_date_en":16,"curated_by":59,"other_label":60,"other_label_en":16,"artist":16,"location_type":61,"location":62,"outdoor_location":75,"text_it":76,"text_en":77,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":24,"exposed_off":57},true,"1","talk","2025-05-10",[28],{"acf_fc_layout":29,"image":30,"text_en":56,"text_it":56,"meta_data":57,"size":24},"image",{"ID":31,"id":31,"title":32,"filename":33,"filesize":34,"url":35,"link":36,"alt":16,"author":37,"description":16,"caption":16,"name":38,"status":39,"uploaded_to":5,"date":40,"modified":40,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":45,"height":46,"sizes":47,"didascalia_en":16},1062,"Copyright Bastiaan Woudt_Tino X, 2025 _ courtesy Jaeger Art","Copyright-Bastiaan-Woudt_Tino-X-2025-_-courtesy-Jaeger-Art.jpg",548497,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F05\u002FCopyright-Bastiaan-Woudt_Tino-X-2025-_-courtesy-Jaeger-Art.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcorporate-photography-collection\u002Fcopyright-bastiaan-woudt_tino-x-2025-_-courtesy-jaeger-art\u002F","3","copyright-bastiaan-woudt_tino-x-2025-_-courtesy-jaeger-art","inherit","2025-05-05 10:00:04",0,"image\u002Fjpeg","jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-includes\u002Fimages\u002Fmedia\u002Fdefault.png",900,1200,{"thumbnail":48,"thumbnail-width":49,"thumbnail-height":50,"medium":51,"medium-width":52,"medium-height":53,"medium_large":35,"medium_large-width":54,"medium_large-height":55,"large":35,"large-width":45,"large-height":46,"1536x1536":35,"1536x1536-width":45,"1536x1536-height":46,"2048x2048":35,"2048x2048-width":45,"2048x2048-height":46},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F05\u002FCopyright-Bastiaan-Woudt_Tino-X-2025-_-courtesy-Jaeger-Art-113x150.jpg",113,150,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F05\u002FCopyright-Bastiaan-Woudt_Tino-X-2025-_-courtesy-Jaeger-Art-450x600.jpg",450,600,768,1024,"\u003Cp>Courtesy Jaeger Art\u003C\u002Fp>\n",false,"16:00-17:00","THE PHAIR","in collaboration with Jacobacci Avvocati","Indoor",[63],{"ID":64,"post_author":65,"post_date":66,"post_date_gmt":66,"post_content":16,"post_title":67,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":69,"to_ping":16,"pinged":16,"post_modified":70,"post_modified_gmt":70,"post_content_filtered":16,"post_parent":41,"guid":71,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},138,"4","2024-03-02 13:32:16","OGR Torino","closed","ogr-torino","2026-02-28 12:49:41","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=138","location","0","raw",null,"\u003Cp>L’incontro si propone di indagare le motivazioni che spingono le istituzioni ad acquisire opere d’arte e fotografia e a costruire collezioni, con uno sguardo sia al contesto italiano che a quello internazionale. Quali sono oggi i principali driver del collezionismo istituzionale? In che modo fattori culturali, politici o strategici influenzano le scelte di acquisizione?\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Il talk vedrà la partecipazione di Katarzyna Piskorz (direttrice artistica Bliss Gallery), Mario Cucinella (Archistar e collezionista), Emanuela Truffo (Jacobacci Avvocati) e Giulia Tosetti (Fondatrice e CEO Emblème, e Tosetti Value per l’Arte) e verrà moderato da Brandei Estes (Specialista in fotografia, curatrice e consulente d’arte).\u003C\u002Fp>\n\u003Cp>Il talk sarà in lingua inglese.\u003C\u002Fp>\n","\u003Cp>The event aims to explore the motivations that drive institutions to acquire artworks and photographs and to build collections, with a focus on both the Italian and international contexts. What are the main drivers of institutional collecting today? How do cultural, political, or strategic factors influence acquisition decisions?\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>The talk will feature Katarzyna Piskorz (artistic director Bliss Gallery), Mario Cucinella (archistar and collector), Emanuela Truffo (Jacobacci Avvocati), and Giulia Tosetti (Founder and CEO Emblème, Head of Tosetti Value per l’Arte) and will be moderated by Brandei Estes (Specialist in Photography, Curator and Art consultant).\u003C\u002Fp>\n\u003Cp>The talk will be held in English.\u003C\u002Fp>\n",{"self":79,"collection":85,"about":88,"acf:post":91,"wp:attachment":94,"curies":97},[80],{"href":81,"targetHints":82},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1060",{"allow":83},[84],"GET",[86],{"href":87},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme",[89],{"href":90},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Ftypes\u002Fprogramme",[92],{"embeddable":23,"href":93},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F138",[95],{"href":96},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1060",[98],{"name":99,"href":100,"templated":23},"wp","https:\u002F\u002Fapi.w.org\u002F{rel}",{"id":102,"date":103,"date_gmt":103,"guid":104,"modified":106,"modified_gmt":106,"slug":107,"status":11,"type":12,"link":108,"title":109,"template":16,"class_list":111,"acf":113,"_links":139},1029,"2025-04-03T15:57:11",{"rendered":105},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1029","2025-04-07T12:10:29","exposed-tour","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-tour\u002F",{"rendered":110},"EXPOSED TOUR",[112,12,19,20,21],"post-1029",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":114,"public_program_typology":115,"from":116,"to":117,"start_time":16,"end_time":16,"media":118,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":16,"outdoor_location":75,"text_it":137,"text_en":138,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},"5","tour","2025-04-16","2025-04-19",[119],{"acf_fc_layout":29,"image":120,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":121,"id":121,"title":122,"filename":123,"filesize":124,"url":125,"link":126,"alt":16,"author":37,"description":16,"caption":122,"name":127,"status":39,"uploaded_to":102,"date":128,"modified":128,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":129,"height":130,"sizes":131,"didascalia_en":16},1031,"Omaha_field shanty 001","House-in-Field-Large.jpeg",448722,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FHouse-in-Field-Large.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-tour\u002Fomaha_field-shanty-001-2\u002F","omaha_field-shanty-001-2","2025-04-03 15:56:47",1014,1280,{"thumbnail":132,"thumbnail-width":133,"thumbnail-height":50,"medium":134,"medium-width":135,"medium-height":53,"medium_large":125,"medium_large-width":54,"medium_large-height":136,"large":125,"large-width":129,"large-height":130,"1536x1536":125,"1536x1536-width":129,"1536x1536-height":130,"2048x2048":125,"2048x2048-width":129,"2048x2048-height":130},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FHouse-in-Field-Large-119x150.jpeg",119,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FHouse-in-Field-Large-475x600.jpeg",475,969,"\u003Cp style=\"text-align: left;\">EXPOSED TOUR comprende gli appuntamenti più importanti per scoprire EXPOSED attraverso le visite alle mostre ed eventi con artisti e curatori.\u003C\u002Fp>\n\u003Cp style=\"text-align: left;\">\u003Cspan style=\"color: #ffff00;\">Cliccando il bottone sotto\u003C\u002Fspan>, è possibile scaricare il file digitale con tutte le informazioni sul tour, più alcune indicazioni extra su mezzi di trasporto e punti d’interesse in giro per Torino.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Ca href=\"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002Fexposed_tour_wordpress.pdf\">\u003Cbutton style=\"border: 1px solid white; padding: .2rem .4rem .2rem .4rem;\">DOWNLOAD\u003C\u002Fbutton>\u003C\u002Fa>\u003C\u002Fp>\n","\u003Cp style=\"text-align: left;\">EXPOSED TOUR includes the most important events to discover EXPOSED through exhibition visits and events with artists and curators.\u003C\u002Fp>\n\u003Cp style=\"text-align: left;\">\u003Cspan style=\"color: #ffff00;\">By clicking on the link below\u003C\u002Fspan>, you can download the digital file with all the information about the tour, along with extra details on transportation and points of interest around Turin.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Ca href=\"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002Fexposed_tour_wordpress.pdf\">\u003Cbutton style=\"border: 1px solid white; padding: .2rem .4rem .2rem .4rem;\">DOWNLOAD\u003C\u002Fbutton>\u003C\u002Fa>\u003C\u002Fp>\n",{"self":140,"collection":145,"about":147,"wp:attachment":149,"curies":152},[141],{"href":142,"targetHints":143},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1029",{"allow":144},[84],[146],{"href":87},[148],{"href":90},[150],{"href":151},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1029",[153],{"name":99,"href":100,"templated":23},{"id":155,"date":156,"date_gmt":156,"guid":157,"modified":159,"modified_gmt":159,"slug":160,"status":11,"type":12,"link":161,"title":162,"template":16,"class_list":164,"acf":166,"_links":198},1001,"2025-04-03T13:21:10",{"rendered":158},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1001","2026-03-01T22:14:31","exposed-talk-programme","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-talk-programme\u002F",{"rendered":163},"Exposed Talk Programme",[165,12,19,20,21],"post-1001",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":24,"public_program_typology":25,"from":167,"to":167,"start_time":168,"end_time":169,"media":170,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":185,"location":186,"outdoor_location":75,"text_it":194,"text_en":195,"read_more_it":23,"read_more_en":23,"text_read_more_it":196,"text_read_more_en":197,"size":73,"exposed_off":57},"2025-04-17","09:30:00","12:30:00",[171],{"acf_fc_layout":29,"image":172,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":173,"id":173,"title":174,"filename":175,"filesize":176,"url":177,"link":178,"alt":16,"author":37,"description":16,"caption":16,"name":179,"status":39,"uploaded_to":155,"date":180,"modified":180,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":181,"height":130,"sizes":182,"didascalia_en":16},1006,"IMGP2378 Large","IMGP2378-Large.jpeg",347442,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FIMGP2378-Large.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-talk-programme\u002Fimgp2378-large\u002F","imgp2378-large","2025-04-03 14:54:06",960,{"thumbnail":183,"thumbnail-width":49,"thumbnail-height":50,"medium":184,"medium-width":52,"medium-height":53,"medium_large":177,"medium_large-width":54,"medium_large-height":55,"large":177,"large-width":181,"large-height":130,"1536x1536":177,"1536x1536-width":181,"1536x1536-height":130,"2048x2048":177,"2048x2048-width":181,"2048x2048-height":130},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FIMGP2378-Large-113x150.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FIMGP2378-Large-450x600.jpeg","indoor",[187],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},812,"2024-05-01 13:54:54","Accademia Albertina di Belle Arti","accademia-albertina","2026-02-26 13:03:31","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=812","\u003Cdiv class=\"page\" title=\"Page 49\">\n\u003Cdiv class=\"section\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>EXPOSED TALK Programme riunisce artisti, ricercatori ed esperti per riflettere su come la fotografia, le arti visive e la tecnologia plasmino il modo in cui vediamo e comprendiamo il mondo. Le immagini non sono solo riflessi della realtà: hanno il potere di rivelare strutture nascoste, sfidare l’autorità e rimodellare le nostre prospettive. Dai confini sfumati tra simulazione e realtà nelle immagini generate dall’IA al ruolo della fotografia nella giustizia ambientale e sociale, a come la migrazione e l’esilio plasmino l’identità e le strutture sociali, il programma interroga le forze che determinano ciò che è visibile, ciò che è nascosto e chi controlla queste narrazioni. Ospiti come Paolo Cirio, Sheng-Wen Lo, Alessandra Ferrini, Zoé Samudzi, Philip Di Salvo, Cristina Giudice, Lawrence Lek e Alan Butler esamineranno temi che vanno dall’etica dell’intelligenza artificiale e della paternità digitale, all’imperialismo e alle strutture sociali, fino alle relazioni in evoluzione tra esseri umani, non-umani ed ecologia.\u003C\u002Fp>\n\u003Cp>Al centro di queste discussioni c’è un’idea semplice ma potente: ciò che vediamo — e ciò che non vediamo — è plasmato da chi detiene il potere. In che modo i materiali — dai pixel digitali agli oggetti fisici — trasmettono storie di potere, controllo e resistenza?\u003C\u002Fp>\n\u003Cp>EXPOSED ci invita a guardare più in profondità, a mettere in discussione ciò che diamo per scontato e a esplorare come le immagini e i materiali influenzino le nostre vite, in modi inattesi e non sempre evidenti.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003Cp>Gli eventi saranno tradotti da Assointerpreti.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cdiv class=\"page\" title=\"Page 49\">\n\u003Cdiv class=\"section\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>The EXPOSED TALK Programme brings together artists, researchers, and thinkers to explore how photography, visual arts, and technology shape the way we see and understand the world. Images are not just reflections of reality — they have the power to reveal hidden structures, challenge authority, and reshape our perspectives. From the blurred boundaries between simulation and reality in AI-generated imagery to the role of photography in environmental and social justice and how migration and displacement shape identity and social structures, the program interrogates the forces that determine what is visible, what is hidden, and who controls these narratives. Guests such as Paolo Cirio, Sheng-Wen Lo, Alessandra Ferrini, Zoé Samudzi, Philip Di Salvo, Cristina Giudice, Lawrence Lek, and Alan Butler will examine topics ranging from the ethics of artificial intelligence and digital authorship to imperialism and social structures and the shifting relationships between humans, non-humans, and ecology.\u003C\u002Fp>\n\u003Cp>At the heart of these conversations is a simple but powerful idea: what we see — and what we don’t — is shaped by those in power. How do materials — from digital pixels to physical objects — carry stories of power, control, and resistance?\u003C\u002Fp>\n\u003Cp>EXPOSED invites us to look deeper, question what we take for granted, and explore how images and materials influence our lives in ways we may not always notice.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003Cp>Translations of the events by Assointerpreti.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cp>\u003Cstrong>APPUNTAMENTI\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>A Fascist Historical Present: Unravelling Italy’s Postcolonial Question\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Con Alessandra Ferrini, artista, ricercatrice ed educatrice, e Zoé Samudzi, scrittrice e critica d’arte\u003C\u002Fp>\n\u003Cp>In conversazione con Cristina Giudice, docente, e Nemi Ferrara\u003C\u002Fp>\n\u003Cp>orario: 09:30 – 10:15\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Almost Real. From Reality to Simulation and Back\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Con Lawrence Lek, artista, regista e musicista, e Alan Butler, artista\u003C\u002Fp>\n\u003Cp>In conversazione con Philip Di Salvo, ricercatore e docente\u003C\u002Fp>\n\u003Cp>orario: 10:30 – 11:15\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Coexistence or Control? The Complex Ties Between Humans and Non-Humans\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Con Paolo Cirio, artista, attivista e teorico dei media, e Sheng-Wen Lo, artista\u003C\u002Fp>\n\u003Cp>In conversazione con Marina Paulenka, curatrice, direttrice artistica, educatrice e art advisor\u003C\u002Fp>\n\u003Cp>orario: 11:30 – 12:15\u003C\u002Fp>\n","\u003Cp>\u003Cstrong>EVENTS\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>A Fascist Historical Present: Unravelling Italy’s Postcolonial Question\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>With Alessandra Ferrini, artist, researcher, and educator, and Zoé Samudzi, writer and art critic\u003C\u002Fp>\n\u003Cp>In conversation with Cristina Giudice, professor and lecturer, and Nemi Ferrara\u003C\u002Fp>\n\u003Cp>hours: 09:30 – 10:15\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Almost Real. From Reality to Simulation and Back\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>With Lawrence Lek, artist, filmmaker, and musician, and Alan Butler, artist\u003C\u002Fp>\n\u003Cp>In conversation with Philip Di Salvo, researcher and lecturer\u003C\u002Fp>\n\u003Cp>hours: 10:30 – 11:15\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>Coexistence or Control? The Complex Ties Between Humans and Non-Humans\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>With Paolo Cirio, artist, activist, and media theorist, and Sheng-Wen Lo, artist\u003C\u002Fp>\n\u003Cp>In conversation with Marina Paulenka, curator, artistic director, educator, and art advisor\u003C\u002Fp>\n\u003Cp>hours: 11:30 – 12:15\u003C\u002Fp>\n",{"self":199,"collection":204,"about":206,"acf:post":208,"wp:attachment":211,"curies":214},[200],{"href":201,"targetHints":202},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1001",{"allow":203},[84],[205],{"href":87},[207],{"href":90},[209],{"embeddable":23,"href":210},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F812",[212],{"href":213},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1001",[215],{"name":99,"href":100,"templated":23},{"id":217,"date":218,"date_gmt":218,"guid":219,"modified":221,"modified_gmt":221,"slug":222,"status":11,"type":12,"link":223,"title":224,"template":16,"class_list":226,"acf":228,"_links":263},974,"2025-03-04T09:16:01",{"rendered":220},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=974","2025-04-11T10:06:16","photomatch","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fphotomatch\u002F",{"rendered":225},"PHOTOMATCH",[227,12,19,20,21],"post-974",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":73,"public_program_typology":229,"from":167,"to":230,"start_time":16,"end_time":16,"media":231,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":256,"other_label_en":16,"artist":16,"location_type":61,"location":257,"outdoor_location":75,"text_it":259,"text_en":260,"read_more_it":23,"read_more_en":23,"text_read_more_it":261,"text_read_more_en":262,"size":73,"exposed_off":57},"portfolio","2025-04-18",[232],{"acf_fc_layout":29,"image":233,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":234,"id":234,"title":235,"filename":236,"filesize":237,"url":238,"link":239,"alt":16,"author":37,"description":16,"caption":235,"name":240,"status":39,"uploaded_to":241,"date":242,"modified":242,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":243,"height":244,"sizes":245,"didascalia_en":16},628,"11.06.2022 Lodz Fotofestiwal 2022 Fot: Lukasz Szelag \u002F Fotofestiwal","Photomatch_05.jpeg",3544192,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPhotomatch_05.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002F11-06-2022-lodz-fotofestiwal-2022-fot-lukasz-szelag-fotofestiwal\u002F","11-06-2022-lodz-fotofestiwal-2022-fot-lukasz-szelag-fotofestiwal",627,"2024-03-13 18:33:06",3600,2400,{"thumbnail":246,"thumbnail-width":50,"thumbnail-height":247,"medium":248,"medium-width":53,"medium-height":249,"medium_large":238,"medium_large-width":54,"medium_large-height":250,"large":251,"large-width":252,"large-height":130,"1536x1536":238,"1536x1536-width":253,"1536x1536-height":55,"2048x2048":238,"2048x2048-width":254,"2048x2048-height":255},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPhotomatch_05-150x100.jpeg",100,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPhotomatch_05-600x400.jpeg",400,512,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPhotomatch_05-2000x1333.jpeg",1920,1536,2048,1365,"In collaboration with Fotofestiwal Lodz",[258],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>EXPOSED Torino Foto Festival \u003Ci>Portfolio\u003C\u002Fi> \u003Ci>Review\u003C\u002Fi> organizza una \u003Ci>open call\u003C\u002Fi> unica nel suo genere: dopo le plurime edizioni di successo del \u003Ca href=\"http:\u002F\u002Fwww.fotofestiwal.com\u002F\">Fotofestiwal Lodz\u003C\u002Fa>, in Polonia, i due festival uniranno nuovamente le forze e porteranno questa formula innovativa in Italia per la seconda volta nel 2025, chiamata EXPOSED PHOTOMATCH.\u003C\u002Fp>\n\u003Cp>EXPOSED PHOTOMATCH rivisita la formula tradizionale della \u003Ci>Portfolio Review\u003C\u002Fi> ponendo maggiore enfasi su eventi e opportunità di networking, grazie a presentazioni aperte al pubblico. Con il suo modello democratico, inclusivo e gratuito, permette di creare uno spazio di dialogo tra esperti e comunità, che, attraverso la condivisione di esperienze e dei lavori artistici, crea connessioni significative.\u003C\u002Fp>\n\u003Cp>Il format Photomatch, creato da \u003Ca href=\"http:\u002F\u002Fwww.fotofestiwal.com\u002F\">Fotofestiwal Festival Internazionale di Fotografia\u003C\u002Fa> di Lodz, Polonia, ha contribuito allo sviluppo di collaborazioni proficue nel corso degli anni.\u003C\u002Fp>\n","\u003Cp>EXPOSED Torino Foto Festival calls for one of a kind Portfolio Review.\u003Cspan style=\"font-weight: 400;\"> After successful editions in \u003Ca href=\"http:\u002F\u002Fwww.fotofestiwal.com\u002F\">Fotofestiwal Lodz\u003C\u002Fa>, Poland, both festivals join forces again, bringing this innovative formula to Italy for the second time in 2025, called \u003C\u002Fspan>EXPOSED PHOTOMATCH\u003Cspan style=\"font-weight: 400;\">.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>EXPOSED PHOTOMATCH\u003Cspan style=\"font-weight: 400;\"> reinvents the traditional portfolio review by emphasizing \u003C\u002Fspan>open networking events\u003Cspan style=\"font-weight: 400;\"> and \u003C\u002Fspan>public presentations\u003Cspan style=\"font-weight: 400;\">. Based on a \u003C\u002Fspan>democratic and inclusive model\u003Cspan style=\"font-weight: 400;\">, free of charge, it allows \u003C\u002Fspan>experts and artists to share experiences, work, and motivations in the same space\u003Cspan style=\"font-weight: 400;\">. One-to-one meetings are the result of this exchange, fostering meaningful connections.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>The Photomatch format was created by \u003Ca href=\"http:\u002F\u002Fwww.fotofestiwal.com\u002F\">Fotofestiwal International Festival of Photography\u003C\u002Fa> in Lodz, Poland\u003Cspan style=\"font-weight: 400;\"> and has fostered many fruitful collaborations over the years.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>GIORNO 1 (10:oo – 13:30)\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>PRESENTAZIONE E NETWORKING\u003C\u002Fp>\n\u003Cp>La prima giornata è dedicata a fotografi ed esperti per presentare sé stessi, il proprio lavoro e la propria pratica attraverso brevi presentazioni dal vivo. L’evento è aperto al pubblico di EXPOSED Torino Foto Festival, compresi i frequentatori del festival e i visitatori della città che desiderano partecipare, consentendo ad artisti e critici di ampliare il proprio \u003Ci>network\u003C\u002Fi>. Sulla base di queste presentazioni e delle loro impressioni, ogni partecipante sceglierà 2 critici (per i fotografi) o 2 artisti (per gli esperti) da conoscere e con cui condividere il proprio lavoro. Alla fine di questa giornata, per ogni partecipante verranno assegnati 4 incontri programmati per il giorno successivo.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>GIORNO 2 (10:00 – 13:00)\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>INCONTRI\u003C\u002Fp>\n\u003Cp>Tutti i partecipanti prenderanno parte agli incontri privati in base al calendario stabilito il giorno precedente. Ogni fotografo ed esperto partecipa a 4 incontri. Per chi lo desidera, EXPOSED PHOTOMATCH si concluderà con un ulteriore momento \u003Ci>extra\u003C\u002Fi>, in cui verrà offerta la possibilità di scambiare idee con chi non si è incontrato negli incontri individuali.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"color: #ffff00;\">COME PARTECIPARE:\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Il processo di candidatura è concluso.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"color: #ffff00;\">ESPERTI:\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Arianna Rinaldo (Phest)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Barbara Gregov \u003Cspan style=\"font-weight: 400;\">(Organ Vida Festival)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Enrico Stefanelli (Photolux)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Femke Rotteveel (Fotodok)\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Francesca Cirilli (JEST)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Giuseppe Oliverio (PhMuseum)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Julia Rajacic (Curatrice indipendente)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Krzysztof Candrowicz (Fotofestiwal)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Marta Szymańska (Fotofestiwal)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Matteo Mottin (Treti Galaxie)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Silvia Mangosio e Luca Vianello (Galleria Mucho Mas!)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Pedro Medina (Curatore indipendente e critico d’arte)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Veronica Daltri (photo editor, Il Manifesto)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp style=\"text-align: left;\">\u003Cspan style=\"color: #ffff00;\">ARTISTI SELEZIONATI:\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Andrea Agostini (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fcallmeagush\u002F\">@callmeagush\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Andrés Solla (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fandres.solla\u002F?hl=it\">@andres.solla\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Benedetta Sanrocco (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fbenedettamente\u002F\">@benedettamente\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Chiara Pavolucci (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fchiarapavolucci_\u002F?hl=it\">@chiarapavolucci_\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Davide Sartori (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fdavidesartori_\u002F\">@davidesartori_\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Fréderique Gélinas (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Ffrederique.gelinas\u002F\">@frederique.gelinas\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Giulia Frigieri (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fgiuliafrigieriphoto\u002F\">@giuliafrigieriphoto\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Greta Valente (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fsaaiph\u002F\">@saaiph\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Lavinia Parlamenti & Manfredi Pantanella (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fi_say_lav\u002F\">@i_say_lav\u003C\u002Fa> , \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fman_fredi_p\u002F?hl=it\">@man_fredi_p\u003C\u002Fa>)\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Leonardo Bocci (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fleonardo__bocci?igsh=MWRrYTQ0M20xODQzcA==\">@leonardo__bocci\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Matteo Capone (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fmatteo_capone\u002F\">@matteo_capone\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Patrick Scilabra (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fpat____agonia\u002F\">@pat___agonia\u003C\u002Fa>)\u003C\u002Fp>\n\u003Cp>Sara Lepore (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002F_sara_lepore_\u002F\">@_sara_lepore_\u003C\u002Fa>)\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>DAY 1 (10:oo – 13:30)\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>PRESENTATION AND MATCHING\u003C\u002Fp>\n\u003Cp>It’s a day dedicated to both photographers and experts to introduce themselves, their work, and practice through short live presentations. The event is open to EXPOSED Torino Foto Festival’s audience, including festivalgoers and city visitors who wish to attend, allowing artists and reviewers to expand their network. Based on these introductions and their impressions, each participant will choose 2 reviewers (for photographers) or 2 artists (for experts) with whom they would like to meet and share their work. By the end of this day, each attendee will have 4 meetings scheduled for the next day.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>DAY 2 (10:00 – 13:00)\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>MEETINGS\u003C\u002Fp>\n\u003Cp>The real deal!\u003Cspan style=\"font-weight: 400;\"> All participants attend private meetings in accordance with the timetable generated based on the choices made on the previous day. Every photographer and expert attends \u003C\u002Fspan>4 meetings\u003Cspan style=\"font-weight: 400;\">. For those who want, \u003C\u002Fspan>EXPOSED PHOTOMATCH\u003Cspan style=\"font-weight: 400;\"> will finish with \u003C\u002Fspan>1 open extra session\u003Cspan style=\"font-weight: 400;\">, offering a chance to exchange ideas with someone with whom there was no previous match.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"color: #ffff00;\">HOW TO SUBMIT?\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Applications are closed.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"color: #ffff00;\">REVIEWERS:\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Arianna Rinaldo (Phest)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Barbara Gregov \u003Cspan style=\"font-weight: 400;\">(Organ Vida Festival)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Enrico Stefanelli (Photolux)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Femke Rotteveel (Fotodok)\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Francesca Cirilli (JEST)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Giuseppe Oliverio (PhMuseum)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Julia Rajacic (Independent curator)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Krzysztof Candrowicz (Fotofestiwal)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Marta Szymańska (Fotofestiwal)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Matteo Mottin (Treti Galaxie)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Silvia Mangosio and Luca Vianello (Mucho Mas! Gallery)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Pedro Medina (Independent curator and art critic)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Veronica Daltri (photo editor, Il Manifesto)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"color: #ffff00;\">SELECTED ARTISTS:\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Andrea Agostini (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fcallmeagush\u002F\">@callmeagush\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Andrés Solla (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fandres.solla\u002F?hl=it\">@andres.solla\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Benedetta Sanrocco (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fbenedettamente\u002F\">@benedettamente\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Chiara Pavolucci (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fchiarapavolucci_\u002F?hl=it\">@chiarapavolucci_\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Davide Sartori (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fdavidesartori_\u002F\">@davidesartori_\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Fréderique Gélinas (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Ffrederique.gelinas\u002F\">@frederique.gelinas\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Giulia Frigieri (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fgiuliafrigieriphoto\u002F\">@giuliafrigieriphoto\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Greta Valente (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fsaaiph\u002F\">@saaiph\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Lavinia Parlamenti & Manfredi Pantanella (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fi_say_lav\u002F\">@i_say_lav\u003C\u002Fa> , \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fman_fredi_p\u002F?hl=it\">@man_fredi_p\u003C\u002Fa>)\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Leonardo Bocci (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fleonardo__bocci?igsh=MWRrYTQ0M20xODQzcA==\">@leonardo__bocci\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Matteo Capone (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fmatteo_capone\u002F\">@matteo_capone\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>Patrick Scilabra (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fpat____agonia\u002F\">@pat___agonia\u003C\u002Fa>)\u003C\u002Fp>\n\u003Cp>Sara Lepore (\u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002F_sara_lepore_\u002F\">@_sara_lepore_\u003C\u002Fa>)\u003C\u002Fp>\n",{"self":264,"collection":269,"about":271,"acf:post":273,"wp:attachment":275,"curies":278},[265],{"href":266,"targetHints":267},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F974",{"allow":268},[84],[270],{"href":87},[272],{"href":90},[274],{"embeddable":23,"href":210},[276],{"href":277},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=974",[279],{"name":99,"href":100,"templated":23},{"id":281,"date":282,"date_gmt":282,"guid":283,"modified":285,"modified_gmt":285,"slug":286,"status":11,"type":12,"link":287,"title":288,"template":16,"class_list":290,"acf":292,"_links":313},1002,"2025-04-03T13:38:24",{"rendered":284},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1002","2025-04-29T09:20:35","educational-programme","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Feducational-programme\u002F",{"rendered":289},"EDUCATIONAL PROGRAMME",[291,12,19,20,21],"post-1002",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":114,"public_program_typology":293,"from":116,"to":294,"start_time":16,"end_time":16,"media":295,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":16,"outdoor_location":75,"text_it":309,"text_en":310,"read_more_it":23,"read_more_en":23,"text_read_more_it":311,"text_read_more_en":312,"size":73,"exposed_off":57},"edu","2025-06-02",[296],{"acf_fc_layout":29,"image":297,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":298,"id":298,"title":299,"filename":300,"filesize":301,"url":302,"link":303,"alt":16,"author":37,"description":16,"caption":16,"name":304,"status":39,"uploaded_to":281,"date":305,"modified":305,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":181,"height":130,"sizes":306,"didascalia_en":16},1007,"VCherchi_REBirth_14 Large","VCherchi_REBirth_14-Large.jpeg",436557,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FVCherchi_REBirth_14-Large.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Feducational-programme\u002Fvcherchi_rebirth_14-large\u002F","vcherchi_rebirth_14-large","2025-04-03 14:59:00",{"thumbnail":307,"thumbnail-width":49,"thumbnail-height":50,"medium":308,"medium-width":52,"medium-height":53,"medium_large":302,"medium_large-width":54,"medium_large-height":55,"large":302,"large-width":181,"large-height":130,"1536x1536":302,"1536x1536-width":181,"1536x1536-height":130,"2048x2048":302,"2048x2048-width":181,"2048x2048-height":130},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FVCherchi_REBirth_14-Large-113x150.jpeg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FVCherchi_REBirth_14-Large-450x600.jpeg","\u003Cdiv class=\"page\" title=\"Page 55\">\n\u003Cdiv class=\"section\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp style=\"text-align: left;\">L’Educational Programme del festival comprende tutte le attività, iniziative e risorse messe a disposizione del pubblico per una maggiore comprensione delle opere, dei temi trattati, e delle domande sollevate dagli artisti. L’intento delle mostre non è infatti quello di dare risposte, ma di coinvolgere tutti in una riflessione profonda e collettiva rispetto ai grandi temi che portano alla nostra attenzione. All’interno delle sedi espositive ci saranno testi e possibilità di approfondimento autonome, ma anche la presenza di mediatori che daranno spiegazioni sulle opere e informazioni sui contesti in cui lavorano gli artisti. Per i più piccoli abbiamo pensato a uno strumento didattico in grado di coinvolgerli con attività da fare in autonomia e con la famiglia, capace di stimolare la loro sensibilità in maniera proattiva e giocosa.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cdiv class=\"page\" title=\"Page 55\">\n\u003Cdiv class=\"section\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>The festival’s Educational Programme encompasses all the activities, initiatives and resources made available to the public for a greater understanding of the works, the themes addressed, and the questions raised by the artists. In fact, the intent of the exhibitions is not to give answers, but to engage everyone in a deep and collective reflection with respect to the major themes they bring to our attention. Within the exhibition venues there will be autonomous texts and possibilities for in-depth understanding, but also the presence of mediators who will give explanations about the works and information about the contexts in which the artists work. For younger children, we have thought of an educational tool that can involve them with activities to be done independently and with the family, capable of stimulating their sensitivity in a proactive and playful way.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cp>\u003Cstrong>PASSAPORTO KIDS\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv class=\"page\" title=\"Page 56\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">EXPOSED Passaporto Kids rappresenta una risorsa ludico-educativa per famiglie con bambine e bambini, per vivere insieme un’esperienza di osservazione, curiosità e scoperta della fotografia contemporanea, attraverso un viaggio a tappe nei luoghi, ricchi di storia e cultura, che ospitano il festival. Realizzato da ARTECO con illustrazioni di Marzia Bonsangue.\u003C\u002Fdiv>\n\u003Cdiv>\u003C\u002Fdiv>\n\u003Cdiv class=\"column\">\n\u003Cp>Ritira il tuo passaporto nelle varie sedi del festival: Accademia Albertina, Archivio di Stato, GAM – Galleria d’Arte Moderna e Contemporanea, OGR Torino, CAMERA – Centro Italiano per la Fotografia e Gallerie d’Italia – Torino.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp>\u003Cstrong>LOMOWALKS\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv class=\"page\" title=\"Page 57\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>Le Lomowalks organizzate in collaborazione con Lomography rappresentano un’occasione per scoprire Torino attraverso la magia della fotografia analogica, ispirati dalle mostre di EXPOSED 2025. Il primo appuntamento sarà dedicato alla fotografia della natura, con l’uso di pellicole LomoChrome, capaci di trasformare il paesaggio con tonalità sorprendenti; la seconda avrà come tema il ritratto attraverso la tecnica delle esposizioni multiple, permettendo di combinare due scene in un unico fotogramma per creare immagini inedite, tra realtà e immaginazione.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp>\u003Cstrong>APPUNTAMENTI:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>\u003Cspan style=\"color: #ffff00;\">11.05.2025 Fotografare la Natura\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv>Ispirati dalla visita alle mostre \u003Cem>Not Bad Intentions. Attempts to Coexist\u003C\u002Fem> di Sheng-Weng Lo a cura di Daria Tuminas e \u003Cem>Cultus Langarum\u003C\u002Fem> di Olga Cafiero a cura di Giangavino Pazzola e accompagnati da un’ambassador di Lomography, i partecipanti rifletteranno sulle modalità di rappresentazione fotografica della natura esplorando alcune delle aree verdi di Torino. Ai partecipanti verrà fornita in prestito una fotocamera Lomography e delle pellicole LomoChrome da utlizzare durante la Lomowalk.\u003C\u002Fdiv>\n\u003Cdiv>Ritrovo: Archivio di Stato di Torino (Piazza Castello 209), ore 15.00\u003C\u002Fdiv>\n\u003Cdiv>Durata: circa 2 ore\u003C\u002Fdiv>\n\u003Cdiv>Non è necessario essere muniti di attrezzatura fotografica ulteriore. Numero limitato di posti. Registrazione scrivendo a \u003Ca class=\"defaultMailLink\" href=\"mailto:info@exposed.photograpy\">info@exposed.photograpy\u003C\u002Fa>\u003C\u002Fdiv>\n\u003Cdiv>\u003C\u002Fdiv>\n\u003Cp>\u003Cstrong>\u003Cspan style=\"color: #ffff00;\">01.06.2025 Fotografare le Persone\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv>Ispirati dalla visita alle mostre \u003Cem>Disintegrata\u003C\u002Fem> di Silvia Rosi e \u003Cem>Décalquer\u003C\u002Fem> di Georges Senga e accompagnati da un’ambassador di Lomography, i partecipanti rifletteranno sul tema del ritratto in fotografia, attraverso una passeggiata fotografica tra le strade di Torino. Ai partecipanti verrà fornita in prestito una fotocamera Lomography e delle pellicole LomoChrome per sperimentare le esposizioni multiple.\u003C\u002Fdiv>\n\u003Cdiv>Ritrovo: Accademia Albertina di Belle Arti, ore 15.00\u003C\u002Fdiv>\n\u003Cdiv>Durata: circa 2 ore\u003C\u002Fdiv>\n\u003Cdiv>Non è necessario essere muniti di attrezzatura fotografica ulteriore. Numero limitato di posti. Registrazione scrivendo a \u003Ca class=\"defaultMailLink\" href=\"mailto:info@exposed.photography\">info@exposed.photography\u003C\u002Fa>\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cp>\u003Cstrong>PASSAPORTO KIDS\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv class=\"page\" title=\"Page 56\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cdiv class=\"page\" title=\"Page 56\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">The EXPOSED Kids Passport is an educational and playful resource for families with children, designed to offer a shared experience of observation, curiosity, and discovery of contemporary photography. It takes participants on a step-by-step journey through locations rich in history and culture that host the festival. Created by ARTECO with illustrations by Marzia Bonsangue.\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cdiv class=\"page\" title=\"Page 56\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv>\u003C\u002Fdiv>\n\u003Cdiv class=\"column\">\n\u003Cp>Pick up your passport at the various festival venues: Accademia Albertina, Archivio di Stato, GAM – Galleria d’Arte Moderna e Contemporanea, OGR Torino, CAMERA – Centro Italiano per la Fotografia and Gallerie d’Italia – Torino.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp>\u003Cstrong>LOMOWALKS\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cdiv class=\"page\" title=\"Page 57\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cdiv class=\"page\" title=\"Page 57\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>Lomowalks organized in collaboration with Lomography offer a chance to discover Turin through the magic of analog photography, inspired by EXPOSED exhibitions. The first event will focus on nature photography, using LomoChrome films that transform the landscape with stunning tones. The second will explore portraiture through multiple exposures, allowing two scenes to be combined into a single frame to create unique images, blending reality and imagination.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp>\u003Cstrong>EVENTS:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>\u003Cspan style=\"color: #ffff00;\">11.05.2025 Fotografare la Natura\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Inspired by the exhibitions \u003Cem>Not Bad Intentions. Attempts to Coexist\u003C\u002Fem> by Sheng-Wen Lo, curated by Daria Tuminas, and \u003Cem>Cultus Langarum\u003C\u002Fem> by Olga Cafiero, curated by Giangavino Pazzola, guided by a Lomography ambassador, participants will reflect on photographic approaches to representing nature while exploring some of Turin’s green areas. Each participant will be provided with a Lomography camera and LomoChrome film on loan to use during the Lomowalk.\u003C\u002Fp>\n\u003Cp>Meeting point: Archivio di Stato (Piazza Castello 209), at 15:00\u003C\u002Fp>\n\u003Cp>Duration: approx. 2 hours\u003C\u002Fp>\n\u003Cp>No additional photographic equipment is required. Limited number of spots available. Register at \u003Ca href=\"mailto:info@exposed.photography\">info@exposed.photography\u003C\u002Fa>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>\u003Cspan style=\"color: #ffff00;\">01.06.2025 Fotografare le Persone\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Inspired by the exhibitions \u003Cem>Disintegrata\u003C\u002Fem> by Silvia Rosi and \u003Cem>Décalquer\u003C\u002Fem> by Georges Senga, guided by a Lomography ambassador, participants will explore the theme of portrait photography through a photographic walk through the streets of Turin. Each participant will be provided with a Lomography camera and LomoChrome film on loan, offering the chance to experiment with multiple exposures.\u003C\u002Fp>\n\u003Cp>Meeting point: Accademia Albertina di Belle Arti, at 15:00\u003C\u002Fp>\n\u003Cp>Duration: approx. 2 hours\u003C\u002Fp>\n\u003Cp>No additional photographic equipment is required. Limited number of spots available. Register at \u003Ca href=\"mailto:info@exposed.photography\">info@exposed.photography\u003C\u002Fa>\u003C\u002Fp>\n\u003C\u002Fdiv>\n",{"self":314,"collection":319,"about":321,"wp:attachment":323,"curies":326},[315],{"href":316,"targetHints":317},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1002",{"allow":318},[84],[320],{"href":87},[322],{"href":90},[324],{"href":325},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1002",[327],{"name":99,"href":100,"templated":23},{"id":329,"date":330,"date_gmt":330,"guid":331,"modified":333,"modified_gmt":333,"slug":334,"status":11,"type":12,"link":335,"title":336,"template":16,"class_list":338,"acf":340,"_links":374},1003,"2025-04-03T13:48:27",{"rendered":332},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1003","2025-04-24T14:27:27","the-dreamers","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fthe-dreamers\u002F",{"rendered":337},"THE DREAMERS",[339,12,19,20,21],"post-1003",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":114,"public_program_typology":229,"from":167,"to":167,"start_time":16,"end_time":16,"media":341,"detailed_schedule_and_date":359,"detailed_schedule_and_date_en":16,"curated_by":360,"other_label":361,"other_label_en":16,"artist":16,"location_type":61,"location":362,"outdoor_location":75,"text_it":370,"text_en":371,"read_more_it":23,"read_more_en":23,"text_read_more_it":372,"text_read_more_en":373,"size":73,"exposed_off":57},[342],{"acf_fc_layout":29,"image":343,"text_en":358,"text_it":358,"meta_data":57,"size":24},{"ID":344,"id":344,"title":345,"filename":346,"filesize":347,"url":348,"link":349,"alt":16,"author":37,"description":16,"caption":16,"name":350,"status":39,"uploaded_to":329,"date":351,"modified":351,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":352,"height":252,"sizes":353,"didascalia_en":16},1004,"IED_The Dreamers_Credit Valentina Doddato_IED Milano","IED_The-Dreamers_Credit-Valentina-Doddato_IED-Milano.jpg",1293616,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FIED_The-Dreamers_Credit-Valentina-Doddato_IED-Milano.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fthe-dreamers\u002Fied_the-dreamers_credit-valentina-doddato_ied-milano\u002F","ied_the-dreamers_credit-valentina-doddato_ied-milano","2025-04-03 13:50:20",1279,{"thumbnail":354,"thumbnail-width":247,"thumbnail-height":50,"medium":355,"medium-width":249,"medium-height":53,"medium_large":348,"medium_large-width":54,"medium_large-height":356,"large":348,"large-width":352,"large-height":252,"1536x1536":348,"1536x1536-width":357,"1536x1536-height":253,"2048x2048":348,"2048x2048-width":352,"2048x2048-height":252},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FIED_The-Dreamers_Credit-Valentina-Doddato_IED-Milano-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002FIED_The-Dreamers_Credit-Valentina-Doddato_IED-Milano-400x600.jpg",1153,1023,"\u003Cp>Credit: Valentina Doddato – IED Milano\u003C\u002Fp>\n","15:00 - 17:30","Istituto Europeo di Design","in collaboration with Gallerie d'Italia - Torino",[363],{"ID":364,"post_author":37,"post_date":365,"post_date_gmt":365,"post_content":16,"post_title":366,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":367,"to_ping":16,"pinged":16,"post_modified":368,"post_modified_gmt":368,"post_content_filtered":16,"post_parent":41,"guid":369,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},565,"2024-03-07 09:39:53","Gallerie d'Italia – Torino","gallerie-ditalia-torino","2026-03-12 09:15:43","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=565","\u003Cp>\u003Cem>The Dreamers\u003C\u002Fem> è il primo capitolo del nuovo progetto triennale \u003Cem>Ti vorrei dire\u003C\u002Fem> dell’Istituto  Europeo di Design, realizzato in collaborazione con Gallerie d’Italia – Intesa Sanpaolo. Per la prima volta. gli studenti e le studentesse dei corsi di Fotografia di IED Torino, Milano e Roma si uniscono per esplorare i sogni, le vite parallele e le scelte dei loro coetanei e disegnare, attraverso il linguaggio delle immagini, un ritratto autentico e multiforme dei giovani d’oggi, oltre le narrazioni semplificate e contrapposte.\u003C\u002Fp>\n","\u003Cp>\u003Cem>The Dreamers\u003C\u002Fem> is the first chapter of the new three-year project \u003Cem>Ti vorrei dire\u003C\u002Fem> [I would like to tell you] by the Istituto Europeo di Design, created in collaboration with Gallerie d’Italia – Intesa Sanpaolo. For the first time, students from the Photography courses of IED Turin, Milan, and Rome come together to explore dreams, parallel lives, and the choices of their peers, aiming to create, through the language of images, an authentic and multifaceted portrait of today’s youth, beyond simplified and opposing narratives.\u003C\u002Fp>\n","\u003Cp>In occasione di EXPOSED Torino Foto Festival, questa indagine collettiva sarà svelata in una lettura portfolio dinamica, trasformandosi in una performance che si sviluppa attorno al dispositivo “tavolo”, simbolo di incontro e connessione. Qui i lavori, racchiusi in una scatola la cui veste grafica è curata da IED Firenze, si rivelano attraverso la voce dell’autore, in un dialogo aperto e creativo con il pubblico.\u003C\u002Fp>\n","\u003Cp>On the occasion of EXPOSED Torino Foto Festival, this collective investigation will be unveiled in a dynamic portfolio review, transforming into a performance centered around the “table” device, a symbol of encounter and connection. Here, the works, enclosed in a box designed by IED Florence, are revealed through the author’s voice, in an open and creative dialogue with the audience.\u003C\u002Fp>\n",{"self":375,"collection":380,"about":382,"acf:post":384,"wp:attachment":387,"curies":390},[376],{"href":377,"targetHints":378},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1003",{"allow":379},[84],[381],{"href":87},[383],{"href":90},[385],{"embeddable":23,"href":386},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F565",[388],{"href":389},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1003",[391],{"name":99,"href":100,"templated":23},{"id":393,"date":394,"date_gmt":394,"guid":395,"modified":397,"modified_gmt":397,"slug":398,"status":11,"type":12,"link":399,"title":400,"template":16,"class_list":402,"acf":404,"_links":427},1052,"2025-04-24T13:53:57",{"rendered":396},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=1052","2025-04-24T14:25:45","exposed-x-tjf","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-x-tjf\u002F",{"rendered":401},"EXPOSED X TJF",[403,12,19,20,21],"post-1052",{"title_en":16,"description":16,"description_en":16,"public_program":23,"typology":24,"public_program_typology":25,"from":405,"to":406,"start_time":16,"end_time":16,"media":407,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":16,"outdoor_location":75,"text_it":425,"text_en":426,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},"2025-04-25","2025-04-28",[408],{"acf_fc_layout":29,"image":409,"text_en":16,"text_it":16,"meta_data":57,"size":424},{"ID":410,"id":410,"title":411,"filename":412,"filesize":413,"url":414,"link":415,"alt":16,"author":37,"description":16,"caption":16,"name":411,"status":39,"uploaded_to":393,"date":416,"modified":416,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":417,"height":418,"sizes":419,"didascalia_en":16},1054,"tjf_25","tjf_25.jpg",155100,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002Ftjf_25.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-x-tjf\u002Ftjf_25\u002F","2025-04-24 13:59:35",1080,1350,{"thumbnail":420,"thumbnail-width":421,"thumbnail-height":50,"medium":422,"medium-width":423,"medium-height":53,"medium_large":414,"medium_large-width":54,"medium_large-height":181,"large":414,"large-width":417,"large-height":418,"1536x1536":414,"1536x1536-width":417,"1536x1536-height":418,"2048x2048":414,"2048x2048-width":417,"2048x2048-height":418},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002Ftjf_25-120x150.jpg",120,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F04\u002Ftjf_25-480x600.jpg",480,"2","\u003Cp>Quest’anno EXPOSED Torino Foto Festival, nel suo tentativo di andare oltre la superficie (\u003Cem>Beneath the Surface\u003C\u002Fem>), collabora con Torino Jazz Festival attraverso un dialogo tra la storia del jazz e la storia della fotografia. Immagini e documenti storici costituiscono la scorta materiale e visiva su cui si intrecciano la musica jazz e il medium fotografico, che attraverso la loro unione naturale e spontanea hanno amplificato vicendevolmente la portata della propria influenza su intere generazioni di artisti.\u003C\u002Fp>\n\u003Cp>Gli eventi sono a ingresso libero fino a esaurimento posti per i possessori di EXPOSED Free Pass.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Venerdì 25\u002F04, ore 15:00\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">La favolosa storia di Pannonica la mecenate del jazz\u003C\u002Fspan>\u003C\u002Fi>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Keynote con Luca Bragalini\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gallerie d’Italia – Torino\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Domenica 27\u002F04, \u003C\u002Fspan>ore 12:00\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Picture Jazz Duo\u003C\u002Fspan>\u003C\u002Fi>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Performance con Roberto Regis e Riccardo Ruggieri\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">GAM – Galleria d’Arte Moderna e Contemporanea\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Lunedì 28\u002F04, \u003C\u002Fspan>ore 16:00\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">La fotografia e il jazz: una storia da raccontare\u003C\u002Fspan>\u003C\u002Fi>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Keynote con Pino Ninfa \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">CAMERA – Centro Italiano per la Fotografia\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>This year, EXPOSED Torino Foto Festival, in its attempt to go \u003Cem>Beneath the Surface\u003C\u002Fem>, is collaborating with the Torino Jazz Festival through a dialogue between the history of jazz and the history of photography. Images and historical documents provide the material and visual foundation upon which jazz music and the photographic medium intertwine. Through their natural and spontaneous union, they have mutually amplified the impact of their influence on entire generations of artists.\u003C\u002Fp>\n\u003Cp>Events are free to attend, subject to availability, for EXPOSED Free Pass holders.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Friday 25\u002F04, hours 15:00\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">La favolosa storia di Pannonica la mecenate del jazz\u003C\u002Fspan>\u003C\u002Fi>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Keynote by Luca Bragalini\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gallerie d’Italia – Torino\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Sunday 27\u002F04, hours\u003C\u002Fspan> 12:00\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Picture Jazz Duo\u003C\u002Fspan>\u003C\u002Fi>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Performance with Roberto Regis and Riccardo Ruggieri\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">GAM – Galleria d’Arte Moderna e Contemporanea\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Monday 28\u002F04, hours \u003C\u002Fspan>16:00\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">La fotografia e il jazz: una storia da raccontare\u003C\u002Fspan>\u003C\u002Fi>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Keynote by Pino Ninfa \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">CAMERA – Centro Italiano per la Fotografia\u003C\u002Fspan>\u003C\u002Fp>\n",{"self":428,"collection":433,"about":435,"wp:attachment":437,"curies":440},[429],{"href":430,"targetHints":431},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F1052",{"allow":432},[84],[434],{"href":87},[436],{"href":90},[438],{"href":439},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=1052",[441],{"name":99,"href":100,"templated":23},{"id":443,"date":444,"date_gmt":444,"guid":445,"modified":447,"modified_gmt":447,"slug":448,"status":11,"type":12,"link":449,"title":450,"template":16,"class_list":452,"acf":454,"_links":494},979,"2025-03-08T13:51:45",{"rendered":446},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=979","2026-02-26T14:20:00","decalquer","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdecalquer\u002F",{"rendered":451},"Décalquer",[453,12,19,20,21],"post-979",{"title_en":16,"description":455,"description_en":456,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":457,"detailed_schedule_and_date":477,"detailed_schedule_and_date_en":478,"curated_by":479,"other_label":480,"other_label_en":481,"artist":482,"location_type":185,"location":490,"outdoor_location":75,"text_it":492,"text_en":493,"read_more_it":57,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},"Décalquer di Georges Senga narra una storia di estrattivismo minerario neocoloniale e le vicende umane che ha generato nel Katanga, la ricca provincia mineraria della Repubblica Democratica del Congo.","Georges Senga’s Décalquer narrates a story of neocolonial mining extractivism and the human vicissitudes it has generated in Katanga, the rich mineral province of the Democratic Republic of Congo.",[458],{"acf_fc_layout":29,"image":459,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":460,"id":460,"title":24,"filename":461,"filesize":462,"url":463,"link":464,"alt":16,"author":37,"description":16,"caption":16,"name":465,"status":39,"uploaded_to":443,"date":466,"modified":466,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":467,"height":468,"sizes":469,"didascalia_en":16},980,"1.jpg",29734663,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002F1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdecalquer\u002F1-4\u002F","1-4","2025-03-08 13:51:33",7360,4912,{"thumbnail":470,"thumbnail-width":50,"thumbnail-height":247,"medium":471,"medium-width":53,"medium-height":249,"medium_large":463,"medium_large-width":54,"medium_large-height":472,"large":473,"large-width":252,"large-height":474,"1536x1536":463,"1536x1536-width":253,"1536x1536-height":475,"2048x2048":463,"2048x2048-width":254,"2048x2048-height":476},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002F1-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002F1-600x400.jpg",513,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002F1-2000x1335.jpg",1282,1025,1367,"22.04–02.06.2025, orari: lun–dom 10:00–18:00, chiuso mercoledì\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n16.04.2025, orari: 12:00–20:00\u003Cbr \u002F>\r\n17–20.04.2025, orari: 10:00–20:00\u003Cbr \u002F>\r\n21.04.2025, orari: 10:00–18:00","22.04–02.06.2025, hours: Mon–Sun 10am–6pm, closed on Wednesdays\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n16.04.2025,  hours: 12am–8pm\u003Cbr \u002F>\r\n17–20.04.2025, hours: 10am–8pm\u003Cbr \u002F>\r\n21.04.2025, hours: 10am–6pm","Lucrezia Cippitelli","In collaborazione con MAO Museo d'Arte Orientale di Torino","In collaboration with MAO Museo d'Arte Orientale di Torino",[483],{"ID":484,"post_author":37,"post_date":485,"post_date_gmt":485,"post_content":16,"post_title":486,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":487,"to_ping":16,"pinged":16,"post_modified":485,"post_modified_gmt":485,"post_content_filtered":16,"post_parent":41,"guid":488,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},978,"2025-03-08 13:47:53","Georges Senga","georges-senga","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=978","artist",[491],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Décalquer \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">di Georges Senga narra una storia di estrattivismo minerario neocoloniale e le vicende umane che ha generato nel Katanga, la ricca provincia mineraria della Repubblica Democratica del Congo. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Tra il 1968 e il 1982 i lavoratori giapponesi della Nippon Mining Company in Giappone furono ingaggiati dal governo dello Zaire (l’attuale Congo) e trasferiti a vivere e lavorare nella regione di Lamba, nel Katanga, presso la compagnia mineraria SOMIDICO. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Nel 1983 i lavoratori giapponesi se ne andarono bruscamente quando il presidente congolese Mobutu interruppe il contratto con la NMC. Dopo oltre un decennio di permanenza in Congo, gli operai abbandonarono i loro figli. Questi bambini sono i protagonisti delle bellissime fotografie di Georges Senga. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Attingendo all’estetica del classico ritratto africano in studio (che ricorda i fotografi di Bamako e Dakar Malik Sidibé o Seydou Keita), l’artista dà forma a dieci anni di ricerca sul campo, rende visibile una comunità dimenticata di cittadini congolesi e le complessità delle identità globali moderne, svelando l’esistenza stessa di questa comunità giapponese-Lamba.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Georges Senga’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Décalquer\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> narrates a story of neocolonial mining extractivism and the human vicissitudes it has generated in Katanga, the rich mineral province of the Democratic Republic of Congo. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Between 1968 and 1982, the Japanese workers from the Nippon Mining Company in Japan were contracted by Zaire’s (actual Congo DRC) government and moved to live and work in the Lamba region of Katanga, at the SOMIDICO mining company.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In 1983, the Japanese workers left abruptly when Congolese president Mobutu interrupted the contract with the NMC. After more than a decade in Congo, workers left their children behind: these kids are the protagonists of Georges Senga astonishingly beautiful photographs. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In drawing from the aesthetics of the classic African studio portrait (reminiscent of the Bamako and Dakar photographers Malik Sidibé or Seydou Keita), the artist gives shape to ten years of field-research, makes visible a forgotten community of Congolese citizens and the complexities of Modern global identities, by uncovering the very existence of this Japanese-Lamba community.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":495,"collection":500,"about":502,"acf:post":504,"wp:attachment":508,"curies":511},[496],{"href":497,"targetHints":498},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F979",{"allow":499},[84],[501],{"href":87},[503],{"href":90},[505,506],{"embeddable":23,"href":210},{"embeddable":23,"href":507},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F978",[509],{"href":510},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=979",[512],{"name":99,"href":100,"templated":23},{"id":514,"date":515,"date_gmt":515,"guid":516,"modified":518,"modified_gmt":518,"slug":519,"status":11,"type":12,"link":520,"title":521,"template":16,"class_list":523,"acf":525,"_links":555},975,"2025-03-08T13:47:38",{"rendered":517},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=975","2025-03-28T16:55:36","omaha-sketchbook","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fomaha-sketchbook\u002F",{"rendered":522},"Omaha Sketchbook",[524,12,19,20,21],"post-975",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":526,"detailed_schedule_and_date":543,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":544,"location_type":61,"location":551,"outdoor_location":75,"text_it":553,"text_en":554,"read_more_it":57,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},[527],{"acf_fc_layout":29,"image":528,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":529,"id":529,"title":122,"filename":530,"filesize":531,"url":532,"link":533,"alt":16,"author":37,"description":16,"caption":122,"name":534,"status":39,"uploaded_to":514,"date":535,"modified":535,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":536,"height":537,"sizes":538,"didascalia_en":16},977,"House-in-Field.jpg",3263410,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002FHouse-in-Field.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fomaha-sketchbook\u002Fomaha_field-shanty-001\u002F","omaha_field-shanty-001","2025-03-08 13:47:26",1585,2000,{"thumbnail":539,"thumbnail-width":133,"thumbnail-height":50,"medium":540,"medium-width":541,"medium-height":53,"medium_large":532,"medium_large-width":54,"medium_large-height":136,"large":532,"large-width":536,"large-height":537,"1536x1536":532,"1536x1536-width":542,"1536x1536-height":253,"2048x2048":532,"2048x2048-width":536,"2048x2048-height":537},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002FHouse-in-Field-119x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F03\u002FHouse-in-Field-476x600.jpg",476,1217,"16.04.2025,  hours: 12:00–20:00\u003Cbr \u002F>\r\n17–20.04.2025, hours: 10:00–20:00\u003Cbr \u002F>\r\n21.04.2025, hours: 10:00–18:00\u003Cbr \u002F>\r\n22.04–02.06.2025, hours: Mon–Sun 10:00–18:00, closed on Wednesdays",[545],{"ID":546,"post_author":37,"post_date":547,"post_date_gmt":547,"post_content":16,"post_title":548,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":549,"to_ping":16,"pinged":16,"post_modified":547,"post_modified_gmt":547,"post_content_filtered":16,"post_parent":41,"guid":550,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},976,"2025-03-08 13:45:54","Gregory Halpern","gregory-halpern","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=976",[552],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Omaha Sketchbook\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> di Gregory Halpern esplora la psiche americana attraverso vivide scene di vita quotidiana di ragazzi e uomini nell’entroterra degli Stati Uniti. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Attraverso ritratti, scatti di gruppo, nature morte e paesaggi, descrive le contraddizioni, le ansie e i piaceri della vita quotidiana, rivelando emozioni complesse in momenti apparentemente ordinari. L’\u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">agency \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">dello spettatore è al centro della pratica artistica di Halpern: il pubblico viene esortato a confrontarsi attivamente con l’opera, a proiettare su di essa le proprie interpretazioni e preoccupazioni. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Questa mostra, piuttosto che limitarsi a “documentare”, si propone di celebrare il potere dell’osservazione, mettendo in discussione le narrazioni che modellano la nostra comprensione della mascolinità, delle dinamiche di potere alla base delle nostre interazioni e delle complessità intrinseche alla condizione umana. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gregory Halpern’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Omaha Sketchbook \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">explores the American psyche through vivid, everyday scenes of boys and men in the heartland of the United States. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Through his portraits, group shots, still lifes and landscapes he describes underlying contradictions, anxieties, and pleasures of everyday life, revealing complex emotions in seemingly ordinary moments. Viewer agency lies at the core of Halpern’s artistic practice, encouraging audiences to actively engage with the work, to project their own interpretations and concerns onto it. Rather than merely ‘documenting’, the exhibition aims to celebrate the power of observation, questioning the narratives that shape our understanding of masculinity, the power dynamics underlying our interactions and the inherent intricacies of the human condition.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":556,"collection":561,"about":563,"acf:post":565,"wp:attachment":569,"curies":572},[557],{"href":558,"targetHints":559},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F975",{"allow":560},[84],[562],{"href":87},[564],{"href":90},[566,567],{"embeddable":23,"href":210},{"embeddable":23,"href":568},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F976",[570],{"href":571},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=975",[573],{"name":99,"href":100,"templated":23},{"id":575,"date":576,"date_gmt":576,"guid":577,"modified":579,"modified_gmt":579,"slug":580,"status":11,"type":12,"link":581,"title":582,"template":16,"class_list":584,"acf":586,"_links":619},891,"2025-01-30T14:29:50",{"rendered":578},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=891","2025-03-28T16:55:46","rebirth","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Frebirth\u002F",{"rendered":583},"RE:Birth",[585,12,19,20,21],"post-891",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":25,"from":116,"to":294,"start_time":16,"end_time":16,"media":587,"detailed_schedule_and_date":543,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":608,"location_type":61,"location":615,"outdoor_location":75,"text_it":617,"text_en":618,"read_more_it":57,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},[588],{"acf_fc_layout":29,"image":589,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":590,"id":590,"title":591,"filename":592,"filesize":593,"url":594,"link":595,"alt":16,"author":37,"description":16,"caption":16,"name":596,"status":39,"uploaded_to":575,"date":597,"modified":597,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":598,"height":599,"sizes":600,"didascalia_en":16},892,"VCherchi_REBirth_4","VCherchi_REBirth_4.jpg",1983135,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002FVCherchi_REBirth_4.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Frebirth\u002Fvcherchi_rebirth_4\u002F","vcherchi_rebirth_4","2025-01-30 14:29:15",2249,3000,{"thumbnail":601,"thumbnail-width":602,"thumbnail-height":50,"medium":603,"medium-width":52,"medium-height":53,"medium_large":594,"medium_large-width":54,"medium_large-height":55,"large":604,"large-width":605,"large-height":537,"1536x1536":594,"1536x1536-width":606,"1536x1536-height":253,"2048x2048":594,"2048x2048-width":607,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002FVCherchi_REBirth_4-112x150.jpg",112,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002FVCherchi_REBirth_4-450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002FVCherchi_REBirth_4-1499x2000.jpg",1499,1151,1535,[609],{"ID":610,"post_author":37,"post_date":611,"post_date_gmt":611,"post_content":16,"post_title":612,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":613,"to_ping":16,"pinged":16,"post_modified":611,"post_modified_gmt":611,"post_content_filtered":16,"post_parent":41,"guid":614,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},890,"2025-01-30 14:27:22","Valeria Cherchi","valeria-cherchi","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=890",[616],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">RE:Birth \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">di Valeria Cherchi\u003C\u002Fspan> \u003Cspan style=\"font-weight: 400;\">affronta il tema della violenza ostetrica e ginecologica e il trauma che ne scaturisce, nella sua dimensione individuale, sociale e politica. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Il progetto affonda le radici in una storia personale: la morte della sorella omonima, a soli sei mesi, a causa di un caso non denunciato di violenza ostetrica. Questo evento diventa il punto di partenza per un’indagine sul fenomeno, attraverso la raccolta di testimonianze biografiche di donne e doule. Tra i temi affrontati emerge anche il trauma transgenerazionale e l’impatto della perdita perinatale sui padri, rappresentato attraverso visioni subacquee, che evocano l’isolamento che spesso accompagna esperienze simili.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Collegando la sua ricerca fotografica a materiali d’archivio e narrazioni ufficiali, Cherchi crea cronache multivocali che invitano ad una riflessione critica sugli eventi raccontati, portando alla luce dinamiche di potere legate a forme sistematiche di negligenza e oppressione. La sua opera propone spazi di resilienza, traendo forza dalla solidarietà e supporto tra pari.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">RE:Birth\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> fa parte del progetto di ricerca di Valeria Cherchi sostenuto della \u003C\u002Fspan>\u003Cb>Direzione Generale Creatività Contemporanea\u003C\u002Fb>\u003Cspan style=\"font-weight: 400;\"> del \u003C\u002Fspan>\u003Cb>Ministero della Cultura\u003C\u002Fb>\u003Cspan style=\"font-weight: 400;\"> nell’ambito dell’Avviso Pubblico \u003C\u002Fspan>\u003Cb>Strategia Fotografia 2024\u003C\u002Fb>\u003Cspan style=\"font-weight: 400;\">.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Valeria Cherchi’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">RE:Birth\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> addresses the theme of obstetric and gynaecological violence and the resulting trauma, in its individual, social and political dimension. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The project is rooted in a personal story: the death, at just six months old, of her homonymous sister due to an unreported case of obstetric violence. This event becomes the starting point for an investigation into the phenomenon through the collection of biographical testimonies of women and doulas. Among the themes tackled is transgenerational trauma and the impact of perinatal loss on fathers, represented through underwater visions evoking the isolation that often accompanies similar experiences.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Connecting her photographic research to archival materials and official narratives, Cherchi creates multivocal chronicles that invite critical reflection on the recounted events, while shedding light on power dynamics linked to systematic forms of neglect and oppression. Her work proposes spaces of resilience, drawing strength from solidarity and peer support.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">RE:Birth\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> is part of Valeria Cherchi’s research project supported by \u003C\u002Fspan>\u003Cb>Strategia Fotografia 2024 \u003C\u002Fb>\u003Cspan style=\"font-weight: 400;\">and promoted by the \u003C\u002Fspan>\u003Cb>Directorate-General for Contemporary Creativity\u003C\u002Fb>\u003Cspan style=\"font-weight: 400;\"> of the \u003C\u002Fspan>\u003Cb>Italian Ministry of Culture\u003C\u002Fb>\u003Cspan style=\"font-weight: 400;\">.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":620,"collection":625,"about":627,"acf:post":629,"wp:attachment":633,"curies":636},[621],{"href":622,"targetHints":623},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F891",{"allow":624},[84],[626],{"href":87},[628],{"href":90},[630,631],{"embeddable":23,"href":210},{"embeddable":23,"href":632},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F890",[634],{"href":635},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=891",[637],{"name":99,"href":100,"templated":23},{"id":639,"date":640,"date_gmt":640,"guid":641,"modified":643,"modified_gmt":643,"slug":644,"status":11,"type":12,"link":645,"title":646,"template":16,"class_list":648,"acf":650,"_links":691},933,"2025-02-03T10:50:11",{"rendered":642},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=933","2025-03-28T17:37:35","garesio-wine-prize-for-documentary-photography","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fgaresio-wine-prize-for-documentary-photography\u002F",{"rendered":647},"Cultus Langarum",[649,12,19,20,21],"post-933",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":651,"detailed_schedule_and_date":670,"detailed_schedule_and_date_en":16,"curated_by":671,"other_label":672,"other_label_en":16,"artist":673,"location_type":61,"location":681,"outdoor_location":75,"text_it":689,"text_en":690,"read_more_it":23,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},[652],{"acf_fc_layout":29,"image":653,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":654,"id":654,"title":655,"filename":656,"filesize":657,"url":658,"link":659,"alt":16,"author":37,"description":16,"caption":16,"name":660,"status":39,"uploaded_to":639,"date":661,"modified":661,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":662,"height":663,"sizes":664,"didascalia_en":16},934,"Linaria Vulgaris Ill._MEB_2020","Linaria-Vulgaris-Ill._MEB_2020.jpg",1452110,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F02\u002FLinaria-Vulgaris-Ill._MEB_2020.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fgaresio-wine-prize-for-documentary-photography\u002Flinaria-vulgaris-ill-_meb_2020\u002F","linaria-vulgaris-ill-_meb_2020","2025-02-03 10:50:04",1362,1181,{"thumbnail":665,"thumbnail-width":50,"thumbnail-height":666,"medium":667,"medium-width":53,"medium-height":668,"medium_large":658,"medium_large-width":54,"medium_large-height":669,"large":658,"large-width":662,"large-height":663,"1536x1536":658,"1536x1536-width":662,"1536x1536-height":663,"2048x2048":658,"2048x2048-width":662,"2048x2048-height":663},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F02\u002FLinaria-Vulgaris-Ill._MEB_2020-150x130.jpg",130,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F02\u002FLinaria-Vulgaris-Ill._MEB_2020-600x520.jpg",520,666,"16.04-02.06.2025, Mon-Sun hours: 11:00-19:00, Thursday hours: 11:00-21:00","Giangavino Pazzola","Sostenuto da Azienda Vinicola Garesio",[674],{"ID":675,"post_author":37,"post_date":676,"post_date_gmt":676,"post_content":16,"post_title":677,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":678,"to_ping":16,"pinged":16,"post_modified":679,"post_modified_gmt":679,"post_content_filtered":16,"post_parent":41,"guid":680,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},932,"2025-02-03 10:46:59","Olga Cafiero","olga-cafiero","2025-02-03 10:47:18","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=932",[682],{"ID":683,"post_author":24,"post_date":684,"post_date_gmt":684,"post_content":16,"post_title":685,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":686,"to_ping":16,"pinged":16,"post_modified":687,"post_modified_gmt":687,"post_content_filtered":16,"post_parent":41,"guid":688,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},128,"2024-03-02 12:58:47","CAMERA - Centro Italiano per la Fotografia","camera-centro-italiano-per-la-fotografia","2026-03-02 17:40:33","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=128","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Cultus Langarum\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> di Olga Cafiero esplora la storia e la cultura enologica delle Langhe del Barolo, indagando la tensione essenziale tra tradizione e innovazione, mondo del lavoro e sostenibilità ambientale.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Attraverso l’esperienza diretta dei luoghi e il riuso di documenti e materiali di archivio, Cafiero si sofferma sui processi di vinificazione codificati nell’Ottocento, ancora oggi in uso, per avviare una riflessione sugli elementi che caratterizzano il paesaggio odierno dal punto di vista morfologico e culturale, l’uso del territorio e la sua identità. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Le fotografie dei macchinari, degli attrezzi, delle anfore e delle differenti composizioni del terreno sono prese da archivi di scuole e musei pubblici e riproposte in modo neutrale, senza interventi dell’autrice, per collocarli in una dimensione senza tempo. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La rappresentazione del paesaggio odierno è invece sviluppata “in negativo”, così da tendere all’astrazione, enfatizzando le forme e le geometrie secondo le quali questo è organizzato e vissuto.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Olga Cafiero’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Cultus Langarum\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> explores the history and oenological culture of the Langhe of Barolo, investigating the essential tension between tradition and innovation, the working world and environmental sustainability.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Through direct experience of the places and the re-use of documents and archive materials, Cafiero dwells on the wine-making processes codified in the 19th century, still in use today, to initiate a reflection on the elements that characterise today’s landscape from a morphological and cultural point of view, the use of the land and its identity. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The photographs of machinery, tools, amphorae and different soil compositions are taken from the archives of schools and public museums and reproduced neutrally – without intervention by the author – to place them in a timeless dimension. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The representation of today’s landscape is instead developed “in negative”, so as to tend towards abstraction, emphasising the shapes and geometries according to which this is organised and experienced.\u003C\u002Fspan>\u003C\u002Fp>\n",{"self":692,"collection":697,"about":699,"acf:post":701,"wp:attachment":706,"curies":709},[693],{"href":694,"targetHints":695},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F933",{"allow":696},[84],[698],{"href":87},[700],{"href":90},[702,704],{"embeddable":23,"href":703},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F128",{"embeddable":23,"href":705},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F932",[707],{"href":708},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=933",[710],{"name":99,"href":100,"templated":23},{"id":712,"date":713,"date_gmt":713,"guid":714,"modified":716,"modified_gmt":716,"slug":717,"status":11,"type":12,"link":718,"title":719,"template":16,"class_list":721,"acf":723,"_links":753},930,"2025-02-03T10:46:47",{"rendered":715},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=930","2025-03-28T17:39:37","carrie-mae-weems","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcarrie-mae-weems\u002F",{"rendered":720},"Carrie Mae Weems: The Heart of the Matter",[722,12,19,20,21],"post-930",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":724,"detailed_schedule_and_date":740,"detailed_schedule_and_date_en":16,"curated_by":741,"other_label":742,"other_label_en":16,"artist":743,"location_type":61,"location":749,"outdoor_location":75,"text_it":751,"text_en":16,"read_more_it":57,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":752,"size":73,"exposed_off":57},[725],{"acf_fc_layout":29,"image":726,"text_en":738,"text_it":739,"meta_data":57,"size":24},{"ID":727,"id":727,"title":728,"filename":729,"filesize":730,"url":731,"link":732,"alt":16,"author":37,"description":16,"caption":16,"name":733,"status":39,"uploaded_to":712,"date":734,"modified":734,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":537,"height":537,"sizes":735,"didascalia_en":16},931,"CMW_113_01_e. Untitled (Man and Mirror)","CMW_113_01_e.-Untitled-Man-and-Mirror.jpg",2258766,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F02\u002FCMW_113_01_e.-Untitled-Man-and-Mirror.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcarrie-mae-weems\u002Fcmw_113_01_e-untitled-man-and-mirror\u002F","cmw_113_01_e-untitled-man-and-mirror","2025-02-03 10:46:36",{"thumbnail":736,"thumbnail-width":50,"thumbnail-height":50,"medium":737,"medium-width":53,"medium-height":53,"medium_large":731,"medium_large-width":54,"medium_large-height":54,"large":731,"large-width":252,"large-height":252,"1536x1536":731,"1536x1536-width":253,"1536x1536-height":253,"2048x2048":731,"2048x2048-width":537,"2048x2048-height":537},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F02\u002FCMW_113_01_e.-Untitled-Man-and-Mirror-150x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F02\u002FCMW_113_01_e.-Untitled-Man-and-Mirror-600x600.jpg","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Carrie Mae Weems, \u003Cem>Untitled (Man and mirror)\u003C\u002Fem>, 1990; from the series \u003Cem>Kitchen Table\u003C\u002Fem>.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Carrie Mae Weems, \u003Cem>Untitled (Man and mirror)\u003C\u002Fem>, 1990; dalla serie \u003Cem>Kitchen Table\u003C\u002Fem>.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">© Carrie Mae Weems e riprodotto per courtesy dell’artista e Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, e Galerie Barbara Thumm, Berlino\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","17-21.04.2025, hours: 09:30-19:30\u003Cbr \u002F>\r\n22.04-2.06.2025, Tue-Sun hours: 09:30-19:30, Wed hours: 09:30-20:30, closed on Mondays","Sarah Meister","In collaboration with Aperture Foundation, supported by Compagnia di San Paolo Foundation",[744],{"ID":745,"post_author":37,"post_date":746,"post_date_gmt":746,"post_content":16,"post_title":747,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":717,"to_ping":16,"pinged":16,"post_modified":746,"post_modified_gmt":746,"post_content_filtered":16,"post_parent":41,"guid":748,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},929,"2025-02-03 10:44:43","Carrie Mae Weems","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=929",[750],{"ID":364,"post_author":37,"post_date":365,"post_date_gmt":365,"post_content":16,"post_title":366,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":367,"to_ping":16,"pinged":16,"post_modified":368,"post_modified_gmt":368,"post_content_filtered":16,"post_parent":41,"guid":369,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Intesa Sanpaolo apre al pubblico alle Gallerie d’Italia – Torino \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Carrie Mae Weems. The Heart of the Matter\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (fino al 7 settembre 2025) una nuova grande mostra dedicata all’artista americana di fama internazionale Carrie Mae Weems, nota per le sue indagini fotografiche sui temi dell’identità culturale, del sessismo e dell’appartenenza di classe. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In anteprima assoluta \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Preach\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, un progetto commissionato da Intesa Sanpaolo che ripercorre la religione e la spiritualità per gli afrodiscendenti americani attraverso le generazioni, realizzato per questa incisiva retrospettiva costituita da un centinaio di opere tratte dalle serie fotografiche più famose che sottolineano il valore unico di Carrie Mae Weems nell’affrontare le complessità e le ingiustizie del mondo che ci circonda, radicando la sua fotografia in luoghi spesso esclusi dalle narrazioni.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La mostra è realizzata con il patrocinio della Regione Piemonte e della città di Torino, in collaborazione con Aperture, con il supporto di Fondazione Compagnia di San Paolo e curata da Sarah Meister.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Intesa Sanpaolo presents at Gallerie d’Italia – Torino \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Carrie Mae Weems: The Heart of the Matter\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (until September 7, 2025), a major new exhibition dedicated to the internationally renowned American artist Carrie Mae Weems, known for her photographic investigations into issues of cultural identity, sexism, and class belonging.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Premiering exclusively, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Preach\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, a project commissioned by Intesa Sanpaolo, explores religion and spirituality among African American descendants across generations. This powerful retrospective, featuring about a hundred works from Weems’ most famous photographic series, highlights her unique approach to addressing the complexities and injustices of the world around us, grounding her photography in places often excluded from mainstream narratives.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The exhibition is presented with the patronage of the Piedmont Region and the City of Turin, in collaboration with Aperture, with the support of Compagnia di San Paolo Foundation and curated by Sarah Meister.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":754,"collection":759,"about":761,"acf:post":763,"wp:attachment":767,"curies":770},[755],{"href":756,"targetHints":757},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F930",{"allow":758},[84],[760],{"href":87},[762],{"href":90},[764,765],{"embeddable":23,"href":386},{"embeddable":23,"href":766},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F929",[768],{"href":769},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=930",[771],{"name":99,"href":100,"templated":23},{"id":773,"date":774,"date_gmt":774,"guid":775,"modified":777,"modified_gmt":777,"slug":778,"status":11,"type":12,"link":779,"title":780,"template":16,"class_list":782,"acf":784,"_links":825},916,"2025-01-30T18:26:38",{"rendered":776},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=916","2025-04-29T09:35:34","not-bad-intentions-attempts-to-coexist","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fnot-bad-intentions-attempts-to-coexist\u002F",{"rendered":781},"Not Bad Intentions. Attempts to Coexist",[783,12,19,20,21],"post-916",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":785,"detailed_schedule_and_date":804,"detailed_schedule_and_date_en":16,"curated_by":805,"other_label":16,"other_label_en":16,"artist":806,"location_type":61,"location":813,"outdoor_location":75,"text_it":821,"text_en":822,"read_more_it":23,"read_more_en":23,"text_read_more_it":823,"text_read_more_en":824,"size":73,"exposed_off":57},[786],{"acf_fc_layout":29,"image":787,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":788,"id":788,"title":789,"filename":790,"filesize":791,"url":792,"link":793,"alt":16,"author":37,"description":16,"caption":16,"name":794,"status":39,"uploaded_to":773,"date":795,"modified":795,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":796,"height":797,"sizes":798,"didascalia_en":16},1058,"1E9A9548-1","1E9A9548-1.jpg",28693773,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9548-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fnot-bad-intentions-attempts-to-coexist\u002F1e9a9548-1\u002F","1e9a9548-1","2025-04-29 09:35:25",5464,8192,{"thumbnail":799,"thumbnail-width":247,"thumbnail-height":50,"medium":800,"medium-width":249,"medium-height":53,"medium_large":792,"medium_large-width":54,"medium_large-height":606,"large":801,"large-width":802,"large-height":537,"1536x1536":792,"1536x1536-width":475,"1536x1536-height":253,"2048x2048":792,"2048x2048-width":803,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9548-1-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9548-1-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9548-1-1334x2000.jpg",1334,1366,"16-20.04.2025, hours: 10:00-20:00\u003Cbr \u002F>\r\n21.04.2025, hours: 10:00-18:00\u003Cbr \u002F>\r\n24.04-02.06.2025, Thu-Sun hours: 10:00-18:00","Daria Tuminas",[807],{"ID":808,"post_author":37,"post_date":809,"post_date_gmt":809,"post_content":16,"post_title":810,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":811,"to_ping":16,"pinged":16,"post_modified":809,"post_modified_gmt":809,"post_content_filtered":16,"post_parent":41,"guid":812,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},915,"2025-01-30 18:22:22","Sheng Wen-Lo","sheng-wen-lo","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=915",[814],{"ID":815,"post_author":37,"post_date":816,"post_date_gmt":816,"post_content":16,"post_title":817,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":818,"to_ping":16,"pinged":16,"post_modified":819,"post_modified_gmt":819,"post_content_filtered":16,"post_parent":41,"guid":820,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},896,"2025-01-30 14:31:51","Archivio di Stato di Torino","archivio-di-stato-di-torino","2026-03-10 12:44:24","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=896","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Not Bad Intentions. Attempts to Coexist\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> di Sheng-Wen Lo esamina le complesse interazioni tra mondo umano e non umano. Attraverso tre opere – che spaziano dal video alla fotografia, dall’installazione a progetti partecipativi – l’artista stimola discussioni critiche sulla coesistenza, sfidando i valori antropocentrici e svelando quanto soluzioni realmente sostenibili possano essere piene di contraddizioni. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Tra le opere, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Matter of Scale\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> contesta l’espansione su larga scala della coltivazione delle alghe, celebrata come pratica sostenibile nei Paesi occidentali, pur avendo già provocato grosse interferenze ecologiche in Asia orientale. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Altrove, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">White Bear\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> esamina la vita degli orsi polari in cattività, rinchiusi in elaborati recinti zoologici artificiali. È qui che Lo esplora l’etica dei programmi per animali in cattività, che si collocano al confine tra conservazione e intrattenimento. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Infine,\u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\"> Down \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">documenta il tentativo dell’artista di creazione di un piumino “sostenibile” realizzato a mano con piume raccolte nei Paesi Bassi. Testando il prodotto nell’Artico, gli sforzi di Lo diventano uno spunto di riflessione giocoso sugli effetti della produzione di massa e la percorribilità di alternative più eco-sostenibili.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Sheng-Wen Lo’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Not Bad Intentions. Attempts to Coexist\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> examines interactions between human and nonhuman worlds. Across three works—spanning video, photography, installation, and participatory projects—Lo inspires critical discussions on coexistence, challenging anthropocentric views and revealing how ‘sustainable’ solutions can themselves be fraught with contradictions.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Among these works,\u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\"> Matter of Scale \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">questions the large-scale expansion of seaweed farming: lauded as a sustainable practice in Western countries, yet already causing major ecological disturbances in East Asia.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Elsewhere, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">White Bear \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">focuses on the lives of polar bears in captivity, confined to the artifice of elaborate zoo enclosures. Here, Lo probes at the ethics of captive animal programmes, which hover at the intersection of conservation and entertainment. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Finally, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Down\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> charts Lo’s bid to create a handmade down jacket from feathers collected in the Netherlands. Testing his garment in the Arctic, Lo’s efforts establish a playful commentary on the toll of mass production and the viability of sustainable alternatives.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cstrong>OGYRE X EXPOSED\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Ogyre è una startup italiana impegnata nella salvaguardia dell’Oceano attraverso il coinvolgimento diretto di comunità di pescatori locali in Italia, Brasile e Indonesia, a cui offre supporto logistico e un compenso economico. Con le sue campagne di Fishing for Litter – ovvero la raccolta di rifiuti in mare – coinvolge attivamente aziende e cittadini nella sua missione. Ogni attività è tracciata tramite tecnologia blockchain e certificata direttamente da Ogyre, garantendo trasparenza, affidabilità e un impatto ambientale misurabile.\u003C\u002Fp>\n\u003Cp>Ogyre ha scelto di donare le reti da pesca dismesse presenti nella mostra personale di Sheng-Wen Lo \u003Cem>Not Bad Intentions. Attempts to Coexist\u003C\u002Fem>, contribuendo a dare nuova vita a uno “scarto” attraverso l’arte. La collaborazione con EXPOSED Torino Foto Festival include un \u003Cspan style=\"color: #33cccc;\">\u003Ca style=\"color: #33cccc;\" href=\"https:\u002F\u002Fogyre.com\u002Flink\u002Fexposed\">programma di partnership\u003C\u002Fa>\u003C\u002Fspan> finalizzato a realizzare una campagna di salvaguardia degli ecosistemi marini e della loro biodiversità. L’iniziativa prevede la raccolta di 1.000 kg di rifiuti nelle acque dei tre continenti in cui opera Ogyre, con l’intenzione di mettere in atto pratiche concrete di protezione e salvaguardia, prendendo spunto dalle riflessioni offerte dalla ricerca dell’artista Sheng-Wen Lo.\u003C\u002Fp>\n","\u003Cp style=\"text-align: left;\">\u003Cstrong>OGYRE X EXPOSED\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>Ogyre is an Italian startup dedicated to Ocean protection by directly involving local fishing communities in Italy, Brazil, and Indonesia, offering them logistical support and financial compensation. Through its ‘Fishing for Litter’ campaigns — collecting waste from the sea — it actively engages companies and citizens in its mission. Every activity is tracked through blockchain technology and certified directly by Ogyre, ensuring transparency, reliability, and a measurable environmental impact.\u003C\u002Fp>\n\u003Cp>Ogyre has chosen to donate the discarded fishing nets featured in Sheng-Wen Lo’s solo exhibition \u003Cem>Not Bad Intentions. Attempts to Coexist\u003C\u002Fem>, contributing to giving new life to ‘waste’ through art. The collaboration with EXPOSED Torino Foto Festival includes a \u003Cspan style=\"color: #33cccc;\">\u003Ca style=\"color: #33cccc;\" href=\"https:\u002F\u002Fogyre.com\u002Flink\u002Fexposed\">partnership program\u003C\u002Fa>\u003C\u002Fspan> aimed at creating a campaign for the protection of marine ecosystems and their biodiversity. The initiative involves collecting 1,000 kg of waste from the waters of the three continents where Ogyre operates, with the goal of implementing concrete practices for protection and conservation, inspired by the reflections offered by Lo’s research.\u003C\u002Fp>\n",{"self":826,"collection":831,"about":833,"acf:post":835,"wp:attachment":840,"curies":843},[827],{"href":828,"targetHints":829},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F916",{"allow":830},[84],[832],{"href":87},[834],{"href":90},[836,838],{"embeddable":23,"href":837},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F896",{"embeddable":23,"href":839},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F915",[841],{"href":842},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=916",[844],{"name":99,"href":100,"templated":23},{"id":846,"date":847,"date_gmt":847,"guid":848,"modified":850,"modified_gmt":850,"slug":851,"status":11,"type":12,"link":852,"title":853,"template":16,"class_list":855,"acf":857,"_links":893},913,"2025-01-30T14:52:18",{"rendered":849},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=913","2025-03-28T16:56:01","running-fast-senses-off","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Frunning-fast-senses-off\u002F",{"rendered":854},"Running 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14:51:26","Lisa Barnard","lisa-barnard-2","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=912",[890],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Running Fast-Senses Off\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> di Lisa Barnard indaga quelle forze invisibili che modellano il nostro mondo e la nostra percezione nell’era dell’accelerazione tecnologica, caratterizzata dall’onnipresenza degli schermi. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In questo scenario di fusione paradossale tra umanità e tecnologia, che plasma la nostra stessa esistenza ed esperienza, si inserisce il progetto di Barnard, che muove da un’ampia ricerca sulla guerra dei droni, sui veicoli autonomi e sul mondo sensoriale dei pipistrelli. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Questa prima mostra antologica rappresenta l’unione di elementi tratti da tre distinti lavori, tutti realizzati in California – \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Whiplash Transition\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Virtual Iraq\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, e \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">YOLO\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> –, che indagano sia la relazione tra piloti di droni, esercito ed effetti disumanizzanti degli schermi, sia le connessioni tra pipistrelli, ecolocalizzazione, i nostri sensi e il cambiamento climatico. Costretti a misurarci con i progressi nell’apprendimento automatico e nell’innovazione computazionale, Barnard sottolinea l’urgente necessità di interrogarsi sul ruolo della coscienza e sul peso che le nostre scelte tecnologiche avranno sul futuro dell’umanità e del pianeta tutto.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Lisa Barnard’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Running Fast-Senses Off \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">explores the unseen forces molding our world and perception in the age of technological acceleration, characterized by the ubiquity of screens. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Barnard’s project fits into this scenario of paradoxical fusion of humanity and technology – shaping our very existence and experience – which moves from extensive research on drone warfare, autonomous vehicles and the sensory world of bats. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">This first retrospective exhibition represents the amalgamation of elements drawn from three distinct bodies of work, all taking place in California – \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Whiplash Transition\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Virtual Iraq\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, and \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">YOLO \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">– that investigate both the relationship between drone pilots, the military and the dehumanizing effects of screens, and the connections between bats, echolocation, our senses, and climate change. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Forced to measure ourselves against the advances in machine learning and computational innovation, Barnard stresses the urgent need to question the role of consciousness and the impact our technological choices will have on the future of humanity and the planet.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":894,"collection":899,"about":901,"acf:post":903,"wp:attachment":907,"curies":910},[895],{"href":896,"targetHints":897},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F913",{"allow":898},[84],[900],{"href":87},[902],{"href":90},[904,905],{"embeddable":23,"href":210},{"embeddable":23,"href":906},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F912",[908],{"href":909},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=913",[911],{"name":99,"href":100,"templated":23},{"id":913,"date":914,"date_gmt":914,"guid":915,"modified":917,"modified_gmt":917,"slug":918,"status":11,"type":12,"link":919,"title":920,"template":16,"class_list":922,"acf":924,"_links":958},910,"2025-01-30T14:49:14",{"rendered":916},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=910","2025-04-29T09:25:50","climate-tribunal","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fclimate-tribunal\u002F",{"rendered":921},"Climate 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10:00-18:00",[942],{"ID":943,"post_author":37,"post_date":944,"post_date_gmt":944,"post_content":16,"post_title":945,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":946,"to_ping":16,"pinged":16,"post_modified":944,"post_modified_gmt":944,"post_content_filtered":16,"post_parent":41,"guid":947,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},909,"2025-01-30 14:46:28","Paolo Cirio","paolo-cirio","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=909",[949],{"ID":950,"post_author":65,"post_date":951,"post_date_gmt":951,"post_content":16,"post_title":952,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":953,"to_ping":16,"pinged":16,"post_modified":954,"post_modified_gmt":954,"post_content_filtered":16,"post_parent":41,"guid":955,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},141,"2024-03-02 13:39:53","Palazzo Carignano","palazzo-carignano","2026-02-27 17:00:06","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=141","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Climate Tribunal \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">di Paolo Cirio tratta il tema della giustizia climatica da una prospettiva economica e legale. Al centro vi sono i ghiacciai, ecosistemi estremamente fragili, delicati e critici per le specie viventi e gli esseri umani, che soffrono per via dell’operato delle multinazionali produttrici di combustibili fossili. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">L’installazione si compone di tre opere distinte: l’opera scultorea \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Alps Glaciers Memorial\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> funge da memoriale per ricordare i ghiacciai che si stanno sciogliendo per via del riscaldamento climatico riportandone le migliaia di nomi; \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Climate Ecosystems Plaintiffs \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">mostra le fotografie di ghiacciai sparsi in tutto il mondo su un tessuto semi-trasparente; e infine, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Climate Culpable\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> espone bandiere con i loghi di alcune aziende responsabili per oltre il 50% delle emissioni globali, annerite da Cirio con olio di motore per esortare il pubblico a riflettere sui principi che queste compagnie hanno adottato e chiedere che vengano giudicate colpevoli per i danni causati.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Climate Tribunal\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> by Paolo Cirio addresses climate justice from an economic and legal perspective. At the core of this installation lie glaciers, extremely fragile, delicate, and critical ecosystems for the living species and humans, which particularly suffer from the actions of multinational fossil fuel corporations. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The installation consists of three separate works: the sculptural work \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Alps Glaciers Memorial \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">serves as a symbol to remember glaciers that are melting due to global warming by listing their thousands of names; \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Climate Ecosystems Plaintiffs\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> displays photographs of glaciers around the world on a semi-transparent fabric; and finally, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Climate Culpable\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> exhibits flags featuring the logos of some firms responsible for more than 50 percent of global emissions, blackened by Cirio with motor oil to urge the public to reflect on the principles these companies have adopted and demand that they should be held accountable for the damage they have caused.\u003C\u002Fspan>\u003C\u002Fp>\n",{"self":959,"collection":964,"about":966,"acf:post":968,"wp:attachment":973,"curies":976},[960],{"href":961,"targetHints":962},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F910",{"allow":963},[84],[965],{"href":87},[967],{"href":90},[969,971],{"embeddable":23,"href":970},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F141",{"embeddable":23,"href":972},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F909",[974],{"href":975},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=910",[977],{"name":99,"href":100,"templated":23},{"id":979,"date":980,"date_gmt":980,"guid":981,"modified":983,"modified_gmt":983,"slug":984,"status":11,"type":12,"link":985,"title":986,"template":16,"class_list":988,"acf":990,"_links":1033},905,"2025-01-30T14:45:51",{"rendered":982},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=905","2025-04-29T09:32:56","almost-real-from-trace-to-simulation","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Falmost-real-from-trace-to-simulation\u002F",{"rendered":987},"Almost Real. From Trace to Simulation",[989,12,19,20,21],"post-905",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":991,"detailed_schedule_and_date":1008,"detailed_schedule_and_date_en":16,"curated_by":1009,"other_label":16,"other_label_en":16,"artist":1010,"location_type":61,"location":1029,"outdoor_location":75,"text_it":1031,"text_en":1032,"read_more_it":57,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},[992,1007],{"acf_fc_layout":29,"image":993,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":994,"id":994,"title":995,"filename":996,"filesize":997,"url":998,"link":999,"alt":16,"author":37,"description":16,"caption":16,"name":1000,"status":39,"uploaded_to":979,"date":1001,"modified":1001,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":797,"height":796,"sizes":1002,"didascalia_en":16},1057,"1E9A9158-1","1E9A9158-1.jpg",20963731,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9158-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Falmost-real-from-trace-to-simulation\u002F1e9a9158-1\u002F","1e9a9158-1","2025-04-29 09:31:29",{"thumbnail":1003,"thumbnail-width":50,"thumbnail-height":247,"medium":1004,"medium-width":53,"medium-height":249,"medium_large":998,"medium_large-width":54,"medium_large-height":250,"large":1005,"large-width":252,"large-height":1006,"1536x1536":998,"1536x1536-width":253,"1536x1536-height":475,"2048x2048":998,"2048x2048-width":254,"2048x2048-height":803},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9158-1-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9158-1-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9158-1-2000x1334.jpg",1281,{"acf_fc_layout":29,"image":57,"text_en":16,"text_it":16,"meta_data":57,"size":24},"16.04.2025, hours: 10:00-23:00\u003Cbr \u002F>\r\n17-18.04.2025, hours: 10:00-22:00\u003Cbr \u002F>\r\n19-20.04.2025, hours: 10:00-20:00\u003Cbr \u002F>\r\n22.04-02.06.2025, Thu-Fri hours: 18:00-22:00, Sat-Sun hours: 10:00-20:00\u003Cbr \u002F>\r\n\u003Cbr \u002F>\r\n10-11.05.2025, hours: 10:00-21:00","Samuele Piazza, Salvatore Vitale",[1011,1017,1023],{"ID":1012,"post_author":37,"post_date":1013,"post_date_gmt":1013,"post_content":16,"post_title":1014,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1015,"to_ping":16,"pinged":16,"post_modified":1013,"post_modified_gmt":1013,"post_content_filtered":16,"post_parent":41,"guid":1016,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},902,"2025-01-30 14:39:11","Lawrence Lek","lawrence-lek","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=902",{"ID":1018,"post_author":37,"post_date":1019,"post_date_gmt":1019,"post_content":16,"post_title":1020,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1021,"to_ping":16,"pinged":16,"post_modified":1019,"post_modified_gmt":1019,"post_content_filtered":16,"post_parent":41,"guid":1022,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},903,"2025-01-30 14:39:21","Alan Butler","alan-butler","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=903",{"ID":1024,"post_author":37,"post_date":1025,"post_date_gmt":1025,"post_content":16,"post_title":1026,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1027,"to_ping":16,"pinged":16,"post_modified":1025,"post_modified_gmt":1025,"post_content_filtered":16,"post_parent":41,"guid":1028,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},904,"2025-01-30 14:39:33","Nora Al-Badri","nora-al-badri","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=904",[1030],{"ID":64,"post_author":65,"post_date":66,"post_date_gmt":66,"post_content":16,"post_title":67,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":69,"to_ping":16,"pinged":16,"post_modified":70,"post_modified_gmt":70,"post_content_filtered":16,"post_parent":41,"guid":71,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Almost Real. From Trace to Simulation \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">esplora la relazione tra fotografia e simulazione nell’era dei generatori di immagini AI. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">L’immagine fotografica del nuovo millennio si converte da traccia del reale a mera simulazione operata dai nuovi strumenti tecnologici, le cui immagini sembrano “farsi da sé”. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La mostra intende problematizzare proprio questo passaggio attraverso le opere di \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">tre artist* dalle pratiche estremamente eterogenee.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Alan Butler con la serie \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Virtual Botany Cyanotypes\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> crea un catalogo di una vegetazione immaginaria proveniente dal mondo dei videogiochi che fonde informazioni digitali con materiale fisico attraverso il mezzo della fotografia con cianotipia.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">I “tecno-reperti” di Nora Al-Badri, realizzati a partire da manufatti mesopotamici, neo-sumerici e assiri provenienti dagli archivi fotografici di alcune istituzioni museali, offrono prospettive critiche e storiche sul rapporto tra patrimonio culturale e pensiero coloniale, per ricostruire una nuova memoria collettiva e contestare le narrazioni museologiche esistenti. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">L’opera \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Empty Rider\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2024) di Lawrence Lek presenta un’auto a guida autonoma sotto processo per il tentato omicidio del suo stesso creatore. Questo racconto fantascientifico creato in computer grafica esplora l’identità, l’agency e le emozioni nell’era dell’intelligenza artificiale, offrendo un’importante occasione di riflessione sui limiti e sul potenziale di un’etica costruita da sistemi non umani.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Almost Real. From Trace to Simulation \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">explores the relationship between photography and simulation in the era of AI image generators. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The photographic image of the new millennium is converted from a trace of the real into mere simulation operated by new technological tools, whose images seem to “make themselves”.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The exhibition aims to problematize precisely this transition through the works of \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">three artists with extremely heterogeneous practices.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Alan Butler’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Virtual Botany Cyanotypes\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> series creates a catalog of imaginary vegetation from the world of video games that fuses digital information with physical material through the medium of cyanotype photography.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Nora Al-Badri’s “techno-reperts” made from Mesopotamian, Neo-Sumerian and Assyrian artifacts from the photographic archives of museum institutions, offer critical and historical perspectives on the relationship between cultural heritage and colonial thinking, so to shape a new collective memory and challenge existing museological narratives. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Lawrence Lek’s work \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Empty Rider\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> (2024) features a self-driving car on trial for the attempted murder of their own creator. This CGI science fiction investigates identity, agency and emotions in the age of artificial intelligence, offering an important opportunity to reflect on the limits and potential of an ethics constructed by nonhuman systems.\u003C\u002Fspan>\u003C\u002Fp>\n",{"self":1034,"collection":1039,"about":1041,"acf:post":1043,"wp:attachment":1051,"curies":1054},[1035],{"href":1036,"targetHints":1037},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F905",{"allow":1038},[84],[1040],{"href":87},[1042],{"href":90},[1044,1045,1047,1049],{"embeddable":23,"href":93},{"embeddable":23,"href":1046},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F904",{"embeddable":23,"href":1048},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F903",{"embeddable":23,"href":1050},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F902",[1052],{"href":1053},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=905",[1055],{"name":99,"href":100,"templated":23},{"id":45,"date":1057,"date_gmt":1057,"guid":1058,"modified":1060,"modified_gmt":1060,"slug":1061,"status":11,"type":12,"link":1062,"title":1063,"template":16,"class_list":1065,"acf":1067,"_links":1101},"2025-01-30T14:38:13",{"rendered":1059},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=900","2025-03-28T16:57:16","once-upon-a-time-in-the-jungle","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fonce-upon-a-time-in-the-jungle\u002F",{"rendered":1064},"Once 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Mondays",[1085],{"ID":1086,"post_author":37,"post_date":1087,"post_date_gmt":1087,"post_content":16,"post_title":1088,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1089,"to_ping":16,"pinged":16,"post_modified":1087,"post_modified_gmt":1087,"post_content_filtered":16,"post_parent":41,"guid":1090,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},899,"2025-01-30 14:36:49","River Claure","river-claure","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=899",[1092],{"ID":1093,"post_author":65,"post_date":1094,"post_date_gmt":1094,"post_content":16,"post_title":1095,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1096,"to_ping":16,"pinged":16,"post_modified":1097,"post_modified_gmt":1097,"post_content_filtered":16,"post_parent":41,"guid":1098,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},164,"2024-03-02 14:15:12","GAM — Galleria Civica d’Arte Moderna e Contemporanea","gam-galleria-civica-darte-moderna-e-contemporanea","2026-02-28 12:48:34","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=164","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Once Upon a Time in the Jungle \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">di River Claure ci immerge nel “Far West amazzonico” e nelle sue narrazioni nascoste per svelare le dinamiche di potere e di dominio che caratterizzano il territorio dell’Amazzonia ecuadoriana. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Una combinazione magistrale di immagini fisse e in movimento cattura la violenza latente che permea il paesaggio amazzonico, segnato dal peso dell’eredità coloniale, dalla devastante estrazione di risorse naturali e dall’imposizione di ideologie straniere. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Dopo aver percorso in canoa oltre 377 km nel sud dell’Ecuador e nel nord del Perù, dove giovani rapper, soldati, leader di comunità locali, anziani, famiglie e bambini giocano e si esibiscono nelle vesti di cowboy come protagonisti della loro stessa storia, Claure riesce a sfidare gli stereotipi che hanno definito finora la rappresentazione fotografica dell’Amazzonia. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La mostra, realizzata grazie al contributo di EXPOSED Grant for Contemporary Photography, permette di esplorare nuovi registri immaginari e speculativi, dove le promesse del mondo occidentale si scontrano con le sue minacce, e particolari rituali – coniati dall’artista stesso – fungono da strategie di resistenza contro l’egemonia del capitalismo.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">River Claure’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Once Upon a Time in the Jungle\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> delves into the ‘Amazonian Far West’ and its hidden narratives to unveil the dynamics of power and domination that characterize the territory of the Ecuadorian Amazon. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">A masterful blend of still and moving images seize to capture the latent violence permeating the Amazon landscape – one marked by the weight of colonial legacy, the devastating extraction of natural resources and the imposition of foreign ideologies. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">As a result of canoeing for over 377 km in southern Ecuador and northern Peru, where young rappers, soldiers, local community leaders, elders, families, and children play and perform in the guise of cowboys as the protagonists of their own history, Claure manages to challenge the stereotypes that have defined the photographic representation of the Amazon so far. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Made possible by the EXPOSED Grant for Contemporary Photography, the exhibition allows to explore new imaginary and speculative registers, where the promises and threats of the Western world clash, and special rituals – coined by the artist himself – serve as a strategy of resistance against the hegemony of capitalism.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":1102,"collection":1107,"about":1109,"acf:post":1111,"wp:attachment":1116,"curies":1119},[1103],{"href":1104,"targetHints":1105},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F900",{"allow":1106},[84],[1108],{"href":87},[1110],{"href":90},[1112,1114],{"embeddable":23,"href":1113},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F164",{"embeddable":23,"href":1115},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F899",[1117],{"href":1118},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=900",[1120],{"name":99,"href":100,"templated":23},{"id":1122,"date":1123,"date_gmt":1123,"guid":1124,"modified":1126,"modified_gmt":1126,"slug":1127,"status":11,"type":12,"link":1128,"title":1129,"template":16,"class_list":1131,"acf":1133,"_links":1174},897,"2025-01-30T14:36:19",{"rendered":1125},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=897","2025-04-29T09:28:28","to-be-in-and-out-of-the-world","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fto-be-in-and-out-of-the-world\u002F",{"rendered":1130},"To 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World",[1132,12,19,20,21],"post-897",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":1134,"detailed_schedule_and_date":804,"detailed_schedule_and_date_en":16,"curated_by":1150,"other_label":16,"other_label_en":16,"artist":1151,"location_type":61,"location":1170,"outdoor_location":75,"text_it":1172,"text_en":1173,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":24,"exposed_off":57},[1135],{"acf_fc_layout":29,"image":1136,"text_en":1149,"text_it":1149,"meta_data":57,"size":24},{"ID":1137,"id":1137,"title":1138,"filename":1139,"filesize":1140,"url":1141,"link":1142,"alt":16,"author":37,"description":16,"caption":16,"name":1143,"status":39,"uploaded_to":1122,"date":1144,"modified":1144,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":797,"height":796,"sizes":1145,"didascalia_en":16},1056,"1E9A9390_1","1E9A9390_1.jpg",17946031,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9390_1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fto-be-in-and-out-of-the-world\u002F1e9a9390_1\u002F","1e9a9390_1","2025-04-29 09:27:46",{"thumbnail":1146,"thumbnail-width":50,"thumbnail-height":247,"medium":1147,"medium-width":53,"medium-height":249,"medium_large":1141,"medium_large-width":54,"medium_large-height":250,"large":1148,"large-width":252,"large-height":1006,"1536x1536":1141,"1536x1536-width":253,"1536x1536-height":475,"2048x2048":1141,"2048x2048-width":254,"2048x2048-height":803},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9390_1-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9390_1-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F1E9A9390_1-2000x1334.jpg","\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cbr style=\"font-weight: 400;\" \u002F>\u003Cbr style=\"font-weight: 400;\" \u002F>\u003C\u002Fp>\n","Zoé Samudzi",[1152,1158,1164],{"ID":1153,"post_author":37,"post_date":1154,"post_date_gmt":1154,"post_content":16,"post_title":1155,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1156,"to_ping":16,"pinged":16,"post_modified":1154,"post_modified_gmt":1154,"post_content_filtered":16,"post_parent":41,"guid":1157,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},893,"2025-01-30 14:31:04","Tiffany Sia","tiffany-sia","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=893",{"ID":1159,"post_author":37,"post_date":1160,"post_date_gmt":1160,"post_content":16,"post_title":1161,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1162,"to_ping":16,"pinged":16,"post_modified":1160,"post_modified_gmt":1160,"post_content_filtered":16,"post_parent":41,"guid":1163,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},895,"2025-01-30 14:31:30","Ahlam Shibli","ahlam-shibli","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=895",{"ID":1165,"post_author":37,"post_date":1166,"post_date_gmt":1166,"post_content":16,"post_title":1167,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1168,"to_ping":16,"pinged":16,"post_modified":1166,"post_modified_gmt":1166,"post_content_filtered":16,"post_parent":41,"guid":1169,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},894,"2025-01-30 14:31:18","Nolan Oswald Dennis","nolan-oswald-dennis","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=894",[1171],{"ID":815,"post_author":37,"post_date":816,"post_date_gmt":816,"post_content":16,"post_title":817,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":818,"to_ping":16,"pinged":16,"post_modified":819,"post_modified_gmt":819,"post_content_filtered":16,"post_parent":41,"guid":820,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Rifiutando le binarizzazioni oppositive di “casa” e “lontano”, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">To Be In and Out of the World\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> illustra una politica visiva della spoliazione “post”-coloniale attraverso una triangolazione tra Hong Kong\u002FCina, Palestina\u002FIsraele e Sudafrica, attraverso le opere di Tiffany Sia, Ahlam Shibli e Nolan Oswald Dennis, rispettivamente.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">La mostra è concettualmente articolata attraverso la “coscienza nera dello spazio” diagrammatica di Dennis: una spazializzazione immaginativa della politica statale, della memoria e della metafisica del territorio. Il contrasto di Shibli tra l’instabilità dell’esistenza dentro e fuori il riconoscimento statale pone il lavoratore ospite condizionatamente e burocraticamente leggibile in Germania contro il palestinese socialmente deceduto nella Cisgiordania occupata. La sfida di Sia alle insistenze visive della leggibilità coinvolge la precarietà dell’affidabilità della propria narrazione e\u002Fcontro l’onnipotenza della storicità statale — la sua geopoetica del “non luogo” si realizza attraverso lo sguardo di un bambino.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Rejecting oppositional binarizations of home and away, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">To Be In and Out of the World\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> illustrates a visual politic of ‘post’-colonial dispossession through a triangulation of Hong Kong\u002FChina, Palestine\u002FIsrael, and South Africa through the works of Tiffany Sia, Ahlam Shibli, and Nolan Oswald Dennis, respectively.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">The exhibition is conceptually figured through Dennis’ diagrammatic ‘black consciousness of space’: an imaginative spatialization of statecraft, memory, and the metaphysics of land. Shibli’s contrast of the instability of existence inside and outside of state recognition holds the conditionally bureaucratically legible guest worker in Germany against the socially dead Palestinian in the occupied West Bank. Sia’s challenge of the visual insistences of legibility engages the tenuousness of one’s narrative reliability and\u002Fagainst the omnipotence of state historicity — her geopoetic of ‘no place’ is realized through the gaze of a child.\u003C\u002Fspan>\u003C\u002Fp>\n",{"self":1175,"collection":1180,"about":1182,"acf:post":1184,"wp:attachment":1192,"curies":1195},[1176],{"href":1177,"targetHints":1178},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F897",{"allow":1179},[84],[1181],{"href":87},[1183],{"href":90},[1185,1186,1188,1190],{"embeddable":23,"href":837},{"embeddable":23,"href":1187},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F894",{"embeddable":23,"href":1189},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F895",{"embeddable":23,"href":1191},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F893",[1193],{"href":1194},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=897",[1196],{"name":99,"href":100,"templated":23},{"id":1198,"date":1199,"date_gmt":1199,"guid":1200,"modified":1202,"modified_gmt":1202,"slug":1203,"status":11,"type":12,"link":1204,"title":1205,"template":16,"class_list":1207,"acf":1209,"_links":1236},887,"2025-01-30T14:26:44",{"rendered":1201},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=887","2025-03-28T16:56:16","disintegrata","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdisintegrata\u002F",{"rendered":1206},"Disintegrata",[1208,12,19,20,21],"post-887",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":116,"to":294,"start_time":16,"end_time":16,"media":1210,"detailed_schedule_and_date":543,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":1225,"location_type":61,"location":1232,"outdoor_location":75,"text_it":1234,"text_en":1235,"read_more_it":57,"read_more_en":23,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":57},[1211],{"acf_fc_layout":29,"image":1212,"text_en":1224,"text_it":1224,"meta_data":57,"size":24},{"ID":136,"id":136,"title":1206,"filename":1213,"filesize":1214,"url":1215,"link":1216,"alt":16,"author":65,"description":16,"caption":1217,"name":1218,"status":39,"uploaded_to":1198,"date":1219,"modified":1219,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":599,"height":599,"sizes":1220,"didascalia_en":16},"02_Disintegrata_Foto_Famiglia.jpg",10181241,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F02_Disintegrata_Foto_Famiglia.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fdisintegrata\u002Fdisintegrata-2\u002F","Exhibition opening on the 28th of April at Collezione Maramotti in Reggio Emilia Italy. A new series of portraits by artist Silvia Rosi","disintegrata-2","2025-02-18 10:59:35",{"thumbnail":1221,"thumbnail-width":50,"thumbnail-height":50,"medium":1222,"medium-width":53,"medium-height":53,"medium_large":1215,"medium_large-width":54,"medium_large-height":54,"large":1223,"large-width":252,"large-height":252,"1536x1536":1215,"1536x1536-width":253,"1536x1536-height":253,"2048x2048":1215,"2048x2048-width":254,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F02_Disintegrata_Foto_Famiglia-150x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F02_Disintegrata_Foto_Famiglia-600x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2025\u002F01\u002F02_Disintegrata_Foto_Famiglia-2000x2000.jpg","\u003Cp>©Silvia Rosi, Supported by Collezione Maramotti\u003C\u002Fp>\n",[1226],{"ID":1227,"post_author":37,"post_date":1228,"post_date_gmt":1228,"post_content":16,"post_title":1229,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1230,"to_ping":16,"pinged":16,"post_modified":1228,"post_modified_gmt":1228,"post_content_filtered":16,"post_parent":41,"guid":1231,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},888,"2025-01-30 14:22:57","Silvia Rosi","silvia-rosi","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=888",[1233],{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Disintegrata \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">di Silvia Rosi indaga il legame tra fotografia, memoria e diaspora, per raccontare una storia di mobilità familiare.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Attraverso il medium dell’autoritratto, Rosi trasforma storie personali in narrazioni collettive, esplorando la relazione tra dimensione privata e pubblica della fotografia. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Nata a Scandiano da genitori togolesi, l’artista ricostruisce scene ispirate dall’album di famiglia, attraverso la messa in scena di autoritratti in cui posa come sua madre. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Nell’evocare la tradizione della fotografia in studio dell’Africa occidentale, che richiama artisti come Malick Sidibé, Felicia Abban e James Barnor, Rosi esplora i concetti di sradicamento e rappresentazione, transito e appartenenza. Rosi performa un passato mai vissuto, ma che fa parte della sua eredità, invitando a ripensare gli archivi personali non solo come memorie del passato, ma anche del futuro.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Silvia Rosi’s \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Disintegrata\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\"> explores the link between photography, memory and the diaspora, to narrate a story of family mobility.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">With self-portraits, Rosi turns personal stories into collective narratives, by delving into the relationship between the private and public dimensions of photography. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Born in Scandiano to Togolese parents, the artist reconstructs scenes inspired by the family album through the staging of self-portraits in which she poses as her mother. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">In evoking the tradition of West African studio photography that recalls artists such as Malick Sidibé, Felicia Abban and James Barnor, Rosi explores the concepts of displacement and representation, that of transit and belonging. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Rosi performs a past that has never been experienced but is part of her legacy, inviting us to rethink personal archives not only as memories of the past, but also of the future.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n",{"self":1237,"collection":1242,"about":1244,"acf:post":1246,"wp:attachment":1250,"curies":1253},[1238],{"href":1239,"targetHints":1240},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F887",{"allow":1241},[84],[1243],{"href":87},[1245],{"href":90},[1247,1248],{"embeddable":23,"href":210},{"embeddable":23,"href":1249},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F888",[1251],{"href":1252},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=887",[1254],{"name":99,"href":100,"templated":23},{"id":1256,"date":1257,"date_gmt":1257,"guid":1258,"modified":1260,"modified_gmt":1260,"slug":1261,"status":11,"type":12,"link":1262,"title":1263,"template":16,"class_list":1265,"acf":1267,"_links":1458},198,"2024-03-02T16:27:54",{"rendered":1259},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=198","2024-05-14T12:57:24","queer-icons","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fqueer-icons\u002F",{"rendered":1264},"Queer 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16:25:38",2555,3408,{"thumbnail":1284,"thumbnail-width":602,"thumbnail-height":50,"medium":1285,"medium-width":52,"medium-height":53,"medium_large":1277,"medium_large-width":54,"medium_large-height":55,"large":1286,"large-width":605,"large-height":537,"1536x1536":1277,"1536x1536-width":1287,"1536x1536-height":253,"2048x2048":1277,"2048x2048-width":607,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-4-112x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-4-450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-4-1499x2000.jpg",1152,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Ulf Nilseng, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">© Fin 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16:22:16",2556,{"thumbnail":1301,"thumbnail-width":49,"thumbnail-height":50,"medium":1302,"medium-width":52,"medium-height":53,"medium_large":1295,"medium_large-width":54,"medium_large-height":55,"large":1303,"large-width":1304,"large-height":537,"1536x1536":1295,"1536x1536-width":1287,"1536x1536-height":253,"2048x2048":1295,"2048x2048-width":253,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-1500x2000.jpg",1500,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Halvard Haldorsen, © Fin 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16:22:15",{"thumbnail":1317,"thumbnail-width":49,"thumbnail-height":50,"medium":1318,"medium-width":52,"medium-height":53,"medium_large":1312,"medium_large-width":54,"medium_large-height":55,"large":1319,"large-width":1304,"large-height":537,"1536x1536":1312,"1536x1536-width":1287,"1536x1536-height":253,"2048x2048":1312,"2048x2048-width":253,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-1-113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-1-450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-1-1500x2000.jpg","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Mona Nesje, © Fin 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20:49:17",{"thumbnail":1419,"thumbnail-width":49,"thumbnail-height":50,"medium":1420,"medium-width":52,"medium-height":53,"medium_large":1414,"medium_large-width":54,"medium_large-height":55,"large":1421,"large-width":1304,"large-height":537,"1536x1536":1414,"1536x1536-width":1287,"1536x1536-height":253,"2048x2048":1414,"2048x2048-width":253,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-2-1-113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-2-1-450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-2-2-1-1500x2000.jpg","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gerd Brantenberg, © Fin 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20:49:16",{"thumbnail":1434,"thumbnail-width":50,"thumbnail-height":602,"medium":1435,"medium-width":53,"medium-height":52,"medium_large":1429,"medium_large-width":54,"medium_large-height":1373,"large":1436,"large-width":252,"large-height":1375,"1536x1536":1429,"1536x1536-width":253,"1536x1536-height":1287,"2048x2048":1429,"2048x2048-width":254,"2048x2048-height":253},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-4-150x112.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-4-600x450.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTorino-4-2000x1500.jpg","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Svein Skeid, © Fin Serck-Hanssen\u002FBONO\u003C\u002Fspan>\u003C\u002Fp>\n","Antonio 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Caroline Ugelstad Elnæs con personalità queer che non solo hanno contribuito a plasmare le fondamenta sociali e culturali su cui si regge la società norvegese che conosciamo oggi, ma hanno elaborato una visione della sessualità più complessa e ricca di sfaccettature per prevenire ogni forma di discriminazione, consapevole o inconscia, derivante dal conservatorismo della società.\u003C\u002Fp>\n","\u003Cp>The \u003Cem>Queer Icons\u003C\u002Fem> project, comprising an exhibition, a book, and wide-ranging public programs, results from a series of meetings that photographer Fin Serck-Hanssen and authors Bjørn Hatterud and Caroline Ugelstad Elnæs had with queer personas that have not only contributed to structure social and cultural foundations underpinning the Norwegian society we know today, but built a more complex and nuanced understanding of sexuality to prevent forms of conscious and unconscious discrimination coming from biased societal conservatism.\u003C\u002Fp>\n","\u003Cp>Il progetto esplora la lotta per la libertà e l’uguaglianza che, nel 1972, ha portato all’abrogazione della legge penale 213 e alla legalizzazione dell’omosessualità in Norvegia. Lo fa raccontando le storie di vita di persone di spicco che hanno attivamente lottato, in prima linea e sullo sfondo, contro una giurisdizione morale pregiudiziale, portando infine a una società più libera. Celebra lo scintillio della vita fuori dalla norma, che si esprime nelle rivendicazioni democratiche, nelle feste e nell’attivismo della cultura underground queer storica della Norvegia, tra lustrini, gioia e umorismo. La mostra, presentata presso scuole di ogni grado in Norvegia, vuole portare alla luce queste storie non scritte, inserendole in una narrazione diffusa che raggiunga il grande pubblico.\u003C\u002Fp>\n\u003Cp>La mostra e i suoi programmi pubblici sono prodotti e curati dal team curatoriale di Fotogalleriet. La mostra è progettata da Harald Lunde Helgesen, HAiKw\u002F. Il libro, disponibile in lingua norvegese, curato da Bente Riise e progettato da Den Luca, è pubblicato da Pitch Forlag.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>PUBLIC PROGRAMME\u003C\u002Fp>\n\u003Cp>03.05.2024, 17-17:30\u003C\u002Fp>\n\u003Cp>Performance dell’artista e cantante Nils Bech con il ballerino Mathias Aas Stoltenberg [in inglese]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>04.05.2024, 12-13\u003C\u002Fp>\n\u003Cp>Conversazione con i curatori del programma pubblico di \u003Cem>Queer Icons\u003C\u002Fem>, Miki Gebrelul e Håkon Lillegraven [in inglese]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>04.05.2024, 13-13:30\u003C\u002Fp>\n\u003Cp>Cerimonia ufficiale e annuncio del vincitore del Nordic PhotoBook Award [in inglese e italiano]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>11.05.2024, 18-19\u003C\u002Fp>\n\u003Cp>Presentazione dello scrittore Bjørn Hatterud [in inglese]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>18.05.2024, 17-18\u003C\u002Fp>\n\u003Cp>Visita guidata della mostra \u003Cem>Queer Icons\u003C\u002Fem> [in inglese e italiano]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>19.05.2024, 12-13\u003C\u002Fp>\n\u003Cp>Visita guidata della mostra \u003Cem>Queer Icons\u003C\u002Fem> [in inglese e italiano]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>25.05.2024, 18-19\u003C\u002Fp>\n\u003Cp>Presentazione editoriale \u003Cem>My body is my queer archive \u003C\u002Fem>con Tommaso Speretta. Introduzione del prof. Alessio Ponzo\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>01.06.2024, 17-18\u003C\u002Fp>\n\u003Cp>Visita guidata della mostra \u003Cem>Queer Icons\u003C\u002Fem> [in inglese e italiano]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>02.06.2024, 12-13\u003C\u002Fp>\n\u003Cp>Visita guidata della mostra \u003Cem>Queer Icons\u003C\u002Fem> [in inglese e italiano]\u003C\u002Fp>\n","\u003Cp>The project addresses the fight for freedom and equality leading to the repeal of Criminal Law 213 in 1972 for decriminalizing homosexuality in Norway by depicting the life stories of inspiring leading individuals who actively fought in the background and the foreground against prejudicial moral jurisdiction, eventually leading to a more liberated society. It celebrates the glam of life produced outside the norm through democratic demands, parties, and activism in historical Norwegian queer underground culture, including sequins, joy, and humor. The exhibition, which, in addition, has also been presented for schools of all ages in Norway, aims to support these unwritten stories to surface in majoritarian storytelling with a widespread reach.\u003C\u002Fp>\n\u003Cp>The exhibition and its public programs have been produced and curated by the Fotogalleriet curatorial team. The exhibition is designed by Harald Lunde Helgesen, HAiKw\u002F. The book, available in Norwegian, edited by Bente Riise and designed by Den Luca, is published by Pitch Forlag.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>PUBLIC PROGRAMME\u003C\u002Fp>\n\u003Cp>03.05.2024, 17-17:30\u003C\u002Fp>\n\u003Cp>Performance by the artist and singer Nils Bech with the dancer Mathias Aas Stoltenberg [in English]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>04.05.2024, 12-13\u003C\u002Fp>\n\u003Cp>Conversation with the curators of the \u003Cem>Queer Icons\u003C\u002Fem> public programme, Miki Gebrelul and Håkon Lillegraven [in English]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>04.05.2024, 13-13:30\u003C\u002Fp>\n\u003Cp>Official ceremony and announcement of the Nordic PhotoBook Award winner [in English and in Italian]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>11.05.2024, 18-19\u003C\u002Fp>\n\u003Cp>Presentation by the writer Bjørn Hatterud [in English]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>18.05.2024, 17-18\u003C\u002Fp>\n\u003Cp>Guided tour of \u003Cem>Queer Icons\u003C\u002Fem> [in English and in Italian]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>19.05.2024, 12-13\u003C\u002Fp>\n\u003Cp>Guided tour of \u003Cem>Queer Icons\u003C\u002Fem> [in English and in Italian]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>25.05.2024, 18-19\u003C\u002Fp>\n\u003Cp>Book presentation \u003Cem>My body is my queer archive \u003C\u002Fem>with Tommaso Speretta. Introduction by prof. Alessio Ponzo\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>01.06.2024, 17-18\u003C\u002Fp>\n\u003Cp>Guided tour of \u003Cem>Queer Icons\u003C\u002Fem> [in English and in Italian]\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>02.06.2024, 12-13\u003C\u002Fp>\n\u003Cp>Guided tour of \u003Cem>Queer Icons\u003C\u002Fem> [in English and in Italian]\u003C\u002Fp>\n",{"self":1459,"collection":1464,"about":1466,"acf:post":1468,"wp:attachment":1473,"curies":1476},[1460],{"href":1461,"targetHints":1462},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F198",{"allow":1463},[84],[1465],{"href":87},[1467],{"href":90},[1469,1471],{"embeddable":23,"href":1470},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F137",{"embeddable":23,"href":1472},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F136",[1474],{"href":1475},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=198",[1477],{"name":99,"href":100,"templated":23},{"id":1479,"date":1480,"date_gmt":1480,"guid":1481,"modified":1483,"modified_gmt":1483,"slug":1484,"status":11,"type":12,"link":1485,"title":1486,"template":16,"class_list":1488,"acf":1490,"_links":1631},221,"2024-03-02T16:58:50",{"rendered":1482},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=221","2024-05-13T07:58:27","state-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fstate-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu\u002F",{"rendered":1487},"State of Emergency",[1489,12,19,20,21],"post-221",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1491,"to":1269,"start_time":16,"end_time":16,"media":1492,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":1610,"other_label":16,"other_label_en":16,"artist":1611,"location_type":61,"location":1619,"outdoor_location":75,"text_it":1627,"text_en":1628,"read_more_it":23,"read_more_en":23,"text_read_more_it":1629,"text_read_more_en":1630,"size":424,"exposed_off":57},"2024-04-10",[1493,1517,1536,1558,1575,1593],{"acf_fc_layout":29,"image":1494,"text_en":1515,"text_it":1516,"meta_data":57,"size":24},{"ID":1495,"id":1495,"title":1496,"filename":1497,"filesize":1498,"url":1499,"link":1500,"alt":16,"author":65,"description":16,"caption":16,"name":1501,"status":39,"uploaded_to":1479,"date":1502,"modified":1502,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1503,"height":1504,"sizes":1505,"didascalia_en":16},227,"Peter-Irungu-Njuguna_from-the-series-State-of-Emergency-–-Harakati-za-Mau-Mau-kwa-Haki,-Usawa-na-Ardhi-Yetu-(2014-2024)-©-Max-Pinckers,-et-al","Peter-Irungu-Njuguna_from-the-series-State-of-Emergency-–-Harakati-za-Mau-Mau-kwa-Haki-Usawa-na-Ardhi-Yetu-2014-2024-©-Max-Pinckers-et-al.jpg",2022932,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPeter-Irungu-Njuguna_from-the-series-State-of-Emergency-–-Harakati-za-Mau-Mau-kwa-Haki-Usawa-na-Ardhi-Yetu-2014-2024-©-Max-Pinckers-et-al.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fstate-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu\u002Fpeter-irungu-njuguna_from-the-series-state-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu-2014-2024-max-pinckers-et-al\u002F","peter-irungu-njuguna_from-the-series-state-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu-2014-2024-max-pinckers-et-al","2024-03-02 16:52:42",2864,3500,{"thumbnail":1506,"thumbnail-width":1507,"thumbnail-height":50,"medium":1508,"medium-width":1509,"medium-height":53,"medium_large":1499,"medium_large-width":54,"medium_large-height":1510,"large":1511,"large-width":1512,"large-height":537,"1536x1536":1499,"1536x1536-width":1513,"1536x1536-height":253,"2048x2048":1499,"2048x2048-width":1514,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPeter-Irungu-Njuguna_from-the-series-State-of-Emergency-–-Harakati-za-Mau-Mau-kwa-Haki-Usawa-na-Ardhi-Yetu-2014-2024-©-Max-Pinckers-et-al-123x150.jpg",123,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPeter-Irungu-Njuguna_from-the-series-State-of-Emergency-–-Harakati-za-Mau-Mau-kwa-Haki-Usawa-na-Ardhi-Yetu-2014-2024-©-Max-Pinckers-et-al-491x600.jpg",491,939,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPeter-Irungu-Njuguna_from-the-series-State-of-Emergency-–-Harakati-za-Mau-Mau-kwa-Haki-Usawa-na-Ardhi-Yetu-2014-2024-©-Max-Pinckers-et-al-1637x2000.jpg",1637,1257,1676,"\u003Cp>Peter Irungu Njuguna, MMWVA Murang’a, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>From the series \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>Peter Irungu Njuguna, MMWVA Murang’a, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>Dalla serie \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1518,"text_en":1534,"text_it":1535,"meta_data":57,"size":73},{"ID":1519,"id":1519,"title":1520,"filename":1521,"filesize":1522,"url":1523,"link":1524,"alt":16,"author":65,"description":16,"caption":16,"name":1525,"status":39,"uploaded_to":1479,"date":1526,"modified":1526,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1527,"height":1528,"sizes":1529,"didascalia_en":16},224,"Gitoro-Cave_2","Gitoro-Cave_2.jpg",2780216,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGitoro-Cave_2.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fstate-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu\u002Fgitoro-cave_2\u002F","gitoro-cave_2","2024-03-02 16:52:38",2700,3300,{"thumbnail":1530,"thumbnail-width":1507,"thumbnail-height":50,"medium":1531,"medium-width":1509,"medium-height":53,"medium_large":1523,"medium_large-width":54,"medium_large-height":1510,"large":1532,"large-width":1533,"large-height":537,"1536x1536":1523,"1536x1536-width":1513,"1536x1536-height":253,"2048x2048":1523,"2048x2048-width":1514,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGitoro-Cave_2-123x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGitoro-Cave_2-491x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGitoro-Cave_2-1636x2000.jpg",1636,"\u003Cp>Peter Irungu Njuguna, John Mwangi and Paul Mwangi Mwenja (left to right), Gitoro Cave, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>From the series \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>Peter Irungu Njuguna, John Mwangi and Paul Mwangi Mwenja (left to right), Gitoro Cave, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>Dalla serie \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1537,"text_en":1556,"text_it":1557,"meta_data":57,"size":424},{"ID":1538,"id":1538,"title":1539,"filename":1540,"filesize":1541,"url":1542,"link":1543,"alt":16,"author":65,"description":16,"caption":16,"name":1544,"status":39,"uploaded_to":1479,"date":1545,"modified":1545,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1528,"height":1546,"sizes":1547,"didascalia_en":16},225,"Members-of-the-Mau-Mau-War-","Members-of-the-Mau-Mau-War-.jpg",1278393,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMembers-of-the-Mau-Mau-War-.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fstate-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu\u002Fmembers-of-the-mau-mau-war\u002F","members-of-the-mau-mau-war","2024-03-02 16:52:39",1760,{"thumbnail":1548,"thumbnail-width":50,"thumbnail-height":1549,"medium":1550,"medium-width":53,"medium-height":1551,"medium_large":1542,"medium_large-width":54,"medium_large-height":1552,"large":1553,"large-width":252,"large-height":55,"1536x1536":1542,"1536x1536-width":253,"1536x1536-height":1554,"2048x2048":1542,"2048x2048-width":254,"2048x2048-height":1555},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMembers-of-the-Mau-Mau-War--150x80.jpg",80,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMembers-of-the-Mau-Mau-War--600x320.jpg",320,410,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMembers-of-the-Mau-Mau-War--2000x1067.jpg",819,1092,"\u003Cp>The Mau Mau War Veterans Association, Murang’a, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>From the series \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>The Mau Mau War Veterans Association, Murang’a, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>Dalla serie \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1559,"text_en":1573,"text_it":1574,"meta_data":57,"size":73},{"ID":1560,"id":1560,"title":1561,"filename":1562,"filesize":1563,"url":1564,"link":1565,"alt":16,"author":65,"description":16,"caption":16,"name":1566,"status":39,"uploaded_to":1479,"date":1567,"modified":1567,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1504,"height":1503,"sizes":1568,"didascalia_en":16},222,"Beninah-Wanjugu-Kamujeru_2","Beninah-Wanjugu-Kamujeru_2.jpg",2264503,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBeninah-Wanjugu-Kamujeru_2.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fstate-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu\u002Fbeninah-wanjugu-kamujeru_2\u002F","beninah-wanjugu-kamujeru_2","2024-03-02 16:52:34",{"thumbnail":1569,"thumbnail-width":50,"thumbnail-height":1507,"medium":1570,"medium-width":53,"medium-height":1509,"medium_large":1564,"medium_large-width":54,"medium_large-height":234,"large":1571,"large-width":252,"large-height":1572,"1536x1536":1564,"1536x1536-width":253,"1536x1536-height":1513,"2048x2048":1564,"2048x2048-width":254,"2048x2048-height":1514},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBeninah-Wanjugu-Kamujeru_2-150x123.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBeninah-Wanjugu-Kamujeru_2-600x491.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBeninah-Wanjugu-Kamujeru_2-2000x1637.jpg",1572,"\u003Cp>Beninah Wanjugu Kamujeru, John Mwangi, Ndungu Ngondi (1939-2023), Joseph Gachina and Wilfred K. Maina (left to right), MMWVA Murang’a, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>From the series \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMMWVA\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>Beninah Wanjugu Kamujeru, John Mwangi, Ndungu Ngondi (1939-2023), Joseph Gachina and Wilfred K. Maina (da sinistra a destra), MMWVA Murang’a, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>Dalla serie \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. 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(2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMuthoni wa Kirima\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>Field Marshal Muthoni wa Kirima, Nyeri, Kenya, 2019.\u003C\u002Fp>\n\u003Cp>Dalla serie \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003C\u002Fp>\n\u003Cp>© Max Pinckers\u002FMuthoni wa Kirima\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1594,"text_en":1608,"text_it":1609,"meta_data":57,"size":424},{"ID":1595,"id":1595,"title":1596,"filename":1597,"filesize":1598,"url":1599,"link":1600,"alt":16,"author":65,"description":16,"caption":16,"name":1601,"status":39,"uploaded_to":1479,"date":1602,"modified":1602,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1528,"height":1527,"sizes":1603,"didascalia_en":16},226,"Nyeri-County-Archives_","Nyeri-County-Archives_.jpg",2827178,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNyeri-County-Archives_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fstate-of-emergency-harakati-za-mau-mau-kwa-haki-usawa-na-ardhi-yetu\u002Fnyeri-county-archives_\u002F","nyeri-county-archives_","2024-03-02 16:52:40",{"thumbnail":1604,"thumbnail-width":50,"thumbnail-height":1507,"medium":1605,"medium-width":53,"medium-height":1509,"medium_large":1599,"medium_large-width":54,"medium_large-height":234,"large":1606,"large-width":252,"large-height":1607,"1536x1536":1599,"1536x1536-width":253,"1536x1536-height":1513,"2048x2048":1599,"2048x2048-width":254,"2048x2048-height":1514},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNyeri-County-Archives_-150x123.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNyeri-County-Archives_-600x491.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNyeri-County-Archives_-2000x1636.jpg",1571,"\u003Cp>Nyeri County Archives, Nyeri Museum, Ruringu, Kenya, 2015. From the series \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003Cspan class=\"Apple-converted-space\"> \u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>Nyeri County Archives, Nyeri Museum, Ruringu, Kenya, 2015. Dalla serie \u003Ci>State of Emergency\u003C\u002Fi>, Max Pinckers et al. (2014-2024)\u003C\u002Fp>\n","Salvatore Vitale",[1612],{"ID":1613,"post_author":65,"post_date":1614,"post_date_gmt":1614,"post_content":16,"post_title":1615,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1616,"to_ping":16,"pinged":16,"post_modified":1617,"post_modified_gmt":1617,"post_content_filtered":16,"post_parent":41,"guid":1618,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},144,"2024-03-02 13:43:45","Max Pinckers","max-pinckers","2024-04-08 09:26:46","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=144",[1620],{"ID":1621,"post_author":65,"post_date":1622,"post_date_gmt":1622,"post_content":16,"post_title":1623,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1624,"to_ping":16,"pinged":16,"post_modified":1625,"post_modified_gmt":1625,"post_content_filtered":16,"post_parent":41,"guid":1626,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},145,"2024-03-02 13:45:08","Palazzo Madama — Museo Civico d’Arte Antica","palazzo-madama-museo-civico-darte-antica","2024-05-01 13:30:11","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=145","\u003Cp>\u003Cem>State of Emergency – Harakati za Mau Mau kwa Haki, Usawa na Ardhi Yetu\u003C\u002Fem> è un progetto documentaristico in corso, realizzato in collaborazione con i veterani di guerra Mau Mau e con i kenioti sopravvissuti alle atrocità del colonialismo. Attraverso rievocazioni dal vivo o “dimostrazioni”, viene creata una (ri)visualizzazione della lotta per l’indipendenza dal dominio coloniale britannico negli anni ‘50, mostrando le esperienze passate nel presente, pensando a un pubblico futuro. Poiché la maggior parte degli archivi coloniali è stata deliberatamente distrutta, nascosta o manipolata, il progetto cerca di fare luce sugli angoli ciechi della storia, creando nuovi “documenti immaginati” che colmino le lacune degli archivi storici.\u003C\u002Fp>\n","\u003Cp>\u003Cem>State of Emergency – Harakati za Mau Mau kwa Haki, Usawa na Ardhi Yetu\u003C\u002Fem> is an ongoing documentary project in collaboration with Mau Mau war veterans and Kenyans who survived colonial atrocities. Through live re-enactments or ‘demonstrations’, a (re)visualisation of the struggle for independence from British colonial rule in the 1950s is created, showing past experiences in present days, with a future audience in mind. As most colonial archives have been deliberately destroyed, hidden or manipulated, the project seeks to shed light on the blind spots of history by creating new ‘imagined documents’ that fill the gaps in the historical archives.\u003C\u002Fp>\n","\u003Cp>\u003Cem>State of Emergency\u003C\u002Fem> intreccia archivi coloniali frammentari, fotografie di resti architettonici e simbolici del passato, siti di fosse comuni, dimostrazioni e testimonianze di chi ha vissuto ed è sopravvissuto alla guerra.\u003C\u002Fp>\n\u003Cp>\u003Cem>State of Emergency\u003C\u002Fem> è un tentativo collaborativo di ricostruire e reimmaginare possibili futuri di riparazione e riconciliazione. Con la collaborazione del National Museums of Kenya e ai membri della Mau Mau War Veterans Association, il progetto fornisce una risposta collettiva volta a curare, senza cancellare, le ferite ancora aperte della violenza coloniale, creando uno strumento riparatore che, attraverso il mezzo fotografico, racconta ai potenti la verità di chi l’ha vissuta.\u003C\u002Fp>\n","\u003Cp>\u003Cem>State of Emergency\u003C\u002Fem> weaves together fragmentary colonial archives, photographs of architectural and symbolic remains from the past, mass grave sites, demonstrations and testimonies of those who lived through and survived the war.\u003C\u002Fp>\n\u003Cp>\u003Cem>State of Emergency\u003C\u002Fem> is a collaborative attempt at reconstructing and reimagining possible futures of reparation and reconciliation. With the collaboration of the National Museums of Kenya and Mau Mau War Veterans Association **members, the project provides a collective response to heal, without erasing, the still open wounds of colonial violence, creating a restorative tool that, through the medium of photography, tells the powerful the truth of those who lived through it.\u003C\u002Fp>\n",{"self":1632,"collection":1637,"about":1639,"acf:post":1641,"wp:attachment":1646,"curies":1649},[1633],{"href":1634,"targetHints":1635},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F221",{"allow":1636},[84],[1638],{"href":87},[1640],{"href":90},[1642,1644],{"embeddable":23,"href":1643},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F145",{"embeddable":23,"href":1645},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F144",[1647],{"href":1648},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=221",[1650],{"name":99,"href":100,"templated":23},{"id":1652,"date":1653,"date_gmt":1653,"guid":1654,"modified":1656,"modified_gmt":1656,"slug":1657,"status":11,"type":12,"link":1658,"title":1659,"template":16,"class_list":1661,"acf":1663,"_links":1701},660,"2024-04-17T19:59:26",{"rendered":1655},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=660","2024-05-13T07:59:59","exposed-talks","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-talks\u002F",{"rendered":1660},"EXPOSED TALKS",[1662,12,19,20,21],"post-660",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":24,"public_program_typology":57,"from":1664,"to":1665,"start_time":16,"end_time":16,"media":1666,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":1679,"outdoor_location":75,"text_it":1697,"text_en":1698,"read_more_it":23,"read_more_en":23,"text_read_more_it":1699,"text_read_more_en":1700,"size":424,"exposed_off":57},"2024-05-03","2024-05-11",[1667],{"acf_fc_layout":29,"image":1668,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":1669,"id":1669,"title":1670,"filename":1671,"filesize":1672,"url":1673,"link":1674,"alt":16,"author":24,"description":16,"caption":16,"name":1670,"status":39,"uploaded_to":1652,"date":1675,"modified":1675,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":537,"height":537,"sizes":1676,"didascalia_en":16},761,"_replicate-prediction-2r7ruv3bjm6dsekwkxrjpmvtam-transformed-2000x2000","replicate-prediction-2r7ruv3bjm6dsekwkxrjpmvtam-transformed-2000x2000-1.jpg",315775,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Freplicate-prediction-2r7ruv3bjm6dsekwkxrjpmvtam-transformed-2000x2000-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-talks\u002F_replicate-prediction-2r7ruv3bjm6dsekwkxrjpmvtam-transformed-2000x2000\u002F","2024-04-17 20:45:30",{"thumbnail":1677,"thumbnail-width":50,"thumbnail-height":50,"medium":1678,"medium-width":53,"medium-height":53,"medium_large":1673,"medium_large-width":54,"medium_large-height":54,"large":1673,"large-width":252,"large-height":252,"1536x1536":1673,"1536x1536-width":253,"1536x1536-height":253,"2048x2048":1673,"2048x2048-width":537,"2048x2048-height":537},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Freplicate-prediction-2r7ruv3bjm6dsekwkxrjpmvtam-transformed-2000x2000-1-150x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Freplicate-prediction-2r7ruv3bjm6dsekwkxrjpmvtam-transformed-2000x2000-1-600x600.jpg",[1680,1687,1688,1689,1696],{"ID":1681,"post_author":24,"post_date":1682,"post_date_gmt":1682,"post_content":16,"post_title":1683,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1684,"to_ping":16,"pinged":16,"post_modified":1685,"post_modified_gmt":1685,"post_content_filtered":16,"post_parent":41,"guid":1686,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},83,"2024-02-27 17:22:41","Cinema Massimo – Museo Nazionale del Cinema","cinema-massimo","2026-02-28 12:48:53","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=83",{"ID":188,"post_author":24,"post_date":189,"post_date_gmt":189,"post_content":16,"post_title":190,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":191,"to_ping":16,"pinged":16,"post_modified":192,"post_modified_gmt":192,"post_content_filtered":16,"post_parent":41,"guid":193,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},{"ID":364,"post_author":37,"post_date":365,"post_date_gmt":365,"post_content":16,"post_title":366,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":367,"to_ping":16,"pinged":16,"post_modified":368,"post_modified_gmt":368,"post_content_filtered":16,"post_parent":41,"guid":369,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},{"ID":1690,"post_author":65,"post_date":1691,"post_date_gmt":1691,"post_content":16,"post_title":1692,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1693,"to_ping":16,"pinged":16,"post_modified":1694,"post_modified_gmt":1694,"post_content_filtered":16,"post_parent":41,"guid":1695,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},363,"2024-03-03 13:36:59","OFF TOPIC","jazz-club-off-topic","2024-05-01 13:28:25","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=363",{"ID":1448,"post_author":65,"post_date":1449,"post_date_gmt":1449,"post_content":16,"post_title":1450,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1451,"to_ping":16,"pinged":16,"post_modified":1452,"post_modified_gmt":1452,"post_content_filtered":16,"post_parent":41,"guid":1453,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cdiv class=\"page\" title=\"Page 1\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>\u003Cspan style=\"font-weight: 400;\">Il talk program\u003C\u002Fspan> \u003Cspan style=\"font-weight: 400;\">pensato per le giornate inaugurali si sviluppa lungo quattro filoni di ricerca indipendenti, che comprendono: \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Etica e politica della rappresentazione; Nuovi paesaggi: intelligenza artificiale, tecnologia e immagini; Diffusione e industria fotografica; Artist Talks: In Transition\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">. I curatori e gli artisti presenti in mostra si confronteranno insieme a professionisti del mondo della fotografia sulle macro tematiche delineate, moderati da giornalisti e photoeditor di calibro nazionale e internazionale. L’obiettivo degli incontri è riuscire ad inquadrare, da prospettive diverse, il ruolo, in continua crescita, che la fotografia esercita sulle dinamiche sociali, politiche e culturali attuali.\u003C\u002Fspan>\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">The talk programme conceived for the opening days, follows four independent lines of research, including: \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Ethics and the politics of representation; New Landscapes: AI, technology and images; Circulation and photographic industry; and Artist Talks: In Transition\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">. Curators and artists featured in the exhibition will discuss with professionals from the world of photography on the issues outlined, while being moderated by journalists and photo editors of national and international caliber. The purpose of the meetings is to be able to frame, from different perspectives, the ever-growing role that photography plays in today’s social, political and cultural dynamics.\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 10:00–11:00\u003Cbr \u002F>\nPolitics of representation: New Ontologies and Critical Discourses in Visual Narratives\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Zoé Samudszi, Azu Nwagbogu, Marcus Tebogo Desando\u003Cbr \u002F>\nmodera Matteo Mottin\u003Cbr \u002F>\npresso Aula Magna Cavallerizza Reale\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 11:30–12:30\u003Cbr \u002F>\nThird and Fourth dimension: Photography intersecting with Media Art\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Simone Santilli, Domenico Quaranta, Simone C Niquille\u003Cbr \u002F>\nmodera Rica Cerbarano\u003Cbr \u002F>\npresso Gallerie d’Italia, Sala Turinetti\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 12:00–13:00\u003Cbr \u002F>\nOur Photographic Future Between the Eye and AI\u003C\u002Fstrong>\u003Cbr \u002F>\nkeynote di Joanna Zylinska\u003Cbr \u002F>\npresso Aula Magna Cavallerizza Reale\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 15:00–18:00\u003Cbr \u002F>\nTender Loving Care\u003C\u002Fstrong>\u003Cbr \u002F>\nby Kalina Pulit\u003Cbr \u002F>\nconversazione con l’artista\u003Cbr \u002F>\npresso Cinema Massimo\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 15:30–16:30\u003Cbr \u002F>\nReal Abstractions: Reconsidering Realism Role in Documentary Practices\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Maurizio Lazzarato\u003Cbr \u002F>\nmoderano Julia Gelshorn e Wolfgang Brückle\u003Cbr \u002F>\npresso Aula Magna Cavallerizza Reale\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 16:00–17:00\u003Cbr \u002F>\nAI, law and photography\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Simone Arcagni, Emanuela Truffo, Gaia Tedone\u003Cbr \u002F>\nmodera Giangavino Pazzola\u003Cbr \u002F>\npowered by Jacobacci Avvocati\u003Cbr \u002F>\npresso Gallerie d’Italia, Sala Turinetti\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 18:00–20:00\u003Cbr \u002F>\nThe Lure of the Image: Cheated by an Image\u003C\u002Fstrong>\u003Cbr \u002F>\nPerformance live di Marco De Mutiis con Alessandra Nappo, Gwendolyn  Fässler e Moonfish\u003Cbr \u002F>\na cura di Fotomuseum Winterthur\u003Cbr \u002F>\npresso OFF TOPIC\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>04.05.2024, 10:00–11:00\u003Cbr \u002F>\nExpanded Scenarios, Modes, and Approaches to Documents and Documentary Practices\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Lebohang Kganye, Lisa Barnard, Mathieu Asselin, Mónica de Miranda\u003Cbr \u002F>\nmodera Benedetta Cestelli Guidi\u003Cbr \u002F>\npresso Salone d’Onore Accademia Albertina\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>04.05.2024, 12:00–13:00\u003Cbr \u002F>\nUnlocking Visual Narratives: Strategies for Publishing Photography in Today’s Multimedia World\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Emma Bowkett, Elisa Medde, Alessia Glaviano\u003Cbr \u002F>\npresso Salone d’Onore Accademia Albertina\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>04.05.2024, 15:00–18:00\u003Cbr \u002F>\nExperimental narrative forms: between moving and still images: Grasshopper Republic\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Daniel McCabe, Michele Sibiloni\u003Cbr \u002F>\npresso Cinema Massimo\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>04.05.2024, 15:30–16:30\u003Cbr \u002F>\nState of Emergency: Mau Mau Movement for Justice, Equality and Our Land\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Max Pinckers, Julius Gilbert Kimari, Peter Irungu Njuguna, Paul Mwangi Simon Mwenja\u003Cbr \u002F>\npresso Salone d’Onore Accademia Albertina\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>05.05.2024, 15:00–18:00\u003Cbr \u002F>\nWild Alchemy Lab\u003C\u002Fstrong>\u003Cbr \u002F>\nconversazione con l’artista e performance\u003Cbr \u002F>\npresso Cinema Massimo\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>11.05.2024, 11:00-12:00\u003Cbr \u002F>\nPresentazione del libro: Landscape with(out) Locus\u003C\u002Fstrong>\u003Cbr \u002F>\ncon Eva Leitolf e Giulia Cordin\u003Cbr \u002F>\npresso Gallerie d’Italia – Spazio Arena\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>11.05.2024, 16:00-17:00\u003Cbr \u002F>\nThe shadow cone: where democracy ends and censorship begins \u003C\u002Fstrong>\u003Cbr \u002F>\ncon Shahidul Alam and Yasmine Eid-Sabbagh\u003Cbr \u002F>\npresso MAO Museo d’Arte Orientale\u003C\u002Fp>\n","\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 10:00–11:00\u003Cbr \u002F>\n\u003Cstrong>Politics of representation: New Ontologies and Critical Discourses in Visual Narratives\u003C\u002Fstrong>\u003Cbr \u002F>\n\u003C\u002Fstrong>with Zoé Samudzi, Azu Nwagbogu, Marcus Tebogo Desando\u003Cbr \u002F>\nin conversation with Matteo Mottin\u003Cbr \u002F>\nat Aula Magna Cavallerizza Reale\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 11:30–12:30\u003Cbr \u002F>\nThird and Fourth dimension: Photography intersecting with Media Art\u003C\u002Fstrong>\u003Cbr \u002F>\nwith Simone Santilli, Domenico Quaranta, Simone C Niquille\u003Cbr \u002F>\nin conversation with Rica Cerbarano\u003Cbr \u002F>\nat Gallerie d’Italia, Sala Turinetti\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 12:00–13:00\u003Cbr \u002F>\nOur Photographic Future Between the Eye and AI\u003C\u002Fstrong>\u003Cbr \u002F>\nkeynote by Joanna Zylinska\u003Cbr \u002F>\nat Aula Magna Cavallerizza Reale\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 15:00–18:00\u003Cbr \u002F>\nTender Loving Care by Kalina Pulit\u003C\u002Fstrong>\u003Cbr \u002F>\nconversation with the artist\u003Cbr \u002F>\nat Cinema Massimo\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 15:30–16:30\u003Cbr \u002F>\nReal Abstractions: Reconsidering Realism Role in Documentary Practices\u003C\u002Fstrong>\u003Cbr \u002F>\nwith Maurizio Lazzarato\u003Cbr \u002F>\nin conversation with Julia Gelshorn and Wolfgang Brückle\u003Cbr \u002F>\nat Aula Magna Cavallerizza Reale\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 16:00-17:00\u003Cbr \u002F>\nAI, law and photography\u003C\u002Fstrong>\u003Cbr \u002F>\nwith Simone Arcagni, Emanuela Truffo, Gaia Tedone\u003Cbr \u002F>\nin conversation with Giangavino Pazzola\u003Cbr \u002F>\npowered by Jacobacci Avvocati\u003Cbr \u002F>\nat Gallerie d’Italia, Sala Turinetti\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>03.05.2024, 18:00-20:00\u003Cbr \u002F>\nThe Lure of the Image: Cheated by an Image\u003C\u002Fstrong>\u003Cbr \u002F>\nLive performance by Marco De Mutiis with Alessandra Nappo, Gwendolyn  Fässler and Moonfish\u003Cbr \u002F>\ncurated by Fotomuseum Winterthur\u003Cbr \u002F>\nat OFF TOPIC\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>04.05.2024, 10:00-11:00\u003Cbr \u002F>\nExpanded Scenarios, Modes, and Approaches to Documents and Documentary Practices\u003C\u002Fstrong>\u003Cbr \u002F>\nwith Lebohang Kganye, Lisa Barnard, Mathieu Asselin, Mónica de Miranda\u003Cbr \u002F>\nin conversation with Benedetta Cestelli Guidi\u003Cbr \u002F>\nat Salone d’Onore Accademia Albertina\u003C\u002Fp>\n\u003Cp style=\"text-align: center;\">\u003Cstrong>04.05.2024, 12:00-13:00\u003Cbr \u002F>\nUnlocking Visual Narratives: Strategies for Publishing Photography in Today’s Multimedia World\u003Cbr \u002F>\n\u003C\u002Fstrong>with Emma Bowkett, Elisa Medde, Alessia Glaviano\u003Cbr \u002F>\nin conversation with Maurizio Fiorino\u003Cbr 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Orientale\u003C\u002Fp>\n",{"self":1702,"collection":1707,"about":1709,"acf:post":1711,"wp:attachment":1719,"curies":1722},[1703],{"href":1704,"targetHints":1705},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F660",{"allow":1706},[84],[1708],{"href":87},[1710],{"href":90},[1712,1713,1715,1716,1717],{"embeddable":23,"href":1470},{"embeddable":23,"href":1714},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F363",{"embeddable":23,"href":386},{"embeddable":23,"href":210},{"embeddable":23,"href":1718},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F83",[1720],{"href":1721},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=660",[1723],{"name":99,"href":100,"templated":23},{"id":241,"date":1725,"date_gmt":1725,"guid":1726,"modified":1728,"modified_gmt":1728,"slug":1729,"status":11,"type":12,"link":1730,"title":1731,"template":16,"class_list":1733,"acf":1735,"_links":1999},"2024-03-13T18:33:21",{"rendered":1727},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=627","2025-01-26T20:20:45","exposed-photomatch","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002F",{"rendered":1732},"Photomatch",[1734,12,19,20,21],"post-627",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":114,"public_program_typology":57,"from":1664,"to":1736,"start_time":1737,"end_time":1738,"media":1739,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":1992,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":1993,"outdoor_location":75,"text_it":1995,"text_en":1996,"read_more_it":23,"read_more_en":23,"text_read_more_it":1997,"text_read_more_en":1998,"size":24,"exposed_off":57},"2024-05-04","10:00:00","13:00:00",[1740,1763,1780,1795,1811,1828,1845,1867,1883,1900,1920,1935,1952,1972],{"acf_fc_layout":29,"image":1741,"text_en":1761,"text_it":1762,"meta_data":57,"size":73},{"ID":1742,"id":1742,"title":1743,"filename":1744,"filesize":1745,"url":1746,"link":1747,"alt":16,"author":24,"description":16,"caption":16,"name":1748,"status":39,"uploaded_to":241,"date":1749,"modified":1749,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1750,"height":1751,"sizes":1752,"didascalia_en":16},702,"300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-(1)","300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-1.jpg",515052,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002F300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-2\u002F","300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-2","2024-04-01 16:19:14",1655,2500,{"thumbnail":1753,"thumbnail-width":1349,"thumbnail-height":50,"medium":1754,"medium-width":1755,"medium-height":53,"medium_large":1746,"medium_large-width":54,"medium_large-height":1756,"large":1757,"large-width":1758,"large-height":537,"1536x1536":1746,"1536x1536-width":1759,"1536x1536-height":253,"2048x2048":1746,"2048x2048-width":1760,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-1-99x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-1-397x600.jpg",397,1160,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F300_replicate-prediction-ss2hrttbqhus5dmduh5jzmmdbm-transformed-1-1-1324x2000.jpg",1324,1017,1356,"\u003Cp>EXPOSED Photomatch\u003C\u002Fp>\n\u003Cp>2024\u003C\u002Fp>\n\u003Cp>Archive image\u003C\u002Fp>\n","\u003Cp>EXPOSED PHOTOMATCH\u003C\u002Fp>\n\u003Cp>2024\u003C\u002Fp>\n\u003Cp>Archive image\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1764,"text_en":1779,"text_it":1779,"meta_data":57,"size":24},{"ID":1765,"id":1765,"title":1766,"filename":1767,"filesize":1768,"url":1769,"link":1770,"alt":16,"author":24,"description":16,"caption":16,"name":1771,"status":39,"uploaded_to":241,"date":1772,"modified":1772,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1775,"height":1775,"sizes":1776,"didascalia_en":16},690,"Ilaria Campioli","Ilaria-Campioli.png",1864339,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIlaria-Campioli.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Filaria-campioli\u002F","ilaria-campioli","2024-04-01 14:49:25","image\u002Fpng","png",1410,{"thumbnail":1777,"thumbnail-width":50,"thumbnail-height":50,"medium":1778,"medium-width":53,"medium-height":53,"medium_large":1769,"medium_large-width":54,"medium_large-height":54,"large":1769,"large-width":1775,"large-height":1775,"1536x1536":1769,"1536x1536-width":1775,"1536x1536-height":1775,"2048x2048":1769,"2048x2048-width":1775,"2048x2048-height":1775},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIlaria-Campioli-150x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FIlaria-Campioli-600x600.png","\u003Cp>Ilaria Campioli\u003Cbr \u002F>\ncurator of photography section Musei Civici, and co-curator Giovane Fotografia Italiana, Premio Luigi Ghirri, Reggio Emilia, Italy\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1781,"text_en":1794,"text_it":1794,"meta_data":57,"size":24},{"ID":1782,"id":1782,"title":1783,"filename":1784,"filesize":1785,"url":1786,"link":1787,"alt":16,"author":24,"description":16,"caption":16,"name":1788,"status":39,"uploaded_to":241,"date":1789,"modified":1789,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1790,"height":1790,"sizes":1791,"didascalia_en":16},693,"Krzysztof Candrowicz","Krzysztof-Candrowicz.png",2289053,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FKrzysztof-Candrowicz.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fkrzysztof-candrowicz\u002F","krzysztof-candrowicz","2024-04-01 14:51:55",1866,{"thumbnail":1792,"thumbnail-width":50,"thumbnail-height":50,"medium":1793,"medium-width":53,"medium-height":53,"medium_large":1786,"medium_large-width":54,"medium_large-height":54,"large":1786,"large-width":1790,"large-height":1790,"1536x1536":1786,"1536x1536-width":253,"1536x1536-height":253,"2048x2048":1786,"2048x2048-width":1790,"2048x2048-height":1790},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FKrzysztof-Candrowicz-150x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FKrzysztof-Candrowicz-600x600.png","\u003Cp>Krzysztof Candrowicz\u003Cbr \u002F>\ncurator and co-founder of Fotofestiwal in Lodz, Poland\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1796,"text_en":1810,"text_it":1810,"meta_data":57,"size":73},{"ID":1797,"id":1797,"title":1798,"filename":1799,"filesize":1800,"url":1801,"link":1802,"alt":16,"author":24,"description":16,"caption":16,"name":1803,"status":39,"uploaded_to":241,"date":1804,"modified":1804,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1805,"height":1806,"sizes":1807,"didascalia_en":16},687,"Antonio Carloni","Antonio-Carloni.png",955762,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FAntonio-Carloni.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fantonio-carloni\u002F","antonio-carloni","2024-04-01 14:46:11",1107,1660,{"thumbnail":1808,"thumbnail-width":247,"thumbnail-height":50,"medium":1809,"medium-width":249,"medium-height":53,"medium_large":1801,"medium_large-width":54,"medium_large-height":1287,"large":1801,"large-width":1805,"large-height":1806,"1536x1536":1801,"1536x1536-width":55,"1536x1536-height":253,"2048x2048":1801,"2048x2048-width":1805,"2048x2048-height":1806},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FAntonio-Carloni-100x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FAntonio-Carloni-400x600.png","\u003Cp>Antonio Carloni\u003Cbr \u002F>\ndeputy director of Gallerie d’Italia, \u2028Turin, Italy\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1812,"text_en":1827,"text_it":1827,"meta_data":57,"size":73},{"ID":1813,"id":1813,"title":1814,"filename":1815,"filesize":1816,"url":1817,"link":1818,"alt":16,"author":24,"description":16,"caption":16,"name":1819,"status":39,"uploaded_to":241,"date":1820,"modified":1820,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1821,"height":1822,"sizes":1823,"didascalia_en":16},689,"fotogalleriet_Jan Khur_Winant-2852-2 1","fotogalleriet_Jan-Khur_Winant-2852-2-1.png",3242216,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffotogalleriet_Jan-Khur_Winant-2852-2-1.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Ffotogalleriet_jan-khur_winant-2852-2-1\u002F","fotogalleriet_jan-khur_winant-2852-2-1","2024-04-01 14:46:34",1719,2578,{"thumbnail":1824,"thumbnail-width":247,"thumbnail-height":50,"medium":1825,"medium-width":249,"medium-height":53,"medium_large":1817,"medium_large-width":54,"medium_large-height":1287,"large":1826,"large-width":802,"large-height":537,"1536x1536":1817,"1536x1536-width":55,"1536x1536-height":253,"2048x2048":1817,"2048x2048-width":803,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffotogalleriet_Jan-Khur_Winant-2852-2-1-100x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffotogalleriet_Jan-Khur_Winant-2852-2-1-400x600.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffotogalleriet_Jan-Khur_Winant-2852-2-1-1334x2000.png","\u003Cp>Antonio Cataldo\u003Cbr \u002F>\nartistic director of Fotogalleriet, \u2028Oslo, Norway\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1829,"text_en":1844,"text_it":1844,"meta_data":57,"size":24},{"ID":1830,"id":1830,"title":1831,"filename":1832,"filesize":1833,"url":1834,"link":1835,"alt":16,"author":24,"description":16,"caption":16,"name":1836,"status":39,"uploaded_to":241,"date":1837,"modified":1837,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1838,"height":1839,"sizes":1840,"didascalia_en":16},691,"Silvia Mangosio and Luca Vianello_MUCHO MAS!","Silvia-Mangosio-and-Luca-Vianello_MUCHO-MAS.png",1805999,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSilvia-Mangosio-and-Luca-Vianello_MUCHO-MAS.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fsilvia-mangosio-and-luca-vianello_mucho-mas\u002F","silvia-mangosio-and-luca-vianello_mucho-mas","2024-04-01 14:49:56",1377,2064,{"thumbnail":1841,"thumbnail-width":247,"thumbnail-height":50,"medium":1842,"medium-width":249,"medium-height":53,"medium_large":1834,"medium_large-width":54,"medium_large-height":606,"large":1843,"large-width":802,"large-height":537,"1536x1536":1834,"1536x1536-width":475,"1536x1536-height":253,"2048x2048":1834,"2048x2048-width":803,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSilvia-Mangosio-and-Luca-Vianello_MUCHO-MAS-100x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSilvia-Mangosio-and-Luca-Vianello_MUCHO-MAS-400x600.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSilvia-Mangosio-and-Luca-Vianello_MUCHO-MAS-1334x2000.png","\u003Cp>Silvia Mangosio and\u003Cbr \u002F>\nLuca Vianello\u003Cbr \u002F>\nfounders and curators of MUCHO MAS!, Turin, Italy\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1846,"text_en":1866,"text_it":1866,"meta_data":57,"size":424},{"ID":1847,"id":1847,"title":1848,"filename":1849,"filesize":1850,"url":1851,"link":1852,"alt":16,"author":24,"description":16,"caption":16,"name":1853,"status":39,"uploaded_to":241,"date":1854,"modified":1854,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1855,"height":1856,"sizes":1857,"didascalia_en":16},692,"Veronica Nicolardi © Daniele Ratti","Veronica-Nicolardi-©-Daniele-Ratti.png",2179126,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVeronica-Nicolardi-©-Daniele-Ratti.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fveronica-nicolardi-daniele-ratti\u002F","veronica-nicolardi-daniele-ratti","2024-04-01 14:50:32",2430,1820,{"thumbnail":1858,"thumbnail-width":50,"thumbnail-height":602,"medium":1859,"medium-width":53,"medium-height":1860,"medium_large":1851,"medium_large-width":54,"medium_large-height":1861,"large":1862,"large-width":252,"large-height":1863,"1536x1536":1851,"1536x1536-width":253,"1536x1536-height":1864,"2048x2048":1851,"2048x2048-width":254,"2048x2048-height":1865},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVeronica-Nicolardi-©-Daniele-Ratti-150x112.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVeronica-Nicolardi-©-Daniele-Ratti-600x449.png",449,575,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVeronica-Nicolardi-©-Daniele-Ratti-2000x1498.png",1438,1150,1534,"\u003Cp>Veronica Nicolardi\u003Cbr \u002F>\ndirector of Cortona on The Move, Cortona, Italy\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1868,"text_en":1882,"text_it":1882,"meta_data":57,"size":24},{"ID":1869,"id":1869,"title":1870,"filename":1871,"filesize":1872,"url":1873,"link":1874,"alt":16,"author":24,"description":16,"caption":16,"name":1875,"status":39,"uploaded_to":241,"date":1876,"modified":1876,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1877,"height":1878,"sizes":1879,"didascalia_en":16},688,"Femke Rotteveel by Helene Wiesenhaan","Femke-Rotteveel-by-Helene-Wiesenhaan.png",1235498,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFemke-Rotteveel-by-Helene-Wiesenhaan.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Ffemke-rotteveel-by-helene-wiesenhaan\u002F","femke-rotteveel-by-helene-wiesenhaan","2024-04-01 14:46:22",1098,1647,{"thumbnail":1880,"thumbnail-width":247,"thumbnail-height":50,"medium":1881,"medium-width":249,"medium-height":53,"medium_large":1873,"medium_large-width":54,"medium_large-height":1287,"large":1873,"large-width":1877,"large-height":1878,"1536x1536":1873,"1536x1536-width":55,"1536x1536-height":253,"2048x2048":1873,"2048x2048-width":1877,"2048x2048-height":1878},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFemke-Rotteveel-by-Helene-Wiesenhaan-100x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FFemke-Rotteveel-by-Helene-Wiesenhaan-400x600.png","\u003Cp>Femke Rotteveel\u003Cbr \u002F>\ndirector of Fotodok, Utrecht, the Netherlands\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1884,"text_en":1899,"text_it":1899,"meta_data":57,"size":73},{"ID":1885,"id":1885,"title":1886,"filename":1887,"filesize":1888,"url":1889,"link":1890,"alt":16,"author":24,"description":16,"caption":16,"name":1891,"status":39,"uploaded_to":241,"date":1892,"modified":1893,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1894,"height":1895,"sizes":1896,"didascalia_en":16},695,"Chiara Ruberti © Emanuele Camerini, 2024","Chiara-Ruberti-©-Emanuele-Camerini-2024.png",830480,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FChiara-Ruberti-©-Emanuele-Camerini-2024.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fchiara-ruberti-emanuele-camerini-2024\u002F","chiara-ruberti-emanuele-camerini-2024","2024-04-01 14:56:51","2024-04-01 14:58:21",1121,1494,{"thumbnail":1897,"thumbnail-width":49,"thumbnail-height":50,"medium":1898,"medium-width":52,"medium-height":53,"medium_large":1889,"medium_large-width":54,"medium_large-height":55,"large":1889,"large-width":1894,"large-height":1895,"1536x1536":1889,"1536x1536-width":1894,"1536x1536-height":1895,"2048x2048":1889,"2048x2048-width":1894,"2048x2048-height":1895},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FChiara-Ruberti-©-Emanuele-Camerini-2024-113x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FChiara-Ruberti-©-Emanuele-Camerini-2024-450x600.png","\u003Cp>Chiara Ruberti\u003Cbr \u002F>\ncurator of Photolux Festival, \u2028Lucca, Italy\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1901,"text_en":1919,"text_it":1919,"meta_data":57,"size":24},{"ID":1902,"id":1902,"title":1903,"filename":1904,"filesize":1905,"url":1906,"link":1907,"alt":16,"author":24,"description":16,"caption":16,"name":1908,"status":39,"uploaded_to":241,"date":1909,"modified":1893,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1910,"height":418,"sizes":1911,"didascalia_en":16},698,"M.Szymanska_fot","M.Szymanska_fot.png",1659497,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FM.Szymanska_fot.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fm-szymanska_fot\u002F","m-szymanska_fot","2024-04-01 14:57:07",2053,{"thumbnail":1912,"thumbnail-width":50,"thumbnail-height":1349,"medium":1913,"medium-width":53,"medium-height":1351,"medium_large":1906,"medium_large-width":54,"medium_large-height":1914,"large":1915,"large-width":252,"large-height":1916,"1536x1536":1906,"1536x1536-width":253,"1536x1536-height":1917,"2048x2048":1906,"2048x2048-width":254,"2048x2048-height":1918},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FM.Szymanska_fot-150x99.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FM.Szymanska_fot-600x395.png",505,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FM.Szymanska_fot-2000x1315.png",1262,1010,1347,"\u003Cp>Marta Szymańska\u003Cbr \u002F>\ncurator of Fotofestiwal, Lodz, Poland\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1921,"text_en":1934,"text_it":1934,"meta_data":57,"size":73},{"ID":1922,"id":1922,"title":1923,"filename":1924,"filesize":1925,"url":1926,"link":1927,"alt":16,"author":24,"description":16,"caption":16,"name":1928,"status":39,"uploaded_to":241,"date":1929,"modified":1893,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1930,"height":1930,"sizes":1931,"didascalia_en":16},694,"Alfio Tommasini","Alfio-Tommasini.png",384226,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FAlfio-Tommasini.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Falfio-tommasini\u002F","alfio-tommasini","2024-04-01 14:56:50",1578,{"thumbnail":1932,"thumbnail-width":50,"thumbnail-height":50,"medium":1933,"medium-width":53,"medium-height":53,"medium_large":1926,"medium_large-width":54,"medium_large-height":54,"large":1926,"large-width":1930,"large-height":1930,"1536x1536":1926,"1536x1536-width":253,"1536x1536-height":253,"2048x2048":1926,"2048x2048-width":1930,"2048x2048-height":1930},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FAlfio-Tommasini-150x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FAlfio-Tommasini-600x600.png","\u003Cp>Alfio Tommasini\u003Cbr \u002F>\nco-founder and director of Verzasca Foto, Verzasca Valley, Switzerland\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1936,"text_en":1951,"text_it":1951,"meta_data":57,"size":73},{"ID":1937,"id":1937,"title":1938,"filename":1939,"filesize":1940,"url":1941,"link":1942,"alt":16,"author":24,"description":16,"caption":16,"name":1943,"status":39,"uploaded_to":241,"date":1944,"modified":1944,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":417,"height":1945,"sizes":1946,"didascalia_en":16},700,"Segio Valenzuela-Escobedo_ by NicolaNoemiCopolla","Segio-Valenzuela-Escobedo_-by-NicolaNoemiCopolla.png",1209981,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSegio-Valenzuela-Escobedo_-by-NicolaNoemiCopolla.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Fsegio-valenzuela-escobedo_-by-nicolanoemicopolla-2\u002F","segio-valenzuela-escobedo_-by-nicolanoemicopolla-2","2024-04-01 14:58:51",1428,{"thumbnail":1947,"thumbnail-width":49,"thumbnail-height":50,"medium":1948,"medium-width":1949,"medium-height":53,"medium_large":1941,"medium_large-width":54,"medium_large-height":1950,"large":1941,"large-width":417,"large-height":1945,"1536x1536":1941,"1536x1536-width":417,"1536x1536-height":1945,"2048x2048":1941,"2048x2048-width":417,"2048x2048-height":1945},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSegio-Valenzuela-Escobedo_-by-NicolaNoemiCopolla-113x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSegio-Valenzuela-Escobedo_-by-NicolaNoemiCopolla-454x600.png",454,1015,"\u003Cp>Sergio Valenzuela-Escobedo\u003Cbr \u002F>\nresearcher works as a curator, \u2028Arles, France\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1953,"text_en":1971,"text_it":1971,"meta_data":57,"size":24},{"ID":1954,"id":1954,"title":1955,"filename":1956,"filesize":1957,"url":1958,"link":1959,"alt":16,"author":24,"description":16,"caption":16,"name":1960,"status":39,"uploaded_to":241,"date":1961,"modified":1962,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1963,"height":1964,"sizes":1965,"didascalia_en":16},696,"Elena Vaninetti","Elena-Vaninetti.png",1756777,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FElena-Vaninetti.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Felena-vaninetti\u002F","elena-vaninetti","2024-04-01 14:56:52","2024-04-01 14:59:49",1674,1728,{"thumbnail":1966,"thumbnail-width":1621,"thumbnail-height":50,"medium":1967,"medium-width":1968,"medium-height":53,"medium_large":1958,"medium_large-width":54,"medium_large-height":1969,"large":1958,"large-width":1963,"large-height":1964,"1536x1536":1958,"1536x1536-width":1970,"1536x1536-height":253,"2048x2048":1958,"2048x2048-width":1963,"2048x2048-height":1964},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FElena-Vaninetti-145x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FElena-Vaninetti-581x600.png",581,793,1488,"\u003Cp>Elena Vaninetti\u003Cbr \u002F>\nIndependent curator, Milan, Italy\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":1973,"text_en":1991,"text_it":1991,"meta_data":57,"size":424},{"ID":1974,"id":1974,"title":1975,"filename":1976,"filesize":1977,"url":1978,"link":1979,"alt":16,"author":24,"description":16,"caption":16,"name":1980,"status":39,"uploaded_to":241,"date":1981,"modified":1962,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":1982,"height":1983,"sizes":1984,"didascalia_en":16},697,"Lars Willumeit_©KhashayarJavanmardi_SW","Lars-Willumeit_©KhashayarJavanmardi_SW.png",4106422,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FLars-Willumeit_©KhashayarJavanmardi_SW.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-photomatch\u002Flars-willumeit_khashayarjavanmardi_sw\u002F","lars-willumeit_khashayarjavanmardi_sw","2024-04-01 14:56:55",2150,2688,{"thumbnail":1985,"thumbnail-width":421,"thumbnail-height":50,"medium":1986,"medium-width":423,"medium-height":53,"medium_large":1978,"medium_large-width":54,"medium_large-height":181,"large":1987,"large-width":1988,"large-height":537,"1536x1536":1978,"1536x1536-width":1989,"1536x1536-height":253,"2048x2048":1978,"2048x2048-width":1990,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FLars-Willumeit_©KhashayarJavanmardi_SW-120x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FLars-Willumeit_©KhashayarJavanmardi_SW-480x600.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FLars-Willumeit_©KhashayarJavanmardi_SW-1600x2000.png",1600,1229,1638,"\u003Cp>Lars Willumeit\u003Cbr \u002F>\ncurator, Zurich, Switzerland, from June 2024 Director of the Swiss Foundation for Photography, Winterthur, Switzerland\u003C\u002Fp>\n","FOTOFESTIWAL",[1994],{"ID":683,"post_author":24,"post_date":684,"post_date_gmt":684,"post_content":16,"post_title":685,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":686,"to_ping":16,"pinged":16,"post_modified":687,"post_modified_gmt":687,"post_content_filtered":16,"post_parent":41,"guid":688,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>EXPOSED Torino Foto Festival presenta una Portfolio Review unica nel suo genere. Dopo diverse edizioni di successo del Fotofestiwal di Lodz, in Polonia, i due festival uniscono le forze e portano questa formula innovativa nel 2024.\u003Cbr \u002F>\nLe candidature per l’edizione di quest’anno di EXPOSED \u003Ci>PHOTOMATCH: A Completely Different Portfolio Review\u003C\u002Fi> sono aperte e ci sono 13 posti disponibili!\u003C\u002Fp>\n\u003Cp>Se desideri partecipare e presentare il tuo lavoro ai nostri esperti, invia la candidatura fino al 10 aprile.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cdiv class=\"page\" title=\"Page 1\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>EXPOSED Torino Foto Festival calls for one of a kind Portfolio Review. After several successful editions in Fotofestiwal in Lodz, Poland, both festivals join forces and bring this innovative formula in 2024. The submissions for this year’s \u003Cem>EXPOSED PHOTOMATCH: A Completely Different Portfolio Review\u003C\u002Fem> are now open and we have \u003Cstrong>13 spots\u003C\u002Fstrong>! If you would like to participate and introduce your work to our reviewers, submit the application \u003Cstrong>until the 10th of April\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cp>EXPOSED PHOTOMATCH dà nuova vita alla formula tradizionale delle Portfolio Review, ponendo particolare enfasi su una serie di eventi di networking aperti e presentazioni pubbliche. EXPOSED PHOTOMATCH si basa su un modello democratico e inclusivo, gratuito, in cui esperti e artisti hanno lo stesso spazio per condividere e proporre le proprie esperienze, il proprio lavoro e le proprie motivazioni. Il nuovo format di Photomatch è stato creato da Fotofestiwal – Festival Internazionale di Fotografia di Lodz.\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Giorno 1\u003Cbr \u002F>\nPresentazioni e abbinamenti\u003C\u002Fstrong>\u003Cbr \u002F>\n\u003Cspan style=\"font-weight: 400;\">È il giorno dedicato ai fotografi e agli esperti per presentare brevemente se stessi, il proprio lavoro e pratica, dal vivo. L’evento è aperto al pubblico. \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Basandosi sulle presentazioni e le prime impressioni, successivamente, ogni partecipante sceglie 2 reviewers e ogni esperto sceglie 2 artisti con cui intende incontrarsi e condividere il lavoro. Alla fine di questa giornata ogni partecipante avrà 4 incontri programmati per il giorno successivo.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Giorno 2\u003Cbr \u002F>\nIncontri\u003C\u002Fstrong>\u003Cbr \u002F>\nTutti i partecipanti partecipano agli incontri privati, secondo il calendario generato in base alle scelte fatte il giorno precedente. Ogni fotografo ed esperto partecipa a 4 incontri. Per chi lo desidera – EXPOSED PHOTOMATCH si concluderà con 1 sessione extra aperta, un’occasione per conversare e scambiare idee con qualcuno con cui non era previsto un incontro.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>COME INVIARE\u003Cbr \u002F>\nLA CANDIDATURA?\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Col>\n\u003Cli>Compila il form online\u003Cspan class=\"Apple-converted-space\"> (\u003Ca href=\"https:\u002F\u002Fdocs.google.com\u002Fforms\u002Fd\u002Fe\u002F1FAIpQLSd581bAr-cUc0cr_PGEsvnU0dcXXwJVOeeiPN1KS-AbLMEyAQ\u002Fviewform?usp=sharing\">clicca qui\u003C\u002Fa>)\u003C\u002Fspan>\u003C\u002Fli>\n\u003Cli>Manda un’anteprima di 10 fotografie del progetto che desideri presentare durante la rassegna, in formato JPG o PNG, preferibilmente di dimensioni pari a 1920 px, in una mail separata all’indirizzo \u003Ca href=\"mailto:photomatch@exposed.photography\">photomatch@exposed.photography\u003C\u002Fa> entro il 10 aprile 2023, con oggetto: EXPOSED PHOTOMATCH APPLICATION FIRST NAME LAST NAME. I file non devono superare i 10MB totale.\u003C\u002Fli>\n\u003Cli>Non è prevista tassa di iscrizione.\u003C\u002Fli>\n\u003C\u002Fol>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>\u003Cstrong>ESPERTI\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Alfio Tommasini, co-fondatore e direttore di Verzasca Foto, Valle Verzasca, Svizzera\u003C\u002Fli>\n\u003Cli>Antonio Carloni, vicedirettore di Gallerie d’Italia – Torino, Italia\u003C\u002Fli>\n\u003Cli>Antonio Cataldo, direttore artistico di Fotogalleriet, Oslo, Norvegia\u003C\u002Fli>\n\u003Cli>Chiara Ruberti, co-direttrice and coordinatrice di Photolux, Lucca, Italia\u003C\u002Fli>\n\u003Cli>Elena Vaninetti, curatrice indipendente, Milano, Italia\u003C\u002Fli>\n\u003Cli>Femke Rotteveel, direttore di Fotodok, Utrecht, Paesi Bassi\u003C\u002Fli>\n\u003Cli>Ilaria Campioli, curatrice della sezione fotografia dei Musei Civici, co-curatrice di Giovane Fotografia Italiana, Premio Luigi Ghirri, Reggio Emilia, Italia\u003C\u002Fli>\n\u003Cli>Krzysztof Candrowicz – curatore and co-fondatore di Fotofestiwal, Lodz, Polonia, curatore e collaboratore di Ci.CLO Porto Biennale, Portogallo\u003C\u002Fli>\n\u003Cli>Lars Willumeit, curatore, Zurigo, Svizzera, da giugno 2024 Direttore di Swisss Foundation for Photography, Winterthur, Svizzera\u003C\u002Fli>\n\u003Cli>Marta Szymańska, curatrice Fotofestiwal, Lodz, Polonia\u003C\u002Fli>\n\u003Cli>Sergio Valenzuela-Escobedo, ricercatore e curatore, Arles, Francia\u003C\u002Fli>\n\u003Cli>Silvia Mangosio e Luca Vianello, fondatori e curatori di MUCHO MAS!, Torino, Italia\u003C\u002Fli>\n\u003Cli>Veronica Nicolardi, direttrice di Cortona on The Move, Cortona, Italia, co-direttrice di Yeast Photo Festival, Matino (Lecce), Italia\u003C\u002Fli>\n\u003C\u002Ful>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">The EXPOSED PHOTOMATCH model brings new life into the traditional formula of portfolio reviews by placing special emphasis on a series of open networking events and public presentations. EXPOSED PHOTOMATCH is based on a democratic and inclusive model, free of charge, in which experts and artists have the same space for sharing and pitching their experiences, work, and motivations.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>The new format of Photomatch was created by Fotofestiwal – International Festival of Photography in Lodz.\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Day 1\u003Cbr \u002F>\nPresentations and matching\u003C\u002Fstrong>\u003Cbr \u002F>\n\u003Cspan style=\"font-weight: 400;\">It’s a day dedicated to both photographers and experts to introduce themselves, their work, and practice through short live presentations. The event is open to the festival audience that would like to assist. Based on these introductions and their impressions, each participant will choose 2 reviewers (in case of photographers) or 2 artists (in case of experts) with whom they would like to meet and share their work. By the end of this day each attendee will have 4 meetings scheduled for the next day.\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Day 2\u003Cbr \u002F>\nMeetings\u003C\u002Fstrong>\u003Cb>\u003Cbr \u002F>\n\u003C\u002Fb>The real deal! All participants attend private meetings in accordance with the timetable generated based on the choices made on the previous day. Every photographer and expert attends 4 meetings. For those who want – EXPOSED PHOTOMATCH will finish with 1 open extra session, an opportunity to enjoy conversation and exchange ideas with someone with whom there was no previous match.\u003C\u002Fp>\n\u003Cp>\u003Cstrong>HOW TO SUBMIT?\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Col>\n\u003Cli>An application form filled online (\u003Ca href=\"https:\u002F\u002Fdocs.google.com\u002Fforms\u002Fd\u002Fe\u002F1FAIpQLSd581bAr-cUc0cr_PGEsvnU0dcXXwJVOeeiPN1KS-AbLMEyAQ\u002Fviewform?usp=sharing\">click here\u003C\u002Fa>)\u003C\u002Fli>\n\u003Cli>A preview of 10 photographs from the project you would like to present during the review, sent in a JPG or PNG format, preferably size of 1920 px length, in a separate email to photomatch@exposed.photography until April 10th 2023, titled: EXPOSED PHOTOMATCH APPLICATION FIRST NAME LAST NAME. Files should not exceed 10 MB in total.\u003C\u002Fli>\n\u003Cli>There is no submission fee.\u003C\u002Fli>\n\u003C\u002Fol>\n\u003Cp>\u003Cstrong>REVIEWERS\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Alfio Tommasini, \u003Cem>co-founder and director of Verzasca Foto, Verzasca Valley, Switzerland\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Antonio Carloni, \u003Cem>deputy director of Gallerie d’Italia, Turin, Italy\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Antonio Cataldo, \u003Cem>artistic director of Fotogalleriet, Oslo, Norway\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Chiara Ruberti, \u003Cem>co-director and chief coordinator of Photolux, Lucca, Italy\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Elena Vaninetti, \u003Cem>Independent curator, Milan, Italy\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Femke Rotteveel, \u003Cem>director of Fotodok, Utrecht, the Netherlands\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Ilaria Campioli, \u003Cem>curator of photography section Musei Civici, and co-curator Giovane Fotografia Italiana, Premio Luigi Ghirri, Reggio Emilia, Italy\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Krzysztof Candrowicz, \u003Cem>curator and co-founder of Fotofestiwal in Lodz, Poland, curator and collaborator of the Ci.CLO Porto Biennale in Portugal\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Lars Willumeit \u003Cem>curator, Zurich, Switzerland, from June 2024 Director of the Swisss Foundation for Photography, Winterthur, Switzerland\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Marta Szymańska, \u003Cem>curator of Fotofestiwal, Lodz, Poland\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Sergio Valenzuela-Escobedo, \u003Cem>researcher works as a curator, Arles, France\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Silvia Mangosio and Luca Vianello, \u003Cem>founders and curators of MUCHO MAS!, Turin, Italy\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Veronica Nicolardi, \u003Cem>director of Cortona on The Move, Cortona, Italy, co-director of Yeast Photo Festival, Matino (Lecce), Italy\u003C\u002Fem>\u003C\u002Fli>\n\u003C\u002Ful>\n",{"self":2000,"collection":2005,"about":2007,"acf:post":2009,"wp:attachment":2011,"curies":2014},[2001],{"href":2002,"targetHints":2003},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F627",{"allow":2004},[84],[2006],{"href":87},[2008],{"href":90},[2010],{"embeddable":23,"href":703},[2012],{"href":2013},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=627",[2015],{"name":99,"href":100,"templated":23},{"id":2017,"date":2018,"date_gmt":2018,"guid":2019,"modified":2021,"modified_gmt":2021,"slug":2022,"status":11,"type":12,"link":2023,"title":2024,"template":16,"class_list":2026,"acf":2028,"_links":2118},231,"2024-03-02T17:07:35",{"rendered":2020},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=231","2024-04-17T20:43:00","beauty-and-the-beep","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fbeauty-and-the-beep\u002F",{"rendered":2025},"Beauty and The Beep",[2027,12,19,20,21],"post-231",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":1269,"start_time":16,"end_time":16,"media":2029,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":2105,"location_type":61,"location":2112,"outdoor_location":75,"text_it":2114,"text_en":2115,"read_more_it":23,"read_more_en":23,"text_read_more_it":2116,"text_read_more_en":2117,"size":24,"exposed_off":57},[2030,2051,2071,2091],{"acf_fc_layout":29,"image":2031,"text_en":2050,"text_it":2050,"meta_data":57,"size":24},{"ID":2032,"id":2032,"title":2033,"filename":2034,"filesize":2035,"url":2036,"link":2037,"alt":16,"author":24,"description":16,"caption":16,"name":2038,"status":39,"uploaded_to":2017,"date":2039,"modified":2039,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2040,"height":599,"sizes":2041,"didascalia_en":16},760,"BB_ChairRelaxed-large-V3","BB_ChairRelaxed-large-V3.jpg",158763,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_ChairRelaxed-large-V3.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fbeauty-and-the-beep\u002Fbb_chairrelaxed-large-v3\u002F","bb_chairrelaxed-large-v3","2024-04-17 20:42:55",2121,{"thumbnail":2042,"thumbnail-width":2043,"thumbnail-height":50,"medium":2044,"medium-width":2045,"medium-height":53,"medium_large":2036,"medium_large-width":54,"medium_large-height":2046,"large":2047,"large-width":2048,"large-height":537,"1536x1536":2036,"1536x1536-width":2046,"1536x1536-height":253,"2048x2048":2036,"2048x2048-width":2049,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_ChairRelaxed-large-V3-106x150.jpg",106,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_ChairRelaxed-large-V3-424x600.jpg",424,1086,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_ChairRelaxed-large-V3-1414x2000.jpg",1414,1448,"\u003Cp>Beauty and The Beep\u003Cbr \u002F>\nSimone C Niquille\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2052,"text_en":2050,"text_it":2050,"meta_data":57,"size":424},{"ID":2053,"id":2053,"title":2054,"filename":2055,"filesize":2056,"url":2057,"link":2058,"alt":16,"author":65,"description":16,"caption":16,"name":2059,"status":39,"uploaded_to":2017,"date":2060,"modified":2060,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2061,"height":2062,"sizes":2063,"didascalia_en":16},232,"BB_Suburbia_6","BB_Suburbia_6.jpg",309259,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_6.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fbeauty-and-the-beep\u002Fbb_suburbia_6\u002F","bb_suburbia_6","2024-03-02 17:06:43",2320,1305,{"thumbnail":2064,"thumbnail-width":50,"thumbnail-height":2065,"medium":2066,"medium-width":53,"medium-height":2067,"medium_large":2057,"medium_large-width":54,"medium_large-height":2068,"large":2069,"large-width":252,"large-height":417,"1536x1536":2057,"1536x1536-width":253,"1536x1536-height":2070,"2048x2048":2057,"2048x2048-width":254,"2048x2048-height":1287},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_6-150x84.jpg",84,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_6-600x338.jpg",338,432,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_6-2000x1125.jpg",864,{"acf_fc_layout":29,"image":2072,"text_en":2050,"text_it":2050,"meta_data":57,"size":73},{"ID":2073,"id":2073,"title":2074,"filename":2075,"filesize":2076,"url":2077,"link":2078,"alt":16,"author":65,"description":16,"caption":16,"name":2079,"status":39,"uploaded_to":2017,"date":2080,"modified":2080,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1607,"height":2061,"sizes":2081,"didascalia_en":16},234,"BB_Suburbia_15","BB_Suburbia_15.jpg",416835,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_15.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fbeauty-and-the-beep\u002Fbb_suburbia_15\u002F","bb_suburbia_15","2024-03-02 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17:06:46",{"thumbnail":2102,"thumbnail-width":50,"thumbnail-height":2065,"medium":2103,"medium-width":53,"medium-height":2067,"medium_large":2097,"medium_large-width":54,"medium_large-height":2068,"large":2104,"large-width":252,"large-height":417,"1536x1536":2097,"1536x1536-width":253,"1536x1536-height":2070,"2048x2048":2097,"2048x2048-width":254,"2048x2048-height":1287},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_16-150x84.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_16-600x338.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FBB_Suburbia_16-2000x1125.jpg",[2106],{"ID":2107,"post_author":65,"post_date":2108,"post_date_gmt":2108,"post_content":16,"post_title":2109,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2110,"to_ping":16,"pinged":16,"post_modified":2108,"post_modified_gmt":2108,"post_content_filtered":16,"post_parent":41,"guid":2111,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},149,"2024-03-02 13:51:16","Simone C Niquille","simone-c-niquille","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=149",[2113],{"ID":364,"post_author":37,"post_date":365,"post_date_gmt":365,"post_content":16,"post_title":366,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":367,"to_ping":16,"pinged":16,"post_modified":368,"post_modified_gmt":368,"post_content_filtered":16,"post_parent":41,"guid":369,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>Esplorando le conseguenze della convivenza con la visione artificiale, l’opera \u003Cem>Beauty and The Beep\u003C\u002Fem> di Simone Niquille segue Bertil, una sedia in cerca di un posto a sedere. Ispirato agli oggetti casalinghi incantati de \u003Cem>La Bella e la Bestia\u003C\u002Fem>, il film è ambientato in una casa di periferia, invece che un castello, e la bestia è stata sostituita dal suono continuo delle notifiche dei dispositivi smart. Nel film, Bertil naviga in una casa virtuale – una ricostruzione della casa modello creata dall’azienda di robotica Boston Dynamics nel 2016 per presentare il proprio cane robot SpotMini.\u003C\u002Fp>\n","\u003Cp>Exploring the consequences of cohabiting with computer vision, Simone Niquille’s \u003Cem>Beauty and The Beep\u003C\u002Fem> follows Bertil, a chair that is trying to find a place to sit. Inspired by the enchanted household objects from the fairy tale \u003Cem>Beauty and The Beast\u003C\u002Fem>, the film is set in a suburban home instead of a castle, and the beast has been replaced by the continuous notification sounds of smart devices. In the film, Bertil navigates through a virtual house — a recreation of the model home built by the robotics company Boston Dynamics in 2016 to showcase their robot dog SpotMini.\u003C\u002Fp>\n","\u003Cp>Chiedendosi chi comprerebbe un animale domestico meccanico automatizzato da tenere in casa, il film esplora la definizione “datificata” (cioè sotto forma di dati) di casa della Boston Dynamics, o cosa serve per standardizzare uno spazio così personale e intimo affinché la visione artificiale vi funzioni. Bertil – una sedia sintetica ispirata alla prima immagine 3D renderizzata usata da Ikea nel suo catalogo stampato, che ha segnato il passaggio dell’azienda all’uso del rendering – vaga in questa apparentemente semplice casa virtuale, interagendo con i suoi oggetti, alla ricerca di risposte. Navigare nella casa non è compito facile per Bertil, che si imbatte nel rumore della vita quotidiana disseminato per la casa. Inciampa in una banana, non riesce a sedersi, si incastra su un tapis roulant, e cosa ci fa un pony giocattolo sul pavimento? Rivelandoci che l’impossibilità di raccogliere dataset di training nelle case ha portato ad un ampio uso di dati sintetici, Bertil ci ricorda che la casa è un luogo privato e non da registrare.\u003C\u002Fp>\n","\u003Cp>Wondering who would buy an automated mechanical pet to assist and live in their home, the film explores Boston Dynamics’ datafied definition of a home or what it takes for such a personal and intimate space to be standardised for computer vision to function. Bertil — a synthetic chair inspired by IKEA’s first 3D rendered image for their print catalogue, which marked their shift to rendered imagery — wanders through this seemingly simple virtual home, interacting with its objects, in search of some answers. Navigating the home for Bertil is no easy task, as they encounter the daily life noise that is littered throughout the home. A banana trips them, they cannot sit, they get stuck on a treadmill and why is there a toy pony on the floor? Revealing how the impossibility of gathering training data in the home has led to the widespread use of synthetic data, Bertil reminds us that the home is private and not for capture.\u003C\u002Fp>\n",{"self":2119,"collection":2124,"about":2126,"acf:post":2128,"wp:attachment":2132,"curies":2135},[2120],{"href":2121,"targetHints":2122},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F231",{"allow":2123},[84],[2125],{"href":87},[2127],{"href":90},[2129,2130],{"embeddable":23,"href":386},{"embeddable":23,"href":2131},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F149",[2133],{"href":2134},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=231",[2136],{"name":99,"href":100,"templated":23},{"id":2138,"date":2139,"date_gmt":2139,"guid":2140,"modified":2142,"modified_gmt":2142,"slug":2143,"status":11,"type":12,"link":2144,"title":2145,"template":16,"class_list":2147,"acf":2149,"_links":2197},228,"2024-03-02T17:03:08",{"rendered":2141},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=228","2024-04-01T16:05:45","as-if-the-world-had-no-east","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fas-if-the-world-had-no-east\u002F",{"rendered":2146},"As if the world had no West",[2148,12,19,20,21],"post-228",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":1269,"start_time":16,"end_time":16,"media":2150,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":2180,"location_type":61,"location":2187,"outdoor_location":75,"text_it":2195,"text_en":2196,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":424,"exposed_off":57},[2151,2166],{"acf_fc_layout":29,"image":2152,"text_en":2165,"text_it":2165,"meta_data":57,"size":424},{"ID":2153,"id":2153,"title":2154,"filename":2155,"filesize":2156,"url":2157,"link":2158,"alt":16,"author":65,"description":16,"caption":16,"name":2154,"status":39,"uploaded_to":2138,"date":2159,"modified":2159,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":1528,"height":2160,"sizes":2161,"didascalia_en":16},229,"woman-mirabilis-single","woman-mirabilis-single.jpg",1213817,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fwoman-mirabilis-single.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fas-if-the-world-had-no-east\u002Fwoman-mirabilis-single\u002F","2024-03-02 17:02:44",2201,{"thumbnail":2162,"thumbnail-width":50,"thumbnail-height":247,"medium":2163,"medium-width":53,"medium-height":249,"medium_large":2157,"medium_large-width":54,"medium_large-height":250,"large":2164,"large-width":252,"large-height":1006,"1536x1536":2157,"1536x1536-width":253,"1536x1536-height":55,"2048x2048":2157,"2048x2048-width":254,"2048x2048-height":803},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fwoman-mirabilis-single-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fwoman-mirabilis-single-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fwoman-mirabilis-single-2000x1334.jpg","\u003Cp>As if the world had no West\u003Cbr \u002F>\nMónica de Miranda\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2167,"text_en":2165,"text_it":2165,"meta_data":57,"size":24},{"ID":2168,"id":2168,"title":2169,"filename":2170,"filesize":2171,"url":2172,"link":2173,"alt":16,"author":65,"description":16,"caption":16,"name":2174,"status":39,"uploaded_to":2138,"date":2175,"modified":2175,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2160,"height":1528,"sizes":2176,"didascalia_en":16},230,"0Q4A4897","0Q4A4897.jpg",1090797,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0Q4A4897.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fas-if-the-world-had-no-east\u002F0q4a4897\u002F","0q4a4897","2024-03-02 17:03:01",{"thumbnail":2177,"thumbnail-width":247,"thumbnail-height":50,"medium":2178,"medium-width":249,"medium-height":53,"medium_large":2172,"medium_large-width":54,"medium_large-height":606,"large":2179,"large-width":802,"large-height":537,"1536x1536":2172,"1536x1536-width":55,"1536x1536-height":253,"2048x2048":2172,"2048x2048-width":803,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0Q4A4897-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0Q4A4897-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F0Q4A4897-1334x2000.jpg",[2181],{"ID":2182,"post_author":65,"post_date":2183,"post_date_gmt":2183,"post_content":16,"post_title":2184,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2185,"to_ping":16,"pinged":16,"post_modified":2183,"post_modified_gmt":2183,"post_content_filtered":16,"post_parent":41,"guid":2186,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},147,"2024-03-02 13:47:40","Mónica de Miranda","monica-de-miranda","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=147",[2188],{"ID":2189,"post_author":65,"post_date":2190,"post_date_gmt":2190,"post_content":16,"post_title":2191,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2192,"to_ping":16,"pinged":16,"post_modified":2193,"post_modified_gmt":2193,"post_content_filtered":16,"post_parent":41,"guid":2194,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},148,"2024-03-02 13:48:45","Polo del '900","polo-del-900","2024-05-01 13:30:55","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=148","\u003Cp>\u003Cem>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"0\">As if the world had no West\u003C\u002Fspan>\u003C\u002Fem> propone la creazione di nuovi paesaggi attraverso l’indagine delle ecologie nascoste, ma metafisicamente presenti, in Angola, decostruendo le concezioni occidentali della memoria, della storia e della terra. Il progetto approfondisce il lavoro di ricerca dell’antropologo Augusto Zita sul deserto della Namibia, in cui ideò un sistema spazio\u002Ftempo naturale che utilizzasse la luce come terza dimensione. Se da un lato De Miranda porta avanti questa ricerca, dall’altro decostruisce la comprensione della terra e guarda ad essa come un luogo per la cura reciproca e la liberazione. \u003Cem>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"2\">As if the world had no West\u003C\u002Fspan>\u003C\u002Fem> svela configurazioni del paesaggio non occidentali.\u003C\u002Fp>\n","\u003Cp>\u003Cem>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"0\">As if the world had no West\u003C\u002Fspan>\u003C\u002Fem>  proposes the creation of new landscapes by investigating hidden, yet metaphysically present, ecologies in Angola, deconstructing Western understandings of memory, history, and land. The project enquires in the work of anthropologist Augusto Zita investigations in the Namibia desert, in which he devised a nature-oriented space\u002Ftime system having light as a third dimension. De Miranda will bring forward this research , while deconstructing the understanding of land and looking at the land as a place of mutual care and liberation. \u003Cspan class=\"notion-enable-hover\" data-token-index=\"2\">As \u003Cem>if the world had no West \u003C\u002Fem>\u003C\u002Fspan>reveals non-Western configurations of landscape.\u003C\u002Fp>\n",{"self":2198,"collection":2203,"about":2205,"acf:post":2207,"wp:attachment":2212,"curies":2215},[2199],{"href":2200,"targetHints":2201},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F228",{"allow":2202},[84],[2204],{"href":87},[2206],{"href":90},[2208,2210],{"embeddable":23,"href":2209},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F148",{"embeddable":23,"href":2211},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F147",[2213],{"href":2214},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=228",[2216],{"name":99,"href":100,"templated":23},{"id":2218,"date":2219,"date_gmt":2219,"guid":2220,"modified":2222,"modified_gmt":2222,"slug":2223,"status":11,"type":12,"link":2224,"title":2225,"template":16,"class_list":2227,"acf":2229,"_links":2410},206,"2024-03-02T16:31:41",{"rendered":2221},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=206","2024-05-14T15:54:58","a-view-from-above","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002F",{"rendered":2226},"A View From Above",[2228,12,19,20,21],"post-206",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":1269,"start_time":16,"end_time":16,"media":2230,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":2347,"other_label":2348,"other_label_en":16,"artist":2349,"location_type":61,"location":2404,"outdoor_location":75,"text_it":2406,"text_en":2407,"read_more_it":23,"read_more_en":23,"text_read_more_it":2408,"text_read_more_en":2409,"size":73,"exposed_off":57},[2231,2249,2267,2287,2301,2323],{"acf_fc_layout":29,"image":2232,"text_en":2248,"text_it":2248,"meta_data":57,"size":24},{"ID":2233,"id":2233,"title":2234,"filename":2235,"filesize":2236,"url":2237,"link":2238,"alt":16,"author":37,"description":16,"caption":2234,"name":2239,"status":39,"uploaded_to":2218,"date":2240,"modified":2240,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2241,"height":2242,"sizes":2243,"didascalia_en":16},833,"Screenshot","010-03.jpg",3450050,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F010-03.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002Fscreenshot-2\u002F","screenshot-2","2024-05-14 15:49:22",4500,8000,{"thumbnail":2244,"thumbnail-width":2065,"thumbnail-height":50,"medium":2245,"medium-width":2067,"medium-height":53,"medium_large":2237,"medium_large-width":54,"medium_large-height":255,"large":2246,"large-width":2247,"large-height":537,"1536x1536":2237,"1536x1536-width":2070,"1536x1536-height":253,"2048x2048":2237,"2048x2048-width":1287,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F010-03-84x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F010-03-338x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F010-03-1125x2000.jpg",1125,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Evan Roth, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Skyscapes: Turin\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, 2024. Single channel video installation, video still. Courtesy the artist\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2250,"text_en":2266,"text_it":2266,"meta_data":57,"size":24},{"ID":2251,"id":2251,"title":2252,"filename":2253,"filesize":2254,"url":2255,"link":2256,"alt":16,"author":37,"description":16,"caption":16,"name":2257,"status":39,"uploaded_to":2218,"date":2258,"modified":2258,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2259,"height":2260,"sizes":2261,"didascalia_en":16},830,"SurvivalKit11_1082_fotoMadaraGritane","SurvivalKit11_1082_fotoMadaraGritane.jpg",19497947,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSurvivalKit11_1082_fotoMadaraGritane.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002Fsurvivalkit11_1082_fotomadaragritane\u002F","survivalkit11_1082_fotomadaragritane","2024-05-14 15:42:17",3784,5676,{"thumbnail":2262,"thumbnail-width":247,"thumbnail-height":50,"medium":2263,"medium-width":249,"medium-height":53,"medium_large":2255,"medium_large-width":54,"medium_large-height":1287,"large":2264,"large-width":2265,"large-height":537,"1536x1536":2255,"1536x1536-width":55,"1536x1536-height":253,"2048x2048":2255,"2048x2048-width":255,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSurvivalKit11_1082_fotoMadaraGritane-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSurvivalKit11_1082_fotoMadaraGritane-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSurvivalKit11_1082_fotoMadaraGritane-1333x2000.jpg",1333,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">James Bridle, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Drone Shadow (Hermes 450\u002FWatchkeeper WK450)\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, 2012—ongoing. Temporary road marking tape, 1050 x 650 cm. Courtesy of the artist and NOME, Berlin. Installation shot at Survival Kit 11, Riga. Photo by Madara Gritane\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2268,"text_en":2286,"text_it":2286,"meta_data":57,"size":24},{"ID":2269,"id":2269,"title":2270,"filename":2271,"filesize":2272,"url":2273,"link":2274,"alt":16,"author":65,"description":16,"caption":16,"name":2275,"status":39,"uploaded_to":2218,"date":2276,"modified":2276,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2277,"height":2278,"sizes":2279,"didascalia_en":16},281,"Mario-Giacomelli,-Presa-di-coscienza-sulla-natura,-1960_2000.-Stampa-ai-sali-d’argento,-38.7-x-29.4-cm.-Courtesy-Collezione-Massimo-Prelz-Oltramonti-©-Eredi-Mario-Giacomelli","Mario-Giacomelli-Presa-di-coscienza-sulla-natura-1960_2000.-Stampa-ai-sali-dargento-38.7-x-29.4-cm.-Courtesy-Collezione-Massimo-Prelz-Oltramonti-©-Eredi-Mario-Giacomelli.jpg",2445496,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMario-Giacomelli-Presa-di-coscienza-sulla-natura-1960_2000.-Stampa-ai-sali-dargento-38.7-x-29.4-cm.-Courtesy-Collezione-Massimo-Prelz-Oltramonti-©-Eredi-Mario-Giacomelli.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002Fmario-giacomelli-presa-di-coscienza-sulla-natura-1960_2000-stampa-ai-sali-dargento-38-7-x-29-4-cm-courtesy-collezione-massimo-prelz-oltramonti-eredi-mario-giacomelli\u002F","mario-giacomelli-presa-di-coscienza-sulla-natura-1960_2000-stampa-ai-sali-dargento-38-7-x-29-4-cm-courtesy-collezione-massimo-prelz-oltramonti-eredi-mario-giacomelli","2024-03-02 20:41:20",2427,3208,{"thumbnail":2280,"thumbnail-width":49,"thumbnail-height":50,"medium":2281,"medium-width":1949,"medium-height":53,"medium_large":2273,"medium_large-width":54,"medium_large-height":1950,"large":2282,"large-width":2283,"large-height":537,"1536x1536":2273,"1536x1536-width":2284,"1536x1536-height":253,"2048x2048":2273,"2048x2048-width":2285,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMario-Giacomelli-Presa-di-coscienza-sulla-natura-1960_2000.-Stampa-ai-sali-dargento-38.7-x-29.4-cm.-Courtesy-Collezione-Massimo-Prelz-Oltramonti-©-Eredi-Mario-Giacomelli-113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMario-Giacomelli-Presa-di-coscienza-sulla-natura-1960_2000.-Stampa-ai-sali-dargento-38.7-x-29.4-cm.-Courtesy-Collezione-Massimo-Prelz-Oltramonti-©-Eredi-Mario-Giacomelli-454x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMario-Giacomelli-Presa-di-coscienza-sulla-natura-1960_2000.-Stampa-ai-sali-dargento-38.7-x-29.4-cm.-Courtesy-Collezione-Massimo-Prelz-Oltramonti-©-Eredi-Mario-Giacomelli-1513x2000.jpg",1513,1162,1549,"\u003Cp>Mario Giacomelli, \u003Ci>Paesaggi\u003C\u002Fi>, anni ’60, Stampa ai sali d’argento, 38,7 x 29,4 cm, Courtesy Collezione Massimo Prelz Oltramonti © Eredi Mario Giacomelli\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2288,"text_en":2300,"text_it":2300,"meta_data":57,"size":24},{"ID":2289,"id":2289,"title":2290,"filename":2291,"filesize":2292,"url":2293,"link":2294,"alt":16,"author":37,"description":16,"caption":16,"name":2295,"status":39,"uploaded_to":2218,"date":2296,"modified":2296,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":252,"height":417,"sizes":2297,"didascalia_en":16},831,"02_AI_in_the_sky_film_still","02_AI_in_the_sky_film_still.png",3667876,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F02_AI_in_the_sky_film_still.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002F02_ai_in_the_sky_film_still\u002F","02_ai_in_the_sky_film_still","2024-05-14 15:43:57",{"thumbnail":2298,"thumbnail-width":50,"thumbnail-height":2065,"medium":2299,"medium-width":53,"medium-height":2067,"medium_large":2293,"medium_large-width":54,"medium_large-height":2068,"large":2293,"large-width":252,"large-height":417,"1536x1536":2293,"1536x1536-width":253,"1536x1536-height":2070,"2048x2048":2293,"2048x2048-width":252,"2048x2048-height":417},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F02_AI_in_the_sky_film_still-150x84.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F02_AI_in_the_sky_film_still-600x338.png","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Laura Cinti, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">AI in the Sky\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, 2024. Video, 8:00, loop. Film Still © C-LAB\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2302,"text_en":2322,"text_it":2322,"meta_data":57,"size":24},{"ID":2303,"id":2303,"title":2304,"filename":2305,"filesize":2306,"url":2307,"link":2308,"alt":16,"author":37,"description":16,"caption":16,"name":2309,"status":39,"uploaded_to":2218,"date":2310,"modified":2310,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2311,"height":2312,"sizes":2313,"didascalia_en":16},832,"Mishka Henner, Levelland Oil Field #2, Hockley County, Texas (2013)","Mishka-Henner-Levelland-Oil-Field-2-Hockley-County-Texas-2013.jpg",6108966,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMishka-Henner-Levelland-Oil-Field-2-Hockley-County-Texas-2013.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002Fmishka-henner-levelland-oil-field-2-hockley-county-texas-2013\u002F","mishka-henner-levelland-oil-field-2-hockley-county-texas-2013","2024-05-14 15:45:32",5000,2898,{"thumbnail":2314,"thumbnail-width":50,"thumbnail-height":2315,"medium":2316,"medium-width":53,"medium-height":2317,"medium_large":2307,"medium_large-width":54,"medium_large-height":2318,"large":2319,"large-width":252,"large-height":2320,"1536x1536":2307,"1536x1536-width":253,"1536x1536-height":610,"2048x2048":2307,"2048x2048-width":254,"2048x2048-height":2321},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMishka-Henner-Levelland-Oil-Field-2-Hockley-County-Texas-2013-150x87.jpg",87,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMishka-Henner-Levelland-Oil-Field-2-Hockley-County-Texas-2013-600x348.jpg",348,445,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMishka-Henner-Levelland-Oil-Field-2-Hockley-County-Texas-2013-2000x1159.jpg",1113,1187,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Mishka Henner,\u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\"> Levelland Oil and Gas Field #2, Hockey County, Texas\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, 2013. Archival Pigment Print on aluminium in tray frame, 149x 257 cm. Courtesy Mishka Henner \u002F Galleria Bianconi\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":2324,"text_en":2345,"text_it":2346,"meta_data":57,"size":24},{"ID":2325,"id":2325,"title":2326,"filename":2327,"filesize":2328,"url":2329,"link":2330,"alt":16,"author":37,"description":16,"caption":2331,"name":2332,"status":39,"uploaded_to":2218,"date":2333,"modified":2334,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":244,"height":2335,"sizes":2336,"didascalia_en":16},834,"Blue Sky Days","Signature-Behavior_2013_serie-Blue-Sky-Day-©-Tomas-van-Houtryve-courtesy-baudoin-lebon.jpg",1132334,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSignature-Behavior_2013_serie-Blue-Sky-Day-©-Tomas-van-Houtryve-courtesy-baudoin-lebon.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fa-view-from-above\u002Fblue-sky-days\u002F","From the series \"Blue Sky Days\"\n\nPeople exercising in central Philadelphia. As an unnamed senior U.S. government official said to the New York Times in May 2012, Òthree guys doing jumping jacksÓ might for the CIA constitute sufficient evidence of a terrorist training campÑan allusion to policies whereby unidentified persons overseas who exhibit so-called signature behaviors are targeted in Òsignature strikes.Ó","blue-sky-days","2024-05-14 15:50:35","2024-05-14 15:50:41",1590,{"thumbnail":2337,"thumbnail-width":50,"thumbnail-height":1349,"medium":2338,"medium-width":53,"medium-height":2339,"medium_large":2329,"medium_large-width":54,"medium_large-height":2340,"large":2341,"large-width":252,"large-height":2342,"1536x1536":2329,"1536x1536-width":253,"1536x1536-height":2343,"2048x2048":2329,"2048x2048-width":254,"2048x2048-height":2344},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSignature-Behavior_2013_serie-Blue-Sky-Day-©-Tomas-van-Houtryve-courtesy-baudoin-lebon-150x99.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSignature-Behavior_2013_serie-Blue-Sky-Day-©-Tomas-van-Houtryve-courtesy-baudoin-lebon-600x398.jpg",398,509,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FSignature-Behavior_2013_serie-Blue-Sky-Day-©-Tomas-van-Houtryve-courtesy-baudoin-lebon-2000x1325.jpg",1272,1018,1357,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Tomas VAN HOUTRYVE, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Signature behavior\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, 2013. From the \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Blue Sky Days \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">series\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">. Gelatin silver print, 66 x 100 cm. Courtesy Baudoin Lebon\u003C\u002Fspan>\u003C\u002Fp>\n","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Tomas VAN HOUTRYVE, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Signature behavior\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">, 2013. Dalla serie \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Blue Sky Days\u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">. Gelatin silver print, 66 x 100 cm. Courtesy Baudoin Lebon\u003C\u002Fspan>\u003C\u002Fp>\n","Domenico Quaranta, Salvatore Vitale and Samuele Piazza","Artists: James Bridle, Laura Cinti, Mario Giacomelli, Mishka Henner, Hiwa K, Tabita Rezaire, Evan Roth, Susan Schuppli, Tomas Van Houtryve",[2350,2356,2362,2368,2374,2380,2386,2392,2398],{"ID":2351,"post_author":37,"post_date":2352,"post_date_gmt":2352,"post_content":16,"post_title":2353,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2354,"to_ping":16,"pinged":16,"post_modified":2352,"post_modified_gmt":2352,"post_content_filtered":16,"post_parent":41,"guid":2355,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},677,"2024-03-28 15:01:49","James Bridle","james-bridle","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=677",{"ID":2357,"post_author":37,"post_date":2358,"post_date_gmt":2358,"post_content":16,"post_title":2359,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2360,"to_ping":16,"pinged":16,"post_modified":2358,"post_modified_gmt":2358,"post_content_filtered":16,"post_parent":41,"guid":2361,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},678,"2024-03-28 15:01:59","Laura Cinti","laura-cinti","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=678",{"ID":2363,"post_author":37,"post_date":2364,"post_date_gmt":2364,"post_content":16,"post_title":2365,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2366,"to_ping":16,"pinged":16,"post_modified":2364,"post_modified_gmt":2364,"post_content_filtered":16,"post_parent":41,"guid":2367,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},679,"2024-03-28 15:02:09","Mario Giacomelli","mario-giacomelli","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=679",{"ID":2369,"post_author":37,"post_date":2370,"post_date_gmt":2370,"post_content":16,"post_title":2371,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2372,"to_ping":16,"pinged":16,"post_modified":2370,"post_modified_gmt":2370,"post_content_filtered":16,"post_parent":41,"guid":2373,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},680,"2024-03-28 15:02:21","Mishka Henner","mishka-henner","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=680",{"ID":2375,"post_author":37,"post_date":2376,"post_date_gmt":2376,"post_content":16,"post_title":2377,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2378,"to_ping":16,"pinged":16,"post_modified":2376,"post_modified_gmt":2376,"post_content_filtered":16,"post_parent":41,"guid":2379,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},681,"2024-03-28 15:02:31","Hiwa K","hiwa-k","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=681",{"ID":2381,"post_author":37,"post_date":2382,"post_date_gmt":2382,"post_content":16,"post_title":2383,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2384,"to_ping":16,"pinged":16,"post_modified":2382,"post_modified_gmt":2382,"post_content_filtered":16,"post_parent":41,"guid":2385,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},682,"2024-03-28 15:02:44","Tabita Rezaire","tabita-rezaire","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=682",{"ID":2387,"post_author":37,"post_date":2388,"post_date_gmt":2388,"post_content":16,"post_title":2389,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2390,"to_ping":16,"pinged":16,"post_modified":2388,"post_modified_gmt":2388,"post_content_filtered":16,"post_parent":41,"guid":2391,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},683,"2024-03-28 15:02:54","Evan Roth","evan-roth","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=683",{"ID":2393,"post_author":37,"post_date":2394,"post_date_gmt":2394,"post_content":16,"post_title":2395,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2396,"to_ping":16,"pinged":16,"post_modified":2394,"post_modified_gmt":2394,"post_content_filtered":16,"post_parent":41,"guid":2397,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},684,"2024-03-28 15:03:11","Susan Schuppli","susan-schuppli","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=684",{"ID":2399,"post_author":37,"post_date":2400,"post_date_gmt":2400,"post_content":16,"post_title":2401,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2402,"to_ping":16,"pinged":16,"post_modified":2400,"post_modified_gmt":2400,"post_content_filtered":16,"post_parent":41,"guid":2403,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},685,"2024-03-28 15:03:30","Tomas Van Houtryve","tomas-van-houtryve","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=685",[2405],{"ID":64,"post_author":65,"post_date":66,"post_date_gmt":66,"post_content":16,"post_title":67,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":69,"to_ping":16,"pinged":16,"post_modified":70,"post_modified_gmt":70,"post_content_filtered":16,"post_parent":41,"guid":71,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>Negli ultimi anni la visione dall’alto, un punto di vista un tempo eccezionale e riservato a persone di potere e ad agenti non umani come uccelli, angeli e divinità, è diventata diffusa e accessibile. Nel 2011, l’artista e scrittrice Hito Steyerl ha introdotto il concetto di “prospettiva verticale” per affrontare “l’abbandono di un paradigma stabile di orientamento” e per descrivere ciò che può essere visto, a tutti gli effetti, come l’emergere di un nuovo regime scopico.\u003C\u002Fp>\n","\u003Cp>In recent years the view from above, a once exceptional point of view reserved to people in power and inhuman agents like birds, angels and gods, has become widespread and accessible. In 2011, artist and writer Hito Steyerl introduced the concept of ‘vertical perspective’ to address the “departure of a stable paradigm of orientation”, and to describe what can be seen, to all effects, as the emergence of a new scopic regime.\u003C\u002Fp>\n","\u003Cp>Sostituendo l’orizzonte stabile e il ruolo svolto dalla prospettiva lineare nel corso della modernità, la prospettiva verticale ha stabilito “una nuova normalità visiva”, saldamente radicata negli strumenti di sorveglianza e guerra. Inizialmente percepita come una liberazione e un nuovo modo di vedere, la prospettiva verticale perde la sua presa romantica per identificarsi con il punto di vista del potere che uccide e controlla quando satelliti e droni entrano in gioco. Sempre frutto di un’esperienza del mondo costruita e assistita dalle macchine, la prospettiva verticale delocalizza e, in ultima analisi, de-umanizza lo sguardo, consentendo uno sguardo divino sulla realtà non solo in termini di posizione, ma anche nel modo in cui cattura informazioni e dati aggiuntivi, guardando attraverso la realtà invece di attenersi alla sua superficie, e generando “immagini totali” che sono insieme immagini e mappe, rappresentazioni e visualizzazioni, e erodono la distinzione tra luogo e spazio.\u003C\u002Fp>\n\u003Cp>Adottando la prospettiva verticale come punto di vista principale, la mostra esplora il modo in cui il nostro sguardo sul paesaggio mediato dall’obiettivo fotografico sia cambiato negli ultimi decenni, e come questo spostamento di regimi scopici abbia influenzato il modo in cui controlliamo, progettiamo e modelliamo l’ambiente in cui viviamo.\u003C\u002Fp>\n","\u003Cp>By replacing the stable horizon and the role played by linear perspective along modernity, vertical perspective established ‘a new visual normality’, firmly rooted in the tools of surveillance and warfare. First perceived as a liberation and a new way of seeing, vertical perspective loses its romantic grip to become identified with the point of view of the power that kills and controls when satellites and drones enter the equation. Always the outcome of a constructed, machine-aided experience of the world, the view from above delocalizes and ultimately de-humanizes the gaze, allowing a God’s eye view on reality not only in terms of position, but also in the way it captures additional information and data; it looks through reality instead of sticking to its surface, and generates ‘total images’ that are both and neither images and maps, representations and visualizations blurring the difference between place and space.\u003C\u002Fp>\n\u003Cp>By adopting vertical perspective as its main point of view, the exhibition explores the way in which our look on landscapes through the camera eye has changed along the last decades, and how this shift in scopic regimes affected the way we control, design and shape the environment we live in.\u003C\u002Fp>\n",{"self":2411,"collection":2416,"about":2418,"acf:post":2420,"wp:attachment":2440,"curies":2443},[2412],{"href":2413,"targetHints":2414},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F206",{"allow":2415},[84],[2417],{"href":87},[2419],{"href":90},[2421,2422,2424,2426,2428,2430,2432,2434,2436,2438],{"embeddable":23,"href":93},{"embeddable":23,"href":2423},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F685",{"embeddable":23,"href":2425},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F684",{"embeddable":23,"href":2427},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F683",{"embeddable":23,"href":2429},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F682",{"embeddable":23,"href":2431},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F681",{"embeddable":23,"href":2433},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F680",{"embeddable":23,"href":2435},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F679",{"embeddable":23,"href":2437},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F678",{"embeddable":23,"href":2439},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F677",[2441],{"href":2442},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=206",[2444],{"name":99,"href":100,"templated":23},{"id":2446,"date":2447,"date_gmt":2447,"guid":2448,"modified":2450,"modified_gmt":2450,"slug":2451,"status":11,"type":12,"link":2452,"title":2453,"template":16,"class_list":2455,"acf":2457,"_links":2510},187,"2024-03-02T15:40:21",{"rendered":2449},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=187","2024-03-20T18:53:50","screening-by-kalina-pulit","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fscreening-by-kalina-pulit\u002F",{"rendered":2454},"Screenings: 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17:41:16",2558,2008,{"thumbnail":2493,"thumbnail-width":50,"thumbnail-height":2472,"medium":2494,"medium-width":53,"medium-height":2474,"medium_large":2486,"medium_large-width":54,"medium_large-height":2475,"large":2495,"large-width":252,"large-height":2496,"1536x1536":2486,"1536x1536-width":253,"1536x1536-height":2478,"2048x2048":2486,"2048x2048-width":254,"2048x2048-height":2479},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTender-Loving-Care-Kalina-Pulit-key-still-02-150x118.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTender-Loving-Care-Kalina-Pulit-key-still-02-600x471.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTender-Loving-Care-Kalina-Pulit-key-still-02-2000x1570.jpg",1507,[2498],{"ID":2499,"post_author":65,"post_date":2500,"post_date_gmt":2500,"post_content":16,"post_title":2501,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2502,"to_ping":16,"pinged":16,"post_modified":2500,"post_modified_gmt":2500,"post_content_filtered":16,"post_parent":41,"guid":2503,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},171,"2024-03-02 14:32:39","Kalina Pulit","kalina-pulit-2","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=171",[2505],{"ID":1681,"post_author":24,"post_date":1682,"post_date_gmt":1682,"post_content":16,"post_title":1683,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1684,"to_ping":16,"pinged":16,"post_modified":1685,"post_modified_gmt":1685,"post_content_filtered":16,"post_parent":41,"guid":1686,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>Un film sulla connessione in senso letterale e metaforico: le interazioni quotidiane tracciano il senso di solitudine e le preoccupazioni di un individuo.\u003C\u002Fp>\n\u003Cp>Una donna single sulla trentina che vive a Londra, lotta con il senso di isolamento e decide di chiamare varie linee di assistenza clienti in cerca di un contatto. Forza i confini delle persone con cui parla, con risultati variabili. Chiede consigli alla sua banca in materia di appuntamenti, parla di film con il suo medico e stringe un rapporto con il suo provider Internet sul tema della reincarnazione. I call center diventano lo sfondo per conversazioni sul significato della vita e sulla solitudine delle grandi città.\u003C\u002Fp>\n","\u003Cp>A film about connection in the literal and metaphorical sense – daily interactions chart the sense of loneliness and concerns of one individual. A single woman in her 30s living in London, struggles with feelings of isolation and decides to call up various customer care lines in search of connection. She pushes the boundaries of the people she speaks to, with varying results. She seeks dating advice from her bank, talks about films with her doctor, and bonds with her Internet provider over the topic of reincarnation. Call centers become a backdrop for conversations about the meaning of life and big city loneliness.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Tender Loving Care\u003C\u002Fem> è una meditazione sul senso di appartenenza in una metropoli multiculturale. È una critica al consumismo, all’impatto che ha sugli individui e sulla qualità delle loro relazioni, nonché una valutazione sulla comunicazione nell’era digitale. È un quadro di regole e ruoli che sono lì per essere infranti e sovvertiti, una storia di contrasto e dualità, che oscilla tra ciò che è professionale e ciò che è personale, pubblico o privato, giocoso o serio.\u003C\u002Fp>\n\u003Cp>Il film è una versione estesa di un cortometraggio commissionato per Straight8 Shootout presentato in anteprima al Festival di Cannes la scorsa estate. Seguendo le regole del concorso Straight8, è stato girato su 1 rullino di pellicola Super8, senza montaggio e con una colonna sonora “cieca” creata separatamente senza anteprima del film. La versione completa del film (20 minuti), girata in 16 mm e Super8, presenta una struttura in tre atti, una narrativa ampliata e una colonna sonora originale.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Tender Loving Care\u003C\u002Fem> is a meditation on the sense of belonging within a multicultural metropolis. It is a critique of consumerism, the impact it has on individuals and the quality of their relationships, as well as an analysis on communication in the digital age. It is a framework of rules and roles that are there to be broken and subverted, a story of contrast and duality, swirling between what is professional and what is personal, public or private, playful or serious.\u003C\u002Fp>\n\u003Cp>The film is an extended version of a shorter one commissioned for \u003Cem>Straight8 Shootout\u003C\u002Fem> that premiered at Cannes Film Festival last summer. According to \u003Cem>Straight8\u003C\u002Fem> competition rules, it was shot on one roll of Super8 film, with no editing and a ‘blind’ soundtrack created separately with no preview of the film. The full version of the film (20 minutes), shot on 16mm and Super8, features a structure in three acts, an expanded narrative and an original 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13:33:22","Lebohang Kganye","lebohang-kganye","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=140",[2645],{"ID":950,"post_author":65,"post_date":951,"post_date_gmt":951,"post_content":16,"post_title":952,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":953,"to_ping":16,"pinged":16,"post_modified":954,"post_modified_gmt":954,"post_content_filtered":16,"post_parent":41,"guid":955,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>Il punto di partenza del progetto espositivo è un insieme di fotografie e disegni realizzati dalla pittrice e fotografa tedesca Marie Pauline Thorbecke. Insieme al marito Franz Thorbecke, tra il 1911 e il 1913, Marie Pauline intraprende una spedizione in Camerun su incarico della Società Coloniale Tedesca. Nei quindici mesi trascorsi in Camerun, Marie Pauline Thorbecke scrive un diario epistolare in cui narra il suo viaggio. Le lettere, spedite in Germania, vengono successivamente pubblicate nel libro \u003Cem>On the Savannah: Marie Pauline Thorbecke\u003C\u002Fem> (1990, Geary, Christraud M.). Circa 110 dopo, Kganye ripercorre i passi di Thorbecke nel Paese africano e intreccia ricordi, impressioni e narrazioni da una prospettiva femminile.\u003C\u002Fp>\n","\u003Cp>The starting point of the exhibition project is a bundle of photographs and drawings by German painter and photographer Marie Pauline Thorbecke. Thorbecke undertook an expedition to Cameroon on assignment from the German Colonial Society between 1911 and 1913, together with her husband Franz Thorbecke. For fifteen months, Marie Pauline Thorbecke wrote diary letters detailing their Cameroon trek and sent them back home in Germany. The diary letters were later published as a book: \u003Cem>On the Savannah: Marie Pauline Thorbecke\u003C\u002Fem> (1990, Geary, Christraud M.). 110 years later, Kganye follows her footsteps through the country and weaves together memories, impressions and narratives, all from a female perspective.\u003C\u002Fp>\n","\u003Cp>\u003Cem>A Burden Consumed in Sips\u003C\u002Fem> (2023) è un film ibrido di animazione in live-action composto da 22 pannelli, che ricordano il formato panoramico delle illustrazioni di paesaggi. Il film documenta il viaggio fatto da Kganye in Camerun per ricostruire quanto descritto nel libro di Thorbecke. Per tutto il percorso, l’artista tiene un diario in una mano e un pesante sacco di tela nell’altra. Il tessuto color indaco contiene oggetti da riportare nei loro luoghi d’origine, in Camerun: il riferimento è ai reperti presenti nel Rautenstrauch-Joest-Museum e raccolti dai Thorbecke. L’atto di riconsegnare oggetti, terra e vegetazione al loro Paese d’origine è uno stimolo a riflettere, riparare e rielaborare il passato, vedendo la restituzione come un atto di possibilità.\u003C\u002Fp>\n","\u003Cp>\u003Cem>A Burden Consumed in Sips\u003C\u002Fem> (2023) is a hybrid animation live-action film of 22 screen panels, resembling the panoramic format of the landscape illustrations. The film documents Kganye’s travel to Cameroon to piece together the trek detailed in Thorbecke’s book. Throughout the journey, she carries a diary in one hand and a heavy cloth bag in the other. The bag, made of indigo fabric, contained objects to be returned to where they originally belonged in Cameroon – this is a reference to the objects listed in the Rautenstrauch-Joest-Museum and collected by the Thorbecke’s. The act of returning the objects, the soil and the vegetation to their country of origin prompts one to think, repair and recast the past by considering restitution as an act of possibility.\u003C\u002Fp>\n",{"self":2651,"collection":2656,"about":2658,"acf:post":2660,"wp:attachment":2664,"curies":2667},[2652],{"href":2653,"targetHints":2654},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F207",{"allow":2655},[84],[2657],{"href":87},[2659],{"href":90},[2661,2662],{"embeddable":23,"href":970},{"embeddable":23,"href":2663},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F140",[2665],{"href":2666},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=207",[2668],{"name":99,"href":100,"templated":23},{"id":2670,"date":2671,"date_gmt":2671,"guid":2672,"modified":2674,"modified_gmt":2674,"slug":2675,"status":11,"type":12,"link":2676,"title":2677,"template":16,"class_list":2679,"acf":2681,"_links":2757},188,"2024-03-02T15:43:51",{"rendered":2673},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=188","2024-04-10T17:08:24","screening-by-michele-sibiloni","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fscreening-by-michele-sibiloni\u002F",{"rendered":2678},"Screenings: 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17:47:53",6144,2560,{"thumbnail":2728,"thumbnail-width":50,"thumbnail-height":2729,"medium":2730,"medium-width":53,"medium-height":2731,"medium_large":2721,"medium_large-width":54,"medium_large-height":1551,"large":2732,"large-width":252,"large-height":2733,"1536x1536":2721,"1536x1536-width":253,"1536x1536-height":2734,"2048x2048":2721,"2048x2048-width":254,"2048x2048-height":2735},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGrasshopperRepublic__filmstill0017-150x63.jpg",63,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGrasshopperRepublic__filmstill0017-600x250.jpg",250,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGrasshopperRepublic__filmstill0017-2000x833.jpg",800,640,853,[2737,2744],{"ID":2738,"post_author":65,"post_date":2739,"post_date_gmt":2739,"post_content":16,"post_title":2740,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2741,"to_ping":16,"pinged":16,"post_modified":2742,"post_modified_gmt":2742,"post_content_filtered":16,"post_parent":41,"guid":2743,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},417,"2024-03-03 20:44:25","Daniel McCabe","david-mccabe","2024-03-06 14:27:06","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=417",{"ID":2745,"post_author":65,"post_date":2746,"post_date_gmt":2746,"post_content":16,"post_title":2747,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2748,"to_ping":16,"pinged":16,"post_modified":2749,"post_modified_gmt":2749,"post_content_filtered":16,"post_parent":41,"guid":2750,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},173,"2024-03-02 14:35:24","Michele Sibiloni","michele-sibiloni","2024-03-04 19:07:27","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=173",[2752],{"ID":1681,"post_author":24,"post_date":1682,"post_date_gmt":1682,"post_content":16,"post_title":1683,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1684,"to_ping":16,"pinged":16,"post_modified":1685,"post_modified_gmt":1685,"post_content_filtered":16,"post_parent":41,"guid":1686,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Cem>Grasshopper Republic\u003C\u002Fem> studia la strana, meravigliosa e pericolosa opposizione tra uomo e natura. Se esaminiamo l’equilibrio della sopravvivenza tra comunità ed ecosistemi, ci sorgono domande sulle tendenze corrotte del capitalismo, l’impatto sull’ambiente e la sostenibilità delle fonti alimentari. Lo spettatore deve guardarsi dentro per riflettere e trovare punti di riferimento. La narrazione del film è guidata dall’equilibrio della natura e dai suoi cicli. Le cavallette hanno sincronizzato il loro ciclo riproduttivo con la vegetazione portata dalla stagione delle piogge e le fasi lunari (un leitmotiv visivo di tutto il film) influenzano e guidano le migrazioni dello sciame.\u003C\u002Fp>\n\u003Cp>All’estremo opposto, vediamo i cacciatori inserirsi brutalmente in questo ambiente naturale con le loro trappole.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Grasshopper Republic\u003C\u002Fem> examines the strange, beautiful, and dangerous predicament of man versus nature. By examining the balance of survival between communities and ecosystems, questions arise about the corrupt tendencies of capitalism, environmental impact, and food source sustainability. The viewer must look inside themselves for reference and reflection. The equilibrium and cycle of nature drives the film’s narrative. The grasshoppers have synced their reproductive cycles to the vegetation brought by the rainy season and the phases of the moon (a running visual motif in the film) influence and guide the swarm’s migration.\u003C\u002Fp>\n\u003Cp>On the opposite end, we see trappers brutally insert themselves into this natural environment.\u003C\u002Fp>\n","\u003Cp>Lavorando 24 ore su 24, scottandosi con le lampade e venendo infettati da altri insetti velenosi, i cacciatori abbattono tutto ciò che trovano sul proprio cammino per catturare le costose prelibatezze. Queste azioni, che si ripetono senza tregua, spesso spingono chi osa rischiare oltre il punto di rottura. Ma, nonostante questa spietata dedizione, avere successo nell’industria delle cavallette è difficilissimo. Le estorsioni della polizia, le bustarelle ai funzionari comunali, gli accordi sottobanco sono all’ordine del giorno; è richiesta una libera interpretazione dello zelo imprenditoriale per navigare le acque corrotte dell’Uganda. Il film segue uno dei migliori cacciatori di cavallette del Paese, Siraje Lubwama Ojuku, e la sua intrepida squadra. Viaggiando a fianco del nostro antieroe Siraje, vediamo la natura umana rivelarsi mentre lui si fa strada a tutto gas in questo caotico settore. Appare chiaro che, tra chi lavora sotto di lui, poco viene considerato e molto si perde nella caccia al profitto. Siraje usa sapientemente le vulnerabilità della sua squadra per ottenere ciò che gli serve, mentre loro si agitano e distruggono tutto, ostaggi della ricerca della sopravvivenza.\u003C\u002Fp>\n\u003Cp>Il film è ispirato al libro di Michele Sibiloni \u003Cem>Nsenene\u003C\u002Fem>.\u003C\u002Fp>\n","\u003Cp>Working around the clock, getting burned by the lights and infected by other poisonous insects, they mow down anything in their path to capture the expensive treat. This tireless, repetitive act often pushes those who dare to risk beyond their breaking point. Despite this ruthless dedication, succeeding in the grasshopper industry is beyond difficult. Police shakedowns, city official payoffs, and backdoor deals are commonplace, requiring an additional freestyle entrepreneurial zeal to navigate the corrupt waters of Uganda. The film follows one of Uganda’s top grasshopper trappers, Siraje Lubwama Ojuku and his intrepid team. Riding shotgun with our anti-hero Siraje, human nature is revealed as he plows full force into the chaotic industry. Among the worker ranks beneath him, it becomes obvious that little is considered and much is lost in the hunt for profit. Siraje expertly utilizes his team’s vulnerabilities to get what he needs, as they in turn thrash around, held hostage by their quest for survival.\u003C\u002Fp>\n\u003Cp>The film was inspired by Michele Sibiloni’s book 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14:34:09","Wild Alchemy Lab","wild-alchemy-lab","2024-03-05 08:39:37","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=172",[2871],{"ID":1681,"post_author":24,"post_date":1682,"post_date_gmt":1682,"post_content":16,"post_title":1683,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1684,"to_ping":16,"pinged":16,"post_modified":1685,"post_modified_gmt":1685,"post_content_filtered":16,"post_parent":41,"guid":1686,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Cem>A Tale of Two Seeds: Sound and Silence in Latin America’s Andean\u003C\u002Fem> \u003Cem>Plains. \u003C\u002Fem>La fondatrice del Wild Alchemy Lab, Jemma Foster, presenta cortometraggi e opere d’arte in realtà aumentata provenienti dagli archivi della rivista Wild Alchemy Journal rifacendosi ai numeri dedicati agli elementi terra, fuoco, acqua, aria ed etere. Sarà un’occasione per condividere e discutere i processi curatoriali e collaborativi del collettivo internazionale Wild Alchemy Lab, composto da artisti, ricercatori, scienziati e praticanti di esoterismo. \u003Cem>A Tale of Two Seeds: Sound and Silence in Latin America’s Andean\u003C\u002Fem> \u003Cem>Plains, \u003C\u002Fem>opera degli studi creativi Atractor e Semantica costituita da un’installazione sonora e un cortometraggio, indaga i temi della sovranità alimentare, della deforestazione e della conservazione della biodiversità attraverso la storia della monocoltura della soia e della sua espansione nei territori del Sudamerica. Il principale corpo di ricerca alla base del progetto riguarda il modo in cui le pratiche aggressive delle monocolture agroindustriali geneticamente modificate hanno avuto un effetto irreversibile e dannoso sui terreni.\u003C\u002Fp>\n","\u003Cp>\u003Cem>A Tale of Two Seeds: Sound and Silence in Latin America’s Andean\u003C\u002Fem> \u003Cem>Plains. \u003C\u002Fem>Wild Alchemy Lab founder, Jemma Foster, showcases short films and augmented-reality artworks from the journal archives through the elemental editions of earth, fire, water, air and aether. This will be an opportunity to share and discuss the curatorial and collaborative processes of the Wild Alchemy Lab collective of international artists, researchers, scientists and practitioners. \u003Cem>A Tale of Two Seeds: Sound and Silence in Latin America’s Andean\u003C\u002Fem> \u003Cem>Plains\u003C\u002Fem> is a sound installation and short film that explores food sovereignty, deforestation, and the preservation of biodiversity through the story of soy monoculture and its expansion in South American territories, by creative studios Atractor and Semantica. The main body of research behind the project is concerned with how the aggressive practices of agroindustrial GM monocultures have had an irreversible and detrimental effect on the land.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Semantica \u003C\u002Fem>è un’installazione digitale di Jemma Foster e Camilla French che impiega diversi media e include quattro cortometraggi dedicati alla comunicazione interspecie e alla linguistica non lineare nel post-Antropocene. Dopo la proiezione dei primi due film della serie, Jemma parlerà dei processi di produzione in corso per i due film finali, discutendo anche con il musicista e compositore Jamie Perera sulle tecnologie dei biodati e sulla sonificazione nella colonna sonora. Infine, Jamie condividerà \u003Cem>Anthropocene in C Major\u003C\u002Fem>, un viaggio uditivo e visivo attraverso 12.000 anni di dati sul cambiamento climatico. Attraverso l’ascolto profondo, quest’opera ci invita a confrontarci con il nostro dolore ecologico e sistemico, a prendere coscienza della nostra ecologia collettiva e a trovare la capacità di cambiare.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Semantica\u003C\u002Fem> is a mixed-media digital installation by Jemma Foster and Camilla French, comprising of four short films that explore interspecies communication and non-linear linguistics in the post-anthropocene. After screening the first two films in the series, Jemma will talk about the current production processes for the final two films, including a discussion with musician and composer Jamie Perera about biodata technologies and sonification in the score. Finally, Jamie will share Anthropocene in C Major, an auditory and visual journey through 12,000 years of climate change data. Through deep listening, it invites us to confront our ecological and systemic grief, become aware of our collective ecology, and find agency for 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17:43:58",2557,{"thumbnail":2949,"thumbnail-width":50,"thumbnail-height":2472,"medium":2950,"medium-width":53,"medium-height":2474,"medium_large":2943,"medium_large-width":54,"medium_large-height":2475,"large":2951,"large-width":252,"large-height":2477,"1536x1536":2943,"1536x1536-width":253,"1536x1536-height":2478,"2048x2048":2943,"2048x2048-width":254,"2048x2048-height":2479},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTender-Loving-Care-Kalina-Pulit-key-still-03-150x118.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTender-Loving-Care-Kalina-Pulit-key-still-03-600x471.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTender-Loving-Care-Kalina-Pulit-key-still-03-2000x1571.jpg",[2953],{"ID":2499,"post_author":65,"post_date":2500,"post_date_gmt":2500,"post_content":16,"post_title":2501,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2502,"to_ping":16,"pinged":16,"post_modified":2500,"post_modified_gmt":2500,"post_content_filtered":16,"post_parent":41,"guid":2503,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},[2955],{"ID":2956,"post_author":65,"post_date":2957,"post_date_gmt":2957,"post_content":16,"post_title":2958,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":2959,"to_ping":16,"pinged":16,"post_modified":2960,"post_modified_gmt":2960,"post_content_filtered":16,"post_parent":41,"guid":2961,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},134,"2024-03-02 13:22:07","Palazzo Birago","palazzo-birago","2024-05-01 13:29:12","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=134","\u003Cp>Un film sulla connessione in senso letterale e metaforico: le interazioni quotidiane tracciano il senso di solitudine e le preoccupazioni di un individuo.\u003C\u002Fp>\n\u003Cp>Una donna single sulla trentina che vive a Londra, lotta con il senso di isolamento e decide di chiamare varie linee di assistenza clienti in cerca di un contatto. Forza i confini delle persone con cui parla, con risultati variabili. Chiede consigli alla sua banca in materia di appuntamenti, parla di film con il suo medico e stringe un rapporto con il suo provider Internet sul tema della reincarnazione. I call center diventano lo sfondo per conversazioni sul significato della vita e sulla solitudine delle grandi città. \u003Cem>Tender Loving Care\u003C\u002Fem> è una meditazione sul senso di appartenenza in una metropoli multiculturale. È una critica al consumismo, all’impatto che ha sugli individui e sulla qualità delle loro relazioni, nonché una valutazione sulla comunicazione nell’era digitale. È un quadro di regole e ruoli che sono lì per essere infranti e sovvertiti, una storia di contrasto e dualità, che oscilla tra ciò che è professionale e ciò che è personale, pubblico o privato, giocoso o serio.\u003C\u002Fp>\n","\u003Cp>A film about connection in the literal and metaphorical sense – daily interactions chart the sense of loneliness and concerns of one individual.\u003C\u002Fp>\n\u003Cp>A single woman in her 30s living in London, struggles with feelings of isolation and decides to call up various customer care lines in search of connection. She pushes the boundaries of the people she speaks to, with varying results. She seeks dating advice from her bank, talks about films with her doctor, and bonds with her Internet provider over the topic of reincarnation. Call centers become a backdrop for conversations about the meaning of life and big city loneliness. \u003Cem>Tender Loving Care\u003C\u002Fem> is a meditation on the sense of belonging within a multicultural metropolis. It is a critique of consumerism, the impact it has on individuals and the quality of their relationships, as well as an analysis on communication in the digital age. It is a framework of rules and roles that are there to be broken and subverted, a story of contrast and duality, swirling between what is professional and what is personal, public or private, playful or serious.\u003C\u002Fp>\n","\u003Cp>Il film è una versione estesa di un cortometraggio commissionato per Straight8 Shootout presentato in anteprima al Festival di Cannes la scorsa estate. Seguendo le regole del concorso Straight8, è stato girato su 1 rullino di pellicola Super8, senza montaggio e con una colonna sonora “cieca” creata separatamente senza anteprima del film. La versione completa del film (20 minuti), girata in 16 mm e Super8, presenta una struttura in tre atti, una narrativa ampliata e una colonna sonora originale.\u003C\u002Fp>\n","\u003Cp>The film is an extended version of a shorter one commissioned for \u003Cem>Straight8 Shootout\u003C\u002Fem> that premiered at Cannes Film Festival last summer. According to \u003Cem>Straight8\u003C\u002Fem> competition rules, it was shot on one roll of Super8 film, with no editing and a ‘blind’ soundtrack created separately with no preview of the film. The full version of the film (20 minutes), shot on 16mm and Super8, features a structure in three acts, an expanded narrative and an original score.\u003C\u002Fp>\n",{"self":2967,"collection":2972,"about":2974,"acf:post":2976,"wp:attachment":2980,"curies":2983},[2968],{"href":2969,"targetHints":2970},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F189",{"allow":2971},[84],[2973],{"href":87},[2975],{"href":90},[2977,2979],{"embeddable":23,"href":2978},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F134",{"embeddable":23,"href":2523},[2981],{"href":2982},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=189",[2984],{"name":99,"href":100,"templated":23},{"id":2986,"date":2987,"date_gmt":2987,"guid":2988,"modified":2990,"modified_gmt":2990,"slug":2991,"status":11,"type":12,"link":2992,"title":2993,"template":16,"class_list":2995,"acf":2997,"_links":3082},236,"2024-03-02T17:08:24",{"rendered":2989},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=236","2024-04-26T11:02:41","non-fiction","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fnon-fiction\u002F",{"rendered":2994},"Non 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O’Keefe","erin-okeefe-2","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=151",[3071],{"ID":3072,"post_author":65,"post_date":3073,"post_date_gmt":3073,"post_content":16,"post_title":3074,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3075,"to_ping":16,"pinged":16,"post_modified":3076,"post_modified_gmt":3076,"post_content_filtered":16,"post_parent":41,"guid":3077,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},152,"2024-03-02 13:58:07","Museo Regionale di Scienze Naturali","museo-regionale-di-scienze-naturali","2026-03-02 17:41:07","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=152","\u003Cp>Erin O’Keefe è una fotografa e architetto, il cui lavoro è influenzato da entrambe le discipline. Il background dell’artista in architettura è il fondamento della sua pratica artistica. Le domande che pone attraverso il suo lavoro riguardano la natura della percezione spaziale, e gli strumenti che usa sono radicati nel linguaggio astratto e formale del fare che ha sviluppato come architetto. Come fotografa, Erin O’Keefe è interessata allo strato di distorsione e incomprensione introdotto dalla fotocamera, in quanto traduce la forma e lo spazio tridimensionali in immagine bidimensionale. Questo inevitabile disallineamento è la questione centrale del suo lavoro.\u003C\u002Fp>\n","\u003Cp>Erin O’Keefe is both a photographer and an architect whose work speaks to both art forms. The artist’s background in architecture plays an essential role in her artistic practice. The questions raised through her work concern spatial perception and the tools she uses are rooted in the abstract and formal language she developed as an architect. As a photographer, Erin O’Keefe is interested in the study of distortions and misunderstanding caused by the camera, as she translates 3-D spaces and shapes in a 2-D image. The core of her work pivots around this inevitable misalignment.\u003C\u002Fp>\n","\u003Cp>Le sue rappresentazioni astratte, tra illusione e realtà, hanno un’essenza vibrante e sono il risultato di un gioco di equilibri tra geometrie e colori. L’artista realizza tutti i suoi lavori, tutti pezzi unici, combinando la sua capacità compositiva a un’estetica visiva che rimanda alla pittura. Protagoniste delle sue mise-en-scène sono, infatti, forme di legno dipinte a mano e curate in ogni dettaglio, lasciando visibili le pennellate che si contrappongono alla solidità degli sfondi.\u003C\u002Fp>\n\u003Cp>Erin O’Keefe ci invita a riflettere sull’uso dello spazio attraverso il mezzo fotografico, strumento di finzione per eccellenza, lasciando allo spettatore uno spazio di contemplazione in una dimensione intima.\u003C\u002Fp>\n","\u003Cp>Straddling between illusion and reality, her abstract representations have a vibrant essence, the result of a balancing act of geometrical shapes and colour. All her work consists of unique pieces that put together her compositional skills and visual aesthetics, echoing painting. Painstakingly carefully detailed and painted wooden shapes form her \u003Cem>mise-en-scène\u003C\u002Fem>, with legible brush marks against solid backgrounds.\u003C\u002Fp>\n\u003Cp>Erin O’Keefe calls upon us to think about the use of space through photography, the instrument of fiction par excellence, leaving viewers in a space for contemplation in an intimate sphere.\u003C\u002Fp>\n",{"self":3083,"collection":3088,"about":3090,"acf:post":3092,"wp:attachment":3097,"curies":3100},[3084],{"href":3085,"targetHints":3086},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F236",{"allow":3087},[84],[3089],{"href":87},[3091],{"href":90},[3093,3095],{"embeddable":23,"href":3094},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F152",{"embeddable":23,"href":3096},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F151",[3098],{"href":3099},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=236",[3101],{"name":99,"href":100,"templated":23},{"id":3009,"date":3103,"date_gmt":3103,"guid":3104,"modified":3106,"modified_gmt":3106,"slug":3107,"status":11,"type":12,"link":3108,"title":3109,"template":16,"class_list":3111,"acf":3113,"_links":3135},"2024-04-16T07:37:44",{"rendered":3105},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=750","2024-04-16T08:04:36","cheated-by-an-image-live","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcheated-by-an-image-live\u002F",{"rendered":3110},"Cheated by an Image (Live)",[3112,12,19,20,21],"post-750",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":424,"public_program_typology":57,"from":1664,"to":1664,"start_time":3114,"end_time":3115,"media":3116,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":3129,"other_label":3130,"other_label_en":16,"artist":16,"location_type":61,"location":3131,"outdoor_location":75,"text_it":3133,"text_en":3134,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":424,"exposed_off":57},"18:00:00","19:00:00",[3117],{"acf_fc_layout":29,"image":3118,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":3119,"id":3119,"title":3120,"filename":3121,"filesize":3122,"url":3123,"link":3124,"alt":16,"author":24,"description":16,"caption":16,"name":3120,"status":39,"uploaded_to":3009,"date":3125,"modified":3125,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":130,"height":1988,"sizes":3126,"didascalia_en":16},751,"image002","image002.jpg",461938,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Fimage002.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcheated-by-an-image-live\u002Fimage002\u002F","2024-04-16 07:36:20",{"thumbnail":3127,"thumbnail-width":421,"thumbnail-height":50,"medium":3128,"medium-width":423,"medium-height":53,"medium_large":3123,"medium_large-width":54,"medium_large-height":181,"large":3123,"large-width":130,"large-height":1988,"1536x1536":3123,"1536x1536-width":1989,"1536x1536-height":253,"2048x2048":3123,"2048x2048-width":130,"2048x2048-height":1988},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Fimage002-120x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002Fimage002-480x600.jpg","Fotomuseum Winterthur","With Marco De Mutiis, Alessandra Nappo, Gwendolyn Fässler and Moonfish",[3132],{"ID":1690,"post_author":65,"post_date":1691,"post_date_gmt":1691,"post_content":16,"post_title":1692,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1693,"to_ping":16,"pinged":16,"post_modified":1694,"post_modified_gmt":1694,"post_content_filtered":16,"post_parent":41,"guid":1695,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>Immagini che non ce la raccontano tutta. Immagini che ci ingannano di proposito. Immagini che si sforzano per catturare la nostra attenzione a ogni costo. Quando è stata l’ultima volta che ti sei sentito ingannato da un’immagine?\u003C\u002Fp>\n\u003Cp>In questo evento, il duo musicale Moonfish accompagnerà le storie personali e le intime confessioni di persone che sono state attirate, ingannate e truffate da immagini digitali e online.\u003C\u002Fp>\n\u003Cp>Da acquisti ingannevoli su mercati online a foto di profilo su app di dating, da video di bambini su TikTok ad affitta-camere andati storti: il pubblico ascolterà contributi da parte di artisti, curatori, ricercatori ed esperti del campo della fotografia e della cultura visiva, e avrà la possibilità di condividere le proprie storie personali.\u003C\u002Fp>\n\u003Cdiv style=\"font-size:13px; padding-top:10px\">Crediti foto: Florian Spring\u003C\u002Fdiv>\n","\u003Cp>Images that don’t tell us the whole story. Images that intentionally trick us. Images that go to great lengths to capture our attention. When was the last time you felt cheated by an image?\u003C\u002Fp>\n\u003Cp>In this live event, musical duo Moonfish accompanies the personal stories and intimate confessions of people who have been baited, lured, and lied upon by digital and online images.\u003C\u002Fp>\n\u003Cp>From misleading purchases on internet marketplaces to profile pictures on dating apps, from babies on TikTok to homestay rentals gone wrong, the audience will hear contributions from artists, curators, researchers and experts from the field of photography and visual culture, and will be given the chance to share their own personal stories with the rest of the participants.\u003C\u002Fp>\n\u003Cdiv style=\"font-size:13px; padding-top:10px\">Photo credit: Florian Spring\u003C\u002Fdiv>\n",{"self":3136,"collection":3141,"about":3143,"acf:post":3145,"wp:attachment":3147,"curies":3150},[3137],{"href":3138,"targetHints":3139},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F750",{"allow":3140},[84],[3142],{"href":87},[3144],{"href":90},[3146],{"embeddable":23,"href":1714},[3148],{"href":3149},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=750",[3151],{"name":99,"href":100,"templated":23},{"id":3153,"date":3154,"date_gmt":3154,"guid":3155,"modified":3157,"modified_gmt":3157,"slug":3158,"status":11,"type":12,"link":3159,"title":3160,"template":16,"class_list":3162,"acf":3164,"_links":3276},190,"2024-03-02T16:03:38",{"rendered":3156},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=190","2024-05-13T07:58:41","heatwave","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fheatwave\u002F",{"rendered":3161},"Heatwave",[3163,12,19,20,21],"post-190",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":3165,"to":1269,"start_time":16,"end_time":16,"media":3166,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":671,"other_label":16,"other_label_en":16,"artist":3263,"location_type":61,"location":3270,"outdoor_location":75,"text_it":3272,"text_en":3273,"read_more_it":23,"read_more_en":23,"text_read_more_it":3274,"text_read_more_en":3275,"size":73,"exposed_off":57},"2024-04-20",[3167,3184,3199,3214,3235,3249],{"acf_fc_layout":29,"image":3168,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":3169,"id":3169,"title":3170,"filename":3171,"filesize":3172,"url":3173,"link":3174,"alt":16,"author":65,"description":16,"caption":16,"name":3175,"status":39,"uploaded_to":3153,"date":3176,"modified":3176,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":3177,"height":3178,"sizes":3179,"didascalia_en":16},196,"Tetrapods","Tetrapods.jpg",1367598,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTetrapods.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fheatwave\u002Ftetrapods\u002F","tetrapods","2024-03-02 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16:10:06",{"thumbnail":3260,"thumbnail-width":247,"thumbnail-height":50,"medium":3261,"medium-width":249,"medium-height":53,"medium_large":3255,"medium_large-width":54,"medium_large-height":1287,"large":3262,"large-width":2265,"large-height":537,"1536x1536":3255,"1536x1536-width":55,"1536x1536-height":253,"2048x2048":3255,"2048x2048-width":255,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVision-Gran-Turismo-2020_04-100x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVision-Gran-Turismo-2020_04-400x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FVision-Gran-Turismo-2020_04-1333x2000.jpg",[3264],{"ID":3265,"post_author":65,"post_date":3266,"post_date_gmt":3266,"post_content":16,"post_title":3267,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3268,"to_ping":16,"pinged":16,"post_modified":3266,"post_modified_gmt":3266,"post_content_filtered":16,"post_parent":41,"guid":3269,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},135,"2024-03-02 13:23:52","Dongkyun Vak","dongkyun-vak","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=135",[3271],{"ID":683,"post_author":24,"post_date":684,"post_date_gmt":684,"post_content":16,"post_title":685,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":686,"to_ping":16,"pinged":16,"post_modified":687,"post_modified_gmt":687,"post_content_filtered":16,"post_parent":41,"guid":688,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Ci>Heatwave\u003C\u002Fi> è una collezione fotografica di situazioni e oggetti, forme e fenomeni, attraverso cui l’artista e lo spettatore contemplano la relazione tra natura e cultura, esseri umani e tecnologia, ciò che è fatto dall’uno e ciò che è fatto dall’altro, nell’era dell’Antropocene. Esplorando la tensione tra uomo, natura e tecnologia nell’era dell’Antropocene, \u003Ci>Heatwave \u003C\u002Fi>dell’artista sudcoreano Dongkyun Vak\u003Ci> \u003C\u002Fi>è il progetto vincitore di \u003Ci>A New Gaze\u003C\u002Fi>, il premio borsa di studio biennale di Art Vontobel.\u003C\u002Fp>\n","\u003Cp>Heatwave is a collection of photographed objects and situations, forms and phenomena via which the artist and the viewer contemplate the relationship between nature and culture, humans and technology, the man-made and the machine-made, in the era of the Anthropocene. Exploring the tension between man, nature, and technology in the Anthropocene, \u003Ci>Heatwave\u003C\u002Fi> was the award-winning project by South Korean artist Dongkyun Vak for \u003Ci>A New Gaze 3\u003C\u002Fi>, Art Vontobel’s biannual sponsorship award.\u003C\u002Fp>\n","\u003Cp>Fondato negli anni ’70, la collezione della società svizzera di private banking e investimenti Vontobel nasce dalla convinzione che l’arte sul posto di lavoro rappresenti un meraviglioso spunto di conversazione, come dimostrato dall’impegno di Art Vontobel nell’arte contemporanea. L’intento principale è l’individuazione e il sostegno di giovani talenti emergenti, grazie alla fondazione nel 2017 di \u003Ci>A New Gaze\u003C\u002Fi>, trampolino di lancio per le nuove generazioni di artisti.\u003C\u002Fp>\n\u003Cp>Il termine “Antropocene” si riferisce ad una nuova era geologica, riconosce la specie umana come quella che più influisce sul pianeta. L’artista mette al centro del suo lavoro l’importante ruolo che la tecnologia gioca in questa svolta storica. Vak mette a confronto la tecnologia della natura e la tecnologia della manifattura, la quale nel tempo può evolvere al proprio interno e, nel farlo, acquisire usi inaspettati e molto diversi da quelli originariamente previsti.\u003C\u002Fp>\n","\u003Cp>Established in the 1970s, collecting at the Swiss private banking and investment firm Vontobel was inspired by the belief that art in the workplace presents a wonderful starting point for conversation, illustrated by Art Vontobel’s endeavours and commitment to contemporary art. Primarily dedicated to identifying and nurturing young and emerging talent, this intention is further emphasized by \u003Ci>A New Gaze\u003C\u002Fi>, founded in 2017 as a steppingstone for rising talent.\u003C\u002Fp>\n\u003Cp>The term ‘Anthropocene’ refers to a new geological epoch and regards humans as the most influential species on the planet. The artist places the significance of technology for this historical turning point at the centre of his artworks. Vak seeks to compare nature’s technology with that of production which, with time, can evolve from within and, in doing so, may take on quite a different and unexpected use than the one originally intended.\u003C\u002Fp>\n",{"self":3277,"collection":3282,"about":3284,"acf:post":3286,"wp:attachment":3290,"curies":3293},[3278],{"href":3279,"targetHints":3280},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F190",{"allow":3281},[84],[3283],{"href":87},[3285],{"href":90},[3287,3288],{"embeddable":23,"href":703},{"embeddable":23,"href":3289},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F135",[3291],{"href":3292},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=190",[3294],{"name":99,"href":100,"templated":23},{"id":3296,"date":3297,"date_gmt":3297,"guid":3298,"modified":3300,"modified_gmt":3300,"slug":3301,"status":11,"type":12,"link":3302,"title":3303,"template":16,"class_list":3305,"acf":3307,"_links":3349},485,"2024-03-04T18:54:08",{"rendered":3299},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=485","2024-05-01T20:49:18","the-shadow-cone-where-democracy-ends-and-censorship-begins","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fthe-shadow-cone-where-democracy-ends-and-censorship-begins\u002F",{"rendered":3304},"The 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19:36:22","2024-03-04 19:36:31",{"thumbnail":3321,"thumbnail-width":50,"thumbnail-height":49,"medium":3322,"medium-width":53,"medium-height":52,"medium_large":3315,"medium_large-width":2734,"medium_large-height":423,"large":3315,"large-width":2734,"large-height":423,"1536x1536":3315,"1536x1536-width":2734,"1536x1536-height":423,"2048x2048":3315,"2048x2048-width":2734,"2048x2048-height":423},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F3-1-150x113.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F3-1-600x450.jpg","The shadow cone: where democracy ends and censorship begins",[3325,3331],{"ID":3326,"post_author":65,"post_date":3327,"post_date_gmt":3327,"post_content":16,"post_title":3328,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3329,"to_ping":16,"pinged":16,"post_modified":3327,"post_modified_gmt":3327,"post_content_filtered":16,"post_parent":41,"guid":3330,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},157,"2024-03-02 14:07:04","Shahidul Alam","shahidul-alam","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=157",{"ID":3332,"post_author":65,"post_date":3333,"post_date_gmt":3333,"post_content":16,"post_title":3334,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3335,"to_ping":16,"pinged":16,"post_modified":3333,"post_modified_gmt":3333,"post_content_filtered":16,"post_parent":41,"guid":3336,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},158,"2024-03-02 14:07:30","Yasmine Eid-Sabbagh","yasmine-eid-sabbagh","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=158",[3338],{"ID":3339,"post_author":65,"post_date":3340,"post_date_gmt":3340,"post_content":16,"post_title":3341,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3342,"to_ping":16,"pinged":16,"post_modified":3343,"post_modified_gmt":3343,"post_content_filtered":16,"post_parent":41,"guid":3344,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},159,"2024-03-02 14:09:31","MAO Museo d’Arte Orientale","mao-museo-darte-orientale","2026-02-27 15:21:03","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=159","\u003Cp>Shahidul Alam e Yasmine Eid-Sabbagh lavorano da sempre in un contesto di produzione artistica che opera in maniera fluida sul confine fra ricerca e attivismo. Pur provenendo da situazioni e luoghi diversi (rispettivamente Bangladesh e Francia con origini libanesi), condividono una comune visione del mondo e della pratica artistica.\u003C\u002Fp>\n","\u003Cp>Shahidul Alam and Yasmine Eid-Sabbagh have always worked in a context of art production that operates fluidly on the borderline between research and activism. Although they come from different situations and places – respectively Bangladesh and France with Lebanese origins – they share a common worldview and art practice.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>Entrambi sono stati recentemente coinvolti in Germania in eventi che hanno segnato uno spartiacque fra un “prima” e un “dopo”, dando vita a un cambiamento antropologico particolarmente evidente e rilevante. Nel 2023 Yasmine Eid-Sabbagh è stata fra i partecipanti di Documenta 15, curata dal collettivo Ruangrupa, manifestazione al centro di una crisi provocata dalla messa in discussione della libertà espressiva e artistica senza precedenti dal secondo dopoguerra a oggi; Shahidul Alam avrebbe invece dovuto essere uno dei curatori della Biennale di fotografia 2024 in Germania: l’appuntamento è stato cancellato a causa delle sue posizioni pro-Palestina.\u003C\u002Fp>\n\u003Cp>La loro pratica artistica verrà presentata in maniera archivistica e documentale: non una vera e propria mostra, ma un tentativo di avvicinamento fra il pubblico e due modalità differenti di fare arte e attivismo politico.\u003C\u002Fp>\n\u003Cp>In dialogo con Davide Quadrio, Alam ed Eid-Sabbagh si confronteranno sul percorso di cambiamento di significato del binomio democrazia-libertà. Se il concetto di libertà sembra sgretolarsi e corrodersi progressivamente, messo in crisi dell’inarrestabile ascesa dell’equazione libertà = privilegio, l’autonomia di pensiero può essere esercitata unicamente entro limiti chiaramente stabiliti e saldi.\u003C\u002Fp>\n","\u003Cp>Both have recently been involved in events in Germany that have marked a watershed between a “before” and an “after”, giving rise to a particularly evident and relevant anthropological change. In 2023, Yasmine Eid-Sabbagh was among the participants of Documenta 15, curated by the Ruangrupa collective, an event at the centre of a crisis unprecedented since the Second World War, caused by the questioning of expressive and artistic freedom; Shahidul Alam was instead supposed to be one of the curators of the 2024 Photography Biennial in Germany: the event was cancelled due to his pro-Palestinian positions.\u003C\u002Fp>\n\u003Cp>Their art practice will be presented in an archival and documentary way: not a real exhibition, but rather an attempt to bring the public closer to two different ways of making art and political activism.\u003C\u002Fp>\n\u003Cp>In dialogue with Davide Quadrio, Alam and Eid-Sabbagh will discuss the changing meaning of the pair democracy-freedom. If the concept of freedom seems to be gradually crumbling and corroding, undermined by the relentless rise of the equation freedom = privilege, freedom of thought can only be exercised within clearly established and firm limits.\u003C\u002Fp>\n",{"self":3350,"collection":3355,"about":3357,"acf:post":3359,"wp:attachment":3366,"curies":3369},[3351],{"href":3352,"targetHints":3353},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F485",{"allow":3354},[84],[3356],{"href":87},[3358],{"href":90},[3360,3362,3364],{"embeddable":23,"href":3361},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F159",{"embeddable":23,"href":3363},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F158",{"embeddable":23,"href":3365},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F157",[3367],{"href":3368},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=485",[3370],{"name":99,"href":100,"templated":23},{"id":3372,"date":3373,"date_gmt":3373,"guid":3374,"modified":3376,"modified_gmt":3376,"slug":3377,"status":11,"type":12,"link":3378,"title":3379,"template":16,"class_list":3381,"acf":3383,"_links":3422},353,"2024-03-03T12:31:36",{"rendered":3375},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=353","2025-01-26T14:35:06","cosmic-radiation","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcosmic-radiation\u002F",{"rendered":3380},"Cosmic Radiation",[3382,12,19,20,21],"post-353",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":3384,"to":3385,"start_time":16,"end_time":16,"media":3386,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":3402,"other_label":16,"other_label_en":16,"artist":3403,"location_type":61,"location":3410,"outdoor_location":75,"text_it":3418,"text_en":3419,"read_more_it":23,"read_more_en":23,"text_read_more_it":3420,"text_read_more_en":3421,"size":424,"exposed_off":57},"2023-05-16","2023-06-02",[3387],{"acf_fc_layout":29,"image":3388,"text_en":16,"text_it":16,"meta_data":57,"size":424},{"ID":3389,"id":3389,"title":3390,"filename":3391,"filesize":3392,"url":3393,"link":3394,"alt":16,"author":65,"description":16,"caption":16,"name":3395,"status":39,"uploaded_to":3372,"date":3396,"modified":3396,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":3397,"height":3398,"sizes":3399,"didascalia_en":16},354,"The-Phantom-Menace,-Graeme-Arnfield-1","The-Phantom-Menace-Graeme-Arnfield-1.jpg",59352,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Phantom-Menace-Graeme-Arnfield-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fcosmic-radiation\u002Fthe-phantom-menace-graeme-arnfield-1\u002F","the-phantom-menace-graeme-arnfield-1","2024-03-03 12:31:29",1260,709,{"thumbnail":3400,"thumbnail-width":50,"thumbnail-height":2065,"medium":3401,"medium-width":53,"medium-height":2067,"medium_large":3393,"medium_large-width":54,"medium_large-height":2068,"large":3393,"large-width":3397,"large-height":3398,"1536x1536":3393,"1536x1536-width":3397,"1536x1536-height":3398,"2048x2048":3393,"2048x2048-width":3397,"2048x2048-height":3398},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Phantom-Menace-Graeme-Arnfield-1-150x84.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Phantom-Menace-Graeme-Arnfield-1-600x338.jpg","Vincenzo Estremo",[3404],{"ID":3405,"post_author":65,"post_date":3406,"post_date_gmt":3406,"post_content":16,"post_title":3407,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3408,"to_ping":16,"pinged":16,"post_modified":3406,"post_modified_gmt":3406,"post_content_filtered":16,"post_parent":41,"guid":3409,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},174,"2024-03-02 14:50:43","Graeme Arnfield","graeme-arnfield","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=174",[3411],{"ID":3412,"post_author":65,"post_date":3413,"post_date_gmt":3413,"post_content":16,"post_title":3414,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3415,"to_ping":16,"pinged":16,"post_modified":3416,"post_modified_gmt":3416,"post_content_filtered":16,"post_parent":41,"guid":3417,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},175,"2024-03-02 14:51:36","Cripta747","cripta747","2026-03-02 17:54:10","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=175","\u003Cp>“Benvenuti nell’era delle radiazioni cosmiche! Nel 2021 il Sole è sceso al punto più basso di attività dalla nascita della scienza. Le sue onde magnetiche, che un tempo facevano da scudo alla Terra, si sono drammaticamente indebolite. Durante questa pausa solare, potenti raggi cosmici intergalattici sono penetrati nella nostra atmosfera. Originate dai resti esplosivi di stelle morte, queste particelle silenziose, invisibili e altamente cariche sono state notate solo per i loro effetti, per quello che hanno fatto ai nostri corpi e alle tecnologie su cui pensavamo di poter contare”.\u003C\u002Fp>\n","\u003Cp>“Welcome to the age of cosmic radiation! In 2021 the Sun fell to its lowest point of activity since the birth of science. Its magnetic waves that once shielded the Earth dramatically weakened. During this solar lull powerful intergalactic cosmic rays penetrated our atmosphere. Originating from the explosive remnants of dead stars, these silent, invisible and highly charged particles were only noticed in their effect – in what they did to our bodies and to the technologies we thought we could rely upon”.\u003C\u002Fp>\n","\u003Cp>L’installazione dell’artista inglese si presenta come un approfondimento del lavoro di ricerca che ha portato Arnfield a produrre \u003Cem>The Phantom Menace\u003C\u002Fem> (2019)\u003Cem>,\u003C\u002Fem> un film tecno-stroboscopico che ipotizza futuri climatici possibili. Il film, scritto in conversazione con alcuni lavoratori delle Warehouse Amazon inglesi, si ispira a vecchie proposte del governo statunitense di installare nelle profondità del sottosuolo supercomputer predittivi per proteggerli da ipotetiche minacce aliene. Arnfield utilizza le visualizzazioni scientifiche prodotte da questi supercomputer, considerate a bassa risoluzione per gli standard odierni, per speculare sul ruolo e sul lavoro dell’immagine in un futuro completamente sotterraneo.\u003C\u002Fp>\n\u003Cp>\u003Cem>Cosmic Radiation\u003C\u002Fem> inaugura la stagione di screening presentati da Cripta747 e curati da Vincenzo Estremo, un ciclo di medi e cortometraggi per riflettere sul futuro del lavoro in contesti ad alta tecnologia.\u003C\u002Fp>\n","\u003Cp>The installation of British artist Arnfield is a continuation of the research work that led to the production of \u003Cem>The Phantom Menace\u003C\u002Fem> (2019), a techno-driven stroboscopic climate fiction film. Written in conversation with various British Amazon warehouse workers, it was inspired by the proposed plans for the US government to install their fragile predictive supercomputers deep underground in order to protect them from hypothetical alien threats. 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17:26:16",1684,{"thumbnail":3574,"thumbnail-width":2065,"thumbnail-height":50,"medium":3575,"medium-width":3576,"medium-height":53,"medium_large":3568,"medium_large-width":54,"medium_large-height":3577,"large":3578,"large-width":3579,"large-height":537,"1536x1536":3568,"1536x1536-width":3580,"1536x1536-height":253,"2048x2048":3568,"2048x2048-width":1864,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F08_Hien-Hoang_state-of-dessert_2023-84x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F08_Hien-Hoang_state-of-dessert_2023-337x600.jpg",337,1368,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F08_Hien-Hoang_state-of-dessert_2023-1123x2000.jpg",1123,862,"Silvia Mangosio, Luca Vianello",[3583],{"ID":3584,"post_author":65,"post_date":3585,"post_date_gmt":3585,"post_content":16,"post_title":3586,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3587,"to_ping":16,"pinged":16,"post_modified":3585,"post_modified_gmt":3585,"post_content_filtered":16,"post_parent":41,"guid":3588,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},155,"2024-03-02 14:02:07","Hiền Hoàng","hien-hoang","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=155",[3590],{"ID":3591,"post_author":65,"post_date":3592,"post_date_gmt":3592,"post_content":16,"post_title":3593,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3594,"to_ping":16,"pinged":16,"post_modified":3595,"post_modified_gmt":3595,"post_content_filtered":16,"post_parent":41,"guid":3596,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},156,"2024-03-02 14:05:28","MuchoMas!","mucho-mas","2026-03-09 15:51:17","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=156","\u003Cp>“Mia zia, figlia primogenita della mia famiglia materna, fu la prima a trasferirsi nella DDR come lavoratrice a contratto. Trascorso un po’ di tempo, cominciò a mandarci delle lettere. Ci raccontava di quanto fosse bella la vita in Germania e molto altro. Non parlava quasi mai di privazioni e discriminazioni. Più tardi, quando nel 2014 andai a trovarla per la prima volta, mi stupì di quanto fosse effettivamente difficile la sua vita. A dire il vero, di tanto in tanto mi ripeteva di fare attenzione durante le comunicazioni, dato che le chiamate e i messaggi potevano essere registrati. Fu solo in seguito che compresi perché fosse così ossessionata da questo timore: nella maggior parte dei casi, al di fuori del lavoro, la comunicazione tra i lavoratori a contratto e i cittadini tedeschi era severamente vietata e sottoposta a controlli da parte delle autorità sia tedesche che vietnamite. Mi chiedo quanto vi fosse di vero nelle lettere che inviava a casa oltreoceano, e quanto di questo fosse di fatto diventato realtà in ciò che percepiva”.\u003C\u002Fp>\n","\u003Cp>“My aunt, who was the oldest daughter in my mother’s family, was the first one to come to the GDR as a contract worker. After some time, she started sending letters home. She wrote about how nice life was in Germany and so on. There was hardly any mention of sacrifice and discrimination. Later, when I visited her for the first time in 2014, I was surprised at how difficult her life actually was. Even though I remember she kept telling me to be careful during our communications because calls and messages could have been recorded. I didn’t understand why she was so obsessed with this fear until one day I discovered that, in most cases, communication between the contract workers and German citizens outside of work was strictly forbidden and controlled by both German and Vietnamese authorities. I wonder how much truth there was in the letters she sent home across the ocean, and how much of it became reality in her perception”.\u003C\u002Fp>\n","\u003Cp>L’installazione contiene alcuni elementi del progetto interdisciplinare \u003Cem>Asia Bistro – Made in Rice.\u003C\u002Fem> L’artista utilizza il riso – ingrediente tipico del suo Paese d’origine nonchè simbolo del concetto di “asiatico” in Occidente – per affrontare la discriminazione che sottende il concetto di “immigrato buono”. Il cibo diventa metafora degli stereotipi legati alle culture asiatiche – una limitazione, una maschera.\u003C\u002Fp>\n\u003Cp>L’opera evidenzia il dibattito sul tema della politica dell’immigrazione in Germania e in Europa, e di come questa si ripercuota sulle persone generando traumi, sia a livello personale che nella comunità.\u003C\u002Fp>\n","\u003Cp>The installation contains parts of the interdisciplinary project \u003Cem>Asia Bistro – Made in Rice\u003C\u002Fem>. The artist uses rice – a typical ingredient of her country of origin and also a symbol for what is ‘Asian’ in the Western part of the world – to address the underlying discrimination of the ‘good immigrant’. Here food becomes a metaphor for stereotypes about Asian cultures – a limitation, a mask.\u003C\u002Fp>\n\u003Cp>The piece highlights the issue of immigration policy in Germany and Europe, and how it affects a person and often causes trauma – for a person as well as for a community.\u003C\u002Fp>\n",{"self":3602,"collection":3607,"about":3609,"acf:post":3611,"wp:attachment":3616,"curies":3619},[3603],{"href":3604,"targetHints":3605},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F252",{"allow":3606},[84],[3608],{"href":87},[3610],{"href":90},[3612,3614],{"embeddable":23,"href":3613},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F156",{"embeddable":23,"href":3615},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F155",[3617],{"href":3618},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=252",[3620],{"name":99,"href":100,"templated":23},{"id":3622,"date":3623,"date_gmt":3623,"guid":3624,"modified":3626,"modified_gmt":3626,"slug":3627,"status":11,"type":12,"link":3628,"title":3629,"template":16,"class_list":3631,"acf":3633,"_links":3791},242,"2024-03-02T17:21:50",{"rendered":3625},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=242","2024-03-20T18:56:50","works-for-a-cosmic-feeling","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fworks-for-a-cosmic-feeling\u002F",{"rendered":3630},"Works 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to Build a Bird_s Wing_ Feathers, Playdough, and Various Materials, 2020 ©Fabio Barile_Matèria","Attempt-to-Build-a-Bird_s-Wing_-Feathers-Playdough-and-Various-Materials-2020-©Fabio-Barile_Materia.jpg",670766,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FAttempt-to-Build-a-Bird_s-Wing_-Feathers-Playdough-and-Various-Materials-2020-©Fabio-Barile_Materia.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fworks-for-a-cosmic-feeling\u002Fattempt-to-build-a-bird_s-wing_-feathers-playdough-and-various-materials-2020-fabio-barile_materia\u002F","Attemtp to build the wing of a bird.\nfeather, play dough and various pieces.\n2020","attempt-to-build-a-bird_s-wing_-feathers-playdough-and-various-materials-2020-fabio-barile_materia","2024-03-02 17:19:48","2024-03-02 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Kepler Conjecture on Sphere Packing in Three-Dimensional Euclidean Space_ Playdough, 2021 ©Fabio Barile_Matèria","The-Kepler-Conjecture-on-Sphere-Packing-in-Three-Dimensional-Euclidean-Space_-Playdough-2021-©Fabio-Barile_Materia.jpg",1312995,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Kepler-Conjecture-on-Sphere-Packing-in-Three-Dimensional-Euclidean-Space_-Playdough-2021-©Fabio-Barile_Materia.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fworks-for-a-cosmic-feeling\u002Fthe-kepler-conjecture-on-sphere-packing-in-three-dimensional-euclidean-space_-playdough-2021-fabio-barile_materia\u002F","The Kepler conjecture on sphere packing \nin three-dimensional Euclidean space, play dough. 2021","the-kepler-conjecture-on-sphere-packing-in-three-dimensional-euclidean-space_-playdough-2021-fabio-barile_materia","2024-03-02 17:19:54","2024-03-02 17:20:00",{"thumbnail":3769,"thumbnail-width":50,"thumbnail-height":421,"medium":3770,"medium-width":53,"medium-height":423,"medium_large":3762,"medium_large-width":54,"medium_large-height":3043,"large":3762,"large-width":252,"large-height":253,"1536x1536":3762,"1536x1536-width":253,"1536x1536-height":1989,"2048x2048":3762,"2048x2048-width":537,"2048x2048-height":1988},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Kepler-Conjecture-on-Sphere-Packing-in-Three-Dimensional-Euclidean-Space_-Playdough-2021-©Fabio-Barile_Materia-150x120.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Kepler-Conjecture-on-Sphere-Packing-in-Three-Dimensional-Euclidean-Space_-Playdough-2021-©Fabio-Barile_Materia-600x480.jpg","Tommaso Parrillo, Niccolò 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Barile","fabio-barile","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=153",[3780],{"ID":3781,"post_author":65,"post_date":3782,"post_date_gmt":3782,"post_content":16,"post_title":3783,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":3784,"to_ping":16,"pinged":16,"post_modified":3785,"post_modified_gmt":3785,"post_content_filtered":16,"post_parent":41,"guid":3786,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},154,"2024-03-02 14:01:09","Witty Books","witty-books","2026-03-11 13:51:20","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=154","\u003Cp>\u003Cem>Works for a Cosmic Feeling\u003C\u002Fem> è una raccolta di opere fotografiche che impiegano gli strumenti della scienza e della filosofia per esplorare quello che Romain Rolland (in una lettera del 1927 a Sigmund Freud) ha chiamato “sentimento oceanico” – riferendosi alla sensazione di essere uno con l’universo. Seguendo il principio taoista dello “spirito della valle”, le opere esplorano molteplici traiettorie nel tentativo di comportarsi come un sistema complesso. Il lavoro si presenta come un flusso di coscienza e un viaggio immersivo nel divenire e dell’interconnettività, incorporando il processo di trasformazione nel tempo come parte integrante dell’opera stessa.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Works for a Cosmic Feeling\u003C\u002Fem> is a collection of photographic works using the scientific and philosophical instruments to explore what Romain Rolland described in 1927 as an ‘oceanic feeling’ in a letter to Sigmund Freud – referring to the immersive feeling, being at one with the universe. According to the Taoist principle of the ‘valley spirit’, Barile’s works follow a number of trajectories endeavouring to behave as a complex system. His work is like a stream of consciousness, an immersive journey in the making, and interconnectivity, enshrining transformation over time as part and parcel of the work itself.\u003C\u002Fp>\n","\u003Cp>Che sia osservando il modo in cui i rami e le foglie di una foresta si organizzano, come una superficie bidimensionale irrompe nella terza dimensione o con tentativi di ricreare strutture costruite dagli animali, i lavori sono sforzi per esaminare, connettersi, e raffigurare, un diverso livello della realtà – all’interno delle limitazioni del mezzo fotografico.\u003C\u002Fp>\n\u003Cp>Questi lavori non considerano incoerenza e imperfezione come difetti, ma come elementi essenziali dell’evoluzione. Infatti, l’evoluzione viene paragonata al lavoro di un artigiano che trasforma materiali e idee preesistenti in modo creativo, a differenza di un ingegnere che segue un piano prestabilito. Questo approccio riflette una visione del mondo dove il cambiamento e l’imperfezione sono visti non solo come inevitabili, ma come aspetti fondamentali del processo creativo e evolutivo.\u003C\u002Fp>\n","\u003Cp>Barile’s works are an effort to examine, connect and depict a different level of the real world – within the limitations of the photographic means – whether he is observing how forest branches and leaves organize, how a two-D surface breaks into the third dimension, or the attempt to recreate the structures built by animals.\u003C\u002Fp>\n\u003Cp>Inconsistency and imperfections are not seen as faults, but as key ingredients of evolution. Evolution is compared to craftwork creatively transforming materials and pre-existing ideas, unlike an engineer who follows the steps of a pre-established plan. Barile’s approach speaks to a vision of the world where change and imperfection are not just inevitable: they are essential to both the creative process and evolution.\u003C\u002Fp>\n",{"self":3792,"collection":3797,"about":3799,"acf:post":3801,"wp:attachment":3806,"curies":3809},[3793],{"href":3794,"targetHints":3795},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F242",{"allow":3796},[84],[3798],{"href":87},[3800],{"href":90},[3802,3804],{"embeddable":23,"href":3803},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F154",{"embeddable":23,"href":3805},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F153",[3807],{"href":3808},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=242",[3810],{"name":99,"href":100,"templated":23},{"id":3812,"date":3813,"date_gmt":3813,"guid":3814,"modified":3816,"modified_gmt":3816,"slug":3817,"status":11,"type":12,"link":3818,"title":3819,"template":16,"class_list":3821,"acf":3823,"_links":3948},213,"2024-03-02T16:44:03",{"rendered":3815},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=213","2024-04-01T16:13:17","true-colors","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Ftrue-colors\u002F",{"rendered":3820},"True Colors",[3822,12,19,20,21],"post-213",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":1269,"start_time":16,"end_time":16,"media":3824,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":3928,"other_label":16,"other_label_en":16,"artist":3929,"location_type":61,"location":3936,"outdoor_location":75,"text_it":3944,"text_en":3945,"read_more_it":23,"read_more_en":23,"text_read_more_it":3946,"text_read_more_en":3947,"size":73,"exposed_off":57},[3825,3839,3853,3867,3886,3900,3914],{"acf_fc_layout":29,"image":3826,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":3827,"id":3827,"title":3828,"filename":3829,"filesize":3830,"url":3831,"link":3832,"alt":16,"author":65,"description":16,"caption":16,"name":3833,"status":39,"uploaded_to":3812,"date":3834,"modified":3834,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":537,"height":599,"sizes":3835,"didascalia_en":16},214,"Diptych_1A-BLANC GLACIER - 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Il progetto ricontestualizza gli strumenti di marketing visivo del settore automobilistico, tra cui fotografie, video, materiale pubblicitario e d’archivio, per mettere in luce il contrasto stridente tra la sedicente attenzione all’ambiente e le pratiche reali delle aziende. Ci stimola, così, a ripensare la nostra relazione con le auto nel contesto delle urgenti questioni ambientali di oggi e a considerare criticamente la visione insostenibile, individualista e orientata alla produzione del futuro della mobilità umana.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cp>\u003Cem>True Colors\u003C\u002Fem>, inspired by the \u003Cem>Dieselgate\u003C\u002Fem> scandal, questions the contemporary industry’s deceptive ecological narrative. The project recontextualizes the industry’s own visual marketing tools, including photography, video, advertising and archival material, to reveal the stark contrast between its professed environmental narrative and actual practices. It prompts us to reexamine our relationship with cars against the backdrop of today’s pressing environmental issues and to critically evaluate the industry’s unsustainable, individualistic and production-oriented vision of the future of human mobility.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Dieselgate\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>Nel 2014 il settore automobilistico è scosso da un grave scandalo: emerge, infatti, che Volkswagen utilizza un software per aggirare i test sull’inquinamento atmosferico su alcuni modelli di auto. Quando il software rileva che sono in corso test di controllo sulle emissioni, modifica il motore per ridurle solo durante il test. In condizioni di guida reali, tuttavia, i veicoli rilasciano quantità molto più elevate di inquinanti. La scoperta suscita grande indignazione e svela pratiche fraudolente analoghe attuate anche da altre case automobilistiche, tra cui Audi, BMW, Renault, Fiat e Jeep.\u003C\u002Fp>\n","\u003Cp>\u003Cem>Dieselgate\u003C\u002Fem>\u003C\u002Fp>\n\u003Cp>In 2014, it was revealed that Volkswagen was using software to circumvent air pollution tests in certain car models, which was a major scandal in the automotive industry. When this software detected standardized emissions tests, it modified the engine to reduce emissions only during the tests. However, under real driving conditions, these vehicles emitted much higher levels of pollutants. This discovery caused great outrage and exposed similar fraudulent practices at other car manufacturers such as Audi, BMW, Renault, Fiat and Jeep.\u003C\u002Fp>\n",{"self":3949,"collection":3954,"about":3956,"acf:post":3958,"wp:attachment":3963,"curies":3966},[3950],{"href":3951,"targetHints":3952},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F213",{"allow":3953},[84],[3955],{"href":87},[3957],{"href":90},[3959,3961],{"embeddable":23,"href":3960},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F143",{"embeddable":23,"href":3962},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F142",[3964],{"href":3965},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=213",[3967],{"name":99,"href":100,"templated":23},{"id":1969,"date":3969,"date_gmt":3969,"guid":3970,"modified":3972,"modified_gmt":3972,"slug":3973,"status":11,"type":12,"link":3974,"title":3975,"template":16,"class_list":3977,"acf":3979,"_links":4001},"2024-04-26T17:51:00",{"rendered":3971},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=793","2024-05-13T07:58:54","voci-nascoste-le-lingue-che-resistono","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fvoci-nascoste-le-lingue-che-resistono\u002F",{"rendered":3976},"Voci Nascoste. Le lingue che resistono",[3978,12,19,20,21],"post-793",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":3165,"to":1269,"start_time":16,"end_time":16,"media":3980,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":671,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":3997,"outdoor_location":75,"text_it":3999,"text_en":4000,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":24,"exposed_off":57},[3981],{"acf_fc_layout":29,"image":3982,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":3983,"id":3983,"title":3984,"filename":3985,"filesize":3986,"url":3987,"link":3988,"alt":16,"author":37,"description":16,"caption":16,"name":3989,"status":39,"uploaded_to":1969,"date":3990,"modified":3990,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":3991,"height":1756,"sizes":3992,"didascalia_en":16},799,"Schermata 2024-04-28 alle 11.16.30","Schermata-2024-04-28-alle-11.16.30.png",2323690,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FSchermata-2024-04-28-alle-11.16.30.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fvoci-nascoste-le-lingue-che-resistono\u002Fschermata-2024-04-28-alle-11-16-30\u002F","schermata-2024-04-28-alle-11-16-30","2024-04-28 09:17:01",956,{"thumbnail":3993,"thumbnail-width":3994,"thumbnail-height":50,"medium":3995,"medium-width":3996,"medium-height":53,"medium_large":3987,"medium_large-width":54,"medium_large-height":675,"large":3987,"large-width":3991,"large-height":1756,"1536x1536":3987,"1536x1536-width":3991,"1536x1536-height":1756,"2048x2048":3987,"2048x2048-width":3991,"2048x2048-height":1756},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FSchermata-2024-04-28-alle-11.16.30-124x150.png",124,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FSchermata-2024-04-28-alle-11.16.30-494x600.png",494,[3998],{"ID":683,"post_author":24,"post_date":684,"post_date_gmt":684,"post_content":16,"post_title":685,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":686,"to_ping":16,"pinged":16,"post_modified":687,"post_modified_gmt":687,"post_content_filtered":16,"post_parent":41,"guid":688,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cdiv class=\"page\" title=\"Page 24\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>Tra le sfide contemporanee che minacciano la memoria del patrimonio orale, quindi l’esistenza e la conservazione delle minoranze linguistiche che abitano lo stivale, troviamo l’invecchiamento della popolazione, l’urbanizzazione delle grandi metropoli per mano delle popolazioni più giovani e la turistificazione massiva dei luoghi. Il progetto vede la sua realizzazione nei tre lavori inediti di Arianna Arcara (Monza, 1984), Antonio Ottomanelli (Bari, 1982) e Roselena Ramistella (Gela, 1982), che si propongono di esplorare la comunità albanese Arbereshe in Sicilia, dei gruppi di parlanti greco-italioti della Grecia salentina in Puglia e di quelli francoprovenzali della Valle d’Aosta. A fianco della componente visiva si inserisce una componente di ricerca giornalistica finalizzata nel formato del podcast in collaborazione con Chora Media e in partnership culturale con Lavazza Group.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cdiv class=\"page\" title=\"Page 24\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>Among the contemporary challenges that threaten the memory of oral heritage, thus the existence and preservation of the linguistic minorities inhabiting our ‘boot’, we find the ageing of the population, the urbanisation of large metropolises at the hands of younger populations, and the massive touristification of places. The project sees its realisation in the three original works by Arianna Arcara (Monza, 1984), Antonio Ottomanelli (Bari, 1982) and Roselena Ramistella (Gela, 1982) that set out to explore the Albanian Arbereshe community in Sicily, the Greek-Italian speaking groups of Salentinian Greece in Apulia and the Franco-Provençal speaking groups of Valle d’Aosta. Alongside the visual component is a journalistic research component that finds its completion in the podcast format in collaboration with Chora Media and in cultural partnership with Lavazza Group.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n",{"self":4002,"collection":4007,"about":4009,"acf:post":4011,"wp:attachment":4013,"curies":4016},[4003],{"href":4004,"targetHints":4005},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F793",{"allow":4006},[84],[4008],{"href":87},[4010],{"href":90},[4012],{"embeddable":23,"href":703},[4014],{"href":4015},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=793",[4017],{"name":99,"href":100,"templated":23},{"id":4019,"date":4020,"date_gmt":4020,"guid":4021,"modified":4023,"modified_gmt":4023,"slug":4024,"status":11,"type":12,"link":4025,"title":4026,"template":16,"class_list":4028,"acf":4030,"_links":4108},339,"2024-03-02T22:20:24",{"rendered":4022},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=339","2024-04-01T16:13:49","expanded-with","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-with\u002F",{"rendered":4027},"Expanded With",[4029,12,19,20,21],"post-339",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":1269,"start_time":16,"end_time":16,"media":4031,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":4095,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":4096,"outdoor_location":75,"text_it":4104,"text_en":4105,"read_more_it":23,"read_more_en":23,"text_read_more_it":4106,"text_read_more_en":4107,"size":24,"exposed_off":57},[4032,4052,4073],{"acf_fc_layout":29,"image":4033,"text_en":4050,"text_it":4051,"meta_data":57,"size":424},{"ID":4034,"id":4034,"title":4035,"filename":4036,"filesize":4037,"url":4038,"link":4039,"alt":16,"author":65,"description":16,"caption":16,"name":4040,"status":39,"uploaded_to":4019,"date":4041,"modified":4041,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4042,"height":4043,"sizes":4044,"didascalia_en":16},342,"Arsanios_Who is Afraid of Ideology_","Arsanios_Who-is-Afraid-of-Ideology_.jpg",2364670,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FArsanios_Who-is-Afraid-of-Ideology_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-with\u002Farsanios_who-is-afraid-of-ideology_\u002F","arsanios_who-is-afraid-of-ideology_","2024-03-02 22:14:18",4366,2458,{"thumbnail":4045,"thumbnail-width":50,"thumbnail-height":2065,"medium":4046,"medium-width":53,"medium-height":2067,"medium_large":4038,"medium_large-width":54,"medium_large-height":2068,"large":4047,"large-width":252,"large-height":4048,"1536x1536":4038,"1536x1536-width":253,"1536x1536-height":4049,"2048x2048":4038,"2048x2048-width":254,"2048x2048-height":356},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FArsanios_Who-is-Afraid-of-Ideology_-150x84.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FArsanios_Who-is-Afraid-of-Ideology_-600x338.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FArsanios_Who-is-Afraid-of-Ideology_-2000x1126.jpg",1081,865,"\u003Cp>\u003Cem>Who is Afraid of Ideology? \u003C\u002Fem>\u003Cem>Part I\u003C\u002Fem>, 2017\u003Cbr \u002F>\ndigital video, color, sound\u003Cem>\u003Cbr \u002F>\n\u003C\u002Fem>18:16 min\u003Cbr \u002F>\nCastello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003Cbr \u002F>\nOn loan from: Fondazione per l’Arte Moderna e Contemporanea CRT, 2023\u003Cbr \u002F>\nCourtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003C\u002Fp>\n","\u003Cp>Chi ha paura dell’ideologia? Parte I, 2017\u003Cbr \u002F>\nvideo digitale, colore, sonoro\u003Cem>\u003Cbr \u002F>\n\u003C\u002Fem>18:16 min\u003Cbr \u002F>\nCastello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003Cbr \u002F>\nIn comodato da: Fondazione per l’Arte Moderna e Contemporanea CRT, 2023\u003Cbr \u002F>\nCourtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":4053,"text_en":4071,"text_it":4072,"meta_data":57,"size":24},{"ID":4054,"id":4054,"title":4055,"filename":4056,"filesize":4057,"url":4058,"link":4059,"alt":16,"author":65,"description":16,"caption":16,"name":4060,"status":39,"uploaded_to":4019,"date":4061,"modified":4061,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4062,"height":4063,"sizes":4064,"didascalia_en":16},343,"Mendieta_Untitled (Silueta Series)","Mendieta_Untitled-Silueta-Series.jpg",2822472,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMendieta_Untitled-Silueta-Series.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-with\u002Fmendieta_untitled-silueta-series\u002F","mendieta_untitled-silueta-series","2024-03-02 22:14:19",4068,5904,{"thumbnail":4065,"thumbnail-width":2820,"thumbnail-height":50,"medium":4066,"medium-width":2822,"medium-height":53,"medium_large":4058,"medium_large-width":54,"medium_large-height":4067,"large":4068,"large-width":4069,"large-height":537,"1536x1536":4058,"1536x1536-width":788,"1536x1536-height":253,"2048x2048":4058,"2048x2048-width":4070,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMendieta_Untitled-Silueta-Series-103x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMendieta_Untitled-Silueta-Series-413x600.jpg",1115,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FMendieta_Untitled-Silueta-Series-1378x2000.jpg",1378,1411,"\u003Cp>\u003Cem>Untitled (Silueta Series)\u003C\u002Fem>, 1974\u003Cbr \u002F>\nlifetime color photograph\u003Cbr \u002F>\n25,4 × 20,3 cm\u003Cbr \u002F>\nCastello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003Cbr \u002F>\nOn loan from: Fondazione per l’Arte Moderna e Contemporanea CRT, 2012\u003Cbr \u002F>\nCourtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003C\u002Fp>\n","\u003Cp>\u003Cem>Untitled (Silueta Series)\u003C\u002Fem>, 1974\u003Cbr \u002F>\nfotografia a colori, stampa originale\u003Cbr \u002F>\n25,4 × 20,3 cm\u003Cbr \u002F>\nCastello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003Cbr \u002F>\nIn comodato da: Fondazione per l’Arte Moderna e Contemporanea CRT, 2012\u003Cbr \u002F>\nCourtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":4074,"text_en":4093,"text_it":4094,"meta_data":57,"size":73},{"ID":4075,"id":4075,"title":4076,"filename":4077,"filesize":4078,"url":4079,"link":4080,"alt":16,"author":65,"description":16,"caption":16,"name":4081,"status":39,"uploaded_to":4019,"date":4082,"modified":4082,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4083,"height":4084,"sizes":4085,"didascalia_en":16},344,"Pivi_Senza titolo (Struzzo)","Pivi_Senza-titolo-Struzzo.jpg",1223660,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPivi_Senza-titolo-Struzzo.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-with\u002Fpivi_senza-titolo-struzzo\u002F","pivi_senza-titolo-struzzo","2024-03-02 22:14:21",2516,2071,{"thumbnail":4086,"thumbnail-width":50,"thumbnail-height":1507,"medium":4087,"medium-width":53,"medium-height":3996,"medium_large":4079,"medium_large-width":54,"medium_large-height":4088,"large":4089,"large-width":252,"large-height":4090,"1536x1536":4079,"1536x1536-width":253,"1536x1536-height":4091,"2048x2048":4079,"2048x2048-width":254,"2048x2048-height":4092},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPivi_Senza-titolo-Struzzo-150x123.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPivi_Senza-titolo-Struzzo-600x494.jpg",632,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FPivi_Senza-titolo-Struzzo-2000x1646.jpg",1580,1264,1686,"\u003Cp>\u003Cem>Untitled – Ostrich\u003C\u002Fem>, 2003\u003Cbr \u002F>\nchromogenic print mounted on Dibond photographic plate\u003Cbr \u002F>\n124 × 156 cm\u003Cbr \u002F>\nCastello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003Cbr \u002F>\nOn loan from: Fondazione per l’Arte Moderna e Contemporanea CRT, 2003\u003Cbr \u002F>\nCourtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003C\u002Fp>\n","\u003Cp>\u003Cem>Senza titolo, struzzo\u003C\u002Fem>, 2003\u003Cbr \u002F>\nstampa fotografica a colori montata su lastra Dibond\u003Cbr \u002F>\n124 × 156 cm\u003Cbr \u002F>\nCastello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003Cbr \u002F>\nIn comodato da: Fondazione per l’Arte Moderna e Contemporanea CRT, 2003\u003Cbr \u002F>\nCourtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino\u003C\u002Fp>\n","Marcella Beccaria",[4097],{"ID":4098,"post_author":65,"post_date":4099,"post_date_gmt":4099,"post_content":16,"post_title":4100,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4101,"to_ping":16,"pinged":16,"post_modified":4102,"post_modified_gmt":4102,"post_content_filtered":16,"post_parent":41,"guid":4103,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},169,"2024-03-02 14:24:56","Castello di Rivoli Museo d’Arte Contemporanea","castello-di-rivoli-museo-darte-contemporanea","2024-05-01 13:24:25","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=169","\u003Cp>\u003Cem>Expanded With\u003C\u002Fem> presenta opere nelle quali il medium fotografico è il punto di partenza per indagare diversi tipi di relazione con il paesaggio. Dalle azioni performative degli anni 60-70, la mostra comprende opere di pionieri della Land Art, dell’Arte povera e della Body Art, includendo inoltre l’uso della fotografia come strumento concettuale, arrivando a ulteriori esperienze più contemporanee.\u003C\u002Fp>\n","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded With \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">presents works in which the photographic medium is the starting point for investigating different types of relationship with the landscape.\u003C\u002Fspan> \u003Cspan style=\"font-weight: 400;\">From performative actions from the 1960s-70s, the exhibition includes works by pioneers of Land Art, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Arte povera \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">and Body Art, the use of photography as a conceptual tool and more contemporary experiences. \u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: 06152fa0-f4d9-4d5b-b118-be52874a997f -->\u003C\u002Fp>\n","\u003Cp>\u003Cem>Expanded With\u003C\u002Fem> è parte di \u003Cem>Expanded\u003C\u002Fem>, una mostra in tre capitoli a cura di Marcella Beccaria e Elena Volpato pensata per valorizzare il nucleo fotografico della Collezione della Fondazione per l’Arte Moderna e Contemporanea CRT in comodato al Castello di Rivoli Museo d’Arte Contemporanea e a GAM Galleria Civica d’Arte Moderna e Contemporanea di Torino. Proponendo un unico percorso coerente, la mostra è articolata nelle sedi di Castello di Rivoli, GAM e OGR Torino, e presenta la fotografia da tre angolature speciali. Oltre a \u003Cem>Expanded With\u003C\u002Fem> al Castello di Rivoli, il progetto include \u003Cem>Expanded Without\u003C\u002Fem> presso le OGR e \u003Cem>Expanded – I Paesaggi dell’arte\u003C\u002Fem> presso GAM a Torino. \u003Cem>Expanded\u003C\u002Fem> indaga l’immagine quale campo allargato, intenzionalmente citando gli scritti della teorica d’arte americana Rosalind Krauss.\u003C\u002Fp>\n","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded With \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">is part of \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded, \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">an exhibition divided into three chapters curated by Marcella Beccaria and Elena Volpato with a view to enhance the photographs included in the Collection of Fondazione per l’Arte Moderna e Contemporanea CRT on a gratuitous loan to Castello di Rivoli Museo d’Arte Contemporanea and GAM Galleria Civica d’Arte Moderna e Contemporanea of Turin. The exhibition – a single coherent path set in the venues of Castello di Rivoli, GAM and OGR Torino – presents photography from three special angles. Besides \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded With \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">at Castello di Rivoli, the project includes \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded Without \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">at OGR and \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded – I Paesaggi dell’arte at \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">GAM in Turin. \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Expanded \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">investigates images as an expanded field, intentionally quoting the works of American art theorist Rosalind Krauss. \u003C\u002Fspan>\u003C\u002Fp>\n",{"self":4109,"collection":4114,"about":4116,"acf:post":4118,"wp:attachment":4121,"curies":4124},[4110],{"href":4111,"targetHints":4112},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F339",{"allow":4113},[84],[4115],{"href":87},[4117],{"href":90},[4119],{"embeddable":23,"href":4120},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F169",[4122],{"href":4123},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=339",[4125],{"name":99,"href":100,"templated":23},{"id":4127,"date":4128,"date_gmt":4128,"guid":4129,"modified":4131,"modified_gmt":4131,"slug":4132,"status":11,"type":12,"link":4133,"title":4134,"template":16,"class_list":4136,"acf":4138,"_links":4318},326,"2024-03-02T22:10:11",{"rendered":4130},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=326","2024-05-01T14:57:51","paolo-pellion-di-persano-la-semplice-storia-di-un-fotografo","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fpaolo-pellion-di-persano-la-semplice-storia-di-un-fotografo\u002F",{"rendered":4135},"La 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e Mario Merz","1972_Marisa-e-Mario-Merz.jpg",3843232,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1972_Marisa-e-Mario-Merz.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fpaolo-pellion-di-persano-la-semplice-storia-di-un-fotografo\u002F1972_marisa-e-mario-merz\u002F","1972_marisa-e-mario-merz","2024-03-02 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22:09:04",{"thumbnail":4301,"thumbnail-width":50,"thumbnail-height":50,"medium":4302,"medium-width":53,"medium-height":53,"medium_large":4296,"medium_large-width":54,"medium_large-height":54,"large":4303,"large-width":252,"large-height":252,"1536x1536":4296,"1536x1536-width":253,"1536x1536-height":253,"2048x2048":4296,"2048x2048-width":254,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1982_Quartucci-150x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1982_Quartucci-600x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1982_Quartucci-2000x2000.jpg","Marcella Beccaria, Andrea Viliani",[4306],{"ID":4307,"post_author":65,"post_date":4308,"post_date_gmt":4308,"post_content":16,"post_title":4309,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4310,"to_ping":16,"pinged":16,"post_modified":4308,"post_modified_gmt":4308,"post_content_filtered":16,"post_parent":41,"guid":4311,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},168,"2024-03-02 14:22:54","Paolo Pellion di Persano","paolo-pellion-di-persano","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=168",[4313],{"ID":4098,"post_author":65,"post_date":4099,"post_date_gmt":4099,"post_content":16,"post_title":4100,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4101,"to_ping":16,"pinged":16,"post_modified":4102,"post_modified_gmt":4102,"post_content_filtered":16,"post_parent":41,"guid":4103,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>Per la prima volta, la mostra riunisce un grande corpus di fotografie di Paolo Pellion di Persano, inclusi molti inediti, restituendo uno straordinario racconto nel quale la vitalità artistica di Torino e del suo territorio è protagonista.\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: a93de05a-df2e-4f78-8e03-5be21c3d5f71 -->\u003C\u002Fp>\n","\u003Cp>The exhibition brings Paolo Pellion di Persano’s photographs together for the first time, including many previously never shown before now. His photographs piece together an outstanding tale of the lively artistic life of Turin and its surroundings.\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: 8a5d22af-b9b2-443e-bdab-12bd2dbe23a0 -->\u003C\u002Fp>\n","\u003Cp>La mostra prende in esame l’attività dell’autore a partire dagli esordi negli anni ‘70, individuando nuclei tematici che scandiscono il suo operato: i viaggi, i fermenti sociali del periodo, gli sviluppi dell’Arte povera, il lavoro per la moda e l’interesse nei confronti del teatro. Un’ulteriore sezione è dedicata alla lunga relazione tra Pellion e il Castello di Rivoli, istituzione di cui documenta gli esordi nel 1984 e che segue con continuità fino al 2012 e oltre, arrivando a produrre una narrazione coinvolgente che restituisce la ricca stratigrafia storica, collezionistica ed espositiva presente in ogni sala del Museo. Oltre alle stampe originali, prodotte dall’autore, la mostra comprende materiale documentario, tra cui oggetti personali e strumenti di lavoro solitamente conservati nel suo laboratorio a Castagneto Po.\u003C\u002Fp>\n\u003Cp>La mostra valorizza la generosa donazione avvenuta nel 2023 da parte degli eredi dell’Archivio del fotografo, inclusivo di oltre 44.000 negativi, al centro di ricerca del Museo.\u003C\u002Fp>\n\u003Cp>Il progetto è sostenuto da \u003Cem>Strategia Fotografia 2023\u003C\u002Fem>, promosso dalla Direzione Generale Creatività Contemporanea del Ministero della Cultura.\u003C\u002Fp>\n","\u003Cp>The exhibition displays the author’s work from his beginnings in the 1970’s, pinpointing his core themes: travels, the social unrest of the time, the development of the \u003Cem>Arte Povera\u003C\u002Fem> Movement, his work in the fashion world and his love for theatre. Another section is devoted to the long-standing relationship between Pellion and the Rivoli Castle Museum, starting with its beginnings in 1984 and that lasted till 2012 and beyond, resulting in an engaging narrative that conveys the wealth of historical layering, collections and exposition in every room of the Museum. As well as the original prints by the author, the exhibition includes documentary material such as personal objects and work tools and instruments that were usually stored in his laboratory in Castagneto Po.\u003C\u002Fp>\n\u003Cp>Also on show the generous donation the heirs made in 2023 of his archive, including about 44,000 negatives, to the Museum’s Research Centre. The project is supported by \u003Cem>Strategia Fotografia 2023\u003C\u002Fem> and promoted by the Directorate-General for Contemporary Creativity of the Ministry of Culture.\u003C\u002Fp>\n",{"self":4319,"collection":4324,"about":4326,"acf:post":4328,"wp:attachment":4332,"curies":4335},[4320],{"href":4321,"targetHints":4322},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F326",{"allow":4323},[84],[4325],{"href":87},[4327],{"href":90},[4329,4330],{"embeddable":23,"href":4120},{"embeddable":23,"href":4331},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F168",[4333],{"href":4334},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=326",[4336],{"name":99,"href":100,"templated":23},{"id":4338,"date":4339,"date_gmt":4339,"guid":4340,"modified":4342,"modified_gmt":4342,"slug":4343,"status":11,"type":12,"link":4344,"title":4345,"template":16,"class_list":4347,"acf":4349,"_links":4472},568,"2024-03-07T17:24:51",{"rendered":4341},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=568","2024-04-08T10:06:39","expanded-without","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-without\u002F",{"rendered":4346},"Expanded 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non l'oggetto osservato_86","Losservatore-non-loggetto-osservato_86.jpg",6040217,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FLosservatore-non-loggetto-osservato_86.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-without\u002Flosservatore-non-loggetto-osservato_86\u002F","losservatore-non-loggetto-osservato_86","2024-03-07 17:15:32",4288,2848,{"thumbnail":4364,"thumbnail-width":50,"thumbnail-height":247,"medium":4365,"medium-width":53,"medium-height":3542,"medium_large":4357,"medium_large-width":54,"medium_large-height":4366,"large":4367,"large-width":252,"large-height":4368,"1536x1536":4357,"1536x1536-width":253,"1536x1536-height":4369,"2048x2048":4357,"2048x2048-width":254,"2048x2048-height":4370},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FLosservatore-non-loggetto-osservato_86-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FLosservatore-non-loggetto-osservato_86-600x399.jpg",510,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FLosservatore-non-loggetto-osservato_86-2000x1328.jpg",1275,1020,1360,"\u003Cdiv>Remo Salvadori, \u003Cem>The observer not the object observed\u003C\u002Fem>, 1981-2003, copper, 27 elements varying hights\u003C\u002Fdiv>\n\u003Cdiv>Property of Fondazione per l’Arte Moderna e Contemporanea CRT, loaned to GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino\u003C\u002Fdiv>\n","\u003Cdiv>Remo Salvadori, \u003Cem>L’osservatore non l’oggetto osservato\u003C\u002Fem>, 1981-2003, rame, 27 elementi ad altezza variabile\u003C\u002Fdiv>\n\u003Cdiv>Proprietà della Fondazione per l’Arte Moderna e Contemporanea CRT, in comodato alla GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino\u003C\u002Fdiv>\n",{"acf_fc_layout":29,"image":4374,"text_en":4388,"text_it":4389,"meta_data":57,"size":24},{"ID":4375,"id":4375,"title":4376,"filename":4377,"filesize":4378,"url":4379,"link":4380,"alt":16,"author":37,"description":16,"caption":16,"name":4376,"status":39,"uploaded_to":4338,"date":4381,"modified":4381,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4382,"height":4383,"sizes":4384,"didascalia_en":16},569,"325","325.jpg",287411,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F325.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-without\u002Fattachment\u002F325\u002F","2024-03-07 17:15:26",1418,1138,{"thumbnail":4385,"thumbnail-width":50,"thumbnail-height":421,"medium":4386,"medium-width":53,"medium-height":876,"medium_large":4379,"medium_large-width":54,"medium_large-height":4387,"large":4379,"large-width":4382,"large-height":4383,"1536x1536":4379,"1536x1536-width":4382,"1536x1536-height":4383,"2048x2048":4379,"2048x2048-width":4382,"2048x2048-height":4383},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F325-150x120.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F325-600x482.jpg",616,"\u003Cdiv>Dan Graham, \u003Cem>Children’s Day Care, CD-Rom, Cartoon and Computer Screen Library Project,\u003C\u002Fem> 1997 – 2000, stainless steel, glass, mirror, computer, monitor, 725 x 229 x 639 cm\u003C\u002Fdiv>\n\u003Cdiv>\n\u003Cdiv>\n\u003Cdiv>Property of Fondazione per l’Arte Moderna e Contemporanea CRT, loaned to Castello di Rivoli Museo d’Arte Contemporanea\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cdiv>Dan Graham, \u003Cem>Asilo per bambini, CD-Rom,progetto per una biblioteca di cartoni animati e schermo di computer\u003C\u002Fem>\u003Cem>,\u003C\u002Fem> 1997 – 2000, acciaio inox, vetro, specchio, computer, monitor, 725 x 229 x 639 cm\u003C\u002Fdiv>\n\u003Cdiv>\n\u003Cdiv>\n\u003Cdiv>Proprietà della Fondazione per l’Arte Moderna e Contemporanea CRT, in comodato al Castello di Rivoli Museo d’Arte Contemporanea\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n",{"acf_fc_layout":29,"image":4391,"text_en":4403,"text_it":4404,"meta_data":57,"size":73},{"ID":4392,"id":4392,"title":4393,"filename":4394,"filesize":4395,"url":4396,"link":4397,"alt":16,"author":37,"description":16,"caption":16,"name":4393,"status":39,"uploaded_to":4338,"date":4381,"modified":4381,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":3885,"height":3232,"sizes":4398,"didascalia_en":16},570,"fernandez-water","fernandez-water.jpg",279503,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffernandez-water.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-without\u002Ffernandez-water\u002F",{"thumbnail":4399,"thumbnail-width":421,"thumbnail-height":50,"medium":4400,"medium-width":4401,"medium-height":53,"medium_large":4396,"medium_large-width":54,"medium_large-height":4402,"large":4396,"large-width":3885,"large-height":3232,"1536x1536":4396,"1536x1536-width":3885,"1536x1536-height":3232,"2048x2048":4396,"2048x2048-width":3885,"2048x2048-height":3232},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffernandez-water-120x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Ffernandez-water-478x600.jpg",478,963,"\u003Cdiv>Tersita Fernàndez, \u003Cem>Waterfall\u003C\u002Fem>, 2000, aluminum, plastic, 366 x 366 x 853 cm\u003C\u002Fdiv>\n\u003Cdiv>Property of Fondazione per l’Arte Moderna e Contemporanea CRT, loaned to Castello di Rivoli Museo d’Arte Contemporanea\u003C\u002Fdiv>\n","\u003Cdiv>Tersita Fernàndez, \u003Cem>Cascata\u003C\u002Fem>, 2000, alluminio, plastica,  366 x 366 x 853 cm\u003C\u002Fdiv>\n\u003Cdiv>Proprietà della Fondazione per l’Arte Moderna e Contemporanea CRT, in comodato al Castello di Rivoli Museo d’Arte Contemporanea\u003C\u002Fdiv>\n",{"acf_fc_layout":29,"image":4406,"text_en":4422,"text_it":4423,"meta_data":57,"size":73},{"ID":4407,"id":4407,"title":4408,"filename":4409,"filesize":4410,"url":4411,"link":4412,"alt":16,"author":37,"description":16,"caption":16,"name":4413,"status":39,"uploaded_to":4338,"date":4414,"modified":4414,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":2726,"height":4415,"sizes":4416,"didascalia_en":16},588,"GustavMetzgerSupportive1966-2011MACLyonOverview-scaled","GustavMetzgerSupportive1966-2011MACLyonOverview-scaled-1.jpg",305206,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGustavMetzgerSupportive1966-2011MACLyonOverview-scaled-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-without\u002Fgustavmetzgersupportive1966-2011maclyonoverview-scaled\u002F","gustavmetzgersupportive1966-2011maclyonoverview-scaled","2024-03-08 10:38:30",1703,{"thumbnail":4417,"thumbnail-width":50,"thumbnail-height":247,"medium":4418,"medium-width":53,"medium-height":3542,"medium_large":4411,"medium_large-width":54,"medium_large-height":4419,"large":4420,"large-width":252,"large-height":4421,"1536x1536":4411,"1536x1536-width":253,"1536x1536-height":3546,"2048x2048":4411,"2048x2048-width":254,"2048x2048-height":662},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGustavMetzgerSupportive1966-2011MACLyonOverview-scaled-1-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGustavMetzgerSupportive1966-2011MACLyonOverview-scaled-1-600x399.jpg",511,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGustavMetzgerSupportive1966-2011MACLyonOverview-scaled-1-2000x1330.jpg",1277,"\u003Cdiv>Gustav Metzger, \u003Cem>Liquid Crystal Environment,\u003C\u002Fem> 1966- 2017, 7 Kodak SAV 2050 slide projectors with control units, rotating polarized filters, liquid crystals, dimensions determined by the space,\u003C\u002Fdiv>\n\u003Cdiv>\n\u003Cdiv>Property of Fondazione per l’Arte Moderna e Contemporanea CRT, loaned to Castello di Rivoli Museo d’Arte Contemporanea\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n","\u003Cdiv>Gustav Metzger, \u003Cem>Ambiente a cristalli liquidi,\u003C\u002Fem> 1966- 2017, 7 proiettori di diapositive Kodak SAV 2050 con unità di controllo, filtri polarizzati rotanti, cristalli liquidi,  dimensioni determinate dall’ambiente\u003C\u002Fdiv>\n\u003Cdiv>\n\u003Cdiv>Proprietà della Fondazione per l’Arte Moderna e Contemporanea CRT, in comodato al Castello di Rivoli Museo d’Arte Contemporanea\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n",{"acf_fc_layout":29,"image":4425,"text_en":4440,"text_it":4441,"meta_data":57,"size":24},{"ID":4426,"id":4426,"title":4427,"filename":4428,"filesize":4429,"url":4430,"link":4431,"alt":16,"author":37,"description":16,"caption":16,"name":4432,"status":39,"uploaded_to":4338,"date":4433,"modified":4433,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4434,"height":4435,"sizes":4436,"didascalia_en":16},573,"Nanda Vigo - Frammenti di riflessione","Nanda-Vigo-Frammenti-di-riflessione.jpg",3515642,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNanda-Vigo-Frammenti-di-riflessione.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-without\u002Fnanda-vigo-frammenti-di-riflessione\u002F","nanda-vigo-frammenti-di-riflessione","2024-03-07 17:15:37",3264,2448,{"thumbnail":4437,"thumbnail-width":50,"thumbnail-height":49,"medium":4438,"medium-width":53,"medium-height":52,"medium_large":4430,"medium_large-width":54,"medium_large-height":1373,"large":4439,"large-width":252,"large-height":1375,"1536x1536":4430,"1536x1536-width":253,"1536x1536-height":1287,"2048x2048":4430,"2048x2048-width":254,"2048x2048-height":253},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNanda-Vigo-Frammenti-di-riflessione-150x113.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNanda-Vigo-Frammenti-di-riflessione-600x450.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FNanda-Vigo-Frammenti-di-riflessione-2000x1500.jpg","\u003Cdiv>Nanda Vigo, \u003Cem>Frammenti di riflessione (exoteric gate)\u003C\u002Fem>, 1976, neon, iron electrical connections, 145 x 145 x 20 cm; 200 x 140 x 85 cm\u003C\u002Fdiv>\n\u003Cdiv>Property of Fondazione per l’Arte Moderna e Contemporanea CRT, loaned to GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino\u003C\u002Fdiv>\n","\u003Cdiv>Nanda Vigo, \u003Cem>Frammenti di riflessione (exoteric gate)\u003C\u002Fem>, 1976, neon, ferro, collegamenti elettrici, 145 x 145 x 20 cm; 200 x 140 x 85 cm\u003C\u002Fdiv>\n\u003Cdiv>Proprietà della Fondazione per l’Arte Moderna e Contemporanea CRT, in comodato alla GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino\u003C\u002Fdiv>\n",[4443,4449,4455,4461],{"ID":4444,"post_author":37,"post_date":4445,"post_date_gmt":4445,"post_content":16,"post_title":4446,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4447,"to_ping":16,"pinged":16,"post_modified":4445,"post_modified_gmt":4445,"post_content_filtered":16,"post_parent":41,"guid":4448,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},583,"2024-03-08 08:18:29","Nanda Vigo","nanda-vigo","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=583",{"ID":4450,"post_author":37,"post_date":4451,"post_date_gmt":4451,"post_content":16,"post_title":4452,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4453,"to_ping":16,"pinged":16,"post_modified":4451,"post_modified_gmt":4451,"post_content_filtered":16,"post_parent":41,"guid":4454,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},584,"2024-03-08 08:18:45","Remo Salvadori","remo-salvadori","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=584",{"ID":4456,"post_author":37,"post_date":4457,"post_date_gmt":4457,"post_content":16,"post_title":4458,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4459,"to_ping":16,"pinged":16,"post_modified":4457,"post_modified_gmt":4457,"post_content_filtered":16,"post_parent":41,"guid":4460,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},586,"2024-03-08 08:19:19","Gustav Metzger","gustav-metzger","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=586",{"ID":4462,"post_author":37,"post_date":4463,"post_date_gmt":4463,"post_content":16,"post_title":4464,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4465,"to_ping":16,"pinged":16,"post_modified":4466,"post_modified_gmt":4466,"post_content_filtered":16,"post_parent":41,"guid":4467,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},587,"2024-03-08 08:19:37","Teresita Fernàndez","tersita-fernandez","2024-03-08 10:36:38","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=587",[4469],{"ID":64,"post_author":65,"post_date":66,"post_date_gmt":66,"post_content":16,"post_title":67,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":69,"to_ping":16,"pinged":16,"post_modified":70,"post_modified_gmt":70,"post_content_filtered":16,"post_parent":41,"guid":71,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cdiv>\u003Cem>Expanded Without\u003C\u002Fem>  è parte di \u003Cem>Expanded\u003C\u002Fem>, una mostra in tre capitoli a cura di Marcella Beccaria e Elena Volpato pensata con la Fondazione per l’Arte Moderna e Contemporanea CRT per valorizzare la sua Collezione in comodato al Castello di Rivoli Museo d’Arte Contemporanea e a GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino.\u003C\u002Fdiv>\n\u003Cdiv>Alle OGR Torino il progetto espositivo si focalizza su opere nelle quali l’immagine è prodotta senza ricorrere alla macchina fotografica o altri strumenti di registrazione della realtà. Le opere presentate sono installazioni, autentici campi esperienziali, all’interno dei quali chi guarda diventa parte del processo di costruzione dell’immagine.\u003C\u002Fdiv>\n","\u003Cdiv>\u003Cem>Expanded Without\u003C\u002Fem> is part of Expanded, a three-chapter exhibition curated by Marcella Beccaria and Elena Volpato conceived with the Fondazione per l’Arte Moderna e Contemporanea CRT to enhance its Collection on loan to Castello di Rivoli Museo d’Arte Contemporanea and GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino.\u003C\u002Fdiv>\n\u003Cdiv>At OGR Turin, the exhibition project focuses on works in which the image is produced without resorting to the camera or other means of recording reality. The works presented are installations, authentic experiential fields, within which the viewer becomes part of the process of image construction.\u003C\u002Fdiv>\n",{"self":4473,"collection":4478,"about":4480,"acf:post":4482,"wp:attachment":4492,"curies":4495},[4474],{"href":4475,"targetHints":4476},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F568",{"allow":4477},[84],[4479],{"href":87},[4481],{"href":90},[4483,4484,4486,4488,4490],{"embeddable":23,"href":93},{"embeddable":23,"href":4485},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F587",{"embeddable":23,"href":4487},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F586",{"embeddable":23,"href":4489},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F584",{"embeddable":23,"href":4491},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F583",[4493],{"href":4494},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=568",[4496],{"name":99,"href":100,"templated":23},{"id":4498,"date":4499,"date_gmt":4499,"guid":4500,"modified":4502,"modified_gmt":4502,"slug":4503,"status":11,"type":12,"link":4504,"title":4505,"template":16,"class_list":4507,"acf":4509,"_links":4609},313,"2024-03-02T21:57:03",{"rendered":4501},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=313","2024-04-23T16:42:19","untitled-1991","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F",{"rendered":4506},"“Untitled” (1991)",[4508,12,19,20,21],"post-313",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":4510,"start_time":16,"end_time":16,"media":4511,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":4589,"other_label":16,"other_label_en":16,"artist":4590,"location_type":61,"location":4597,"outdoor_location":75,"text_it":4605,"text_en":4606,"read_more_it":23,"read_more_en":23,"text_read_more_it":4607,"text_read_more_en":4608,"size":24,"exposed_off":57},"2024-10-15",[4512,4533,4551,4573],{"acf_fc_layout":29,"image":4513,"text_en":4532,"text_it":4532,"meta_data":57,"size":424},{"ID":4514,"id":4514,"title":4515,"filename":4516,"filesize":4517,"url":4518,"link":4519,"alt":16,"author":65,"description":16,"caption":16,"name":4520,"status":39,"uploaded_to":4498,"date":4521,"modified":4521,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4522,"height":4523,"sizes":4524,"didascalia_en":16},318,"2012momanyEX1-616b.di","2012momanyEX1-616b.di_.jpg",1908812,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2012momanyex1-616b-di\u002F","2012momanyex1-616b-di","2024-03-02 21:50:28",3643,2443,{"thumbnail":4525,"thumbnail-width":50,"thumbnail-height":2855,"medium":4526,"medium-width":53,"medium-height":4527,"medium_large":4518,"medium_large-width":54,"medium_large-height":2858,"large":4528,"large-width":252,"large-height":4529,"1536x1536":4518,"1536x1536-width":253,"1536x1536-height":4530,"2048x2048":4518,"2048x2048-width":254,"2048x2048-height":4531},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_-150x101.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_-600x402.jpg",402,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2012momanyEX1-616b.di_-2000x1341.jpg",1287,1030,1373,"\u003Cp>Photo: David Allison, Installed on Pennsylvania Avenue near Fulton Street, Brooklyn. 1 of 6 outdoor billboard locations throughout the New York City area, with 1 indoor location, as part of the exhibition \u003Cem>Print\u002FOut. \u003C\u002Fem>The Museum of Modern Art (MoMA), New York, NY. 19 Feb. – 14 May 2012. Cur. Christopher Cherix. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":4534,"text_en":4548,"text_it":4548,"meta_data":4549,"size":24},{"ID":1551,"id":1551,"title":4535,"filename":4536,"filesize":4537,"url":4538,"link":4539,"alt":16,"author":65,"description":16,"caption":16,"name":4540,"status":39,"uploaded_to":4498,"date":4541,"modified":4541,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4542,"height":4543,"sizes":4544,"didascalia_en":16},"2013puamnjEX1-600b.hr","2013puamnjEX1-600b.hr_.jpg",1346577,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2013puamnjex1-600b-hr\u002F","2013puamnjex1-600b-hr","2024-03-02 21:50:29",3512,2341,{"thumbnail":4545,"thumbnail-width":50,"thumbnail-height":247,"medium":4546,"medium-width":53,"medium-height":249,"medium_large":4538,"medium_large-width":54,"medium_large-height":250,"large":4547,"large-width":252,"large-height":130,"1536x1536":4538,"1536x1536-width":253,"1536x1536-height":55,"2048x2048":4538,"2048x2048-width":254,"2048x2048-height":255},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-600b.hr_-2000x1333.jpg","\u003Cp>Photo: James Ewing, Installed on Route 129, south of Cass Street, Princeton, NJ. 1 of 12 outdoor billboard locations around the greater Princeton area, as part of a special installation by Princeton University Art Museum, Princeton, NJ. 21 Oct. – 16 Dec. 2013. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n",[4550],{"label":16,"data":16},{"acf_fc_layout":29,"image":4552,"text_en":4572,"text_it":4572,"meta_data":57,"size":24},{"ID":4553,"id":4553,"title":4554,"filename":4555,"filesize":4556,"url":4557,"link":4558,"alt":16,"author":65,"description":16,"caption":16,"name":4559,"status":39,"uploaded_to":4498,"date":4560,"modified":4560,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4561,"height":4562,"sizes":4563,"didascalia_en":16},317,"2000cstrivEX1-003c.pm","2000cstrivEX1-003c.pm_.jpg",1791875,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2000cstrivex1-003c-pm\u002F","2000cstrivex1-003c-pm","2024-03-02 21:50:26",3499,2731,{"thumbnail":4564,"thumbnail-width":50,"thumbnail-height":4565,"medium":4566,"medium-width":53,"medium-height":4567,"medium_large":4557,"medium_large-width":54,"medium_large-height":4568,"large":4569,"large-width":252,"large-height":605,"1536x1536":4557,"1536x1536-width":253,"1536x1536-height":4570,"2048x2048":4557,"2048x2048-width":254,"2048x2048-height":4571},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_-150x117.jpg",117,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_-600x468.jpg",468,599,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2000cstrivEX1-003c.pm_-2000x1561.jpg",1199,1598,"\u003Cp>Photo: Paulo Pellion, Installed in Turin, Italy. 1 of 6 outdoor billboard locations throughout Turin, as part of the exhibition \u003Cem>Quotidiana: The Continuity of the Everyday in 20th Century Art\u003C\u002Fem>. Castello di Rivoli, Museo d’Arte Contemporanea, Turin, Italy. 5 Feb. – 21 May 2000. Cur. Ida Gianelli, David Ross, Nicholas Serota, Jonathan Watkins, and Giorgio Verzotti. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":4574,"text_en":4588,"text_it":4588,"meta_data":57,"size":424},{"ID":2621,"id":2621,"title":4575,"filename":4576,"filesize":4577,"url":4578,"link":4579,"alt":16,"author":65,"description":16,"caption":16,"name":4580,"status":39,"uploaded_to":4498,"date":4581,"modified":4581,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4582,"height":4583,"sizes":4584,"didascalia_en":16},"2013puamnjEX1-602b.hr","2013puamnjEX1-602b.hr_.jpg",2002723,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Funtitled-1991\u002F2013puamnjex1-602b-hr\u002F","2013puamnjex1-602b-hr","2024-03-02 21:50:31",3474,2316,{"thumbnail":4585,"thumbnail-width":50,"thumbnail-height":247,"medium":4586,"medium-width":53,"medium-height":249,"medium_large":4578,"medium_large-width":54,"medium_large-height":250,"large":4587,"large-width":252,"large-height":130,"1536x1536":4578,"1536x1536-width":253,"1536x1536-height":55,"2048x2048":4578,"2048x2048-width":254,"2048x2048-height":255},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F2013puamnjEX1-602b.hr_-2000x1333.jpg","\u003Cp>Photo: James Ewing, Installed on Bridge Street, west of Ferry Street, Princeton, NJ. 1 of 12 outdoor billboard locations around the greater Princeton area, as part of a special installation by Princeton University Art Museum, Princeton, NJ. 21 Oct. – 16 Dec. 2013. ©Estate Felix Gonzalez-Torres, courtesy Felix Gonzalez-Torres Foundation\u003C\u002Fp>\n","Sarah Cosulich, Lucrezia Calabrò Visconti",[4591],{"ID":4592,"post_author":65,"post_date":4593,"post_date_gmt":4593,"post_content":16,"post_title":4594,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4595,"to_ping":16,"pinged":16,"post_modified":4593,"post_modified_gmt":4593,"post_content_filtered":16,"post_parent":41,"guid":4596,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},165,"2024-03-02 14:16:19","Felix Gonzalez-Torres","felix-gonzalez-torres","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=165",[4598],{"ID":4599,"post_author":65,"post_date":4600,"post_date_gmt":4600,"post_content":16,"post_title":4601,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4602,"to_ping":16,"pinged":16,"post_modified":4603,"post_modified_gmt":4603,"post_content_filtered":16,"post_parent":41,"guid":4604,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},166,"2024-03-02 14:19:31","Pinacoteca Agnelli. La Pista 500","pinacoteca-agnelli-la-pista-500","2024-05-01 13:30:35","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=166","\u003Cp>Pinacoteca Agnelli presenta una nuova installazione sulla Pista 500, sul tetto del Lingotto, con un’opera che si estende nella città di Torino. \u003Cem>Untitled\u003C\u002Fem> (1991) di Felix Gonzalez-Torres consiste in un’immagine affissa sul billboard della Pista 500 e su diversi cartelloni pubblicitari distribuiti in città.\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: 67706d09-3be7-45e6-918a-51073af15658 -->\u003C\u002Fp>\n","\u003Cp>Pinacoteca Agnelli enriches the project on the Pista 500 by exhibiting an artwork that extends to the entire city of Turin. Felix Gonzalez-Torres’ work “\u003Cem>Untitled”\u003C\u002Fem> (1991) consists of an image installed on the Pista 500 billboard and on multiple billboards throughout the city.\u003C\u002Fp>\n\u003Cp>\u003C!-- notionvc: 529b99a2-3e36-4241-b607-2a4a54eca765 -->\u003C\u002Fp>\n","\u003Cp>\u003Cem>“Untitled”\u003C\u002Fem> (1991) raffigura un letto matrimoniale sfatto ed è installato senza informazioni aggiuntive, lasciando agli spettatori l’incontro non mediato con l’opera nel paesaggio urbano. L’opera, esposta per la prima volta nel 1991, esplorava il confine tra spazio pubblico e vita privata in un’epoca segnata dalla pandemia di HIV. Una prima importante mostra ha presentato il lavoro su cartelloni pubblicitari in vari quartieri di New York City e successivamente in diversi altri luoghi in tutto il mondo, aprendosi a nuove interpretazioni e associazioni. L’immagine – intima, domestica e quotidiana – crea un forte contrasto con le pubblicità adiacenti, sfidando le norme sociali e portando nello spazio pubblico argomenti tabù come la morte, il dolore e la perdita.\u003C\u002Fp>\n\u003Cp>La città di Torino ha un significato importante nella storia del lavoro di Gonzalez-Torres, che fu invitato al Castello di Rivara nel 1991, dove presentò una serie di opere iconiche. “\u003Cem>Untitled”\u003C\u002Fem> (1991) è stato presentato per la prima volta a Torino nel 2000, in occasione di una mostra collettiva al Castello di Rivoli.\u003C\u002Fp>\n\u003Cp>Riportare “\u003Cem>Untitled”\u003C\u002Fem> (1991) a Torino dopo oltre vent’anni è un invito a riflettere su come sia cambiata la nostra percezione della città e su come i suoi spazi possano aprirsi alla condivisione di molteplici prospettive ed esperienze. L’opera solleva domande ancora attuali sull’elaborazione collettiva della perdita e sulle regolamentazioni dello spazio privato che limitano l’autonomia individuale, in un momento storico che ha stravolto le nostre abitudini riguardo al lutto e all’assenza.\u003C\u002Fp>\n","\u003Cp>\u003Cem>“Untitled”\u003C\u002Fem> (1991), depicting an unmade double bed, is installed with no identifying information, allowing viewers to encounter the work in the urban landscape without an immediate explanation. While the work was first exhibited in 1991, prompting an exploration of the boundary between public space and private life in an era marked by the HIV pandemic, the work allows for new interpretations and associations in each context of its display. A significant early exhibition presented the work on billboards across the boroughs of New York City, and the work has subsequently been presented in various places worldwide. The intimate, domestic, and commonplace image creates a strong contrast with adjacent advertisements, challenging social norms and bringing taboo topics such as death, pain, and loss into public space.\u003C\u002Fp>\n\u003Cp>The city of Turin holds significant meaning in the history of Gonzalez-Torres’s work, as the artist was invited to Castello di Rivara in 1991, where he presented a series of legendary works. The billboard \u003Cem>“Untitled”\u003C\u002Fem> (1991) was first presented in Turin in 2000 during a group exhibition at Castello di Rivoli.\u003C\u002Fp>\n\u003Cp>Bringing \u003Cem>“Untitled”\u003C\u002Fem> (1991) back to Turin more than twenty years later prompts reflection on how our perception of the city has changed and how its spaces can open up to the sharing of multiple perspectives and experiences. The work raises still-relevant questions about the collective processing of loss, and regulations of private space that constrain individual autonomy, in a historical moment that has disrupted our habits regarding mourning and absence.\u003C\u002Fp>\n",{"self":4610,"collection":4615,"about":4617,"acf:post":4619,"wp:attachment":4624,"curies":4627},[4611],{"href":4612,"targetHints":4613},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F313",{"allow":4614},[84],[4616],{"href":87},[4618],{"href":90},[4620,4622],{"embeddable":23,"href":4621},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F166",{"embeddable":23,"href":4623},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F165",[4625],{"href":4626},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=313",[4628],{"name":99,"href":100,"templated":23},{"id":4630,"date":4631,"date_gmt":4631,"guid":4632,"modified":4634,"modified_gmt":4634,"slug":4635,"status":11,"type":12,"link":4636,"title":4637,"template":16,"class_list":4639,"acf":4641,"_links":4712},305,"2024-03-02T21:37:07",{"rendered":4633},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=305","2024-03-20T18:58:56","when-we-were-old-opere-dalla-collezione-sandretto-re-rebaudengo","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fwhen-we-were-old-opere-dalla-collezione-sandretto-re-rebaudengo\u002F",{"rendered":4638},"When 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Follini",[4666,4672,4678,4684,4690,4696],{"ID":4667,"post_author":65,"post_date":4668,"post_date_gmt":4668,"post_content":16,"post_title":4669,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4670,"to_ping":16,"pinged":16,"post_modified":4668,"post_modified_gmt":4668,"post_content_filtered":16,"post_parent":41,"guid":4671,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},177,"2024-03-02 14:59:46","Anna 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Come suggerito dalla contraddizione del titolo, il nucleo di lavori condivide una riflessione sulla giovinezza come spazio di autonomia e di esperienza già legittima, sfuggendo alla retorica dei “giovani” proiettata solo nel futuro.\u003C!-- notionvc: bf7cb91c-af79-4358-b3f4-3e8956e54c71 -->\u003C\u002Fp>\n","\u003Cp>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"0\">When We Were Old \u003C\u002Fspan>presents a selection of photographic works by Anna Gaskell, Larry Johnson, Sherrie Levine, Tracey Moffat, Collier Schorr and Wolfgang Tillmans, which are part of the Sandretto Re Rebaudengo Collection. As the contradiction of the title suggests, the group of works offers a reflection on youth as a space of past legitimate autonomy and experience, shunning the rhetoric of ‘youth’ as merely projected into the future.\u003C!-- notionvc: 18e6e1fe-6a70-47c8-a078-fb9ac6dd38e4 -->\u003C\u002Fp>\n",{"self":4713,"collection":4718,"about":4720,"acf:post":4722,"wp:attachment":4737,"curies":4740},[4714],{"href":4715,"targetHints":4716},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F305",{"allow":4717},[84],[4719],{"href":87},[4721],{"href":90},[4723,4725,4727,4729,4731,4733,4735],{"embeddable":23,"href":4724},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F162",{"embeddable":23,"href":4726},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F182",{"embeddable":23,"href":4728},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F181",{"embeddable":23,"href":4730},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F180",{"embeddable":23,"href":4732},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F179",{"embeddable":23,"href":4734},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F178",{"embeddable":23,"href":4736},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F177",[4738],{"href":4739},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=305",[4741],{"name":99,"href":100,"templated":23},{"id":4743,"date":4744,"date_gmt":4744,"guid":4745,"modified":4747,"modified_gmt":4747,"slug":4748,"status":11,"type":12,"link":4749,"title":4750,"template":16,"class_list":4752,"acf":4754,"_links":4831},566,"2024-03-07T15:29:27",{"rendered":4746},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=566","2024-03-20T18:59:13","sacro-e","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fsacro-e\u002F",{"rendered":4751},"Sacro è",[4753,12,19,20,21],"post-566",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":1269,"start_time":16,"end_time":16,"media":4755,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":4773,"other_label":16,"other_label_en":16,"artist":4774,"location_type":61,"location":4819,"outdoor_location":75,"text_it":4827,"text_en":4828,"read_more_it":23,"read_more_en":23,"text_read_more_it":4829,"text_read_more_en":4830,"size":24,"exposed_off":57},[4756],{"acf_fc_layout":29,"image":4757,"text_en":4772,"text_it":4772,"meta_data":57,"size":24},{"ID":4758,"id":4758,"title":4759,"filename":4760,"filesize":4761,"url":4762,"link":4763,"alt":16,"author":37,"description":16,"caption":16,"name":4764,"status":39,"uploaded_to":4743,"date":4765,"modified":4765,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4766,"height":4767,"sizes":4768,"didascalia_en":16},567,"Tommy Malekoff_Desire Lines","Tommy-Malekoff_Desire-Lines.jpg",2836662,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTommy-Malekoff_Desire-Lines.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fsacro-e\u002Ftommy-malekoff_desire-lines\u002F","tommy-malekoff_desire-lines","2024-03-07 16:24:07",6244,4167,{"thumbnail":4769,"thumbnail-width":50,"thumbnail-height":247,"medium":4770,"medium-width":53,"medium-height":249,"medium_large":4762,"medium_large-width":54,"medium_large-height":472,"large":4771,"large-width":252,"large-height":474,"1536x1536":4762,"1536x1536-width":253,"1536x1536-height":475,"2048x2048":4762,"2048x2048-width":254,"2048x2048-height":476},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTommy-Malekoff_Desire-Lines-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTommy-Malekoff_Desire-Lines-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FTommy-Malekoff_Desire-Lines-2000x1335.jpg","\u003Cp>Tommy Malekoff, Desire Lines, 2019, two channel digital video and sound 15:42 min. 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Attraverso i linguaggi di una giovane generazione di artisti e artiste, una scelta dettata dalla volontà di concentrarsi su un sacro odierno, contemporaneo e rinnovato,\u003Cem>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"3\"> Sacro è\u003C\u002Fspan>\u003C\u002Fem> vuole costruire una celebrazione alla sacralità focalizzandosi sulla sua accezione intima e privata e suggerendo un ritorno alla comunità e all’umanità manifestando una visione universale e collettiva.\u003C\u002Fp>\n","\u003Cp>The exhibition starts from Franco Arminio’s collection of poems, \u003Cem>Sacro Minore\u003C\u002Fem>, to spark a reflection centred on the concept of “sacred”, identified and delved into within its everyday dimension while highlighting the marvel of existence and the poetry that lies in daily life. 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21:21:06",2333,{"thumbnail":4893,"thumbnail-width":50,"thumbnail-height":247,"medium":4894,"medium-width":53,"medium-height":249,"medium_large":4887,"medium_large-width":54,"medium_large-height":250,"large":4895,"large-width":252,"large-height":130,"1536x1536":4887,"1536x1536-width":253,"1536x1536-height":55,"2048x2048":4887,"2048x2048-width":254,"2048x2048-height":255},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FJeVousAime-una-performance-per-gli-udenti@MelitiSara-DSCF8311-150x100.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FJeVousAime-una-performance-per-gli-udenti@MelitiSara-DSCF8311-600x400.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FJeVousAime-una-performance-per-gli-udenti@MelitiSara-DSCF8311-2000x1333.jpg",[4897],{"ID":4898,"post_author":24,"post_date":4899,"post_date_gmt":4899,"post_content":16,"post_title":4900,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4901,"to_ping":16,"pinged":16,"post_modified":4902,"post_modified_gmt":4902,"post_content_filtered":16,"post_parent":41,"guid":4903,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},66,"2024-02-27 16:21:30","Diana Anselmo","diana-anselmo","2024-03-02 14:11:52","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=66",[4905],{"ID":4704,"post_author":65,"post_date":4705,"post_date_gmt":4705,"post_content":16,"post_title":4706,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4707,"to_ping":16,"pinged":16,"post_modified":4708,"post_modified_gmt":4708,"post_content_filtered":16,"post_parent":41,"guid":4709,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"0\">Je Vous Aime\u003C\u002Fspan> è la prima personale di Diana Anselmo, artista e performer sordo, esito di una ricerca sviluppata in archivi a Torino e Parigi. La mostra propone un dialogo di video e documenti fotografici per indagare la relazione tra il pre-cinema e la storia di oppressione della comunità Sorda. In occasione della settimana di inaugurazione di EXPOSED, Diana Anselmo presenterà l’omonima lecture-performance negli spazi della Fondazione.\u003C!-- notionvc: bbaa22fb-bab4-4cbd-b631-f40d25c241ea -->\u003C\u002Fp>\n\u003Cp>L’evento sarà tradotto in lingua italiana.\u003C\u002Fp>\n","\u003Cp>\u003Cspan class=\"notion-enable-hover\" data-token-index=\"0\">Je Vous Aime \u003C\u002Fspan>is Diana Anselmo’s first solo exhibition. Anselmo is a deaf artist and performer, and the show presents the output of research she has conducted in Turin and Paris archives. The exhibition consists of a dialogue between video and photographic documents that explore the relationship between pre-cinema and the history of the Deaf community’s oppression. To mark the opening week of EXPOSED, Diana Anselmo is presenting a lecture-performance by the same name at the Fondazione.\u003C!-- notionvc: 99d519a3-04c9-4e93-a005-86c9b82054ae -->\u003C\u002Fp>\n\u003Cp>The event will be translated in Italian.\u003C\u002Fp>\n",{"self":4909,"collection":4914,"about":4916,"acf:post":4918,"wp:attachment":4922,"curies":4925},[4910],{"href":4911,"targetHints":4912},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F293",{"allow":4913},[84],[4915],{"href":87},[4917],{"href":90},[4919,4920],{"embeddable":23,"href":4724},{"embeddable":23,"href":4921},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F66",[4923],{"href":4924},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=293",[4926],{"name":99,"href":100,"templated":23},{"id":4928,"date":4929,"date_gmt":4929,"guid":4930,"modified":4932,"modified_gmt":4932,"slug":4933,"status":11,"type":12,"link":4934,"title":4935,"template":16,"class_list":4937,"acf":4939,"_links":5047},286,"2024-03-02T20:57:39",{"rendered":4931},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=286","2024-03-20T18:59:29","expanded-i-paesaggi-dellarte","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-i-paesaggi-dellarte\u002F",{"rendered":4936},"Expanded – I Paesaggi dell’Arte",[4938,12,19,20,21],"post-286",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1664,"to":4940,"start_time":16,"end_time":16,"media":4941,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":5015,"other_label":16,"other_label_en":16,"artist":5016,"location_type":61,"location":5041,"outdoor_location":75,"text_it":5043,"text_en":5044,"read_more_it":23,"read_more_en":23,"text_read_more_it":5045,"text_read_more_en":5046,"size":24,"exposed_off":57},"2024-09-08",[4942,4962,4979,4999],{"acf_fc_layout":29,"image":4943,"text_en":4961,"text_it":4961,"meta_data":57,"size":24},{"ID":4944,"id":4944,"title":4945,"filename":4946,"filesize":4947,"url":4948,"link":4949,"alt":16,"author":65,"description":16,"caption":16,"name":4950,"status":39,"uploaded_to":4928,"date":4951,"modified":4951,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":4952,"height":599,"sizes":4953,"didascalia_en":16},291,"GOR-K-04-","GOR-K-04-1-1.jpg",3342542,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-04-1-1.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-i-paesaggi-dellarte\u002Fgor-k-04-2\u002F","gor-k-04-2","2024-03-02 21:08:31",2074,{"thumbnail":4954,"thumbnail-width":4955,"thumbnail-height":50,"medium":4956,"medium-width":4957,"medium-height":53,"medium_large":4948,"medium_large-width":54,"medium_large-height":4958,"large":4959,"large-width":4233,"large-height":537,"1536x1536":4948,"1536x1536-width":31,"1536x1536-height":253,"2048x2048":4948,"2048x2048-width":4960,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-04-1-1-104x150.jpg",104,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-04-1-1-415x600.jpg",415,1111,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-04-1-1-1383x2000.jpg",1416,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gianfranco Gorgoni, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Michael Heizer. \u003C\u002Fspan>\u003C\u002Fi>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Circular surface planar displacement drawing, \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">1970\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Modern print stampa lambda montato su dbond\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">80,5 × 55,2 cm\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":4963,"text_en":4978,"text_it":4978,"meta_data":57,"size":24},{"ID":4964,"id":4964,"title":4965,"filename":4966,"filesize":4967,"url":4968,"link":4969,"alt":16,"author":65,"description":16,"caption":16,"name":4970,"status":39,"uploaded_to":4928,"date":4971,"modified":4971,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":599,"height":4972,"sizes":4973,"didascalia_en":16},292,"GOR-K-07C.tif-","GOR-K-07C.tif-.jpg",3319677,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-07C.tif-.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-i-paesaggi-dellarte\u002Fgor-k-07c-tif\u002F","gor-k-07c-tif","2024-03-02 21:08:32",2344,{"thumbnail":4974,"thumbnail-width":50,"thumbnail-height":4565,"medium":4975,"medium-width":53,"medium-height":4976,"medium_large":4968,"medium_large-width":54,"medium_large-height":53,"large":4977,"large-width":252,"large-height":1304,"1536x1536":4968,"1536x1536-width":253,"1536x1536-height":46,"2048x2048":4968,"2048x2048-width":254,"2048x2048-height":1988},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-07C.tif--150x117.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-07C.tif--600x469.jpg",469,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-K-07C.tif--2000x1563.jpg","\u003Cp>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Gianfranco Gorgoni, SPIRAL JETTY, UTAH, \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">GOR2049SVU, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">1970\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Vintage Gelatin Silver Print\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">28 × 36 cm\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Limited edition, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Autentica\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":4980,"text_en":4998,"text_it":4998,"meta_data":57,"size":24},{"ID":4981,"id":4981,"title":4982,"filename":4983,"filesize":4984,"url":4985,"link":4986,"alt":16,"author":65,"description":16,"caption":16,"name":4987,"status":39,"uploaded_to":4928,"date":4988,"modified":4988,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":599,"height":4989,"sizes":4990,"didascalia_en":16},289,"GOR-007-","GOR-007-.jpg",2305898,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-007-.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-i-paesaggi-dellarte\u002Fgor-007\u002F","gor-007","2024-03-02 21:08:28",3980,{"thumbnail":4991,"thumbnail-width":49,"thumbnail-height":50,"medium":4992,"medium-width":4993,"medium-height":53,"medium_large":4985,"medium_large-width":54,"medium_large-height":4994,"large":4995,"large-width":2477,"large-height":537,"1536x1536":4985,"1536x1536-width":4996,"1536x1536-height":253,"2048x2048":4985,"2048x2048-width":4997,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-007--113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-007--452x600.jpg",452,1019,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-007--1508x2000.jpg",1158,1544,"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gianfranco Gorgoni, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Agnes Martin, New Mexico, \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">1974\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">(stampata nel 2005), \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">stampa cromogena su carta chimica fotografica\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">40 × 30 cm\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">firma e timbro al retro, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">limited edition\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Scatto 1974, stampa 2005\u003C\u002Fspan>\u003C\u002Fp>\n",{"acf_fc_layout":29,"image":5000,"text_en":5014,"text_it":5014,"meta_data":57,"size":24},{"ID":5001,"id":5001,"title":5002,"filename":5003,"filesize":5004,"url":5005,"link":5006,"alt":16,"author":65,"description":16,"caption":16,"name":5007,"status":39,"uploaded_to":4928,"date":5008,"modified":5008,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":5009,"height":599,"sizes":5010,"didascalia_en":16},290,"GOR-012-","GOR-012-.jpg",2133844,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-012-.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexpanded-i-paesaggi-dellarte\u002Fgor-012\u002F","gor-012","2024-03-02 21:08:29",2250,{"thumbnail":5011,"thumbnail-width":49,"thumbnail-height":50,"medium":5012,"medium-width":52,"medium-height":53,"medium_large":5005,"medium_large-width":54,"medium_large-height":55,"large":5013,"large-width":1304,"large-height":537,"1536x1536":5005,"1536x1536-width":1287,"1536x1536-height":253,"2048x2048":5005,"2048x2048-width":253,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-012--113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-012--450x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FGOR-012--1500x2000.jpg","\u003Cp>\u003Cspan style=\"font-weight: 400;\">Gianfranco Gorgoni, \u003C\u002Fspan>\u003Ci>\u003Cspan style=\"font-weight: 400;\">Elsworth Kelly, N.Y., \u003C\u002Fspan>\u003C\u002Fi>\u003Cspan style=\"font-weight: 400;\">1973\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">(stampata nel 2005), \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">stampa cromogena su carta chimica fotografica\u003Cbr \u002F>\n\u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">40 × 30 cm, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">firma e timbro al retro, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">limited edition, \u003C\u002Fspan>\u003Cspan style=\"font-weight: 400;\">Scatto 1973, stampa 2005\u003C\u002Fspan>\u003C\u002Fp>\n","Elena Volpato",[5017,5023,5029,5035],{"ID":5018,"post_author":65,"post_date":5019,"post_date_gmt":5019,"post_content":16,"post_title":5020,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":5021,"to_ping":16,"pinged":16,"post_modified":5019,"post_modified_gmt":5019,"post_content_filtered":16,"post_parent":41,"guid":5022,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},297,"2024-03-02 21:23:43","Luigi Ghirri","luigi-ghirri","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=297",{"ID":5024,"post_author":65,"post_date":5025,"post_date_gmt":5025,"post_content":16,"post_title":5026,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":5027,"to_ping":16,"pinged":16,"post_modified":5025,"post_modified_gmt":5025,"post_content_filtered":16,"post_parent":41,"guid":5028,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},295,"2024-03-02 21:23:22","Armin Linke","armin-linke","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=295",{"ID":5030,"post_author":65,"post_date":5031,"post_date_gmt":5031,"post_content":16,"post_title":5032,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":5033,"to_ping":16,"pinged":16,"post_modified":5031,"post_modified_gmt":5031,"post_content_filtered":16,"post_parent":41,"guid":5034,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},296,"2024-03-02 21:23:31","Gianfranco Gorgoni","gianfranco-gorgoni","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=296",{"ID":5036,"post_author":65,"post_date":5037,"post_date_gmt":5037,"post_content":16,"post_title":5038,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":5039,"to_ping":16,"pinged":16,"post_modified":5037,"post_modified_gmt":5037,"post_content_filtered":16,"post_parent":41,"guid":5040,"menu_order":41,"post_type":489,"post_mime_type":16,"comment_count":73,"filter":74},298,"2024-03-02 21:23:53","Ugo Mulas","ugo-mulas","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=298",[5042],{"ID":1093,"post_author":65,"post_date":1094,"post_date_gmt":1094,"post_content":16,"post_title":1095,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":1096,"to_ping":16,"pinged":16,"post_modified":1097,"post_modified_gmt":1097,"post_content_filtered":16,"post_parent":41,"guid":1098,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>L’esposizione intende porre l’accento sulla centralità del tema della fotografia e della straordinaria storia collezionistica che la GAM può vantare in questo campo. La mostra ripercorre la storia italiana della fotografia dedicata all’arte attraverso alcuni prestiti e i numerosi fondi fotografici raccolti nelle collezioni della GAM, acquisiti dalla Città di Torino e dalla Fondazione per l’Arte Moderna e Contemporanea CRT.\u003C!-- notionvc: c9c08724-94d7-451c-9408-f06786be9d03 -->\u003C\u002Fp>\n","\u003Cp>The exhibition highlights the key role of photography and the extraordinary collecting track records that GAM can boast in this field. The exhibition traces the Italian history of photography dedicated to art through some loans and the numerous photo-archives in the GAM collections, acquired by the City of Turin and the Fondazione per l’Arte Moderna e Contemporanea CRT (Foundation for Modern and Contemporary Art CRT).\u003C!-- notionvc: 4d180f67-caff-4a93-a2d8-91535bb1035e -->\u003C\u002Fp>\n","\u003Cp>Dalle prime documentazioni ottocentesche del paesaggio architettonico fino agli scatti di Armin Linke dedicati al Teatro Regio, dalle immagini di Ghirri in cui lo sguardo di spettatori si frappone tra obiettivo fotografico e opere d’arte a quelle di Mulas, che più di tutti seppe ritrarre il paesaggio delle mostre e dello studio come spazi di pensiero dell’artista, sino al lavoro di Gianfranco Gorgoni dove opera d’arte e orizzonte si fondono in un unico paesaggio significante a cui la Land Art e il Minimalismo seppero dare vita.\u003C\u002Fp>\n","\u003Cp>It starts from the first nineteenth-century records of the architectural landscape all the way up to include Armin Linke’s shots of the Teatro Regio. It features Ghirri’s images that place the spectators’ gaze between the photographic lens and the works of art and those of Mulas, who more than anyone else knew how to portray the exhibition landscape and the studio as the artist’s thought spaces. It also includes the photos of Gianfranco Gorgoni, where work of art and horizon merge into a single significant landscape as the one created by Land Art and Minimalism.\u003C\u002Fp>\n",{"self":5048,"collection":5053,"about":5055,"acf:post":5057,"wp:attachment":5067,"curies":5070},[5049],{"href":5050,"targetHints":5051},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F286",{"allow":5052},[84],[5054],{"href":87},[5056],{"href":90},[5058,5059,5061,5063,5065],{"embeddable":23,"href":1113},{"embeddable":23,"href":5060},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F298",{"embeddable":23,"href":5062},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F296",{"embeddable":23,"href":5064},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F295",{"embeddable":23,"href":5066},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F297",[5068],{"href":5069},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=286",[5071],{"name":99,"href":100,"templated":23},{"id":5073,"date":5074,"date_gmt":5074,"guid":5075,"modified":5077,"modified_gmt":5077,"slug":5078,"status":11,"type":12,"link":5079,"title":5080,"template":16,"class_list":5082,"acf":5084,"_links":5126},300,"2024-03-02T21:30:07",{"rendered":5076},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=300","2024-03-20T18:59:48","what-the-owl-knows","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fwhat-the-owl-knows\u002F",{"rendered":5081},"What 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Otolith Group-What the owl 2","The-Otolith-Group-What-the-owl-2.jpg",44048,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002FThe-Otolith-Group-What-the-owl-2.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fwhat-the-owl-knows\u002Fthe-otolith-group-what-the-owl-2\u002F","the-otolith-group-what-the-owl-2","2024-03-02 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Group","the-otolith-group","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=artist&p=299",[5123],{"ID":4704,"post_author":65,"post_date":4705,"post_date_gmt":4705,"post_content":16,"post_title":4706,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":4707,"to_ping":16,"pinged":16,"post_modified":4708,"post_modified_gmt":4708,"post_content_filtered":16,"post_parent":41,"guid":4709,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>La mostra \u003Cspan class=\"notion-enable-hover\" data-token-index=\"1\">What the Owl Knows\u003C\u002Fspan> di The Otolith Group è costituita da una videoinstallazione dedicata alla pittrice e scrittrice Lynette Yiadom-Boakye, amica intima di Kodwo Eshun e Anjalika Sagar, artistə del collettivo. Interessato a una pratica post-cinematografica, The Otolith Group costruisce un ritratto dell’artista e della sua pittura associando alla trasparenza del registro documentaristico la reticenza verso l’esposizione biografica.\u003C!-- notionvc: d7d2b373-b342-40f5-b50d-d67a282aab20 -->\u003C\u002Fp>\n","\u003Cp>The exhibition \u003Cspan class=\"notion-enable-hover\" data-token-index=\"1\">What the Owl Knows \u003C\u002Fspan>by The Otolith Group consists of a video installation dedicated to artist and author Lynette Yiadom-Boakye, a close friend of Kodwo Eshun and Anjalika Sagar, who are both artists of the collective. With its focus on post-cinematographic practice, The Otolith Group has created a portrait of the artist and her work, combining the transparency of the documentary register with a sense of reticence with regard to biographical exposure.\u003C!-- notionvc: c5f538dd-dd8b-4edf-b9de-a19c3c8f67f2 -->\u003C\u002Fp>\n",{"self":5127,"collection":5132,"about":5134,"acf:post":5136,"wp:attachment":5140,"curies":5143},[5128],{"href":5129,"targetHints":5130},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F300",{"allow":5131},[84],[5133],{"href":87},[5135],{"href":90},[5137,5138],{"embeddable":23,"href":4724},{"embeddable":23,"href":5139},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fartist\u002F299",[5141],{"href":5142},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=300",[5144],{"name":99,"href":100,"templated":23},{"id":5146,"date":5147,"date_gmt":5147,"guid":5148,"modified":5150,"modified_gmt":5150,"slug":5151,"status":11,"type":12,"link":5152,"title":5153,"template":16,"class_list":5155,"acf":5157,"_links":5187},548,"2024-03-05T10:13:16",{"rendered":5149},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=548","2024-04-28T15:43:40","maind-master-educational-program","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fmaind-master-educational-program\u002F",{"rendered":5154},"Synthetic Bias",[5156,12,19,20,21],"post-548",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1268,"to":5158,"start_time":16,"end_time":16,"media":5159,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":5176,"other_label":5177,"other_label_en":16,"artist":16,"location_type":61,"location":5178,"outdoor_location":75,"text_it":5186,"text_en":5186,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":424,"exposed_off":57},"2024-05-30",[5160],{"acf_fc_layout":29,"image":5161,"text_en":5175,"text_it":5175,"meta_data":57,"size":424},{"ID":5162,"id":5162,"title":5163,"filename":5164,"filesize":5165,"url":5166,"link":5167,"alt":16,"author":24,"description":16,"caption":16,"name":5168,"status":39,"uploaded_to":5146,"date":5169,"modified":5169,"menu_order":41,"mime_type":1773,"type":29,"subtype":1774,"icon":44,"width":5170,"height":5171,"sizes":5172,"didascalia_en":16},798,"cathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039","cathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039-1.png",1794112,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fcathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039-1.png","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fmaind-master-educational-program\u002Fcathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039-2\u002F","cathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039-2","2024-04-27 16:21:21",928,1232,{"thumbnail":5173,"thumbnail-width":49,"thumbnail-height":50,"medium":5174,"medium-width":4993,"medium-height":53,"medium_large":5166,"medium_large-width":54,"medium_large-height":4369,"large":5166,"large-width":5170,"large-height":5171,"1536x1536":5166,"1536x1536-width":5170,"1536x1536-height":5171,"2048x2048":5166,"2048x2048-width":5170,"2048x2048-height":5171},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fcathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039-1-113x150.png","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002Fcathrine7627_a_woman_in_a_costume_kissing_another_woman_in_the__3bebc863-85d3-4a81-8529-603be85db039-1-452x600.png","\u003Cp>Tangible Algorithm – Archive image\u003C\u002Fp>\n","Maind SUPSI","Free entrance",[5179],{"ID":5180,"post_author":24,"post_date":5181,"post_date_gmt":5181,"post_content":16,"post_title":5182,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":5183,"to_ping":16,"pinged":16,"post_modified":5184,"post_modified_gmt":5184,"post_content_filtered":16,"post_parent":41,"guid":5185,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},546,"2024-03-05 09:48:31","Recontemporary","recontemporary","2024-05-01 13:31:15","https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=location&p=546","\u003Cp>In the interaction design domain, the matter at play involves constructing workflows and rules to guide, support, and shape human behaviors. This matter is intangible and interwoven in the relationship between people and technology, highly present in every space\u003Cbr \u002F>\nand object of our daily lives.\u003C\u002Fp>\n\u003Cp>When applied to contemporary challenges, interaction design can evolve into an empowering set of methods that generate critical space, tangibly demonstrating how phenomena affect and influence our society.\u003C\u002Fp>\n\u003Cp>In this exhibition, algorithmic classifications and artificial interpretations are “exposed” by the intervention of young interaction designers who crafted experiences that critically highlight how the space between technology and photography is contaminated by a biased technological gaze.\u003C\u002Fp>\n\u003Cp>The showcased projects are a selection of the results of the course Prototyping Interactive Installations conducted in the framework of the MA program in Interaction Design at SUPSI. The educational journey introduced the students to the domain of experience design for site specific contexts emphasizing the exploration of technology and design as media for creating interactive installations centered around the theme of EXPOSED Torino Foto Festival.\u003C\u002Fp>\n\u003Cp>Over the course of three weeks, students explored the subject of contemporary photography in the age of soft-images, machine vision technology, image generation, networked cameras and non-human photography.\u003C\u002Fp>\n\u003Cp>They were then asked to translate this domain through the lens of interaction designers, conducting research and prototyping interaction modalities. The resulting installations embody this process and reflect on how photography can be interpreted through new types of metadata, highlighting the biased “gaze” of today’s synthetic intelligence.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Program:\u003Cbr \u002F>\nMaster of Arts in Interaction Design SUPSI University of Applied Arts and Sciences of Southern Switzerland\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>In collaboration with:\u003Cbr \u002F>\nRecontemporary\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Supported by:\u003Cbr \u002F>\nExposed Torino Foto Festival 2024\u003Cbr \u002F>\nSUPSI University of Applied Sciences of Southern Switzerland\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Course:\u003Cbr \u002F>\nPrototyping Interactive Installation a.y. 23-24\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Course Lead:\u003Cbr \u002F>\nLeonardo Angelucci, unstated.co\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Team:\u003Cbr \u002F>\nDr. Serena Cangiano, project lead\u003Cbr \u002F>\nAntonella Autuori, content supervision\u003Cbr \u002F>\nMarco Lurati, engineering supervision\u003Cbr \u002F>\nMatteo Subet, teaching and implementation assistant\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Head of Program:\u003Cbr \u002F>\nProf. Dr. Massimo Botta\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Visiting lecturers:\u003Cbr \u002F>\nYehwan Yen Song\u003Cbr \u002F>\nMarco de Mutiis\u003Cbr \u002F>\nSalvatore Vitale\u003Cbr \u002F>\nMenno Liauw\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Students:\u003Cbr \u002F>\nRaffaele Amietta – Amina Fatou Cissé – Matteo Dell’Agostino – Anna Freri – Vittorio Gennuso – Kristina Greco – Cathrine Wibholm Hansen – Hanna Kastrytsa – Ieva Kavaliauskaite – Alessia La Rocca – Ka Young Lee – Marco Luraschi – Giulia Martin – Alice Mioni – Claudia Neo – Vittorio Pace – Marta Piatti – Alessandro Plantera – Dajana Anja Devi Seefluth – Sophie Sprugasci – Davide Vitrano\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>Selected projects:\u003Cbr \u002F>\nTangible Algorithm by Alice Mioni, Alessandro Plantera, Sophie Sprugasci,\u003Cbr \u002F>\nEchoes of Exclusion by Hanna Kastrytsa, Cathrine Wibholm Hansen, Amina Fatou Cissé\u003C\u002Fp>\n",{"self":5188,"collection":5193,"about":5195,"acf:post":5197,"wp:attachment":5200,"curies":5203},[5189],{"href":5190,"targetHints":5191},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F548",{"allow":5192},[84],[5194],{"href":87},[5196],{"href":90},[5198],{"embeddable":23,"href":5199},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Flocation\u002F546",[5201],{"href":5202},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=548",[5204],{"name":99,"href":100,"templated":23},{"id":5206,"date":5207,"date_gmt":5207,"guid":5208,"modified":5210,"modified_gmt":5210,"slug":5211,"status":11,"type":12,"link":5212,"title":5213,"template":16,"class_list":5215,"acf":5217,"_links":5247},791,"2024-04-28T16:39:39",{"rendered":5209},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=791","2025-01-26T20:21:19","pop-up-photo-studio","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fpop-up-photo-studio\u002F",{"rendered":5214},"Pop-Up 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Comodo64","IED_Ivan_Cazzola_studio-Comodo64.jpg",2245369,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FIED_Ivan_Cazzola_studio-Comodo64.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fpop-up-photo-studio\u002Fied_ivan_cazzola_studio-comodo64\u002F","ied_ivan_cazzola_studio-comodo64","2024-04-28 16:33:49",3556,4733,{"thumbnail":5234,"thumbnail-width":49,"thumbnail-height":50,"medium":5235,"medium-width":5236,"medium-height":53,"medium_large":5227,"medium_large-width":54,"medium_large-height":3546,"large":5237,"large-width":5238,"large-height":537,"1536x1536":5227,"1536x1536-width":3543,"1536x1536-height":253,"2048x2048":5227,"2048x2048-width":5239,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FIED_Ivan_Cazzola_studio-Comodo64-113x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FIED_Ivan_Cazzola_studio-Comodo64-451x600.jpg",451,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FIED_Ivan_Cazzola_studio-Comodo64-1503x2000.jpg",1503,1539,"\u003Cp>Ivan Cazzola \u002FStudio Comodo64\u003C\u002Fp>\n","IED Torino in collaboration with Canon and Studio Comodo64",[5243],{"ID":364,"post_author":37,"post_date":365,"post_date_gmt":365,"post_content":16,"post_title":366,"post_excerpt":16,"post_status":11,"comment_status":68,"ping_status":68,"post_password":16,"post_name":367,"to_ping":16,"pinged":16,"post_modified":368,"post_modified_gmt":368,"post_content_filtered":16,"post_parent":41,"guid":369,"menu_order":41,"post_type":72,"post_mime_type":16,"comment_count":73,"filter":74},"\u003Cp>IED Torino presenta il \u003Cem>Pop-up Photo Studio\u003C\u002Fem>, un progetto in collaborazione con Canon, che invita il pubblico a diventare protagonista di un’azione collettiva per raccontare attraverso il mezzo fotografico i volti dei partecipanti alla prima edizione del festival.\u003C\u002Fp>\n","\u003Cp>IED Torino presenta il \u003Cem>Pop-up Photo Studio\u003C\u002Fem>, un progetto in collaborazione con Canon, che invita il pubblico a diventare protagonista di un’azione collettiva per raccontare attraverso il mezzo fotografico i volti dei partecipanti alla prima edizione del festival.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","\u003Cdiv>I portici di Gallerie d’Italia si trasformeranno in una sala di posa en plein air aperta a tutti, allestita come un vero e proprio studio con attrezzatura professionale, fondali e oggetti a disposizione di chi vorrà farsi ritrarre dai giovani studenti e studentesse del Corso di Laurea Triennale in Fotografia e delle scuole superiori, affiancati da Ivan Cazzola di Studio Comodo64 che guiderà insieme a loro le sessioni di shooting.\u003C\u002Fdiv>\n\u003Cdiv>\u003C\u002Fdiv>\n\u003Cdiv>L’Istituto Europeo di Design è presente a Torino dal 1989 e ogni anno avvia progetti di innovazione in ambito formativo nelle discipline del Design, delle Arti Visive, della Moda, della Comunicazione e del Management, sviluppando forme di apprendimento e nuovi modelli per interpretare il futuro.\u003C\u002Fdiv>\n\u003Cdiv>\u003C\u002Fdiv>\n\u003Cdiv>04-05.05.2024, 14:30 – 18:30\u003C\u002Fdiv>\n",{"self":5248,"collection":5253,"about":5255,"acf:post":5257,"wp:attachment":5259,"curies":5262},[5249],{"href":5250,"targetHints":5251},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F791",{"allow":5252},[84],[5254],{"href":87},[5256],{"href":90},[5258],{"embeddable":23,"href":386},[5260],{"href":5261},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=791",[5263],{"name":99,"href":100,"templated":23},{"id":5265,"date":5266,"date_gmt":5266,"guid":5267,"modified":5269,"modified_gmt":5269,"slug":5270,"status":11,"type":12,"link":5271,"title":5272,"template":16,"class_list":5274,"acf":5276,"_links":5296},802,"2024-04-28T17:11:46",{"rendered":5268},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=802","2025-01-26T20:22:22","exposed-mindchangers-with-tcc","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fexposed-mindchangers-with-tcc\u002F",{"rendered":5273},"Mindchangers 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17:11:32",1501,{"thumbnail":5290,"thumbnail-width":4565,"thumbnail-height":50,"medium":5291,"medium-width":4976,"medium-height":53,"medium_large":5284,"medium_large-width":54,"medium_large-height":5292,"large":5284,"large-width":5288,"large-height":252,"1536x1536":5284,"1536x1536-width":5293,"1536x1536-height":253,"2048x2048":5284,"2048x2048-width":5288,"2048x2048-height":252},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FTCC_Time_Travel_Stuff_Worm_2018-117x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FTCC_Time_Travel_Stuff_Worm_2018-469x600.jpg",982,1201,"\u003Cp>Dalla collaborazione con il progetto europeo Mindchangers e con il Consorzio delle Ong Piemontesi ETS, nasce \u003Cem>EXPOSED Mindchangers with TCC\u003C\u002Fem>, un percorso di educazione alla fotografia e all’immagine contemporanea che, sotto il tutoraggio del duo artistico The Cool Couple, coinvolgerà 20 giovani under 35.\u003C\u002Fp>\n","\u003Cp>\u003Cem>EXPOSED Mindchangers with TCC\u003C\u002Fem> permette ai 20 ragazze e ragazzi di:\u003C\u002Fp>\n\u003Cp>– accedere liberamente al programma di incontri con artisti, curatori ed esperti internazionali durante la settimana inaugurale di EXPOSED (\u003Cspan lang=\"it\">Accademia Albertina e Cavallerizza Reale, \u003C\u002Fspan>2-5 maggio 2024);\u003C\u002Fp>\n\u003Cp>– visitare gratuitamente le mostre incluse nel programma di EXPOSED per tutta la durata del Festival (2 maggio – 2 giugno);\u003C\u002Fp>\n\u003Cp>– partecipare gratuitamente al workshop del duo artistico The Cool Couple presso il Museo Egizio di Torino (23-25 maggio 2024)\u003C\u002Fp>\n",{"self":5297,"collection":5302,"about":5304,"wp:attachment":5306,"curies":5309},[5298],{"href":5299,"targetHints":5300},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F802",{"allow":5301},[84],[5303],{"href":87},[5305],{"href":90},[5307],{"href":5308},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=802",[5310],{"name":99,"href":100,"templated":23},{"id":5312,"date":5313,"date_gmt":5313,"guid":5314,"modified":5316,"modified_gmt":5316,"slug":5317,"status":11,"type":12,"link":5318,"title":5319,"template":16,"class_list":5321,"acf":5323,"_links":5343},609,"2024-03-17T14:23:21",{"rendered":5315},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=609","2024-05-06T21:05:41","liquida-photofestival","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fliquida-photofestival\u002F",{"rendered":5320},"Liquida Photo 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Pflügler","1.LIQUIDAUntitled_Peter-Pflugler.jpg",3464201,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1.LIQUIDAUntitled_Peter-Pflugler.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fliquida-photofestival\u002F1-liquidauntitled_peter-pflugler\u002F","1-liquidauntitled_peter-pflugler","2024-03-17 14:23:00",{"thumbnail":5337,"thumbnail-width":421,"thumbnail-height":50,"medium":5338,"medium-width":423,"medium-height":53,"medium_large":5332,"medium_large-width":54,"medium_large-height":181,"large":5339,"large-width":1988,"large-height":537,"1536x1536":5332,"1536x1536-width":1989,"1536x1536-height":253,"2048x2048":5332,"2048x2048-width":1990,"2048x2048-height":254},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1.LIQUIDAUntitled_Peter-Pflugler-120x150.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1.LIQUIDAUntitled_Peter-Pflugler-480x600.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F03\u002F1.LIQUIDAUntitled_Peter-Pflugler-1600x2000.jpg","Laura Tota","\u003Cp>Cavallerizza Torino – Via Verdi, 5\u003Cbr \u002F>\n3.05.2024 10–21 ; ultimo ingresso alle 20:30\u003C\u002Fp>\n\u003Cblockquote class=\"wp-embedded-content\" data-secret=\"sZm4L6wKZg\">\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.paratissima.it\u002Fliquida-2024\u002F\">Liquida 2024\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fblockquote>\n\u003Cp>\u003Ciframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"“Liquida 2024” — Paratissima\" src=\"https:\u002F\u002Fwww.paratissima.it\u002Fliquida-2024\u002Fembed\u002F#?secret=ky9xclhVja#?secret=sZm4L6wKZg\" data-secret=\"sZm4L6wKZg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\">\u003C\u002Fiframe>\u003C\u002Fp>\n","\u003Cp>Cavallerizza Torino – Via Verdi, 5\u003Cbr \u002F>\n3.05.2024 10–21 last entrance at 20:30\u003C\u002Fp>\n\u003Cblockquote class=\"wp-embedded-content\" data-secret=\"sZm4L6wKZg\">\u003Cp>\u003Ca href=\"https:\u002F\u002Fwww.paratissima.it\u002Fliquida-2024\u002F\">Liquida 2024\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fblockquote>\n\u003Cp>\u003Ciframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"“Liquida 2024” — Paratissima\" src=\"https:\u002F\u002Fwww.paratissima.it\u002Fliquida-2024\u002Fembed\u002F#?secret=ky9xclhVja#?secret=sZm4L6wKZg\" data-secret=\"sZm4L6wKZg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\">\u003C\u002Fiframe>\u003C\u002Fp>\n",{"self":5344,"collection":5349,"about":5351,"wp:attachment":5353,"curies":5356},[5345],{"href":5346,"targetHints":5347},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fprogramme\u002F609",{"allow":5348},[84],[5350],{"href":87},[5352],{"href":90},[5354],{"href":5355},"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-json\u002Fwp\u002Fv2\u002Fmedia?parent=609",[5357],{"name":99,"href":100,"templated":23},{"id":4265,"date":5359,"date_gmt":5359,"guid":5360,"modified":5362,"modified_gmt":5362,"slug":5363,"status":11,"type":12,"link":5364,"title":5365,"template":16,"class_list":5366,"acf":5368,"_links":5389},"2024-04-11T09:38:24",{"rendered":5361},"https:\u002F\u002Fadmin.exposed.photography\u002F?post_type=programme&p=594","2024-04-18T10:21:31","the-phair","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fthe-phair\u002F",{"rendered":59},[5367,12,19,20,21],"post-594",{"title_en":16,"description":16,"description_en":16,"public_program":57,"typology":73,"public_program_typology":57,"from":1664,"to":5218,"start_time":5369,"end_time":5370,"media":5371,"detailed_schedule_and_date":16,"detailed_schedule_and_date_en":16,"curated_by":16,"other_label":16,"other_label_en":16,"artist":16,"location_type":61,"location":5387,"outdoor_location":75,"text_it":16,"text_en":16,"read_more_it":57,"read_more_en":57,"text_read_more_it":16,"text_read_more_en":16,"size":73,"exposed_off":23},"12:00:00","21:00:00",[5372],{"acf_fc_layout":29,"image":5373,"text_en":16,"text_it":16,"meta_data":57,"size":24},{"ID":5374,"id":5374,"title":5375,"filename":5376,"filesize":5377,"url":5378,"link":5379,"alt":16,"author":24,"description":16,"caption":16,"name":5380,"status":39,"uploaded_to":4265,"date":5381,"modified":5381,"menu_order":41,"mime_type":42,"type":29,"subtype":43,"icon":44,"width":3884,"height":5382,"sizes":5383,"didascalia_en":16},762,"PODBIELSKI-CONTEMPORARY_Augusto-Cantamessa,-1985,-1985,-Stampa-Estate-a-pigmenti-puri-su-carta-Fine-Art,-passepartout,-vetro-e-cornice-in-legno-nero,-48-x-33-cm","PODBIELSKI-CONTEMPORARY_Augusto-Cantamessa-1985-1985-Stampa-Estate-a-pigmenti-puri-su-carta-Fine-Art-passepartout-vetro-e-cornice-in-legno-nero-48-x-33-cm.jpg",201128,"https:\u002F\u002Fadmin.exposed.photography\u002Fwp-content\u002Fuploads\u002F2024\u002F04\u002FPODBIELSKI-CONTEMPORARY_Augusto-Cantamessa-1985-1985-Stampa-Estate-a-pigmenti-puri-su-carta-Fine-Art-passepartout-vetro-e-cornice-in-legno-nero-48-x-33-cm.jpg","https:\u002F\u002Fadmin.exposed.photography\u002Fprogramme\u002Fthe-phair\u002Fpodbielski-contemporary_augusto-cantamessa-1985-1985-stampa-estate-a-pigmenti-puri-su-carta-fine-art-passepartout-vetro-e-cornice-in-legno-nero-48-x-33-cm\u002F","podbielski-contemporary_augusto-cantamessa-1985-1985-stampa-estate-a-pigmenti-puri-su-carta-fine-art-passepartout-vetro-e-cornice-in-legno-nero-48-x-33-cm","2024-04-18 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